Susan Lenox Her Fall and Rise Part 72

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He shook his head, frowning. "Let's not talk about it," he said harshly. "If only I could stop thinking about it!"

She effaced herself as far as she could, living in the same room with him. She avoided the least show of the tenderness she felt, of the longing to have her wounds soothed. She lay awake the whole night, suffering, now and then timidly and softly caressing him when she was sure that he slept. In the morning she pretended to be asleep, let him call her twice before she showed that she was awake. A furtive glance at him confirmed the impression his voice had given. Behind her pale, unrevealing face there was the agonized throb of an aching heart, but she had the confidence of her honest, utter love; he would surely soften, would surely forgive. As for herself--she had, through loving and feeling that she was loved, almost lost the sense of the unreality of past and present that made her feel quite detached and apart from the life she was leading, from the events in which she was taking part, from the persons most intimately a.s.sociated with her. Now that sense of isolation, of the mere spectator or the traveler gazing from the windows of the hurrying train--that sense returned. But she fought against the feeling it gave her.

That evening they went to the theater--to see Modjeska in "Magda."

Susan had never been in a real theater. The only approach to a playhouse in Sutherland was Masonic Hall. It had a sort of stage at one end where from time to time wandering players gave poor performances of poor plays or a minstrel show or a low vaudeville. But none of the best people of Sutherland went--at least, none of the women. The notion was strong in Sutherland that the theater was of the Devil--not so strong as in the days before they began to tolerate amateur theatricals, but still vigorous enough to give Susan now, as she sat in the big, brilliant auditorium, a pleasing sense that she, an outcast, was at last comfortably at home. Usually the first sight of anything one has dreamed about is pitifully disappointing. Neither nature nor life can build so splendidly as a vivid fancy. But Susan, in some sort prepared for the shortcomings of the stage, was not disappointed. From rise to fall of curtain she was so fascinated, so absolutely absorbed, that she quite forgot her surroundings, even Rod. And between the acts she could not talk for thinking. Rod, deceived by her silence, was chagrined. He had been looking forward to a great happiness for himself in seeing her happy, and much profit from the study of the viewpoint of an absolutely fresh mind. It wasn't until they were leaving the theater that he got an inkling of the true state of affairs with her.

"Let's go to supper," said he.

"If you don't mind," replied she, "I'd rather go home. I'm very tired."

"You were sound asleep this morning. So you must have slept well," said he sarcastically.

"It's the play," said she.

"_Why_ didn't you like it?" he asked, irritated.

She looked at him in wonder. "Like what? The play?" She drew a long breath. "I feel as if it had almost killed me."

He understood when they were in their room and she could hardly undress before falling into a sleep so relaxed, so profound, that it made him a little uneasy. It seemed to him the exhaustion of a child worn out with the excitement of a spectacle. And her failure to go into ecstasies the next day led him further into the same error. "Modjeska is very good as _Magda_," said he, carelessly, as one talking without expecting to be understood. "But they say there's an Italian woman--Duse--who is the real thing."

Modjeska--Duse--Susan seemed indeed not to understand. "I hated her father," she said. "He didn't deserve to have such a wonderful daughter."

Spenser had begun to laugh with her first sentence. At the second he frowned, said bitterly: "I might have known! You get it all wrong. I suppose you sympathize with _Magda_?"

"I wors.h.i.+ped her," said Susan, her voice low and tremulous with the intensity of her feeling.

Roderick laughed bitterly. "Naturally," he said. "You can't understand."

An obvious case, thought he. She was indeed one of those instances of absolute lack of moral sense. Just as some people have the misfortune to be born without arms or without legs, so others are doomed to live bereft of a moral sense. A sweet disposition, a beautiful body, but no soul; not a stained soul, but no soul at all. And his whole mental att.i.tude toward her changed; or, rather, it was changed by the iron compulsion of his prejudice. The only change in his physical att.i.tude--that is, in his treatment of her--was in the direction of bolder pa.s.sion.

of complete casting aside of all the restraint a conventional respecter of conventional womanhood feels toward a woman whom he respects. So, naturally, Susan, eager to love and to be loved, and easily confusing the not easily distinguished spiritual and physical, was rea.s.sured. Once in a while a look or a phrase from him gave her vague uneasiness; but on the whole she felt that, in addition to clear conscience from straightforwardness, she had a further reason for being glad Chance had forced upon her the alternative of telling him or lying. She did not inquire into the realities beneath the surface of their life--neither into what he thought of her, nor into what she thought of him--thought in the bottom of her heart. She continued to fight against, to ignore, her feeling of aloneness, her feeling of impending departure.

She was aided in this by her anxiety about their finances. In his efforts to place his play he was spending what were for them large sums of money--treating this man and that to dinners, to suppers--inviting men to lunch with him at expensive Broadway restaurants. She a.s.sumed that all this was necessary; he said so, and he must know. He was equally open-handed when they were alone, insisting on ordering the more expensive dishes, on having suppers they really did not need and drink which she knew she would be better off without--and, she suspected, he also. It simply was not in him, she saw, to be careful about money. She liked it, as a trait, for to her as to all the young and the unthinking carelessness about money seems a sure, perhaps the surest, sign of generosity--when in fact the two qualities are in no way related. Character is not a collection of ignorant impulses but a solidly woven fabric of deliberate purposes.

Carelessness about anything most often indicates a tendency to carelessness about everything. She admired his openhanded way of scattering; she wouldn't have admired it in herself, would have thought it dishonest and selfish. But Rod was different. _He_ had the "artistic temperament," while she was a commonplace n.o.body, who ought to be--and was--grateful to him for allowing her to stay on and for making such use of her as he saw fit. Still, even as she admired, she saw danger, grave danger, a disturbingly short distance ahead. He described to her the difficulties he was having in getting to managers, in having his play read, and the absurdity of the reasons given for turning it down. He made light of all these; the next manager would see, would give him a big advance, would put the play on--and then, Easy Street!

But experience had already killed what little optimism there was in her temperament--and there had not been much, because George Warham was a successful man in his line, and successful men do not create or permit optimistic atmosphere even in their houses.

Nor had she forgotten Burlingham's lectures on the subject with ill.u.s.trations from his own spoiled career; she understood it all now--and everything else he had given her to store up in her memory that retained everything. With that philippic against optimism in mind, she felt what Spenser was rus.h.i.+ng toward. She made such inquiries about work for herself as her inexperience and limited opportunities permitted. She asked, she begged him, to let her try to get a place. He angrily ordered her to put any such notion out of her head. After a time she nerved herself again to speak. Then he frankly showed her why he was refusing.

"No," said he peremptorily, "I couldn't trust you in those temptations. You must stay where I can guard you."

A woman who had deliberately taken to the streets--why, she thought nothing of virtue; she would be having lovers with the utmost indifference; and while she was not a liar yet--"at least, I think not"--how long would that last? With virtue gone, virtue the foundation of woman's character--the rest could no more stand than a house set on sand.

"As long as you want me to love you, you've got to stay with me," he declared. "If you persist, I'll know you're simply looking for a chance to go back to your old ways."

And though she continued to think and cautiously to inquire about work she said no more to him. She spent not a penny, discouraged him from throwing money away--as much as she could without irritating him--and waited for the cataclysm. Waited not in gloom and tears but as normal healthy youth awaits any adversity not definitely scheduled for an hour close at hand. It would be far indeed from the truth to picture Susan as ever for long a melancholy figure to the eye or even wholly melancholy within. Her intelligence and her too sympathetic heart were together a strong force for sadness in her life, as they cannot but be in any life. In this world, to understand and to sympathize is to be saddened. But there was in her a force stronger than either or both. She had superb health. It made her beautiful, strong body happy; and that physical happiness brought her up quickly out of any depths--made her gay in spite of herself, caused her to enjoy even when she felt that it was "almost like hard-heartedness to be happy." She loved the sun and in this city where the sun shone almost all the days, sparkling gloriously upon the tiny salt particles filling the air and making it delicious to breathe and upon the skin--in this City of the Sun as she called it, she was gay even when she was heavy-hearted.

Thus, she was no repellent, aggravating companion to Rod as she awaited the cataclysm.

It came in the third week. He spent the entire day away from her, toward midnight he returned, flushed with liquor. She had gone to bed. "Get up and dress," said he with an irritability toward her which she had no difficulty in seeing was really directed at himself. "I'm hungry--and thirsty. We're going out for some supper."

"Come kiss me first," said she, stretching out her arms. Several times this device had s.h.i.+fted his purpose from spending money on the needless and expensive suppers.

He laughed. "Not a kiss. We're going to have one final blow-out.

I start to work tomorrow. I've taken a place on the _Herald_--on s.p.a.ce, guaranty of twenty-five a week, good chance to average fifty or sixty."

He said this hurriedly, carelessly, gayly--guiltily. She showed then and there what a surpa.s.sing wise young woman she was, for she did not exclaim or remind him of his high resolve to do or die as a playwright. "I'll be ready in a minute," was all she said.

She dressed swiftly, he lounging on the sofa and watching her.

He loved to watch her dress, she did it so gracefully, and the motions brought out latent charms of her supple figure. "You're not so sure-fingered tonight as usual," said he. "I never saw you make so many blunders--and you've got one stocking on wrong side out."

She smiled into the gla.s.s at him. "The skirt'll cover that. I guess I was sleepy."

"Never saw your eyes more wide-awake. What're you thinking about?"

"About supper," declared she. "I'm hungry. I didn't feel like eating alone."

"I can't be here always," said he crossly--and she knew he was suspecting what she really must be thinking.

"I wasn't complaining," replied she sweetly. "You know I understand about business."

"Yes, I know," said he, with his air of generosity that always made her feel grateful. "I always feel perfectly free about you."

"I should say!" laughed she. "You know I don't care what happens so long as you succeed." Since their talk in Broadway that first evening in New York she had instinctively never said "we."

When they were at the table at Rector's and he had taken a few more drinks, he became voluble and plausible on the subject of the trifling importance of his setback as a playwright. It was the worst possible time of year; the managers were stocked up; his play would have to be rewritten to suit some particular star; a place on a newspaper, especially such an influential paper as the _Herald_, would be of use to him in interesting managers. She listened and looked convinced, and strove to convince herself that she believed. But there was no gray in her eyes, only the deepest hue of violets.

Next day they took a suite of two rooms and a bath in a pretentious old house in West Forty-fourth Street near Long Acre Square. She insisted that she preferred another much sunnier and quieter suite with no bath but only a stationary washstand; it was to be had for ten dollars a week. But he laughed at her as too economical in her ideas, and decided for the eighteen-dollar rooms. Also he went with her to buy clothes, made her spend nearly a hundred dollars where she would have spent less than twenty-five. "I prefer to make most of my things," declared she.

"And I've all the time in the world." He would not have it. In her leisure time she must read and amuse herself and keep herself up to the mark, especially physically. "I'm proud of your looks," said he. "They belong to me, don't they? Well, take care of my property, Miss."

She looked at him vaguely--a look of distance, of parting, of pain. Then she flung herself into his arms with a hysterical cry--and shut her eyes tight against the beckoning figure calling her away. "No! No!" she murmured. "I belong here--_here!_"

"What are you saying?" he asked.

"Nothing--nothing," she replied.

CHAPTER XXV

AT the hotel they had been Mr. and Mrs. Spenser. When they moved, he tried to devise some way round this; but it was necessary that they have his address at the office, and Mrs.

Pershall with the glistening old-fas.h.i.+oned false teeth who kept the furnished-room house was not one in whose withered bosom it would be wise to raise a suspicion as to respectability. Only in a strenuously respectable house would he live; in the other sort, what might not untrustworthy Susan be up to? So Mr. and Mrs. Spenser they remained, and the truth was suspected by only a few of their acquaintances, was known by two or three of his intimates whom he told in those bursts of confidence to which voluble, careless men are given--and for which they in resolute self-excuse unjustly blame strong drink.

One of his favorite remarks to her--sometimes made laughingly, again ironically, again angrily, again insultingly, was in this strain:

"Your face is demure enough. But you look too d.a.m.ned attractive about those beautiful feet of yours to be respectable at heart--and trustable."

Susan Lenox Her Fall and Rise Part 72

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Susan Lenox Her Fall and Rise Part 72 summary

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