All The Pretty Horses Part 7

Rawlins turned away and shook his head.

They crossed the river under a white quartermoon naked and pale and thin atop their horses. They'd stuffed their boots upside down into their jeans and stuffed their s.h.i.+rts and jackets after along with their warbags of shaving gear and ammunition and they belted the jeans shut at the waist and tied the legs loosely about their necks and dressed only in their hats they led the horses out onto the gravel spit and loosed the girthstraps and mounted and put the horses into the water with their naked heels.

Midriver the horses were swimming, snorting and stretching their necks out of the water, their tails afloat behind. They quartered downstream with the current, the naked riders leaning forward and talking to the horses, Rawlins holding the rifle aloft in one hand, lined out behind one another and making for the alien sh.o.r.e like a party of marauders.

They rode up out of the river among the willows and rode singlefile upstream through the shallows onto a long gravel beach where they took off their hats and turned and looked back at the country they'd left. No one spoke. Then suddenly they put their horses to a gallop up the beach and turned and came back, fanning with their hats and laughing and pulling up and patting the horses on the shoulder.

G.o.dd.a.m.n, said Rawlins. You know where we're at?

They sat the smoking horses in the moonlight and looked at one another. Then quietly they dismounted and unslung their clothes from about their necks and dressed and led the horses up out of the willow breaks and gravel benches and out upon the plain where they mounted and rode south onto the dry scrublands of Coahuila.

They camped at the edge of a mesquite plain and in the morning they cooked bacon and beans and cornbread made from meal and water and they sat eating and looking out at the country.

When'd you eat last? Rawlins said.

The other day, said the Blevins boy.

The other day.

Yeah.

Rawlins studied him. Your name aint Blivet is it?

It's Blevins.

You know what a blivet is?

What.

A blivet is ten pounds of s.h.i.+t in a five pound sack.

Blevins stopped chewing. He was looking out at the country to the west where cattle had come out of the breaks and were standing on the plain in the morning sun. Then he went on chewing again.

You aint said what your all's names was, he said.

You aint never asked.

That aint how I was raised, said Blevins.

Rawlins stared at him bleakly and turned away.

John Grady Cole, said John Grady. This here is Lacey Rawlins.

The kid nodded. He went on chewing.

We're from up around San Angelo, said John Grady.

I aint never been up there.

They waited for him to say where he was from but he didnt say.

Rawlins swabbed out his plate with a crumbly handful of the cornbread and ate it. Suppose, he said, that we wanted to trade that horse off for one less likely to get us shot.

The kid looked at John Grady and looked back out to where the cattle were standing. I aint tradin horses, he said.

You dont care for us to have to look out for you though, do you?

I can look out for myself.

Sure you can. I guess you got a gun and all.

He didnt answer for a minute. Then he said: I got a gun.

Rawlins looked up. Then he went on spooning up the cornbread. What kind of a gun? he said.

Thirty-two twenty Colt.

Bulls.h.i.+t, said Rawlins. That's a rifle cartridge.

The kid had finished eating and sat swabbing out his plate with a twist of gra.s.s.

Let's see it, said Rawlins.

He set the plate down. He looked at Rawlins and then he looked at John Grady. Then he reached into the bib of his overalls and came out with the pistol. He rolled it in his hand with a forward flip and handed it toward Rawlins b.u.t.t-first upside down.

Rawlins looked at him and looked at the pistol. He set his plate down in the gra.s.s and took the gun and turned it in his hand. It was an old Colt Bisley with guttapercha grips worn smooth of their checkering. The metal was a dull gray. He turned it so as to read the script on top of the barrel. It said 32-20. He looked at the kid and flipped open the gate with his thumb and put the hammer at halfc.o.c.k and turned the cylinder and ran one of the sh.e.l.ls into his palm with the ejector rod and looked at it. Then he put it back and closed the gate and let the hammer back down.

Where'd you get a gun like this? he said.

At the gittin place.

You ever shot it?

Yeah, I shot it.

Can you hit anything with it?

The kid held out his hand for the pistol. Rawlins hefted it in his palm and turned it and pa.s.sed it to him.

You want to throw somethin up I'll hit it, the kid said.

Bulls.h.i.+t.

The kid shrugged and put the pistol back in the bib of his overalls.

Throw what up? said Rawlins.

Anything you want.

Anything I throw you can hit.

Yeah.

Bulls.h.i.+t.

The kid stood up. He wiped the plate back and forth across the leg of his overalls and looked at Rawlins.

You throw your pocketbook up in the air and I'll put a hole in it, he said.

Rawlins stood. He reached in his hip pocket and took out his billfold. The kid leaned and set the plate in the gra.s.s and took out the pistol again. John Grady put his spoon in his plate and set the plate on the ground. The three of them walked out onto the plain in the long morning light like duelists.

He stood with his back to the sun and the pistol hanging alongside his leg. Rawlins turned and grinned at John Grady. He held the billfold between his thumb and finger.

You ready, Annie Oakley? he said.

Waitin on you.

He pitched it up underhanded. It rose spinning in the air, very small against the blue. They watched it, waiting for him to shoot. Then he shot. The billfold jerked sideways off across the landscape and opened out and fell twisting to the ground like a broken bird.

The sound of the pistolshot vanished almost instantly in that immense silence. Rawlins walked out across the gra.s.s and bent and picked up his billfold and put it in his pocket and came back.

We better get goin, he said.

Let's see it, said John Grady.

Let's go. We need to get away from this river.

They caught their horses and saddled them and the kid kicked out the fire and they mounted up and rode out. They rode side by side s.p.a.ced out apart upon the broad gravel plain curving away along the edge of the brushland upriver. They rode without speaking and they took in the look of the new country. A hawk in the top of a mesquite dropped down and flew low along the vega and rose again up into a tree a half mile to the east. When they had pa.s.sed it flew back again.

You had that pistol in your s.h.i.+rt back on the Pecos, didnt you? said Rawlins.

The kid looked at him from under his immense hat. Yeah, he said.

They rode. Rawlins leaned and spat. You'd of shot me with it I guess.

The kid spat also. I didnt aim to get shot, he said.

They rode up through low hills covered with nopal and creosote. Midmorning they struck a trail with horsetracks in it and turned south and at noon they rode into the town of Reforma.

They rode singlefile down the cart track that served as a street. Half a dozen low houses with walls of mud brick slumping into ruin. A few jacales of brush and mud with brush roofs and a pole corral where five scrubby horses with big heads stood looking solemnly at the horses pa.s.sing in the road.

They dismounted and tied their horses at a little mud tienda and entered. A girl was sitting in a straightback chair by a sheetiron stove in the center of the room reading a comicbook by the light from the doorway and she looked up at them and looked at the comicbook and then looked up again. She got up and glanced toward the back of the store where a green curtain hung across a doorway and she put the book down in the chair and crossed the packed clay floor to the counter and turned and stood. On top of the counter were three clay jars or ollas. Two of them were empty but the third was covered with the tin lid from a lardpail and the lid was notched to accommodate the handle of an enameled tin dipper. Along the wall behind her were three or four board shelves that held canned goods and cloth and thread and candy. Against the far wall was a handmade pineboard mealbox. Above it a calendar nailed to the mud wall with a stick. Other than the stove and the chair that was all there was in the building.

Rawlins took off his hat and pressed his forearm against his forehead and put the hat back on. He looked at John Grady. She got anything to drink?

Tiene algo que tomar? said John Grady.

Si, said the girl. She moved to take up her station behind the jars and lifted away the lid. The three riders stood at the counter and looked.

What is that? said Rawlins.

Sidron, said the girl.

John Grady looked at her. Habla ingles? he said.

Oh no, she said.

What is it? said Rawlins.

Cider.

He looked into the jar. Let's have em, he said. Give us three.

Mande?

Three, said Rawlins. Tres. He held up three fingers.

He got out his billfold. She reached to the shelves behind and got down three tumblers and stood them on the board and took up the dipper and dredged up a thin brown liquid and filled the gla.s.ses and Rawlins laid a dollar bill on the counter. It had a hole in it at each end. They reached for the gla.s.ses and John Grady nodded at the bill.

He about deadcentered your pocketbook didnt he?

Yeah, said Rawlins.

He lifted up his gla.s.s and they drank. Rawlins stood thoughtfully.

I dont know what that s.h.i.+t is, he said. But it tastes pretty good to a cowboy. Let us have three more here.

They set their gla.s.ses down and she refilled them. What do we owe? said Rawlins.

She looked at John Grady.

Cuanto, said John Grady.

Para todo?

Si.

Uno cincuenta.

How much is that? said Rawlins.

It's about three cents a gla.s.s.

Rawlins pushed the bill across the counter. You let your old dad buy, he said.

She made change out of a cigar box under the counter and laid the Mexican coins out on the counter and looked up. Rawlins set his empty gla.s.s down and gestured at it and paid for three more gla.s.ses and took his change and they took their gla.s.ses and walked outside.

They sat in the shade of the pole and brush ramada in front of the place and sipped their drinks and looked out at the desolate stillness of the little crossroads at noon. The mud huts. The dusty agave and the barren gravel hills beyond. A thin blue rivulet of drainwater ran down the clay gully in front of the store and a goat stood in the rutted road looking at the horses.