Gibbon Part 3
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It was no secret that Gibbon wanted a place under government. Moderate as his establishment seems to have been, it was more expensive than he could afford, and he looked, not without warrant, to a supplement of income from one of the rich windfalls which, in that time of sinecures were wont to refresh the spirits of st.u.r.dy supporters of administration. He had influential friends, and even relatives, in and near the government, and but for his parliamentary nullity he would probably have been provided with a comfortable berth at an early period. But his "sincere and silent vote" was not valuable enough to command a high price from his patrons. Once only was he able to help them with his pen, when he drew up, at the request of Lords Thurlow and Weymouth, his _Memoire Justificatif_, in French, in which "he vindicated against the French manifesto the justice of the British arms." It was a service worthy of a small fee, which no doubt he received. He had to wait till 1779, when he had been five years in Parliament, before his cousin Mr. Eliot, and his friend Wedderburne, the Attorney-General, were able to find him a post as one of the Lords Commissioners of Trade and Plantations. The Board of Trade, of which he became one of the eight members, survives in mortal memory only from being embalmed in the bright amber of one of Burke's great speeches. "This board, Sir, has had both its original formation and its regeneration in a job. In a job it was conceived, and in a job its mother brought it forth.... This board is a sort of temperate bed of influence: a sort of gently ripening hothouse, where eight members of Parliament receive salaries of a thousand a year for a certain given time, in order to mature at a proper season a claim to two thousand, granted for doing less" (_Speech on Economical Reform_). Gibbon, with entire good humour, acknowledges the justice of Burke's indictment, and says he was "heard with delight, even by those whose existence he proscribed." After all, he only enjoyed the emolument of his office for three years, and he places that emolument at a lower figure than Burke did. He could not have received more than between two and three thousand pounds of public money; and when we consider what manner of men have fattened on the national purse, it would be churlish to grudge that small sum to the historian of the _Decline and Fall_. The misfortune is that, reasonably or otherwise, doubts were raised as to Gibbon's complete straightforwardness and honourable adhesion to party ties in accepting office. He says himself: "My acceptance of a place provoked some of the leaders of opposition with whom I had lived in habits of intimacy, and I was most unjustly accused of deserting a party in which I had never enlisted." There is certainly no evidence that those who were most qualified to speak, those who gave him the place and reckoned on his vote, ever complained of want of allegiance.
On the other hand, Gibbon's own letter to Edward Elliot, accepting the place, betrays a somewhat uneasy conscience. He owns that he was far from approving all the past measures of the administration, even some of those in which he himself had silently concurred; that he saw many capital defects in the characters of some of the present ministers, and was sorry that in so alarming a situation of public affairs the country had not the a.s.sistance of several able and honest men who were now in opposition. Still, for various reasons, he did not consider himself in any way implicated, and rather suspiciously concludes with an allusion to his pecuniary difficulties and a flourish. "The addition of the salary which is now offered will make my situation perfectly easy, but I hope that you will do me the justice to believe that my mind could not be so unless I were conscious of the rect.i.tude of my conduct."
The strongest charge against Gibbon in reference to this matter is a.s.serted to come from his friend Fox, in this odd form. "In June 1781, Mr. Fox's library came to be sold. Amongst his other books the first volume of Mr. Gibbon's history was brought to the hammer. In the blank leaf of this was a note in the handwriting of Mr. Fox, stating a remarkable declaration of our historian at a well-known tavern in Pall Mall, and contrasting it with Mr. Gibbon's political conduct afterwards. 'The author,' it observed, 'at Brooks's said that there was no salvation for this country until six heads of the princ.i.p.al persons in administration' (Lord North being then prime minister) 'were laid upon the table. Yet,' as the observation added, 'eleven days afterwards this same gentleman accepted a place of a lord of trade under these very ministers, and has acted with them ever since.'" It is impossible to tell what amount of truth there is in this story, and not very important to inquire. It rests on the authority of a strong personal enemy, and the cordial intimacy which ever subsisted between Gibbon and Fox seems to show that it was mere calumny. Perhaps the fact that Gibbon had really no opinions in politics may have led persons of opposite parties to think that he agreed with them more than he did, and when he merely followed his own interest, they may have inferred that he was deserting their principles. After losing his post on the Board of Trade he still hoped for Government employ, "either a secure seat at the Board of Customs or Excise," or in a diplomatic capacity. He was disappointed. If Lord Sheffield is to be believed, it was his friend Fox who frustrated his appointment as secretary of emba.s.sy at Paris, when he had been already named to that office.
The way in which Gibbon acted and afterwards spoke in reference to the celebrated Coalition gives perhaps the best measure of his political calibre. He voted among the rank and file of Lord North's followers for the Coalition with meek subserviency. He speaks of a "principle of grat.i.tude" which actuated him on this occasion. Lord North had given him his seat, and if a man's conscience allows him to think rather of his patron than of his country, there is nothing to be said, except that his code of political ethics is low. We may admit that his vote was pledged; but there is also no doubt that any grat.i.tude that there was in the matter was stimulated by a lively sense of favours to come.
The Portland ministry had not been long in office when he wrote in the following terms to his friend Deyverdun: "You have not forgotten that I went into Parliament without patriotism and without ambition, and that all my views tended to the convenient and respectable place of a lord of trade. This situation I at length obtained. I possessed it for three years, from 1779 to 1782, and the net produce, which amounted to 750_l._ sterling, augmented my income to my wants and desires. But in the spring of last year the storm burst over our heads. Lord North was overthrown, your humble servant turned out, and even the Board of Trade, of which I was a member, abolished and broken up for ever by Mr. Burke's reform. To complete my misfortunes, I still remain a member of the Lower House. At the end of the last Parliament, Mr.
Eliot withdrew his nomination. But the favour of Lord North facilitated my re-election, and grat.i.tude imposed on me the duty of making available for his service the rights which I held in part from him. That winter we fought under the allied standards of Lord North and Mr. Fox: we triumphed over Lord Shelburne and the peace, and my friend (_i.e._ Lord North) remounted his steed in the quality of a secretary of state. Now he can easily say to me, 'It was a great deal for me, it was nothing for you;' and in spite of the strongest a.s.surances, I have too much reason to allow me to have much faith.
With great genius and very respectable talents, he has now neither the t.i.tle nor the credit of prime minister; more active colleagues carry off the most savoury morsels which their voracious creatures immediately devour; our misfortunes and reforms have diminished the number of favours; either through pride or through indolence I am but a bad suitor, and if at last I obtain something, it may perhaps be on the eve of a fresh revolution, which will in an instant s.n.a.t.c.h from me that which has cost me so many cares and pains."
Such a letter speaks for itself. Gibbon might well say that he entered parliament without patriotism and without ambition. The only redeeming feature is the almost cynical frankness with which he openly regards politics from a personal point of view. However, it may be pleaded that the letter was written to a bosom friend at a moment of great depression, and when Gibbon's pecuniary difficulties were pressing him severely. The Coalition promised him a place, and that was enough; the contempt for all principle which had brought it about was not thought of. But even this minute excuse does not apply to the way in which, years after, when he was in comfort at Lausanne, he refers to the subject in his Memoirs. The light in which the Coalition deserved to be regarded was clear by that time. Yet he speaks of it, not only without blame or regret, but contrives to cast suspicion on the motives of those who were disgusted by it, and bestowed their allegiance elsewhere.
"It is not the purpose of this narrative to expatiate on the public or secret history of the times: the schism which followed the death of the Marquis of Rockingham, the appointment of the Earl of Shelbourne, the resignation of Mr. Fox and his famous coalition with Lord North. But I may a.s.sert with some degree of a.s.surance that in their political conflict those great antagonists had never felt any personal animosity to each other, that their reconciliation was easy and sincere, and that their friends.h.i.+p has never been clouded by the shadow of suspicion or jealousy. The _most violent_ or _venal_ of their respective followers embraced this fair occasion of revolt, but their alliance still commanded a majority of the House of Commons, the peace was censured, Lord Shelbourne resigned, and the two friends knelt on the same cus.h.i.+on to take the oath of secretary of state. From a principle of grat.i.tude I adhered to the Coalition; my vote was counted in the day of battle, but I was overlooked in the division of the spoil."
From this we learn that it was only the _violent_ and the _venal_ who disapproved of the Coalition. One would like to know how Gibbon explained the fact that at the general election of 1784 no less than one hundred and sixty of the supporters of the Coalition lost their seats, and that Fox's political reputation was all but irretrievably ruined from this time forward.
Meanwhile, he had not neglected, his own proper work. The first volume of his history was published in February, 1776. It derived, he says, "more credit from the name of the shop than from that of the author."
In the first instance he intended to print only five hundred copies, but the number was doubled by the "prophetic taste" of his printer, Mr. Strahan. The book was received with a burst of applause--it was a _succes fou_. The first impression was exhausted in a few days, and a second and third edition were scarcely adequate to the demand. The wiser few were as warm in their eulogies as the general public. Hume declared that if he had not been personally acquainted with the author, he should have been surprised by such a performance coming from any Englishman in that age. Dr. Robertson, Adam Ferguson, and Horace Walpole joined in the chorus. Walpole betrays an amusing mixture of admiration and pique at not having found the author out before. "I know him a little, and never suspected the extent of his talents; for he is perfectly modest, or I want penetration, which I know too; but I intend to know him a great deal more." He oddly enough says that Gibbon was the "son of a foolish alderman," which shows at least how little the author was known in the great world up to this time. Now, however, society was determined to know more of him, the surest proof, not of merit, but of success. It must have been a rather intoxicating moment, but Gibbon had a cool head not easily turned. It would be unfair not to add that he had something much better, a really warm and affectionate regard for old friends, the best preservative against the fumes of flattery and sudden fame. Holroyd, Deyverdun, Madame Necker were more to him than all the great people with whom he now became acquainted. Necker and his wife came over from Paris and paid him a long visit in Bentinck Street, when his laurels were just fresh. "I live with her" he writes, "just as I used to do twenty years ago, laugh at her Paris varnish, and oblige her to become a simple reasonable Suissesse. The man, who might read English husbands lessons of proper and dutiful behaviour, is a sensible, good-natured creature." The next year he returned the visit to Paris. His fame had preceded him, and he received the cordial but discriminating welcome which _the ancien regime_ at that time specially reserved for _gens d'esprit_. Madame du Deffand writes to Walpole, "Mr. Gibbon has the greatest success here; it is quite a struggle to get him." He did not deny himself a rather sumptuous style of living while in Paris.
Perhaps the recollection of the unpleasant effect of his English clothes and the long waists of the French on his former visit dwelt in his mind, for now, like Walpole, he procured a new outfit at once.
"After decking myself out with silks and silver, the ordinary establishment of coach, lodgings, servants, eating, and pocket expenses, does not exceed 60_l._ per month. Yet I have two footmen in handsome liveries behind my coach, and my apartment is hung with damask."
The remainder of his life in London has nothing important. He persevered a.s.siduously with his history, and had two more quartos ready in 1781. They were received with less enthusiasm than the first, although they were really superior. Gibbon was rather too modestly inclined to agree with the public and "to believe that, especially in the beginning, they were more prolix and less entertaining" than the previous volume. He also wasted some weeks on his vindication of the fifteenth and sixteenth chapters of that volume, which had excited a host of feeble and ill-mannered attacks. His defence was complete, and in excellent temper. But the piece has no permanent value. His a.s.sailants were so ignorant and silly that they gave no scope for a great controversial reply. Neither perhaps did the subject admit of it. A literary war generally makes people think of Bentley's incomparable _Phalaris_. But that was almost a unique occasion and victory in the history of letters. Bentley himself, the most pugnacious of men, never found such another.
And so the time glided by, till we come to the year 1783. Lord North had resigned office, the Board of Trade was abolished, and Gibbon had lost his convenient salary. The outlook was not pleasant. The seat on the Board of Customs or Excise with which his hopes had been for a time kept up, receded into a remote distance, and he came to the conclusion "that the reign of pensions and sinecures was at an end."
It was clearly necessary to take some important step in the way of retrenchment. After he had lost his official income, his expenses exceeded his revenue by something like four hundred pounds. A less expensive style of living in London never seems to have presented itself as an alternative. So, like many an Englishman before and since, he resolved to go abroad to economise.
His old friend Deyverdun was now settled in a comfortable house at Lausanne, overlooking the Lake of Geneva. They had not met for eight years. But the friends.h.i.+p had begun a quarter of a century before, in the old days when Gibbon was a boarder in Pavillard's house, and the embers of old a.s.sociations only wanted stirring to make them shoot up into flame. In a moment of expansion Gibbon wrote off a warm and eager letter to his friend, setting forth his unsatisfactory position, and his wish and even necessity to change it. He gradually and with much delicacy discloses his plan, that he and Deyverdun, both now old bachelors, should combine their solitary lives in a common household and carry out an old project, often discussed in younger days, of living together. "You live in a charming house. I see from here my apartment, the rooms we shall share with one another, our table, our walks. But such a marriage is worthless unless it suits both parties, and I easily feel that circ.u.mstances, new tastes, and connections may frustrate a design which appeared charming in the distance. To settle my mind and to avoid regrets, you must be as frank as I have been, and give me a true picture, external and internal, of George Deyverdun."
This letter, written in fluent and perfect French, is one of the best that we have of Gibbon. Deyverdun answered promptly, and met his friend's advances with at least equal warmth. The few letters that have been preserved of his connected with this subject give a highly favourable idea of his mind and character, and show he was quite worthy of the long and constant attachment that Gibbon felt for him.
He cannot express the delight he has felt at his friend's proposal; by the rarest piece of good fortune, it so happens that he himself is in a somewhat similar position of uncertainty and difficulty; a year ago Gibbon's letter would have given him pleasure, now it offers a.s.sistance and support. After a few details concerning the tenant who occupies a portion of his house, he proceeds to urge Gibbon to carry out the project he had suggested, to break loose from parliament and politics, for which he was not fit, and to give himself up to the charms of study and friends.h.i.+p. "Call to mind, my dear friend," he goes on, "that I saw you enter parliament with regret, and I think I was only too good a prophet. I am sure that career has caused you more privations than joys, more pains than pleasures. Ever since I have known you I have been convinced that your happiness lay in your study and in society, and that any path which led you elsewhere was a departure from happiness." Through nine pages of gentle and friendly eloquence Deyverdun pursues his argument to induce his friend to clinch the bargain. "I advise you not only not to solicit a place, but to refuse one if it were offered to you. Would a thousand a year make up to you for the loss of five days a week?... By making this retreat to Switzerland, besides the beauty of the country and the pleasures of its society, you will acquire two blessings which you have lost, liberty and competence. You will also be useful, your works will continue to enlighten us, and, independently of your talents, the man of honour and refinement is never useless." He then skilfully exhibits the attractions he has to offer. "You used to like my house and garden; what would you do now? On the first floor, which looks on the declivity of Ouchy, I have fitted up an apartment which is enough for me. I have a servant's room, two _salons_, two cabinets. On a level with the terrace two other _salons_, of which one serves as a dining-room in summer, and the other a drawing-room for company. I have arranged three more rooms between the house and the coachhouse, so that I can offer you all the large apartment, which consists actually of eleven rooms, great and small, looking east and south, not splendidly furnished, I allow, but with a certain elegance which I hope you will like. The terrace is but little altered ... it is lined from end to end with boxes of orange-trees. The vine-trellis has prospered, and extends nearly to the end. I have purchased the vineyard below the garden, and in front of the house made it into a lawn, which is watered by the water of the fountain.... In a word, strangers come to see the place, and in spite of my pompous description of it I think you will like it.... If you come, you will find a tranquillity which you cannot have in London, and a friend who has not pa.s.sed a single day without thinking of you, and who, in spite of his defects, his foibles, and his inferiority, is still one of the companions who suits you best."
More letters followed from both sides in a similar strain. Yet Gibbon quailed before a final resolution. His aunt, Mrs. Porten, his mother, Mrs. Gibbon, his friend, Lord Sheffield, all joined in deprecating his voluntary exile. "That is a nonsensical scheme," said the latter, "you have got into your head of returning to Lausanne--a pretty fancy; you remember how much you liked it in your youth, but now you have seen more of the world, and if you were to try it again you would find yourself woefully disappointed." Deyverdun, with complete sympathy, begged him not to be in too great a hurry to decide on a course which he himself desired so much. "I agree with you," he wrote to Gibbon, "that this is a sort of marriage, but I could never forgive myself if I saw you dissatisfied in the sequel, and in a position to reproach me." Gibbon felt it was a case demanding decision of character, and he came to a determination with a prompt.i.tude and energy not usual with him. He promised Deyverdun in the next letter an ultimatum, stating whether he meant to _go_ or to _stay_, and a week after he wrote, "I go." He had prudently refrained from consulting Lord Sheffield during this critical period, knowing that his certain disapprobation of the scheme would only complicate matters and render decision more difficult. Then he wrote, "I have given Deyverdun my word of honour to be at Lausanne at the beginning of October, and no power of persuasion can divert me from this _irrevocable_ resolution, which I am every day proceeding to execute."
This was no exaggeration. He cancelled the lease of his house in Bentinck Street, packed the more necessary portion of his books and s.h.i.+pped them for Rouen, and as his postchaise moved over Westminster Bridge, "bade a long farewell to the _fumum et opes strepitumque Romae_." The only real pang he felt in leaving arose from the "silent grief" of his Aunt Porten, whom he did not hope to see again. Nor did he. He started on September 15, 1783, slept at Dover, was flattered with the hope of making Calais harbour by the same tide in "three hours and a half, as the wind was brisk and fair," but was driven into Boulogne. He had not a symptom of seasickness. Then he went on by easy stages through Aire, Bethune, Douay, Cambray, St. Quentin, La Fere, Laon, Rheims, Chalons, St. Dizier, Langres, Besancon, and arrived at Lausanne on the 27th. The inns he found more agreeable to the palate than to the sight or the smell. At Langres he had an excellent bed about six feet high from the ground. He beguiled the time with Homer and Clarendon, talking with his servant, Caplin, and his dog m.u.f.f, and sometimes with the French postilions, and he found them the least rational of the animals mentioned.
He reached his journey's end, to alight amid a number of minor troubles, which to a less easy tempered man would have been real annoyances. He found that Deyverdun had reckoned without his host, or rather his tenant, and that they could not have possession of the house for several months, so he had to take lodgings. Then he sprained his ankle, and this brought on a bad attack of the gout, which laid him up completely. However, his spirits never gave way. In time his books arrived, and the friends got installed in their own house. His satisfaction has then no bounds, with the people, the place, the way of living, and his daily companion. We must now leave him for a short s.p.a.ce in the enjoyment of his happiness, while we briefly consider the labours of the previous ten years.
CHAPTER VII.
THE FIRST THREE VOLUMES OF THE DECLINE AND FALL.
The historian who is also an artist is exposed to a particular drawback from which his brethren in other fields are exempt. The mere lapse of time destroys the value and even the fidelity of his pictures. In other arts correct colouring and outline remain correct, and if they are combined with imaginative power, age rather enhances than diminishes their worth. But the historian lives under another law. His reproduction of a past age, however full and true it may appear to his contemporaries, appears less and less true to his successors. The way in which he saw things ceases to be satisfactory; we may admit his accuracy, but we add a qualification referring to the time when he wrote, the point of view that he occupied. And we feel that what was accurate for him is no longer accurate for us. This superannuation of historical work is not similar to the superseding of scientific work which is ever going on, and is the capital test of progress. Scientific books become rapidly old-fas.h.i.+oned, because the science to which they refer is in constant growth, and a work on chemistry or biology is out of date by reason of incompleteness or the discovery of unsuspected errors. The scientific side of history, if we allow it to have a scientific side, conforms to this rule, and presents no singularity. Closer inspection of our materials, the employment of the comparative method, occasionally the bringing to light of new authorities--all contribute to an increase of real knowledge, and historical studies in this respect do not differ from other branches of research. But this is not the sole or the chief cause of the renovation and transformation constantly needed in historic work. That depends on the ever-moving standpoint from which the past is regarded, so that society in looking back on its previous history never sees it for long together at quite the same angle, never sees, we may say, quite the same thing. The past changes to us as we move down the stream of time, as a distant mountain changes through the windings of the road on which we travel away from it. To drop figure and use language now becoming familiar, the social organism is in constant growth, and receiving new additions, and each new addition causes us to modify our view of the whole. The historian, in fact, is engaged in the study of an unfinished organism, whose development is constantly presenting him with surprises. It is as if the biologist were suddenly to come upon new and unheard-of species and families which would upset his old cla.s.sification, or as if the chemist were to find his laws of combination replaced by others which were not only unknown to him, but which were really new and recent in the world.
Other inquirers have the whole of the phenomena with which their science is concerned before them, and they may explore them at their leisure. The sociologist has only an instalment, most likely a very small instalment, of the phenomena with which his science is concerned before him. They have not yet happened, are not yet phenomena, and as they do happen and admit of investigation they necessarily lead to constant modification of his views and deductions.
Not only does he acquire new knowledge like other inquirers, but he is constantly having the subject-matter from which he derives his knowledge augmented. Even in modern times society has thrown out with much suddenness rapid and unexpected developments, of such scope and volume that contemporaries have often lost self-possession at the sight of them, and wondered if social order could survive. The Reformation and the French Revolution are cases in point. And what a princ.i.p.al part do these two great events always play in any speculations inst.i.tuted subsequent to them! How easy it is to see whether a writer lived before the Reign of Terror, or after it, from his gait and manner of approaching social inquiries! Is there any reason to suppose that such mutations are now at an end? None. The probability, well nigh a certainty, is that metamorphoses of the social organism are in store for us which will equal, if they do not vastly exceed, anything that the past has offered.
Considerations of this kind need to be kept in view if we would be just in our appreciation of historical writings which have already a certain age. It is impossible that a history composed a century ago should fully satisfy us now; but we must beware of blaming the writer for his supposed or real shortcomings, till we have ascertained how far they arose from his personal inadequacy to his task, and were not the result of his chronological position. It need not be said that this remark does not refer to many books which are called histories, but are really contemporary memoirs and original authorities subservient to history proper. The works of Clarendon and Burnet, for instance, can never lose a certain value on this account. The immortal book which all subsequent generations have agreed to call a possession for ever, is the unapproachable ideal of this cla.s.s. But neither Thucydides nor Clarendon were historians in the sense in which Gibbon was an historian, that is, engaged in the delineation of a remote epoch by the help of such materials as have escaped the ravages of time. It is historians like Gibbon who are exposed to the particular unhappiness referred to a little way back--that of growing out of date through no fault of their own, but through the changed aspect presented by the past in consequence of the movement which has brought us to the present. But if this is the field of historical disaster, it is also the opportunity of historical genius. In proportion as a writer transcends the special limitations of his time, will "age fail to wither him." That he cannot entirely shake off the fetters which fasten him to his epoch is manifest. But in proportion as his vision is clear, in proportion as he has with singleness of eye striven to draw the past with reverent loyalty, will his bondage to his own time be loosened, and his work will remain faithful work for which due grat.i.tude will not be withheld.
The sudden and rapid expansion of historic studies in the middle of the eighteenth century const.i.tutes one of the great epochs in literature. Up to the year 1750 no great historical work had appeared in any modern language.[11] The instances that seem to make against this remark will be found to confirm it. They consist of memoirs, contemporary doc.u.ments, in short materials for history, but not history itself. From Froissart and De Comines, or even from the earlier monastic writers to St. Simon (who was just finis.h.i.+ng his incomparable Memoirs), history with wide outlook and the conception of social progress and interconnection of events did not exist. Yet history in its simple forms is one of the most spontaneous of human achievements. Stories of mighty deeds, of the prowess and death of heroes, are among the earliest productions of even semi-civilised man--the earliest subjects of epic and lyric verse. But this rudimentary form is never more than biographical. With increasing complexity of social evolution it dies away, and history proper, as distinct from annals and chronicle, does not arise till circ.u.mstances allow of general and synthetic views, till societies can be surveyed from a sufficient distance and elevation for their movements to be discerned. Thucydides, Livy, and Tacitus do not appear till Greece and Home have reached their highest point of h.o.m.ogeneous national life.
The tardy dawn of history in the modern world was owing to its immense complexity. Materials also were wanting. They gradually emerged out of ma.n.u.script all over Europe, during what may be called the great pedant age (1550-1650), under the direction of meritorious antiquaries, Camden, Savile, d.u.c.h.esne, Gale, and others. Still official doc.u.ments and state papers were wanting, and had they been at hand would hardly have been used with competence. The national and religious limitations were still too marked and hostile to permit a free survey over the historic field. The eighteenth century, though it opened with a b.l.o.o.d.y war, was essentially peaceful in spirit: governments made war, but men and nations longed for rest. The increased interest in the past was shown by the publication nearly contemporary of the great historic collections of Rymer (A.D. 1704), Leibnitz (1707), and Muratori (1723). Before the middle of the century the historic muse had abundant oil to feed her lamp. Still the lamp would probably not have been lighted but for the singular pa.s.s to which French thought had come.
FOOTNOTES:
[Footnote 11: Mezeray's great history of France is next to valueless till he reaches the sixteenth century, that was a period bordering on his own. Thua.n.u.s deals with contemporary events.]
From the latter years of Louis XIV. till the third quarter of the eighteenth century was all but closed, France had a government at once so weak and wicked, so much below the culture of the people it oppressed, that the better minds of the nation turned away in disgust from their domestic ignominy, and sought consolation in contemplating foreign virtue wherever they thought it was to be found; in short, they became cosmopolitan. The country which has since been the birthplace of Chauvinism, put away national pride almost with pa.s.sion.
But this was not all. The country whose king was called the Eldest Son of the Church, and with which untold pains had been taken to keep it orthodox, had lapsed into such an abhorrence of the Church and of orthodoxy that anything seemed preferable to them in its eyes.
Thus, as if by enchantment, the old barriers disappeared, both national and religious. Man and his fortunes, in all climes and all ages, became topics of intense interest, especially when they tended to degrade by contrast the detested condition of things at home. This was the weak side of historical speculation in France: it was essentially polemical; prompted less by genuine interest in the past than by strong hatred of the present. Of this perturbation note must be taken. But it is none the less true that the disengagement of French thought from the narrow limits of nation and creed produced, as it were in a moment, a lofty conception of history such as subsequent ages may equal, but can hardly surpa.s.s.
The influence of French thought was European, and nowhere more beneficial than in England. In other countries it was too despotic, and produced in Germany, at least, Lessing's memorable reaction. But the robust national and political life of England reduced it to a welcome flavouring of our insular temperament. The Scotch, who had a traditional connection with France, were the first importers of the new views. Hume, who had practically grown in the same soil as Voltaire, was only three years behind him in the historic field. The _Age of Louis XIV._ was published in 1751, and the first volume of the _History of England_ in 1754. Hume was no disciple of Voltaire; he simply wrote under the stimulus of the same order of ideas. Robertson, who shortly followed him, no doubt drew direct inspiration from Voltaire, and his weightiest achievement, the View of the State of Europe, prefixed to his _History of Charles V._, was largely influenced, if it was not absolutely suggested, by the _Essay on Manners_. But both Hume and Robertson surpa.s.sed their masters, if we allow, as seems right, that the French were their masters. The Scotch writers had no quarrel with their country or their age as the French had. One was a Tory, the other a Whig; and Hume allowed himself to be unworthily affected by party bias in his historical judgment. But neither was tempted to turn history into a covert attack on the condition of things amid which they lived. Hence a calmness and dignity of tone and language, very different from the petulant brilliancy of Voltaire, who is never so happy as when he can make the past look mean and ridiculous, merely because it was the parent of the odious present. But, excellent as were the Scotch historians--Hume, in style nearly perfect; Robertson, admirable for gravity and shrewd sense--they yet left much to be desired. Hume had despatched his five quartos, containing the whole history of England from the Roman period to the Revolution, in nine years. Considering that the subject was new to him when he began, such rapidity made genuine research out of the question. Robertson had the oddest way of consulting his friends as to what subject it would be advisable for him to treat, and was open to proposals from any quarter with exemplary impartiality; this only showed how little the stern conditions of real historic inquiry were appreciated by him. In fact it is not doing them injustice to say that these eminent men were a sort of modern Livies, chiefly occupied with the rhetorical part of their work, and not over inclined to waste their time in ungrateful digging in the deep mines of historic lore.
Obviously the place was open for a writer who should unite all the broad spirit of comprehensive survey, with the thorough and minute patience of a Benedictine; whose subject, mellowed by long brooding, should have sought him rather than he it; whose whole previous course of study had been an unconscious preparation for one great effort which was to fill his life. When Gibbon sat down to write his book, the man had been found who united these difficult conditions.
The decline and fall of Rome is the greatest event in history. It occupied a larger portion of the earth's surface, it affected the lives and fortunes of a larger number of human beings, than any other revolution on record. For it was essentially one, though it took centuries to consummate, and though it had for its theatre the civilised world. Great evolutions and catastrophes happened before it, and have happened since, but nothing which can compare with it in volume and mere physical size. Nor was it less morally. The destruction of Rome was not only a destruction of an empire, it was the destruction of a phase of human thought, of a system of human beliefs, of morals, politics, civilisation, as all these had existed in the world for ages. The drama is so vast, the cataclysm so appalling, that even at this day we are hardly removed from it far enough to take it fully in. The mind is oppressed, the imagination flags under the load imposed upon it. The capture and sack of a town one can fairly conceive: the ma.s.sacre, outrage, the flaming roofs, the desolation. Even the devastation of a province can be approximately reproduced in thought. But what thought can embrace the devastation and destruction of all the civilised portions of Europe, Africa, and Asia? Who can realise a Thirty Years War lasting five hundred years? a devastation of the Palatinate extending through fifteen generations?
If we try to insert into the picture, as we undoubtedly should do, the founding of the new, which was going on beside this destruction of the old, the settling down of the barbarian hosts in the conquered provinces, the expansion of the victorious Church, driving paganism from the towns to the country and at last extinguis.h.i.+ng it entirely, the effort becomes more difficult than ever. The legend of the Seven Sleepers testifies to the need men felt, even before the tragedy had come to an end, to symbolize in a manageable form the tremendous changes they saw going on around them. But the legend only refers to the changes in religion. The fall of Rome was much more than that. It was the death of the old pagan world and the birth of the new Christian world--the greatest transition in history.
This, and no less than this, is Gibbon's subject.
He has treated it in such a way as even now fills competent judges with something like astonishment. His accuracy, coupled with the extraordinary range of his matter, the variety of his topics, the complexity of his undertaking, the fulness and thoroughness of his knowledge, never failing at any point over the vast field, the ease and mastery with which he lifts the enormous load, are appreciated in proportion to the information and abilities of his critic. One testimonial will suffice. Mr. Freeman says: "That Gibbon should ever be displaced seems impossible. That wonderful man monopolised, so to speak, the historical genius and the historical learning of a whole generation, and left little, indeed, of either for his contemporaries.
He remains the one historian of the eighteenth century whom modern research has neither set aside nor threatened to set aside. We may correct and improve from the stores which have been opened since Gibbon's time; we may write again large parts of his story from other and often truer and more wholesome points of view, but the work of Gibbon as a whole, as the encyclopaedic history of 1300 years, as the grandest of historical designs, carried out alike with wonderful power and with wonderful accuracy, must ever keep its place. Whatever else is read, Gibbon must be read too."
Gibbon's immense scheme did not unfold itself to him at once: he pa.s.sed through at least two distinct stages in the conception of his work. The original idea had been confined to the decline and fall of the city of Rome. Before he began to write, this had been expanded to the fall of the empire of the West. The first volume, which we saw him publish in the last chapter, was only an instalment, limited to the accession of Constantine, through a doubt as to how his labours would be received. The two following volumes, published in 1781, completed his primitive plan. Then he paused exactly a year before he resolved to carry on his work to its true end, the taking of Constantinople by the Turks in 1453. The latter portion he achieved in three volumes more, which he gave to the world on his fifty-first birthday, in 1788.
Thus the work naturally falls into two equal parts. It will be more convenient to disregard in our remarks the interval of five years which separated the publication of the first volume from its two immediate companions. The first three volumes const.i.tute a whole in themselves, which we will now consider.
From the accession of Commodus, A.D. 180, to the last of the Western Caesars, A.D. 476, three centuries elapsed. The first date is a real point of departure, the commencement of a new stage of decay in the empire. The second is a mere official record of the final disappearance of a series of phantom sovereigns, whose vanis.h.i.+ng was hardly noticed. Between these limits the empire pa.s.sed from the autumnal calm of the Antonine period, through the dreadful century of anarchy between Pertinax and Diocletian, through the relative peace brought about by Diocletian's reforms, the civil wars of the sons of Constantine, the disastrous defeat of Julian, the calamities of the Gothic war, the short respite under Theodosius, the growing anarchy and misery under his incompetent sons, the three sieges of Rome and its sack by the Goths, the awful appearance of Attila and his Huns, the final submergence of the Western Empire under the barbarians, and the universal ruin which marked the close of the fifth century. This was the temporal side of affairs. On the spiritual, we have the silent occult growth of the early Church, the conversion of Constantine, the tremendous conflict of hostile sects, the heresy of Arius, the final triumph of Athanasius, the spread of monasticism, the extinction of paganism. Antiquity has ended, the middle ages have begun.
Over all this immense field Gibbon moves with a striking att.i.tude of power, which arose from his consciousness of complete preparation.
What there was to be known of his subject he felt sure that he knew.
His method of treatment is very simple, one might say primitive, but it is very effective. He masters his materials, and then condenses and clarifies them into a broad, well-filled narrative, which is always or nearly always perfectly lucid through his skill in grouping events and characters, and his fine boldness in neglecting chronological sequence for the sake of clearness and unity of action. It is doing the book injustice to consult it only as a work of reference, or even to read it in detached portions. It should be read through, if we would appreciate the art with which the story is told. No part can be fairly judged without regard to the remainder. In fact, Gibbon was much more an artist than perhaps be suspected, and less of a philosophic thinker on history than he would have been willing to allow. His shortcomings in this latter respect will be adverted to presently; we are now considering his merits. And among these the very high one of lofty and vigorous narrative stands pre-eminent. The campaigns of Julian, Belisarius, and Heraclius are painted with a dash and clearness which few civil historians have equalled. His descriptive power is also very great. The picture of Constantinople in the seventeenth chapter is, as the writer of these pages can testify, a wonderful achievement, both for fidelity and brilliancy, coming from a man who had never seen the place.
"If we survey Byzantium in the extent which it acquired with the august name of Constantinople, the figure of the imperial city may be represented under that of an unequal triangle. The obtuse point, which advances towards the east and the sh.o.r.es of Asia, meets and repels the waves of the Thracian Bosphorus. The northern side of the city is bounded by the harbour; and the southern is washed by the Propontis, or Sea of Marmora. The basis of the triangle is opposed to the west, and terminates the continent of Europe. But the admirable form and division of the circ.u.mjacent land and water cannot, without a more ample explanation, be clearly or sufficiently understood.
"The winding channel through which the waters of the Euxine flow with rapid and incessant course towards the Mediterranean received the appellation of Bosphorus, a name not less celebrated in the history than in the fables of antiquity. A crowd of temples and of votive altars, profusely scattered along its steep and woody banks, attested the unskilfulness, the terrors, and the devotion of the Grecian navigators, who, after the example of the Argonauts, explored the dangers of the inhospitable Euxine.
On these banks tradition long preserved the memory of the palace of Phineus, infested by the obscene Harpies, and of the sylvan reign of Amycus, who defied the son of Leda to the combat of the cestus. The straits of the Bosphorus are terminated by the Cyanean rocks, which, according to the description of the poets, had once floated on the surface of the waters, and were destined by the G.o.ds to protect the entrance of the Euxine against the eye of profane curiosity.
From the Cyanean rocks to the point and harbour of Byzantium the winding length of the Bosphorus extends about sixteen miles, and its most ordinary breadth may be computed at about one mile and a half. The _new_ castles of Europe and Asia are constructed on either continent upon the foundations of two celebrated temples of Serapis and Jupiter Urius. The _old_ castles, a work of the Greek emperors, command the narrowest part of the channel, in a place where the opposite banks advance within five hundred yards of each other. These fortresses were destroyed and strengthened by Mahomet the Second when he meditated the siege of Constantinople; but the Turkish conqueror was most probably ignorant that near two thousand years before his reign Darius had chosen the same situation to connect the two continents by a bridge of boats. At a small distance from the old castles we discover the little town of Chrysopolis or Scutari, which may almost be considered as the Asiatic suburb of Constantinople. The Bosphorus, as it begins to open into the Propontis, pa.s.ses between Byzantium and Chalcedon. The latter of these two cities was built by the Greeks a few years before the former, and the blindness of its founders, who overlooked the superior advantages of the opposite coast, has been stigmatised by a proverbial expression of contempt.
"The harbour of Constantinople, which may be considered as an arm of the Bosphorus, obtained in a very remote period, the denomination of the _Golden Horn_. The curve which it describes might be compared to the horn of a stag, or as it should seem with more propriety, to that of an ox. The epithet of _golden_ was expressive of the riches which every wind wafted from the most distant countries into the secure and capacious port of Constantinople. The river Lycus, formed by the conflux of two little streams, pours into the harbour a perpetual supply of fresh water, which serves to cleanse the bottom and to invite the periodical shoals of fish to seek their retreat in that convenient recess. As the vicissitudes of the tides are scarcely felt in those seas, the constant depth of the harbour allows goods to be landed on the quays without the a.s.sistance of boats, and it has been observed that in many places the largest vessels may rest their prows against the houses while their sterns are floating in the water. From the mouth of the Lycus to that of the harbour, this arm of the Bosphorus is more than seven miles in length. The entrance is about five hundred yards broad, and a strong chain could be occasionally drawn across it, to guard the port and the city from the attack of an hostile navy.
"Between the Bosphorus and the h.e.l.lespont, the sh.o.r.es of Europe and Asia receding on either side include the Sea of Marmora, which was known to the ancients by the denomination of the Propontis. The navigation from the issue of the Bosphorus to the entrance of the h.e.l.lespont is about one hundred and twenty miles. Those who steer their westward course through the middle of the Propontis may at once descry the highlands of Thrace and Bithynia and never lose sight of the lofty summit of Mount Olympus, covered with eternal snows. They leave on the left a deep gulf, at the bottom of which Nicomedia was seated, the imperial residence of Diocletian, and they pa.s.s the small islands of Cyzicus and Proconnesus before they cast anchor at Gallipoli, where the sea which separates Asia from Europe is again contracted to a narrow channel.
"The geographers, who with the most skilful accuracy have surveyed the form and extent of the h.e.l.lespont, a.s.sign about sixty miles for the winding course and about three miles for the ordinary breadth of those celebrated straits. But the narrowest part of the channel is found to the northward of the old Turkish castles between the cities of Sestos and Abydos. It was here that the adventurous Leander braved the pa.s.sage of the flood for the possession of his mistress. It was here, likewise, in a place where the distance between the opposite banks cannot exceed five hundred paces, that Xerxes imposed a stupendous bridge of boats for the purpose of transporting into Europe an hundred and seventy myriads of barbarians. A sea contracted within such narrow limits may seem but ill to deserve the singular epithet of _broad_, which Homer, as well as Orpheus, has frequently bestowed on the h.e.l.lespont. But our ideas of greatness are of a relative nature; the traveller, and especially the poet, who sailed along the h.e.l.lespont, who pursued the windings of the stream and contemplated the rural scenery which appeared on every side to terminate the prospect, insensibly lost the remembrance of the sea, and his fancy painted those celebrated straits with all the attributes of a mighty river flowing with a swift current in the midst of a woody and inland country, and at length through a wide mouth discharging itself into the aegean or Archipelago. Ancient Troy, seated on an eminence at the foot of Mount Ida, overlooked the mouth of the h.e.l.lespont, which scarcely received an accession of waters from the tribute of those immortal rivulets the Simois and Scamander. The Grecian camp had stretched twelve miles along the sh.o.r.e from the Sigaean to the Rhaetian promontory, and the flanks of the army were guarded by the bravest chiefs who fought under the banners of Agamemnon. The first of these promontories was occupied by Achilles with his invincible Myrmidons, and the dauntless Ajax pitched his tents on the other. After Ajax had fallen a sacrifice to his disappointed pride and to the ingrat.i.tude of the Greeks, his sepulchre was erected on the ground where he had defended the navy against the rage of Jove and Hector, and the citizens of the rising town of Rhaetium celebrated his memory with divine honours. Before Constantine gave a just preference to the situation of Byzantium he had conceived the design of erecting the seat of empire on this celebrated spot, from whence the Romans derived their fabulous origin. The extensive plain which lies below ancient Troy towards the Rhaetian promontory was first chosen for his new capital; and though the undertaking was soon relinquished, the stately remains of unfinished walls and towers attracted the notice of all who sailed through the straits of the h.e.l.lespont.
"We are at present qualified to view the advantageous position of Constantinople; which appears to have been formed by nature for the centre and capital of a great monarchy. Situated in the forty-first degree of lat.i.tude, the imperial city commanded from her seven hills the opposite sh.o.r.es of Europe and Asia; the climate was healthy and temperate; the soil fertile; the harbour secure and capacious; and the approach on the side of the continent was of small extent and easy defence. The Bosphorus and the h.e.l.lespont may be considered as the two gates of Constantinople, and the prince who possesses those important pa.s.sages could always shut them against a naval enemy and open them to the fleets of commerce. The preservation of the eastern provinces may in some degree be ascribed to the policy of Constantine, as the barbarians of the Euxine, who in the preceding age had poured their armaments into the heart of the Mediterranean, soon desisted from the exercise of piracy, and despaired of forcing this insurmountable barrier. When the gates of the h.e.l.lespont and Bosphorus were shut, the capital still enjoyed within their s.p.a.cious inclosure every production which could supply the wants or gratify the luxury of its numerous inhabitants. The sea-coasts of Thrace and Bithynia, which languish under the weight of Turkish oppression, still exhibit a rich prospect of vineyards, of gardens, and of plentiful harvests; and the Propontis has ever been renowned for an inexhaustible store of the most exquisite fish that are taken in their stated seasons without skill and almost without labour. But when the pa.s.sages of the straits were thrown open for trade, they alternately admitted the natural and artificial riches of the north and south, of the Euxine and the Mediterranean.
Whatever rude commodities were collected in the forests of Germany and Scythia, and as far as the sources of the Tanais and Borysthenes; whatsoever was manufactured by the skill of Europe or Asia, the corn of Egypt, the gems and spices of the furthest India, were brought by the varying winds into the port of Constantinople, which for many ages attracted the commerce of the ancient world.
"The prospect of beauty, of safety, and of wealth united in a single spot was sufficient to justify the choice of Constantine. But as some mixture of prodigy and fable has in every age been supposed to reflect a becoming majesty on the origin of great cities, the emperor was desirous of ascribing his resolution not so much to the uncertain counsels of human policy as to the eternal and infallible decrees of divine wisdom. In one of his laws he has been careful to instruct posterity that in obedience to the commands of G.o.d he laid the everlasting foundations of Constantinople, and though he has not condescended to relate in what manner the celestial inspiration was communicated to his mind, the defect of his modest silence has been liberally supplied by the ingenuity of succeeding writers, who describe the nocturnal vision which appeared to the fancy of Constantine as he slept within the walls of Byzantium. The tutelar genius of the city, a venerable matron sinking under the weight of years and infirmities, was suddenly transformed into a blooming maid, whom his own hands adorned with all the symbols of imperial greatness.
The monarch awoke, interpreted the auspicious omen, and obeyed without hesitation the will of Heaven. The day which gave birth to a city or a colony was celebrated by the Romans with such ceremonies as had been ordained by a generous superst.i.tion: and though Constantine might omit some rites which savoured too strongly of their pagan origin, yet he was anxious to leave a deep impression of hope and respect on the minds of the spectators. On foot, with a lance in his hand, the emperor himself led the solemn procession: and directed the line which was traced as the boundary of the destined capital: till the growing circ.u.mference was observed with astonishment by the a.s.sistants, who at length ventured to observe that he had already exceeded the most ample measure of a great city. 'I shall still advance,' replied Constantine, 'till HE, the invisible Guide who marches before me, thinks proper to stop.'"
Gibbon Part 3
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