The Tribes and Castes of the Central Provinces of India Volume III Part 8

Paiyam. Paiya is a heifer which has not borne a calf, such as is offered to the G.o.ds. Other Gonds say that the people of this sept have no G.o.ds. They are said not only to marry a girl from any other subsept of the Dhurwas and Uikas, but from their own sept and even their own sisters, though this is probably no longer true. They are held to be the lowest of the Gonds. Except in this instance, as already seen, the subsepts of the Dhurwa and Uika septs do not intermarry with each other.

(c) Marriage Customs

15. Prohibitions on intermarriage, and unions of relations.

A man must not marry in his own sept, nor in one which wors.h.i.+ps the same number of G.o.ds, in localities where the cla.s.sification of septs according to the number of G.o.ds wors.h.i.+pped obtains. Intermarriage between septs which are bhaiband or brothers to each other is also prohibited. The marriage of first cousins is considered especially suitable. Formerly, perhaps, the match between a brother's daughter and sister's son was most common; this is held to be a survival of the matriarchate, when a man's sister's son was his heir. But the reason has now been generally forgotten, and the union of a brother's son to a sister's daughter has also become customary, while, as girls are scarce and have to be paid for, it is the boy's father who puts forward his claim. Thus in Mandla and Bastar a man thinks he has a right to his sister's daughter for his son on the ground that his family has given a girl to her husband's family, and therefore they should give one back. This match is known as Dudh lautana or bringing back the milk; and if the sister's daughter marries any one else her maternal uncle sometimes claims what is known as 'milk money,'

which may be a sum of Rs. 5, in compensation for the loss of the girl as a wife for his son. This custom has perhaps developed out of the former match in changed conditions of society, when the original relation between a brother and his sister's son has been forgotten and girls have become valuable. But it is said that the dudh or milk money is also payable if a brother refuses to give his daughter to his sister's son. In Mandla a man claims his sister's daughter for his son and sometimes even the daughter of a cousin, and considers that he has a legitimate grievance if the girl is married to somebody else. Frequently, if he has reason to apprehend this, he invites the girl to his house for some ceremony or festival, and there marries her to his son without the consent of her parents. As this usually const.i.tutes the offence of kidnapping under the Penal Code, a crop of criminal cases results, but the procedure of arrest without warrant and the severe punishment imposed by the Code are somewhat unsuitable for a case of this kind, which, according to Gond ideas, is rather in the nature of a civil wrong, and a sufficient penalty would often be the payment of an adequate compensation or bride-price for the girl. The children of two sisters cannot, it is said, be married, and a man cannot marry his wife's elder sister, any aunt or niece, nor his mother-in-law or her sister. But marriage is not prohibited between grandparents and grandchildren. If an old man marries a young wife and dies, his grandson will marry her if she is of proper age. In this there would be no blood-relations.h.i.+p, but it is doubtful whether even the existence of such relations.h.i.+p would prevent the match. It is said that even among Hindu castes the grandfather will flirt with his granddaughter, and call her his wife in jest, and the grandmother with her grandson. In Bastar a man can marry his daughter's daughter or maternal grandfather's or grandmother's sister. He could not marry his son's daughter or paternal grandfather's sister, because they belong to the same sept as himself.

16. Irregular marriages.

In the Maria country, if a girl is made pregnant by a man of the caste before marriage, she simply goes to his house and becomes his wife. This is called Paithu or entering. The man has to spend Rs. 2 or 3 on food for the caste and pay the price for the girl to her parents. If a girl has grown up and no match has been arranged for her to which she agrees, her parents will ask her maternal uncle's or paternal aunt's son to seize her and take her away. These two cousins have a kind of prescriptive claim to the girl, and apparently it makes no difference whether the prospective husband is already married or not. He and his friends lie in wait near her home and carry her off, and her parents afterwards proceed to his house to console their daughter and reconcile her to the match. Sometimes when a woman is about to become what is known as a Paisamundi or kept woman, without being married, the relations rub her and the man whose mistress she is with oil and turmeric, put marriage crowns of palm-leaves on their heads, pour water on them from the top of a post, and make them go seven times round a mahua branch, so that they may be considered to be married. When a couple are very poor they may simply go and live together without any wedding, and perform the ceremony afterwards when they have means, or they distribute little pieces of bread to the tribesmen in lieu of the marriage feast.

17. Marriage. Arrangement of matches.

Marriage is generally adult. Among the wild Maria Gonds of Bastar the consent of the girl is considered an essential preliminary to the union. She gives it before a council of elders, and if necessary is allowed time to make up her mind. The boy must also agree to the match. Elsewhere matches are arranged by the parents, and a bride-price which amounts to a fairly substantial sum in comparison with the means of the parties is usually paid. But still the girls have a considerable amount of freedom. It is generally considered that if a girl goes of her own accord and pours turmeric and water over a man, it is a valid marriage and he can take her to live in his house. Married women also sometimes do this to another man if they wish to leave their husbands.

18. The marriage ceremony.

The most distinctive feature of a Gond marriage is that the procession usually starts from the bride's house and the wedding is held at that of the bridegroom, in contradistinction to the Hindu practice. It is supposed that this is a survival of the custom of marriage by capture, when the bride was carried off from her own house to the bridegroom's, and any ceremony which was requisite was necessarily held at the house of the latter. But the Gonds say that since Dulha Deo, the bridegroom G.o.d and one of the commonest village deities, was carried off by a tiger on his way to his wedding, it was decided that in future the bride must go to the bridegroom to be married in order to obviate the recurrence of such a calamity. Any risk incidental to the journey thus falls to the lady. Among the wilder Maria Gonds of Bastar the ritual is very simple. The bride's party arrive at the bridegroom's village and occupy some huts made ready for them. His father sends them provisions, including a pig and fowls, and the day pa.s.ses in feasting. In the evening they go to the bridegroom's house, and the night is spent in dancing by the couple and the young people of the village. Next morning the bride's people go back again, and after another meal her parents bring her to the bridegroom's house and push her inside, asking the boy's father to take charge of her, and telling her that she now belongs to her husband's family and must not come back to them alone. The girl cries a little for form's sake and acquiesces, and the business is over, no proper marriage rite being apparently performed at all. Among the more civilised Marias the couple are seated for the ceremony side by side under a green shed, and water is poured on them through the shed in imitation of the fertilising action of rain. Some elder of the village places his hands on them and the wedding is over. But Hindu customs are gradually being adopted, and the rubbing of powdered turmeric and water on the bodies of the bride and bridegroom is generally essential to a proper wedding. The following description is given of the Gonds of Kanker. On the day fixed for the marriage the pair, accompanied by the Dosi or caste priest, proceed to a river, in the bed of which two reeds five or six feet high are placed just so far apart that a man can lie down between them, and tied together with a thread at the top. The priest lies down between the reeds, and the bride and bridegroom jump seven times over his body. After the last jump they go a little way off, throw aside their wet clothes, and then run naked to a place where their dry clothes are kept; they put them on and go home without looking back. Among the Gonds in Khairagarh the pair are placed in two pans of a balance and covered with blankets. The caste priest lifts up the bridegroom's pan and her female relatives the bride's, and walk round with them seven times, touching the marriage-post at each time. After this they are taken outside the village without being allowed to see each other. They are placed standing at a little distance with a screen between them, and liquor is spilt on the ground to make a line from one to the other. After a time the bridegroom lifts up the screen, rushes on the bride, gives her a blow on the back and puts the ring on her finger, at the same time making a noise in imitation of the cry of a goat. All the village then indulge in baccha.n.a.lian orgies, not sparing their own relations.

19. Wedding expenditure.

In Bastar it is said that the expenses of a wedding vary from Rs. 5 to Rs. 20 for the bride's family and from Rs. 10 to Rs. 50 for the bridegroom's, according to their means. [61] In a fairly well-to-do family the expenditure of the bridegroom's family is listed as follows: liquor Rs. 20, rice Rs. 12, salt Rs. 2, two goats Rs. 2, chillies Rs. 2, ghi Rs. 4, turmeric Rs. 2, oil Rs. 3, three cloths for the bride Rs. 8, two sheets and a loin-cloth for her relatives Rs. 5, payment to the k.u.mhar for earthen pots Rs. 5, the bride-price Rs. 10, present to the bride's maternal uncle when she is not married to his son Rs. 2, and something for the drummers. The total of this is Rs. 76, and any expenditure on ornaments which the family can afford may be added. In wealthier localities the bride-price is Rs. 15 to 20 or more. Sometimes if the girl has been married and dies before the bride-price has been paid, her father will not allow her body to be buried until it is paid. The sum expended on a wedding probably represents the whole income of the family for at least six months, and often for a considerably longer period. In Chanda [62] the bride's party on arrival at the bridegroom's village receive the Bara jawa or marriage greeting, every one present being served with a little rice-water, an onion and a piece of tobacco. At the wedding the bridegroom has a ring either of gold, silver or copper, lead not being permissible, and places this on the bride's finger. Often the bride resists and the bridegroom has to force her fist open, or he plants his foot on hers in order to control her while he gets the ring on to her finger. Elsewhere the couple hold each other by the little fingers in walking round the marriage-post, and then each places an iron ring on the other's little finger. The couple then tie strings, coloured yellow with turmeric, round each other's right wrists. On the second day they are purified with water and put on new clothes. On the third day they go to wors.h.i.+p the G.o.d, preceded by two men who carry a chicken in a basket. This chicken is called the Dhendha or a.s.sociate of the bridal couple, and corresponds to the child which in Hindu marriages is appointed as the a.s.sociate of the bridegroom. Just before their arrival at the temple the village jester s.n.a.t.c.hes away the chicken, and pretends to eat it. At the temple they wors.h.i.+p the G.o.d, and deposit before him the strings coloured with turmeric which had been tied on their wrists. In Chhindwara the bride is taken on a bullock to the bridegroom's house. At the wedding four people hold out a blanket in which juari, lemons and eggs are placed, and the couple walk round this seven times, as in the Hindu bhanwar ceremony. They then go inside the house, where a chicken is torn asunder and the blood sprinkled on their heads. At the same time the bride crushes a chicken under her foot. In Mandla the bride on entering the marriage-shed kills a chicken by cutting off its head either with an axe or a knife. Then all the G.o.ds of her house enter into her and she is possessed by them, and for each one she kills a chicken, cutting off its head in the same manner. The chickens are eaten by all the members of the bride's party who have come with her, but none belonging to the bridegroom's party may partake of them. Here the marriage-post is made of the wood of the mahua tree, round which a toran or string of mango leaves is twisted, and the couple walk seven times round this. In Wardha the bride and bridegroom stand on the heap of refuse behind the house and their heads are knocked together. In Bhandara two spears are placed on the heap of refuse and their ends are tied together at the top with the entrails of a fowl. The bride and bridegroom have to stand under the spears while water is poured over them, and then run out. Before the bride starts the bridegroom must give her a blow on the back, and if he can do this before she runs out from the spears it is thought that the marriage will be lucky. The women of the bride's and bridegroom's party also stand one at each end of a rope and have a compet.i.tion in singing. They sing against each other and see which can go on the longest. Brahmans are not employed at a Gond wedding. The man who officiates is known as Dosi, and is the bridegroom's brother-in-law, father's sister's husband or some similar relative. A woman relative of the bride helps her to perform her part and is known as Sawasin. To the Dosi and Sawasin the bride and bridegroom's parties present an earthen vessel full of kodon. The donors mark the pots, take them home and sow them in their own fields, and then give the crop to the Dosi and Sawasin.

20. Special customs.

Some years ago in Balaghat the bride and bridegroom sat and ate food together out of two leaf-plates. When they had finished the bride took the leaf-plates, ran with them to the marriage-shed, and fixed them in the woodwork so that they did not fall down. The bridegroom ran after her, and if she did not put the plates away quickly, gave her one or two blows with his fist. This apparently was a symbolical training of the bride to be diligent and careful in her household work. Among the Raj-Gonds of Saugor, if the bridegroom could not come himself he was accustomed to send his sword to represent him. The Sawasin carried the sword seven times round the marriage-post with the bride and placed a garland on her on its behalf, and the bride put a garland over the sword. This was held to be a valid marriage. In a rich Raj-Gond or Khatola Gond family two or three girls would be given with the bride, and they would accompany her and become the concubines of the bridegroom. Among the Maria Gonds of Chanda the wedded pair retire after the ceremony to a house allotted to them and spend the night together. Their relatives and friends before leaving shout and make merry round the house for a time, and throw all kinds of rubbish and dirt on it. In the morning the couple have to get up early and clear all this off, and clean up the house. A curious ceremony is reported from one part of Mandla. When a Gond girl is leaving to be married, her father places inside her litter a necklace of many strings of blue and yellow beads, with a number of cowries at the end, and an iron ring attached to it. On her arrival at the bridegroom's house his father takes out the necklace and ring. Sometimes it is said that he simply pa.s.ses a stone through the ring, but often he hangs it up in the centre of a room, and the bridegroom's relatives throw stones at it until one of them goes through the ring, or they throw long bamboo sticks or shoot arrows at it, or even fire bullets from a gun. In a recent case it is said that a man was trying to fire a bullet through the ring and killed a girl. Until a stone, stick, arrow or bullet has been sent through the ring the marriage cannot take place, nor can the bridegroom or his father touch the bride, and they go on doing this all night until somebody succeeds. When the feat has been done they pour a bottle of liquor over the necklace and ring, and the bride's relatives catch the liquor as it falls, and drink it. The girl wears the necklace at her wedding, and thereafter so long as her husband lives, and when he dies she tears the string to pieces and throws it into the river. The iron ring must be made by a Gondi Lohar or blacksmith, and he will not accept money in payment for it, but must be given a cow, calf, or buffalo. The symbolical meaning of this rite does not appear to require explanation. [63] In many places the bride and bridegroom go and bathe in a river or tank on the day after the wedding, and throw mud and dirt over each other, or each throws the other down and rolls him or her in the mud. This is called Chikhal-Mundi or playing in the mud. Afterwards the bride has to wash the bridegroom's muddy clothes, roll them up in a blanket, and carry them on her head to the house. A see-saw is then placed in the marriage-shed, and the bridegroom's father sits on it. The bride makes the see-saw move up and down, while her relations joke with her and say, 'Your child is crying.' Elsewhere the bridegroom's father sits in a swing. The bride and bridegroom swing him, and the bystanders exclaim that the old man is the child of the new bride. It seems possible that both customs are meant to portray the rocking of a baby in a cradle or swinging it in a swing, and hence it is thought that through performing them the bride will soon rock or swing a real baby.

21. Taking omens.

In Bastar an omen is taken before the wedding. The village elders meet on an auspicious day as Monday, Thursday or Friday, and after midnight they cook and eat food, and go out into the forest. They look for a small black bird called Usi, from which omens are commonly taken. When anybody sees this bird, if it cries 'Sun, Sun,' on the right hand, it is thought that the marriage will be lucky. If, however, it cries 'Chi, Chi' or 'Fie, Fie,' the proposed match is held to be of evil omen, and is cancelled. The Koya Gonds of Bastar distil mahua liquor before arranging for a match. If the liquor is good they think the marriage will be lucky, and take the liquor with them to cement the betrothal; but if it is bad they think the marriage will be unlucky, and the proposal is dropped. Mondays, Wednesdays and Fridays are held to be lucky days for marriages, and they are celebrated in the hot-weather months of Baisakh, Jesth and Asar, or April, May and June, or in Pus (December), and rarely in Magh (January). A wedding is only held in Kartik (October) if the bride and bridegroom have already had s.e.xual intercourse, and cannot take place in the rains.

22. Marriage by capture. Weeping and hiding.

Survivals of the custom of marriage by capture are to be found in many localities. In Bastar the prospective bridegroom collects a party of his friends and lies in wait for the girl, and they catch her when she comes out and gets a little distance from her house. The girl cries out, and women of the village come and rescue her and beat the boys with sticks till they have crossed the boundary of the village. The boys neither resist nor retaliate on the women, but simply make off with the girl. When they get home a new cloth is given to her, and the boys have a carouse on rice-beer, and the marriage is considered to be complete. The parents do not interfere, but as a rule the affair is prearranged between the girl and her suitor, and if she really objects to the match they let her go. A similar procedure occurs in Chanda. Other customs which seem to preserve the idea that marriage was once a forcible abduction are those of the bride weeping and hiding, which are found in most Districts. In Balaghat the bride and one or two friends go round to the houses of the village and to other villages, all of them crying, and receive presents from their friends. In Wardha the bride is expected to cry continuously for a day and a night before the wedding, to show her unwillingness to leave her family. In Kanker it is said that before marriage the bride is taught to weep in different notes, so that when that part of the ceremony arrives in which weeping is required, she may have the proper note at her command. In Chhindwara the bridegroom's party go and fetch the bride for the wedding, and on the night before her departure she hides herself in some house in the village. The bridegroom's brother and other men seek all through the village for her, and when they find her she runs and clings to the post of the house. The bridegroom's brother carries her off by force, and she is taken on a bullock to the bridegroom's house. In Seoni the girl hides in the same manner, and calls out 'Coo, coo,' when they are looking for her. After she is found, the bridegroom's brother carries her round on his back to the houses of his friends in the village, and she weeps at each house. When the bride's party arrive at the bridegroom's village the latter's party meet them and stop them from proceeding further. After waving sticks against each other in a threatening manner they fall on each other's necks and weep. Then two spears are planted to make an arch before the door, and the bridegroom pushes the bride through these from behind, hitting her to make her go through, while she hangs back and feigns reluctance. In Mandla the bride sometimes rides to the wedding on the shoulders of her sister's husband, and it is supposed that she never gets down all the way.

23. Serving for a wife.

The practice of Lamsena, or serving for a wife, is commonly adopted by boys who cannot afford to buy one. The bridegroom serves his prospective father-in-law for an agreed period, usually three to five or even six years, and at its expiry he should be married to the girl without expense. During this time he is not supposed to have access to the girl, but frequently they become intimate, and if this happens the boy may either stay and serve his unexpired term or take his wife away at once; in the latter case his parents should pay the girl's father Rs. 5 for each year of the bridegroom's unexpired service. The Lamsena custom does not work well as a rule, since the girl's parents can break their contract, and the Lamsena has no means of redress. Sometimes if they are offered a good bride-price they will marry the girl to another suitor when he has served the greater part of his term, and all his work goes for nothing.

24. Widow remarriage.

The remarriage of widows is freely permitted. As a rule it is considered suitable that she should marry her deceased husband's younger brother, but she may not marry his elder brother, and in the south of Bastar and Chanda the union with the younger brother is also prohibited. In Mandla, if she will not wed the younger brother, on the eleventh day after the husband's death he puts the tarkhi or palm-leaf earrings in her ears, and states that if she marries anybody else he will claim dawa-bunda or compensation. Similarly in Bastar, if an outsider marries the widow, he first goes through a joint ceremony with the younger brother, by which the latter relinquishes his right in favour of the former. The widow must not marry any man whom she could not have taken as her first husband. After her husband's death she resides with her parents, and a price is usually paid to them by any outsider who wishes to marry her. In Bastar there is a fixed sum of Rs. 24, half of which goes to the first husband's family and half to the caste panchayat. The payment to the panchayat perhaps comes down from the period when widows were considered the property of the state or the king, and sold by auction for the benefit of the treasury. It is said that the descendants of the Gond Rajas of Chanda still receive a fee of Rs. 1-8 from every Gond widow who is remarried in the territories over which their jurisdiction extended. In Bastar when a widow marries again she has to be transferred from the G.o.ds of her first husband's sept to those of her second husband. For this two leaf-cups are filled with water and mahua liquor respectively, and placed with a knife between them. The liquor and water are each poured three times from one cup to the other and back until they are thoroughly mixed, and the mixture is then poured over the heads of the widow and her second husband. This symbolises her transfer to the G.o.d of the new sept. In parts of Bastar when a man has been killed by a tiger and his widow marries again, she goes through the ceremony not with her new husband but with a lance, axe or sword, or with a dog. It is thought that the tiger into which her first husband's spirit has entered will try to kill her second husband, but owing to the precaution taken he will either simply carry off the dog or will himself get killed by an axe, sword or lance. In most localities the ceremony of widow-marriage is simple. Turmeric is rubbed on the bodies of the couple and they may exchange a pair of rings or their clothes.

25. Divorce.

Divorce is freely allowed on various grounds, as for adultery on the wife's part, a quarrelsome disposition, carelessness in the management of household affairs, or if a woman's children continue to die, or she is suspected of being a witch. Divorce is, however, very rare, for in order to get a fresh wife the man would have to pay for another wedding, which few Gonds can afford, and he would also have difficulty in getting a girl to marry him. Therefore he will often overlook even adultery, though a wife's adultery not infrequently leads to murder among the Gonds. In order to divorce his wife the husband sends for a few castemen, takes a piece of straw, spits on it, breaks it in two and throws it away, saying that he has renounced all further connection with his wife. If a woman is suspected of being a witch she often has to leave the village and go to some place where she is not known, and in that case her husband must either divorce her or go with her. There is no regular procedure for a wife divorcing her husband, but she can, if sufficiently young and attractive, take matters into her own hands, and simply leave her husband's house and go and live with some one else. In such a case the man who takes her has to repay to the husband the sum expended by the latter on his marriage, and the panchayat may even decree that he should pay double the amount. When a man divorces his wife he has no liability for her maintenance, and often takes back any ornaments he may have given her. And a man who marries a divorced woman may be expected to pay her husband the expenses of his marriage. Instances are known of a bride disappearing even during the wedding, if she dislikes her partner; and Mr. Lampard of the Baihir Mission states that one night a Gond wedding party came to his house and asked for the loan of a lantern to look for the bride who had vanished.

26. Polygamy.

Polygamy is freely allowed, and the few Gonds who can afford the expense are fond of taking a number of wives. Wives are very useful for cultivation as they work better than hired servants, and to have several wives is a sign of wealth and dignity. A man who has a number of wives will take them all to the bazar in a body to display his importance. A Gond who had seven wives in Balaghat was accustomed always to take them to the bazar like this, walking in a line behind him.

(d) Birth and Pregnancy

27. Menstruation.

In parts of Mandla the first appearance of the signs of p.u.b.erty in a girl is an important occasion. She stays apart for four days, and during this time she ties up one of her body-cloths to a beam in the house in the shape of a cradle, and swings it for a quarter or half an hour every day in the name of Jhulan Devi, the cradle G.o.ddess. On the fifth day she goes and bathes, and the Baiga priest and his wife go with her. She gives the Baiga a hen and five eggs and a bottle of wine, and he offers them to Jhulan Devi at her shrine. To the Baigan she gives a hen and ten eggs and a bottle of liquor, and the Baigan tattoos the image of Jhulan Devi on each side of her body. A black hen with feathers spotted with white is usually chosen, as they say that this hen's blood is of a darker colour and that she lays more eggs. All this ceremonial is clearly meant to induce fertility in the girl. The Gonds regard a woman as impure for as long as the menstrual period lasts, and during this time she cannot draw water nor cook food, nor go into a cowshed or touch cowdung. In the wilder Maria tracts there is, or was till lately, a building out of sight of the village to which women in this condition retired. Her relatives brought her food and deposited it outside the hut, and when they had gone away she came out and took it. It was considered that a great evil would befall any one who looked on the face of a woman during the period of this impurity. The Raj-Gonds have the same rules as Hindus regarding the menstrual periods of women. [64]