Greetings From The Flipside Part 16

"Take a shower, first of all. You smell like antiseptic."

"I was hoping for something a little more existential."

What eleven-year-old uses that word? "Well, sorry to disappoint you. I'm of the philosophy that a good shower is never going to fail you. After that, you're on your own."

I unlock the padlock and throw my stuff on the bed, then dig through my bag looking for dry clothes. When I turn around, Mikaela is already digging through my other bag, holding up the soggy cards one by one.

"What are these for?"

I put a towel down and sit on the bed, gazing at the sopping mess. "Tomorrow, Jake and I present to the team the next set of cards. Only Jake's cards"-his face pops into my mind, as does the expression of complete fulfillment he had when we were at the park-"will sink us for sure. So I'm writing my own set. Except I'm going to have to start over, but I'll have them done by tomorrow."

"Wait." Mikaela hands them to me one by one as I set them on the desk. "Jake doesn't know about these?"

"Of course not. If he did, he wouldn't let me present."

I reach out for another card, but Mikaela pulls it to her chest, looking at me just like those cats do. "Wait a minute. I helped you get that job. And now you're going to stab Jake in the back?"

"It's not like that. I'm trying to help him save his company."

She crosses her arms. "Is he going to see it that way?"

Now I don't know about you, but I have some pet peeves. I don't like when people younger than me call me honey or sweetheart. I also don't like eleven-year-olds crossing their arms and lecturing me on ethical issues.

"Mikaela, give me the drawings."

"Then give me back that key!" I'm surprised by this. She's typically pretty calm . . . incorrigible, yes . . . but I've never seen her face red.

I cross my arms, holding the key in my hand. Oh yeah, it's a standoff and I'm in the kind of mood where this is somehow making sense in the moment. I understand that you're probably having second thoughts about me and an eleven-year-old throwing down, but you have to try to be in my perspective. See it through my eyes. See it through the day I've had. Remember that I was having to write down rhymes about deer bounding over prairie gra.s.s.

Suddenly, Mikaela throws all the cards at me. It's like confetti popping from the ceiling. But there's no big prize and no winner. I watch them float to the ground, then I look at Mikaela. Her hands are on her hips. She suddenly looks like the little girl she is.

"It's not supposed to be like this! I'm changing my Christmas list!"

She storms off. I grab all my cards off the ground, trying to neatly stack them. I don't know where Mikaela has gone, and frankly, I don't have time to care.

I sit at my desk and pull out my pencils.

The next time I glance at the clock, it is 4:30 a.m.

It's morning. And by morning, I mean the time most people get up. I fell asleep somewhere around five and awoke around seven, still at my desk, drooling on a card that had half the punch line written.

I shower, trying to wake myself up. I look dreadful. Maybe I should present a line of zombie cards.

I decide I need some breakfast. But as I open the fridge in the community kitchen and dig around sacks, I realize almost immediately my food is gone. Someone has stolen it. I glance at my watch. I'm already late.

So I go.

Once in the office, I quickly type up everything Jake requested and have it on his desk by the time he arrives. He still has that bounce in his step . . . like a deer bounding over fields of optimism.

I see him in his office, reviewing the printout. He's talking to himself, making mental notes, I guess. While he's distracted, I take the cards I worked on all night and slide them into a folder. Jake walks out, looking at his watch.

"Okay, it's time to go to the board roo-you okay? You look a little . . ."

"Just tired." I stretch a grin so wide across my face that he leans back a little, like he's afraid it might bite. I dial it back a notch. "Yeah, you know, just so much excitement about our big presentation and all that. Hard to sleep. This is what we live for, right? Greeting cards." He smiles helplessly, if I had to describe it, and it kind of stings my heart. "This new love line will make those nursing home ladies swoon. Thanks for typing everything up this morning." He shoves his hands in his pockets and smiles at me in one of those moments where you feel like something is pa.s.sing between the two of you but you don't really know what. "I, um . . . I had a lot of fun yesterday."

We walk together to the boardroom, my legs shaky underneath me. Jake seems as calm and cool as I've seen him. Pearl, Ruby, Everett, and a couple of the accountants file into the boardroom as we do. Everyone gets situated, a couple pour coffee. Everett checks his phone. I swallow. Guilt is kind of strangling me at the moment. But at the same time, I know what I must do . . . for Jake, for Everett, for greeting cards everywhere.

Everett calls the meeting to order and then says, "All right. What do we got?"

Jake's face lights. He gives me a knowing look before he says, "Everett, this new line . . . I'm sure these cards will sell. Hope?" He gestures toward me and nods toward the computer where we've put all of his notes into a PowerPoint.

I stand, adjust my pants and my s.h.i.+rt and my hair. I adjust my watch. I adjust my pants again. And then, with resolve, I adjust my expression and head away from the computer toward the easel in the corner, where I'd put my cards earlier and draped a sheet to hide them.

I can see Jake out of the corner of my eye. He's pointing to the computer, sort of frozen mid-gesture, watching me walk. Everyone is.

"Good morning," I say very formally, but my voice shakes a little. "Today, I want to present to you a new idea." I glance at Jake. Slowly, his arm is lowering. "People who are together, they don't need our cards. They should be writing their own words to each other. So I propose we do a new thing this Valentine's Day, something that's never been done in the history of greeting card companies. For those who feel it's time to end a relations.h.i.+p, or those who are grieving a lost love . . . let's target them. They need us to say the right words for them. That's why I propose we develop"-I can almost hear the drum roll. Almost-"a line of break-up cards."

"Now that's what I'm talking about!" Everett says and claps . . . all by himself.

"Hope," Jake says, "what are you doing?"

I look at him, hoping he sees the wisdom I'm offering. "Jake, just listen. It's marketable. More people break up than make up, right? If we want to talk numbers, right?" I glance over at the two accountants, who don't seem to speak "relations.h.i.+p" but whose eyes light up when I say numbers. With the flare of a magician, I pull the sheet off the easel and unveil my very first card. I pick the first one up and show the outside: "*G.o.d never closes a door on a relations.h.i.+p without opening a window.'" I open the card. "*Feel free to jump. I'll wait for you at the bottom.'"

I still crack up at that one. I look around the room. Only Everett is smiling and nodding.

I clear my throat and unveil the second card. "*It was G.o.d who said man is not meant to be alone.'" I open it. "*I hope G.o.d wasn't talking about your ex. That schmuck deserves to be alone for the rest of his life. You are too good for him.'"

Everett howls with laughter. But Jake stands and moves to the computer.

"Excuse me," he says in a tone I've not heard him use before. "These are not the cards we prepared for today. I appreciate your efforts," he says, casting me a look that says otherwise, "and I'm sure you worked hard, but-"

"I want to hear them," Everett says. "Landon, go on."

It's tense in the room, which does not seem ripe for the receiving of punch lines, so I try to explain the vision. "We could also develop a set for that moment when you realize you're with the wrong person . . . and who can't relate to that, right?" I say with a kind of snorty, awkwardly whistling laugh. "Um, how about this one? *The Lord said seek and ye shall find . . . when I found you, I should've kept looking.'"

Everett is rolling. Pearl and Ruby look at each other as I unveil the fourth card.

"Where are we supposed to add the puppies?" Pearl asks.

"Do you have kitten jokes? We love kittens," says Ruby.

"I'm working on that," I say to them, "but let's think about the woman whose man cheated on her. How about quoting Numbers 6:24: *The Lord bless thee and keep thee . . .'" I open the card. "*Because I don't want thee anymore, you cheater."

Everett rubs his hands together. "Awesome."

"We can't use the Bible this way," Jake says, throwing up his hands. "I know this is your dream and you think these are good ideas. But my father left me in charge for a reason." His gaze is bouncing between Everett and me.

"Correction, Jake. You're just the writer. I get to approve what goes to market." Everett points to the next card I'd unveiled. "What's this one?"

I look at it. It's a drawing of a woman buried in wedding gifts. She's not looking happy. I'm sure you can imagine.

"It's a *No Thank You Card' for right after a busted wedding."

Ruby and Pearl look completely lost. "I've never heard of those," Pearl whispers to Ruby.

"Me neither," Ruby whispers back.

Few have, I a.s.sume. So I explain. "They come in handy when your betrothed"-I use this word to try to help Ruby and Pearl along in their understanding-"leaves you at the altar, feeling stupid, because you thought he'd stick around. And he was the only one you ever loved and you have all those gifts to return."

I have to be honest, everyone looks confused and stumped. Even Everett.

I clear my throat. "Jake, if we mix the Bible with humor, maybe it will save your company!" I'm sure you can picture it-I'm frozen in excitement, waiting for him to come along beside me.

He doesn't. "I have my own new cards," he says to Everett, completely ignoring me.

"Lan, you got anything else?"

Lan . . . ugh. Why is he calling me that? It's so . . . Sam. And I didn't even like it that much when he called me that, but it was his pet name for me and it had a certain amount of charm to it because I thought he was in love with me.

I glance at Jake, suddenly convicted by my scheme. He stands there looking totally wounded. He shrugs his shoulders, like I might as well continue.

"Well, um, I'm also working on some Anti-versary Cards, for those dates on the calendar that are painful. Or for divorcees, Newly Unwed cards."

Admittedly, there is a certain dark cloud hanging over the conference room, but this is reality . . . this is what people go through. I try to brighten the mood. "Of course, we can't ignore congratulations for those few who do find love."

Pearl and Ruby sit up straighter, nodding and smiling. I unveil the final card. On the front is someone praying. "*I know you've waited so long to find G.o.d's best.'" I open the card. "*I see you got impatient. Congratulations on your engagement." Pearl and Ruby are back to looking confused, but Everett leaps from his seat.

The next thing I know, he's grabbed my head, pulled me forward, kissed my forehead, and let me go. I stumble back, breathless and disoriented.

"You are just what we needed!" Everett says.

"We can't print these." Jake steps forward. His face is a shade of red that's somewhere between ripe tomato and blood. "Sales are not that bad. Our inventory is moving . . ." His voice is high and thin and desperate.

"Because you give half of it away! Since these aren't specific only to Valentine's Day, let's get them out there, see if they boost sales."

I glance at the accountants, then at Ruby and Pearl. Everyone is watching this verbal Ping-Pong match with a lot of interest.

"These can't be our last-chance cards." He looks at me, but there is a wall so high and wide in his eyes that I'm not even sure if he's seeing me. "I need our notes."

"Jake," Everett continues, "it's either we try this or we sell. Your choice. What do you want?"

At that moment, I feel complete regret for what I've done. Yes, I believe in my cards. Yes, I think the company needs an update. But I realize now I've done this in the most horrible way imaginable. I've embarra.s.sed Jake in front of his coworkers, his brother. I've made him look stupid and backed him into a corner.

"Jake, I'm-"

But he storms out.

The accountants slip out, happy, I'm sure, to return to their predictable world of numbers. Everett leaves, but not before lightly tapping his hands together in what I guess is a congratulatory clap. Pearl and Ruby move slower, pus.h.i.+ng themselves away from the table, helping each other stand.

I hear Pearl whisper to Ruby as they walk out, "I haven't seen him that upset since he lost his wife . . ."

They continue to chat but I can't hear what else they are saying as they leave.

I'm left alone standing by my cards and only one question occupies my mind . . .

Jake had a wife?

10.

Jake watched silently as Bette unsealed the envelope. She pulled the card out, looking over the picture he'd affixed to the front. It was a picture he took in Kansas . . . a sun rising over a field of golden wheat. An old wooden, one-room church sat in the foreground, long-ago abandoned but still holding strong the steeple that pointed to the heavens. She paused at the picture, a serene expression softening her features. Jake watched her eyes move back and forth across the text as she opened the card.

"*I look up to the mountains-does my help come from there? My help comes from the Lord, who made heaven and earth! He will not let you stumble; the one who watches over you will not slumber.'" Bette gazed at him over the top of the card, tears s.h.i.+ny in her eyes. "Jake, this is exactly what I needed to hear. How did you know?"

Jake just smiled and shrugged.

She closed the card and held it to her heart. "Well, I am keeping this forever, I will tell you that. Thank you."

"You're welcome."

"Now, what about this girl?"

"What about her?"

"Why don't you write her a card?"

"Oh . . . I don't . . . I mean, nothing has come to me . . . and plus, she can't really read a card . . ."

Bette laughed, tossing him a look that said she wasn't buying any of his excuses. "I bet you can think of something." Jake looked at the floor. "It can't ever be wrong if it comes from the heart. Read that in a card once."

Jake laughed a little. "I'll see what I can do."

"You eating enough, honey? Man can't live on tuna alone, you know."

"It used to be ramen noodles. I'm moving up in the world."

"Let me know if I can bring you anything. We've got stashes of cookies and juice like you wouldn't believe."

"Okay. Thanks, Bette."