The Children of the King Part 27

Her voice was very sweet and true and there was real pathos in the words as she sang them. But as she went on, San Miniato noticed first that she repeated the second line, and then that she sang all the remaining melody to it, singing it over and over again with an amazing variety of expression, angrily, laughingly, ironically and sadly.

"--Tu sais que j'en vais mourir!"

She ended, with a strange burst of pa.s.sion.

She rose suddenly to her feet and shut the lid down sharply upon the key-board.

"How perfectly we understand each other, do we not?" she said sweetly, a moment later, and meeting San Miniato's eyes.

"I hope we always shall," he answered quietly, pretending not to have understood.

She left him with her mother and went out upon the terrace and looked down at the black water deep below and at the lights of the yachts and the far reflections of the stars upon the smooth bay, and at the distant light on Capo Miseno. The night air soothed her a little, and when dinner was announced and the three sat down to the table at the other end of the terrace her face betrayed neither discontent nor emotion, and she joined in the conversation indifferently enough, so that San Miniato and her mother thought her more than usually agreeable.

At the appointed time the two porters appeared with the Marchesa's chair, and Teresina brought in wraps and shawls, quite useless on such a night, and the little party left the room in procession, as they had done a few days earlier when they started for Tragara. But their mood was very different to-night. Even the Marchesa forgot to complain and let herself be carried down without the least show of resistance. On the first excursion none of them had quite understood the other, and all of them except poor Ruggiero had been in the best of humours. Now they all understood one another too well, and they were silent and uneasy when together. They hardly knew why they were going, and San Miniato almost regretted having persuaded them. Doubtless the crabs were numerous along the rocky sh.o.r.e and they would catch hundreds of them before midnight.

Doubtless also, the said crustaceans would be very good to eat on the following day. But no one seemed to look forward to the delight of the sport or of the dish afterwards, excepting Teresina and Bastianello who whispered together as they followed last. Ruggiero went in front carrying a lantern, and when they reached the pier it was he who put the party on board, made the skiff fast astern of the sailboat and jumped upon the stern, himself the last of all.

The night breeze was blowing in gusts off the sh.o.r.e, as it always does after a hot day in the summer, and Ruggiero took advantage of every puff of wind, while the men pulled in the intervals of calm. The starlight was very bright and the air so clear that the lights of Naples shone out distinctly, the beginning of the chain of sparks that lies like a necklace round the sea from Posilippo to Castellamare. The air was soft and dry, so that there was not the least moisture on the gunwale of the boat. Every one was silent.

Then on a sudden there was a burst of music. San Miniato had prepared it as a surprise, and the two musicians had pa.s.sed unnoticed where they sat in the bows, hidden from sight by the foresail so soon as the boat was under way. Only a mandolin and a guitar, but the best players of the whole neighbourhood. It was very pretty, and the attempt to give pleasure deserved, perhaps, more credit than it received.

"It is charming, dearest friend!" was all the Marchesa vouchsafed to say, when the performers paused.

Beatrice sat stony and unmoved, and spoke no word. She said to herself that San Miniato was again attempting to prepare the scenery for a comedy, and she could have laughed to think that he should still delude himself so completely. Teresina would have clapped her hands in applause had she dared, but she did not, and contented herself with trying to see into Bastianello's eyes. She was very near him as she sat furthest forward in the stern-sheets and he pulled the starboard stroke oar, leaning forward upon the loom, as the gust filled the sails and the boat needed no pulling.

"You do not care for the mandolin, Donna Beatrice?" said San Miniato, with a sort of disappointed interrogation in his voice.

"Have I said that I do not care for it?" asked the young girl indifferently. "You take too much for granted."

Grim and silent on the stern sat Ruggiero, the tiller in his hand, his eye on the dark water to landward constantly on the look-out for the gusts that came down so quickly and which could deal treacherously with a light craft like the one he was steering. But he had no desire to upset her to-night, nor even to bring the tiller down on his master's head. There was to be no bungling about the business he had in hand, no mistakes and no wasting of lives.

The mandolin tinkled and the guitar strummed vigorously as they neared Scutari point, vast, black and forbidding in the starlight. But a gloom had settled upon the party which nothing could dispel. It was as though the shadow of coming evil had overtaken them and were sweeping along with them across the dark and silent water. There was something awful in the stillness under the enormous bluff, as Ruggiero gave the order to stop pulling and furl the sails, and he himself brought the skiff alongside by the painter, got in and kept her steady, laying his hand upon the gunwale of the larger boat. Bastianello stood up to help Beatrice and Teresina.

"Will you come, Donna Beatrice?" asked San Miniato, wis.h.i.+ng with all his heart that he had never proposed the excursion.

It seemed absurd to refuse after coming so far and the young girl got into the skiff, taking Ruggiero's hand to steady herself. It did not tremble to-night as it had trembled a few days ago. Beatrice was glad, for she fancied that he was recovering from his insane pa.s.sion for her.

Then San Miniato got over, rather awkwardly as he did everything so soon as he left the land. Then Teresina jumped down, and last of all Bastianello. So they shoved off and pulled away into the deep shadow under the bluffs. There the cliff rises perpendicularly seven hundred feet out of the water, deeply indented at its base with wave-worn caves and hollows, but not affording a fast hold anywhere save on the broad ledge of the single islet of rock from which a high natural arch springs suddenly across the water to the abrupt precipice which forms the mountain's base.

Calmly, as though it were an every-day excursion, Ruggiero lighted a torch and held it out when the boat was alongside of the rocks, showing the dark green crabs that lay by dozens motionless as though paralysed by the strong red glare. And Bastianello picked them off and tossed them into the kettle at his feet, as fast as he could put out his hands to take them. Teresina tried, too, but one almost bit her tender fingers and she contented herself with looking on, while San Miniato and Beatrice silently watched the proceedings from their place in the stern.

Little by little Ruggiero made the boat follow the base of the precipice, till she was under the natural arch.

"Pardon, Excellency," he said quietly, "but the foreigners think this is a sight with the torches. If you will go ash.o.r.e on the ledge, I will show it you."

The proposal seemed very natural under the circ.u.mstances, and as the operation of picking crabs off the rocks and dropping them into a caldron loses its interest when repeated many times, Beatrice immediately a.s.sented.

The larger boat was slowly following and the tinkle of the mandolin, playing waltz music, rang out through the stillness. Ruggiero brought the skiff alongside of the ledge where it was lowest.

"Get ash.o.r.e, Bastianello," he said in the same quiet tone. Bastianello obeyed and stood ready to help Beatrice, who came next.

As she stepped upon the rock Ruggiero raised the torch high with one hand, so that the red light fell strong and full upon her face, and he looked keenly at her, his eyes fixing themselves strangely, as she could see, for she could not help glancing down at him as she stood still upon the ledge.

"Now Teresina," said Ruggiero, still gazing up at Beatrice.

Teresina grasped Bastianello's hand and sprang ash.o.r.e, happy as a child at the touch. San Miniato was about to follow and had already risen from his seat. But with a strong turn of his hand Ruggiero made the stern of the skiff swing out across the narrow water that is twenty fathoms deep between the mountain and the islet.

"What are you doing?" asked San Miniato impatiently. "Let me land!"

But Ruggiero pushed the boat's head off and she floated free between the rocks.

"You and I can take a bath together," said the sailor very quietly. "The water is very deep here."

San Miniato started. There was a sudden change in Ruggiero's face.

"Land me!" cried the Count in a commanding tone.

"In h.e.l.l!" answered the sailor's deep voice.

At the same moment he dropped the torch, and seizing the bags of ballast that lay between his feet, hove them overboard, springing across the thwarts towards San Miniato as he let them go. The line slipped to the side as the heavy weight sank and the boat turned over just as the strong man's terrible fingers closed round his enemy's throat in the darkness. San Miniato's death cry rent the still air--there was a little splas.h.i.+ng, and all was done.

So I have told my tale, such as it is, how Ruggiero of the Children of the King gave himself body and soul to free Beatrice Granmichele from a life's bondage. She wore mourning a whole year for her affianced husband, but the mourning in her heart was for the strong, brave, unreasoning man, who, utterly unloved, had given all for her sake, in this world and the next.

But when the year was over, Bastianello married Teresina, and took her to the home he had made for her by the sea--a home in which she should be happy, and in which at least there can never be want, for Beatrice has settled money on them both, and they are safe from sordid poverty, at all events.

The Marchesa's nerves were terribly shaken by the tragedy, but she has recovered wonderfully and still fans herself and smokes countless cigarettes through the long summer afternoon.

Of those left, Bastianello and Beatrice are the most changed--both, perhaps, for the better. The sailor is graver and sterner than before, but he still has the gentleness which was never his brother's. Beatrice has not yet learned the great lesson of love in her own heart, but she knows and will never forget what love can grow to be in another, for she has fathomed its deepest depth.

And now you will tell me that Ruggiero did wrong and was a great sinner, and a murderer, and a suicide, and old Luigione is sure that he is burning in unquenchable fire. And perhaps he is, though that is a question neither you nor I can well decide. But one thing I can say of him, and that you cannot deny. He was a man, strong, whole-hearted, willing to give all, as he gave it, without asking. And perhaps if some of us could be like Ruggiero in all but his end, we should be better than we are, and truer, and more worthy to win the love of woman and better able to keep it. And that is all I have to say. But when you stand upon the ledge by Scutari, if you ever say a prayer, say one for those two who suffered on that spot. Beatrice does sometimes, though no one knows it, and prayers like hers are heard, perhaps, and answered.