Hot corn: Life Scenes in New York Illustrated Part 26
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"An offer for you. What is that?"
Tom looked daggers. "I told you so."
"What is it, my good girl. Tell me all about it."
"My mother bid me go out with her this evening, both of us dressed in our best. She said she had an offer for me, and was going to meet the man in Duane street.
"'What does the man want of me, mother?' said I.
"'Oh, he will make a fine lady of you, and you will live with him.'
"'But I don't want to live with him; I had rather live with Mr. Pease, at "the Home." I had rather live where Tom is, for Tom is good to me.'"
Young love's first happy dream!
"But we went on, and I held my head down, and felt very bad. By-and-by I heard my mother say,'Here she is,' and I looked up a little, and saw two gentlemen--that is, they were clothed like gentlemen--and directly one spoke to the other.
"'I say, Jim, she will do; give the old woman the money, and let us take her up to Kate's.'
"Mercy on me, that voice! I felt that sore spot in my breast grow more and more painful. I looked up; _it was the man who kicked me_; the other was the man who put the tobacco in my mouth."
"What did you do?"
"I stood a little behind my mother while she held out her hand for the money, and when their eyes were turned I ran. I only heard them say, 'Why, d.a.m.n her, she is gone.' Yes, I was gone, and here I am. Oh, I am so sick and so faint! do let me lay down, and don't let those men have me. Oh dear, the thought of it will kill me!"
So it did. A cruel blow had fallen upon a tender plant. The beggar girl might not have felt it. The little seamstress did. A taste of virtue, civilization, christianity, friends.h.i.+p, love, had given the food of sin and shame a hated taste. Sold by a mother to a libidinous brute--to a miserable rum-selling,--worse than rum-drinking--wretch, who wears gentlemanly garments, and kicks, burns, and gags little beggar girls. It was too much for human nature to bear, and it sunk under this last blow, worse than the first.
Madalina went to bed with a raging fever--a nervous prostration. All that kindness and skill could do, was done for the poor sufferer; but what could we do for the body, when the heart was sick?
Next morning her mother came and insisted that she should go home. They begged, pleaded, and promised in vain; go she must.
"Never mind," said Madalina, "it will be only for a little, little while. I shall be well--at least all will be well with me in a few days. I cannot endure this pain in my breast. You will come and see me.
Good bye. Tom, you will?"
It was an honest, manly tear that Tom turned away to hide. Poor fellow, he need not have been ashamed of it. Such is nature.
"She is worse, sir," said Tom, one morning, "and no wonder. I wish you would go and see her; she wants to see you once more. Such a place to be sick in! oh, dear! how did I ever sleep there? I wish you would go with me to-night, about ten o'clock, when they are all in. You will see life as it is."
"Very well, Tom, I will go. Call for me at ten, or when you are ready."
It was my fortune to drop in upon that very evening, and form one of the company to that abode of misery,--that home of the city poor,--so that I am able to describe it in my own language. The place where Madalina lived, is a well known Five Points locality, called "Cow Bay."
As you go up that great Broadway of wealth, fas.h.i.+on, luxury, and extravagance of this great city, from the Park and its marble halls of justice, you will pa.s.s another great marble front--it is the palace of trade, where the rich are clothed every day in fine linens, when they go "shopping at Stewart's." Further along are great marts, where velvet coverings for the floor are sold; for there are some who have never trod upon bare boards. You need not look down Duane street, unless you have a curiosity to see the spot where a miserable mother would sell the virtue of her child to a wretch whose trade is seduction. Don't look into that little old wooden shanty at the comer of Pearl street; it is a "family grocery." The little ragged girl you see coming out with a rusty tin coffee-pot, has not been there for milk for her sick mother--her father is in the hospital on the opposite side of the way--his arm was broken in a "family quarrel." You will pa.s.s the Broadway Theatre before you reach the next corner, with its surroundings of fas.h.i.+onable "saloons," into any of which you may go without fear of losing caste among genteel brandy-smashers and wine-bibbers. Perhaps you will be amused with a small play, such as burning, kicking, or vomiting a little beggar girl; for nice young men are fond of theatrical amus.e.m.e.nts. Do not go into that place of "fas.h.i.+onable resort," the theatre, if it is a hot evening, for it is worse ventilated than the black-hole of Calcutta, and if the fetid air does not breed a fever, it will breed a feverish thirst, which will tempt you to quench it in potations of poison.
Probably that is why it was thus built.
A few steps beyond is Anthony street. Stop a moment here, and look up and down the great thoroughfare of New-York before you leave it. A hundred pedestrians pa.s.s you every minute; almost without an exception, every one of them richly dressed men and women, smiling in joy and happiness. Here is an exception, certainly. A woman in poverty's garb, with a bundle of broken boards and old timbers, from a demolished building, that would be a load for a pack-horse. She is followed by two little boys, with each a bundle, crus.h.i.+ng their young years into early decrepitude. They have brought their heavy loads all the long way from Murray street. They turn down Anthony; look where they go. If they live in that street, it cannot be far, for there, in plain view, stands a large frame house, corner-wise towards you, right in the middle of the street. No, it only looks so, it is beyond the end of it. Yet look, note it well, the corner of that house so plain in view, pointing towards you, is one of the world-wide-known Five Points of New-York.
"What! not so near Broadway, right in plain sight of all who wear silks and broadcloth, and go up and down that street every day? Surely that is not the place where all those bad, miserable, poor outcasts live, that the newspapers talk so much about."
"The very spot, my dear lady."
"Really, this must be looked to. It is quite too bad to think that place is so near our fas.h.i.+onable street, and in sight too. I thought it was away off somewhere the _other_ side of town. If I thought it would do any good, I would let Peter take a few dollars and some old clothes, and go down with them to-morrow."
"Try it, madam. Better go yourself. Let Peter drive you down; see for yourself what has been done and what is yet to do. Lend your hand to cure that eye-sore, which will pain you every time you pa.s.s, for you cannot shut it out of sight, now you know where it is; so near your daily walk or drive to Stewart's, or nightly visit to the theatre, or weekly visit to the church. Go to-morrow; don't put it off till next week."
In the meantime, reader, let us follow the woman and two boys with their heavy burden, on their homeward way to-night. We will go and see where they live.
So I followed down Anthony, past some very old rat-harbor houses, filled with human beings, almost as thick as those quadrupeds burrow in a rotten wharf; so on they go across Elm; now they stand a moment on the edge of Centre, for one of the little boys has taken hold of his mother's dress to pull her back--for she cannot look up with her load--with a sudden cry of, "Stop, old woman! Don't you see the car is coming? Why, you are as blind as a brick. That is black Jim a-driving, and he had just as soon drive over the likes of you as eat. Hang you for a fool, han't you got no sense, old stupid? There now, run like thunder, blast ye, for here comes another of the darned cars--run, I tell you!"
She did run with her great load, till she almost dropped under its overwhelming weight. Why should she thus labor--thus expend so much strength to so little purpose? She knew no other way to live. n.o.body gave her remunerative labor for strong hands; n.o.body took those two stout boys, and set them to till the earth, or taught them how to create bread, and yet they must eat, and so they prowl about the pulled-down houses, s.n.a.t.c.hing everything they can carry away--a sort of permitted petty larceny, that teaches those who practice it how to do bigger deeds; and those old timbers they split up into kindling wood and peddle through the streets.
Poor uncared for fellow creatures; working and stealing to escape starvation--living, for what?--running to escape being run over by an unfeeling driver who cared just as much for them as for so many dogs.
On they went, down Anthony street; and I followed, determined to see the _home_ of this portion of the city poor. It was but one block further--only one little s.p.a.ce beyond this great, wide, open, railroad street, whose thoughtless thousands daily go up and down from homes of wealth to wealth-producing s.h.i.+ps and stores, little thinking of the amount of human misery within a stone's throw of the rails on which they glide swiftly along.
One block further, and the street opens into a little, half acre sort of triangular s.p.a.ce, sometimes dignified with the name of "park," but why, those who know can only tell, for it has no fence, no gra.s.s, and but a dozen miserable trees; 'tis lumbered up with carts and piles of stones, and strings of drying clothes, and scores of unwashed specimens of young humanity, whose home is in the dirt, whether in the street or parents'
domicil.
Here let us stop and look around. A very short street, only one block across the base of the "park," runs to the right from where we stand, past the "Five Points House of Industry," to Cross street. This is the most notorious little street in New York. Its name is Little Water street. It lead from the "Old Brewery" to "Cow Bay." Who that has lived long in this city, or read its history, particularly that portion of it written by d.i.c.kens, has not heard of the "Old Brewery?" It is not there now. That awful den of crime, poverty, and wretched drunken misery has been pulled down, and in its place a substantial brick edifice, in which is a chapel and school-room, and home of another missionary, has been erected by the n.o.ble, generous efforts of the Ladies' Home Missionary Society, of the Methodist Church. The old tenants have been driven out or reformed. How different, too, are the present occupants of that large brick pile in Little Water street, from those who filled its numerous rooms before the missionary came there. Every room was a brothel or a den of thieves, or both combined. Now it is a house of prayer--a home for the homeless--a place of refuge for midnight wandering little beggar girls.
Before us lies the misnamed, neglected triangle, called a park. At the further end is the frame house that we see so plainly as we look down Anthony street from Broadway. At the left, as though it were a continuation of Little Water street, lies that notorious Five Points collection of dens of misery, Cow Bay. It is a _cul-de-sac_, perhaps thirty feet wide at the mouth, narrowing, with crooked, uneven lines, back to a point about a hundred feet from the entrance. Into this court I tracked the kindling-wood-splitters, and threaded my way among the throng of carts and piles of steaming garbage; elbowing my way along the narrow side-walk, and up a flight of broken, almost impa.s.sable steps, I reached the first floor hall of one of the houses, just in time to see that great load of wood and its bearer toiling up a narrow, dark, broken stairway, which I essayed to climb; but just then, from the room on the left, at the foot of the stairs, there came such a piercing, murder-telling, woman's shriek, that I started back, grasped my stout cane, determined to brave the worst for the rescue, made one step, pushed open the door, creaking with a horrid grating upon its rusty hinges, and stood in the presence of an Eve, before the fall, in point of clothing, but long, long after that in point of sin. As I entered the open door, she sprung towards it; her husband caught her by the hair, and drew her back, with no gentle hand or word.
"Let me go, let me go--help!--he wants to murder me; let me go--help, help, help!"
I did help, but it was help to the poor man, for she turned upon him with the fury of a tiger, scratching and tearing his face and clothes, and then settling with a grasp upon his throat, which produced the death-rattle of suffocation.
A strong silk handkerchief served the hand-cuff's place, and to bind hands and feet together; after which she lay quietly upon a little straw and rags, in one corner, the only articles of furniture in the room, except a bottle, broken cup, and something that looked as though it once had been female apparel.
"Is this your wife?"
"She was."
"What is she now?"
"The devil's fury. You saw what she is."
"Do you live with her?"
"I did for seven years."
"Did she drink then?"
"Sometimes--not so bad."
"Did you drink?"
"Well, none to hurt. I kept a coffee house."
Hot corn: Life Scenes in New York Illustrated Part 26
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Hot corn: Life Scenes in New York Illustrated Part 26 summary
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