Moriah's Mourning and Other Half-Hour Sketches Part 4
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The second Mrs. Slimm is a wholesome little body, with dimples and freckles, whom Ezra declares "G.o.d A'mighty couldn't o' made without thinkin' of Ezra Slimm an' his precize necessities."
No one but himself and Miss Musgrove ever knew the whole story of his wooing, nor why, when in due season a tiny dimpled Miss Slimm came into the family circle, it was by Ezra's request that she was called Myrtle.
APOLLO BELVEDERE
A CHRISTMAS EPISODE OF THE PLANTATION
He was a little yellow man with a quizzical face and sloping shoulders, and when he gave his full name, with somewhat of a flourish, as if it might hold compensations for physical shortcomings, one could hardly help smiling. And yet there was a pathos in the caricature that dissipated the smile half-way. It never found voice in a laugh. The pathetic quality was no doubt a certain serious ingenuousness--a confiding look that always met your eye from the eager face of the diminutive wearer of second-hand coats and silk hats.
"Yas, I'm named 'Pollo Belvedere, an' my marster gi'e me dat int.i.tlemint on account o' my shape," he would say, with a strut, on occasion, if he were bantered, for he had learned that the name held personal suggestions which it took a little bravado to confront. Evidently Apollo's master was a humorist.
Apollo had always been a house-servant, and had for several years served with satisfaction as coachman to his master's family; but after the breaking up, when the place went into other hands, he failed to find favor with the new-comers, who had an eye for conventional form, and so Apollo was under the necessity of accepting lower rank on the place as a field-hand. But he entered plantation circles with his head up. He had his house rearing, his toilets, and his education--all distinguis.h.i.+ng possessions in his small world--and he was, in his way, quite a gentleman. Apollo could read a chapter from the Bible without stopping to spell. He seized his words with snap-shots and p.r.o.nounced them with genius. Indeed, when not limited by the suggestions of print, as when on occasion he responded to an invitation to lead in public prayer, he was a builder of words of so n.o.ble and complex architecture that one hearing him was pleased to remember that the good Lord, being omniscient, must of course know all tongues, and would understand.
That the people of the plantation thought well of Apollo will appear from the fact that he was more than once urged to enter the ministry; but this he very discreetly declined to do, and for several reasons. In the first place he didn't feel "called to preach"; and in the second place he did feel called or impelled to play the fiddle; and more than that, he liked to play dance music, and to have it "danced by."
As Apollo would have told you himself, the fact that he had never married was not because he couldn't get anybody to have him, but simply that he hadn't himself been suited. And, indeed, it is because of the romance of his life that Apollo comes at all into this little sketch that bears his name. Had he not been so pathetic in his serious and grotesque personality, the story would probably have borne the name of its heroine, Miss Lily Was.h.i.+ngton, of Lone Oak Plantation, and would have concerned a number of other people.
Lily was a beauty in her own right, and she was belle of the plantation.
She stood five feet ten in her bare feet, and although she tipped the scales at a hundred and sixty, she was as slim and round as a reed, and it was well known that the grip of her firm fingers applied to the closed fist of any of the young fellows on the place would make him howl. She was an emotional creature, with a caustic tongue on occasion, and when it pleased her mood to look over her shoulder at one of her numerous admirers and to wither him with a look or a word, she did not hesitate to do it. For instance, when Apollo first asked her to marry him--it had been his habit to propose to her every day or so for a year or two past--she glanced at him askance from head to foot, and then she said: "Why, yas. Dat is, I s'pose, of co'se, you's de sample. I'd order a full-size by you in a minute." This was cruel, and seeing the pathetic look come into his face, she instantly repented of it, and walked home from church with him, dismissing a handsome black fellow, and saying only kind things to Apollo all the way. And while he walked beside her, he told her that, although she couldn't realize it, he was as tall as she, for his feet were not on the ground at all; which was in a manner true, for when Lily was gracious to him, he felt himself borne along on wings that the common people could not see.
Of course no one took Apollo seriously as Lily's suitor, much less the chocolate maid herself. But there were other lovers. Indeed, there were all the others, for that matter, but in point of eligibility the number to be seriously regarded was reduced to about two. These were Pete Peters, a handsome griff, with just enough Indian in his blood to give him an air of distinction, and a French-talking mulatto who had come up from New Orleans to repair the machinery in the sugar-house, and who was buying land in the vicinity, and drove his own sulky. Pete was less prosperous than he, but although he worked his land on shares, he owned two mules and a saddle-horse, and would be allowed to enter on a purchase of land whenever he should choose to do so. Although Pete and the New Orleans fellow, whose name was also Peter, but who was called Pierre, met constantly in a friendly enough way, they did not love each other. They both loved Lily too much for that. But they laughed good-naturedly together at Apollo and his "case," which they inquired after politely, as if it were a member of his family.
"Well, 'Pollo, how's yo' case on Miss Lily comin' on?" either one would say, with a wink at the other, and Apollo would artlessly report the state of the heavens with relation to his particular star, as when he once replied to this identical question,
"Well, Miss Lily was mighty obstropulous 'istiddy, but she is mo'
cancelized dis mornin'."
It was Pete who had asked the question, and he laughed aloud at the answer. "Mo' cancelized dis mornin', is she?" he replied. "How you know she is?"
"'Caze she lemme tote her hoe all de way up f'om de field," answered the ingenuous Apollo.
"She did, did she? An' who was walkin' by her side all dat time, I like to know?"
Apollo winced a little at this, but he answered, bravely, "I don't kyah ef Pier was walkin' wid her; I was totin' her hoe, all de samee."
At this Pete seemed to forget all about Apollo and his case, and he remarked that he never could see what some folks saw in city n.i.g.g.e.rs, nohow--and neither could Apollo. And they felt a momentary sense of nearness to each other that was not exactly a bond, but they did not talk any more as they walked along.
It is probable that the coming of the "city fellow" into her circle hastened to culmination more than one pending romance, and there were now various and sundry coldnesses existing between Lily and a number of the boys on the place, where there had recently existed only warm and hopeful friends.h.i.+ps. The intruder, who had a way of shrugging his shoulders and declaring of almost any question, "Well, me, I dun'no',"
seemed altogether _too sure_ when it came to a question of Lily. At least so he appeared to her more timid rural lovers.
The Christmas-eve dance in the sugar-house had been for years an annual function on the plantation. At this, since her debut, at fourteen, three Christmases before, Lily had held undisputed sway, and all former belles amiably accepted their places as lesser lights. But there had been some quarrelling and even a fight or two on Lily's account, indirectly, and the church people had declared against the ball, on the score of domestic peace on the place. They had fought dancing _per se_ as long as they could, but Terpsich.o.r.e finally waltzed up the church aisle, figuratively speaking, and flaunted her ruffled skirts in the very faces of elders and minister, and they had had to smile and give her a pew to keep her still. And she was in the church yet, a troublemaker sometimes, and a disturber of spiritual peace--but still there.
If they had forcibly ejected her, some of their most promising and important members would have followed. But they could preach to her, and so they did. Mayhap in time they would convert her and have her and her numerous votaries for their own. As the reverend brother thundered out his denunciations of the unG.o.dly G.o.ddess he cast his eyes often in the direction of the leading dancer, and from her they would wander to the small fiddler who sat beside the tall hat in a back pew. But somehow neither Lily nor Apollo seemed in the least conscious of any personal appeal in his glance, and when finally the question of the Christmas ball was put to vote, they both rose and unequivocally voted for it. So, for that matter, did so large a majority that one of the elders got up and proposed that the church hold revival meetings, in the hope of rousing her people to a realization of her dangers. And then Lily whispered something to her neighbor, a good old man of the church, and he stood up and announced that Miss Lily Was.h.i.+ngton proposed to have the revival _after Christmas_. There was some laughter at this, and the pastor very seriously objected to it as thwarting the very object for which the meetings would be held; and then, seeing herself in danger of being vanquished in argument, Lily, blus.h.i.+ng a fine copper-color in real maidenly embarra.s.sment, rose in the presence of the congregation, to say that when she proposed to have the revival after Christmas, she "didn't mean no harm." She was only thinking that "it was a heap better to repent 'n to backslide."
This brought down the house, an expression not usually employed in this connection, but which seems to force its way here as particularly fitting. As soon as he could get a hearing the reverend brother gave out a hymn, followed it with a short prayer, and dismissed the congregation.
And on the Sunday following he gave notice that for several reasons it had been decided as expedient to postpone the revival meetings in the church until _after Christmas_. No doubt he had come over to Lily's way of thinking.
Lily was perfectly ravis.h.i.+ng in her splendor at the dance. The white Swiss frock she wore was high in the neck, but her brown shoulders and arms shone through the thin fabric with fine effect. About her slim waist she tied a narrow ribbon of blue, and she carried a pink feather fan, and the wreath about her forehead was of lilies-of-the-valley. She had done a day's scouring for them, and they had come out of the summer hat of one of the white ladies on the coast. This insured their quality, and no doubt contributed somewhat to the quiet serenity with which she bore herself as, with her little head held like that of the Venus of Milo, she danced down the centre of the room, holding her flounces in either hand, and kicking the floor until she kicked both her slippers to pieces, when she finished the figure in her stocking feet.
She had a relay of slippers ready, and there was a scramble as to who should put them on; but she settled that question by making 'Pollo rise, with his fiddle in his arms, and lend her his chair for a minute while she pulled them on herself. Then she let Pete and Pierre each have one of the discarded slippers as a trophy. Lily had always danced out several pairs of slippers at the Christmas dance, but she had never achieved her stocking feet in the first round until now, and she was in high glee over it. If she had been admired before, she was looked upon as a raving, tearing beauty to-night--and so she was. Fortunately 'Pollo had his fiddling to do, and this saved him from any conspicuous folly.
But he kept his eyes on her, and when she grew too ravis.h.i.+ngly lovely to his fond vision, and he couldn't stand it a minute longer in silence, he turned to the man next him, who played the bones, and remarked, "Ef--ef anybody but Gord A'mighty had a-made anything as purty as Miss Lily, dey'd 'a' stinted it somewhar," and, watching every turn, he lent his bow to her varying moods while she tired out one dancer after another.
It was the New Orleans fellow who first lost his head utterly. He had danced with her but three times, but while she took another's hand and whizzed through the figures he scarcely took his eyes from her, and when, at about midnight, he succeeded in getting her apart for a promenade, he poured forth his soul to her in the picturesque English of the quadroon quarter of New Orleans. "An' now, to proof to you my lorv, Ma'm'selle Lee-lee"--he gesticulated vigorously as he spoke--"I am geeving you wan beau-u-tiful Christmas present--I am goin' to geeve you--w'at you t'ink? My borgee!" With this he turned dramatically and faced her. They were standing now under the shed outside the door in the moonlight, and, although they did not see him, Apollo stood within hearing, behind a pile of mola.s.ses-barrels, where he had come "to cool off."
Lily had several times been "buggy-ridin'" with Pierre in this same "borgee," and it was a very magnificent affair in her eyes. When he told her that it was to be hers she gasped. Such presents were unknown on the plantation. But Lily was a "mannerly" member of good society, if her circle was small, and she was not to be taken aback by any compliment a man should pay her. She simply fanned herself, a little flurriedly, perhaps, with her feather fan, as she said: "You sho' must be jokin', Mr. Pier. You cert'n'y must." But Mr. Pierre was not joking. He was never more in earnest in his life, and he told her so, and there is no telling what else he would have told her but for the fact that Mr. Pete Peters happened to come out to the shed to cool off about this time, and as he almost brushed her shoulder, it was as little as Lily could do to address a remark to him, and then, of course, he stopped and chatted a while; and after what appeared a reasonable interval, long enough for it not to seem that she was too much elated over it, she remarked, "An'
by-de-way, Mr. Peters, I must tell you what a lovely Christmas gif' I have just received by de hand of Mr. Pier. He has jest presented me wid his yaller-wheeled buggy, an' I sho' is proud of it." Then, turning to Pierre, she added, "You sho' is a mighty generous gen'leman, Mr.
Pier--you cert'n'y is."
Peters gave Lily one startled look, but he instantly realized, from her ingenuous manner, that there was nothing back of the gift of the buggy--that is, it had been, so far as she was concerned, simply a Christmas present. Pierre had not offered himself with the gift. And if this were so, well, he reckoned he could match him.
He reached forward and took Lily's fan from her hand. He hastened to do this to keep Pierre from taking it. Then, while he fanned her, he said, "Is dat so, Miss Lily, dat Mr. Pier is give you a buggy? Dat sholy is a fine Christmas gif'--it sho' is. An' sence you fin' yo'se'f possessed of a buggy, I trust you will allow me de pleasure of presentin' you wid a horse to drive _in_ de buggy." He made a graceful bow as he spoke, a bow that would have done credit to the man from New Orleans. It was so well done, indeed, that Lily unconsciously bowed in return, as she said, with a look that savored a little of roguishness: "Oh, hursh, Mr.
Peters! You des a-guyin' me--dat what you doin'."
"Guyin' nothin'," said Peters, grinning broadly as he noted the expression of Pierre's face. "Ef you'll jes do me de honor to accep' of my horse, Miss Lily, I'll be de proudest gen'leman on dis plantation."
At this she chuckled, and took her fan in her own hand. And then she turned to Pierre. "You sho' has set de style o' mighty expensive Christmas gif's on dis plantation, Mr. Pier--you cert'n'y has. An' I wants to thank you bofe mos' kindly--I cert'n'y does."
Having heard this much, 'Pollo thought it time to come from his hiding, and he strolled leisurely out in the other direction first, but soon returned this way. And then he stopped, and reaching over, took the feather fan--and for a few moments he had his innings. Then some one else came along and the conversation became impersonal, and one by one they all dropped off--all except 'Pollo. When the rest had gone he and Lily found seats on the cane-carrier, and they talked a while, and when a little later supper was announced, it was the proud fiddler who took her in, while Pierre and Peters stood off and politely glared at each other; and after a while Pierre must have said something, for Peters suddenly sprang at him and tumbled him out the door and rolled him over in the dirt, and they had to be separated. But presently they laughed and shook hands, and Pierre offered Pete a cigarette, and Pete took it, and gave Pierre a light--and it was all over.
It was next day--Christmas morning--and the young people were standing about in groups under the China-trees in the campus, when Apollo joined them, looking unusually chipper and beaming. He was dressed in his best--Prince Albert, beaver, and all--and he sported a bright silk handkerchief tied loosely about his neck.
He was altogether a delightful figure, absolutely content with himself, and apparently at peace with the world. No sooner had he joined the crowd than the fellows began chaffing him, as usual, and presently some one mentioned Lily's name and spoke of her presents. The two men who had broken the record for generosity in the history of plantation lovers were looked upon as nabobs by those of lesser means. Of course everybody knew the city fellow had started it, and they were glad Peters had come to time and saved the dignity of the place; indeed he was about the only one on the plantation who could have done it.
As they stood talking it over the two heroes had nothing to say, of course, and 'Pollo began rolling a cigarette--an art he had learned from the man from New Orleans.
Finally he remarked, "Yas, Miss Lily got sev'al mighty nice presents last night."
At this Pierre turned, laughing, and said, "I s'pose you geeve 'er somet'ing too, eh?"
"Pity you hadn't a-give her dat silk hankcher. Hit'd become her a heap better'n it becomes you," Peters said, laughing.
"Yas, I reckon it would," said 'Pollo; "but de fact is _she_ gi' _me_ dis hankcher--an' of co'se I accepted it."
"But why ain't you tellin' us what you give her?" insisted Peters.
'Pollo put the cigarette to his lips, deliberately lit it, puffed several times, and then, removing it in a leisurely way, he drawled:
"Well, de fact is I heerd Mr. Pier here give her a buggy, an'--an' Mr.
Peters, he up an' handed over a horse,--an' so, quick as I got a chance, I des balanced my ekalub'ium an' went an' set down beside her an' ast her ef she wouldn't do me de honor to accep' of a _driver_, an'--an' _she say yas_.
"You know I'm a coachman by trade.
Moriah's Mourning and Other Half-Hour Sketches Part 4
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