The Book Of Secrets Part 42

He pulled the scarf up so that it covered his mouth, and stepped into the church.

They turned down the hill, towards the old town and the river. The houses in Mainz seemed to have been built to a different scale: their high walls dwarfed Nick and Emily as they walked hand in hand down the s...o...b..und street.

The archives were housed in a modern building overlooking a main road, with a park and the Rhine beyond. A pa.s.senger ferry sat docked at a wharf opposite.

They were just in time. The archives were about to close for the day, the archivist evidently hoping to get home early in the snow. But she let them in with a scowl, and led them down to the bas.e.m.e.nt, a maze of sagging shelves lit by naked bulbs. In a far corner, she extracted a flat cardboard box from under a pile of files. She put it down on a table shoved against the wall under a heating duct.

'The reading room is closed already. You can work here.' She looked at her watch. 'We give you one hour. Then we lock you in.'

Olaf sat in the church contemplating the angels. Sometimes, when his old eyes blurred out of focus, he enjoyed the illusion that the angels had escaped their gla.s.s prison and soared free through the blue heaven above. He imagined Trudi, his first wife, playing among them, and hoped she was happier now than he had ever made her.

The wheelchair jolted forward. Someone had knocked into it from behind. Olaf lifted his wrinkled hand to antic.i.p.ate the apology he was used to such things but none came.

He turned, and looked up into the face from his nightmares.

There were twelve pages, single columns of closely s.p.a.ced writing. Over the centuries the catalogue had been subject to many revisions. Ruled lines eliminated many of the entries, while the margins had become a parallel narrative of names, dates and scribbled numbers.

'What are we looking for?'

'Whatever Gillian was looking for when she found the reference to the Devils' Library. Probably something from the fifteenth century. Maybe a bestiary, or a t.i.tle we haven't heard of before.'

Nick tried deciphering the first line of the catalogue. Medieval handwriting and Latin defeated him.

'How's it organised?'

'Chronologically.'

'It shouldn't be too hard to find the fifteenth-century books, then.'

'Chronologically by the date that the monastery acquired the books,' Emily corrected him.

Nick stared at her incredulously. 'What sort of way to organise information is that?'

Emily laid a protective hand on the page. 'Card catalogues weren't invented until the eighteenth century. Until then, all they could do was write down the books as they came into the library. When they were sold, or lost, they crossed them out. You can see why librarians were so important to monasteries.'

She leaned over to examine the first page. 'A lot of these books will have been Bibles or prayer books. We can probably discount those.'

'Unless the monks pulled the same trick Gillian did here,' Nick muttered. 'If the book was so controversial, maybe they misfiled it.' He pointed to an entry in the middle of the page. 'What's that?'

'ITEM: DE NATURA RERUM.'

'When does that date from?'

'Originally? Probably about 300 BC.' Emily couldn't help smiling. 'It's Aristotle.'

Olaf hadn't properly believed in G.o.d since he was fifteen. But he believed in destiny, and at his age he had seen enough to recognise it when it arrived. He didn't resist Cardinal Nevado taking the handles of his wheelchair and wheeling him out. After the blue womb of the church, a foul yellow light drenched the world outside.

'You hid yourself well,' said the voice in his ear. 'We have been trying to find you for a week.'

'I always a.s.sumed you would.'

'But you did not really believe it.' The wheels skidded as he turned a corner. 'For such a cunning race, humanity is badly adapted for deceit. We trust too much to experience. If we have got away with something once, we a.s.sume it will always be so. But the more often we risk something, the more likely we are to fail. You betrayed us once with the American girl and escaped. You should not have met in the same place a second time.'

Olaf stared ahead. 'I like to look at the angels.'

'I hope you enjoyed them. They will be the last you see for some time.'

Olaf suddenly became agitated. He craned around, but all he could see of his captor was a long black coat, a wall of darkness billowing behind him.

'What do you want me to tell you?'

'Nothing. We know everything.'

Cardinal Nevado reached in his pocket and pulled out a heavy fisherman's knife. He hooked it around the wheelchair's brake cord. With a twitch of his wrist, the blade severed it.

'G.o.d pardon you whatever sins or faults you have committed,' he murmured. He placed a gloved hand benevolently on Olaf's head and held it there for a moment in blessing. Then he pushed.

The hill was steep and smooth as gla.s.s. Olaf flapped his arms and tried to grab the wheel rims, but on the hard snow it made no difference. It careered down the street and skidded out onto the road at the bottom a two-lane stretch of ring road.

From the top of the hill, Nevado actually saw the wheelchair pop into the air as a truck hit it front on. It flew into the next lane, bounced, and disappeared under the wheels of an oncoming car.

There wasn't much Nick could do. He paced the bas.e.m.e.nt reading labels on boxes, wondering what other secrets they might hide. When that got boring, he turned on his laptop to play solitaire. When he'd lost three games in a row, he went back to Emily at the table.

'Any luck?'

Emily frowned. 'It's hard to tell. A lot of these t.i.tles are unfamiliar. I can't pin down dates at all.'

The clock on the computer showed half an hour had pa.s.sed already. Without much hope, Nick activated the laptop's wireless card. To his surprise, it found a network almost at once.

'Maybe I can help.'

He dragged a cardboard box to the table and used it as a makes.h.i.+ft stool. As Emily read out t.i.tles he ran them through a search engine, gradually circling in on the section of the catalogue that seemed to have been written in the mid-fifteenth century. In the bottom corner of the screen, minutes ticked past.

'Here's one,' she said. 'No details at all, just a t.i.tle. Liber Bonasi.'

Nick typed 'Bonasi' into the search engine.

Did you mean: Bonsai ?

Underneath, a list of links offered him various services to do with bonsai trees.

'Nothing coming up.'

'Strange.' She pored over the catalogue. 'Try "Bonasus". That might be a more common form.'

j.a.panese nurseries disappeared. Nick scrolled through the new results and tried to make sense of them.

'Bonasus seems to be the Latin name for some kind of Polish bison. Apparently they p.i.s.s on wild gra.s.s which they use to flavour vodka. Gross, huh?'

He looked up from the screen, wondering why she'd gone so still. 'That's what it says here.'

'Try "Bonnacon".'

She spelled it out for him. Nick entered it and clicked on the first result that came up. Emily stood and walked round the table to look.

'That's it.'

A new picture filled the screen: a strange beast with muscular flanks, curled horns and cloven hoofs. Three knights were pursuing it with spears, but had been thrown back by a forked blast that shot out from the beast's rear end like lightning.

Nick read the caption. 'Bonnacon, also known as Bonasus. A fabulous beast with a horse's mane, a bull's body and horns that curve back and so are useless for fighting. When attacked, it runs away, while emitting a trail of dung that can cover two miles. Contact with the dung burns its attackers like fire.'

Half-listening, Emily pulled the rea.s.sembled printout from the bag and laid it next to the computer. Nick looked between them: screen to paper, paper to screen.

The animals were the same. Not identical, but clearly the same fantastical species. What Nick had taken for a bushy tail was actually a cloud of fiery excrement spraying behind it.

'Napalm s.h.i.+t,' said Nick. 'Glad I never walked behind one.'

'Liber Bonasi means the Book of Bonasus. It could be a pseudonym, like Libellus or Master Francis.'

Nick moved around the cluttered table to look at the catalogue again. 'So does it mention the Devils' Library there?'

'No.' Emily pointed to the entry. The t.i.tle had been ruled through, struck out, but unlike the other books there was no date or description of where it had gone. The margin was empty.

'Olaf said Gillian found the reference here.'

'If you were going to send a dangerous book to a secret library, you probably wouldn't record it in the catalogue.'

'Not so people could see.' Nick pulled out his cellphone and turned it on the first time he'd touched it since he left Paris. Blue-white light glowed from the screen.

'It's not ultraviolet, but it might give us an idea.'

He laid the phone flat against the medieval catalogue. Light spilled across the page. With tiny movements, he angled the phone back and forth, trying to catch any sign of hard-point writing.

'What's that?'

He just caught it: a faint scar in the paper, almost invisible in the weak light. He turned up the brightness on the screen, tracing the indentations like an archaeologist sifting through sand. He had to spell it out letter by letter; several times he realised he'd got one wrong and had to go back.

Bib Diab. Portus Gelidus.

Footsteps rang on the steel stairs. Nick jumped, but it was only the archivist. Emily swept up the catalogue and put it back in the box.

The archivist tapped her watch. 'Time you must go.'

They followed her back up. On the stairs Nick asked, 'Does the name Portus Gelidus mean anything to you?'

The archivist frowned, surprised.

'Portus Gelidus is the name in historical times for Oberwinter. It is a village on the Rhine, in the mountains.' She pushed through the door into the lobby and pointed through the front windows. Across the busy road, limp flags hung over a gangway on the pier. 'You can go by the ferry.'

Nevado checked the street still empty. His hat would have hidden his face from anyone watching from the windows above, and any CCTV cameras. He doubted the police would even bother to check: it was plain enough what had happened. An old man had lost control of his wheelchair on the ice, skidded and died. A tragedy. He walked briskly away until he found a street down the hill where the pavements had been shovelled clear. In the distance, he could hear sirens.

A vibration in his coat pocket reminded him his work wasn't finished yet. He snapped open the phone and listened for a moment.

'Do nothing. Wait for me.'

Once, Mainz had been protected by stone; now its walls were ramparts of snow, ploughed to the sides of the two-lane highway that divided the riverfront from the rest of the city. Traffic was at a standstill, the cars pulled over so that an ambulance could nose its way through. Someone must have skidded easy enough, in this weather. Nick looked for the accident but couldn't see anything.

They weaved between the stationary cars and came out on a wide concrete promenade over the Rhine. A biting wind hit them; out on the river it whipped the water into serrated white-capped teeth. By the flagpoles, a sailor in a blue boiler suit unwound a rope from the gangway. They hurried over.

'Does this boat go to Oberwinter?' Nick asked.

A roar drowned whatever answer he got as the ferry revved its engines to depart. Clouds of diesel smoke filled the air. The sailor pulled two tickets off a ring and shoved them in Nick's hand.

'You pay on board. Maybe we get you there.' He looked at the sky. 'Maybe not.'

They tottered down the gangplank and went inside out of the cold. They didn't look back, so they didn't see a man run across the road, dodging between the cars that had finally started moving, and examine the ferry timetable posted on a noticeboard on the pier. Nor did they see the man in the dark overcoat and low-brimmed hat who strode up a minute later.

Ugo heard Nevado coming and turned. 'The first stop is Rudesheim not far. Maybe with the car we can beat it.'

The cardinal shook his head. Out in the river, the ferry was pa.s.sing between two huge coal barges.

'We know where they are going.'

LXXII.

Mainz

The ferry pulled away from the pier, navigating carefully between two barges loaded with timber from the forests upriver. It had been a wet August: a powerful current struck the small craft side on as it emerged from the lee of the larger s.h.i.+ps. A brown wave slopped over the side; the water man paddled furiously, while the pa.s.sengers gripped each other and crossed themselves. I watched their huddled faces from the safety of the riverbank. I had sat on that ferry once, a whey-faced youth setting out into the world. How far I had come.

Fust came out from a warehouse, pa.s.sed behind a group of travelling players who had just disembarked, and approached. He greeted me as he always did.

'How many pages?'

'Nine.'

'Where should we be?'

'Twenty-one.'