Letters of Pliny Part 10

CVI -- To LUPERCUS

I SAID once (and, I think, not inaptly) of a certain orator of the present age, whose compositions are extremely regular and correct, but deficient in grandeur and embellishment, "His only fault is that he has none." Whereas he, who is possessed of the true spirit of oratory, should be bold and elevated, and sometimes even flame out, be hurried away, and frequently tread upon the brink of a precipice: for danger is generally near whatever is towering and exalted. The plain, it is true, affords a safer, but for that reason a more humble and inglorious, path: they who run are more likely to stumble than they who creep; but the latter gain no honour by not slipping, while the former even fall with glory. It is with eloquence as with some other arts; she is never more pleasing than when she risks most. Have you not observed what acclamations our rope-dancers excite at the instant of imminent danger?

Whatever is most entirely unexpected, or as the Greeks more strongly express it, whatever is most perilous, most excites our admiration. The pilot's skill is by no means equally proved in a calm as in a storm: in the former case he tamely enters the port, unnoticed and unapplauded; but when the cordage cracks, the mast bends, and the rudder groans, then it is that he s.h.i.+nes out in all his glory, and is hailed as little inferior to a sea-G.o.d.

The reason of my making this observation is, because, if I mistake not, you have marked some pa.s.sages in my writings for being tumid, exuberant, and over-wrought, which, in my estimation, are but adequate to the thought, or boldly sublime. But it is material to consider whether your criticism turns upon such points as are real faults, or only striking and remarkable expressions. Whatever is elevated is sure to be observed; but it requires a very nice judgment to distinguish the bounds between true and false grandeur; between loftiness and exaggeration. To give an instance out of Homer, the author who can, with the greatest propriety, fly from one extreme of style to another.

"Heav'n in loud thunder bids the trumpet sound; And wide beneath them groans the rending ground."[153]

Again,

"Reclin'd on clouds his steed and armour lay."[154]

So in this pa.s.sage:

"As torrents roll, increas'd by numerous rills, With rage impetuous down their echoing hills, Rush to the vales, and pour'd along the plain, Roar through a thousand channels to the main."[154]

It requires, I say, the nicest balance to poise these metaphors, and determine whether they are incredible and meaningless, or majestic and sublime. Not that I think anything which I have written, or can write, admits of comparison with these. I am not quite so foolish; but what I would be understood to contend for is, that we should give eloquence free rein, and not restrain the force and impetuosity of genius within too narrow a compa.s.s. But it will be said, perhaps, that one law applies to orators, another to poets. As if, in truth, Marc Tully were not as bold in his metaphors as any of the poets! But not to mention particular instances from him, in a point where, I imagine, there can be no dispute; does Demosthenes[155] himself, that model and standard of true oratory, does Demosthenes check and repress the fire of his indignation, in that well-known pa.s.sage which begins thus: "These wicked men, these flatterers, and these destroyers of mankind," &c. And again: "It is neither with stones nor bricks that I have fortified this city," &c.

-- And afterwards: "I have thrown up these out-works before Attica, and pointed out to you all the resources which human prudence can suggest,"

&c.--And in another place: "O Athenians, I swear by the immortal G.o.ds that he is intoxicated with the grandeur of his own actions," &c.[156]

-- But what can be more daring and beautiful than that long digression, which begins in this manner: "A terrible disease?" -- The following pa.s.sage likewise, though somewhat shorter, is equally boldly conceived: -- "Then it was I rose up in opposition to the daring Pytho, who poured forth a torrent of menaces against you," &c.[157] -- The subsequent stricture is of the same stamp: "When a man has strengthened himself, as Philip has, in avarice and wickedness, the first pretence, the first false step, be it ever so inconsiderable, has overthrown and destroyed all," &c.[158]--So in the same style with the foregoing is this: -- "Railed off, as it were, from the privileges of society, by the concurrent and just judgments of the three tribunals in the city." -- And in the same place: "O Aristogiton! you have betrayed that mercy which used to be shown to offences of this nature, or rather, indeed, you have wholly destroyed it. In vain then would you fly for refuge to a port, which you have shut up, and encompa.s.sed with rocks."--He has said before: "I am afraid, therefore, you should appear in the judgment of some, to have erected a public seminary of faction: for there is a weakness in all wickedness which renders it apt to betray itself!" -- And a little lower: "I see none of these resources open to him; but all is precipice gulf, and profound abyss."--And again: "Nor do I imagine that our ancestors erected those courts of judicature that men of his character should be planted there, but on the contrary', eradicated, that none may emulate their evil actions."--And afterwards: "If he is then the artificer of every wickedness, if he only makes it his trade and traffic," &c.--And a thousand other pa.s.sages which I might cite to the same purpose; not to mention those expressions which Aeschines calls not words, but wonders.--You will tell me, perhaps, I have unwarily mentioned Aeschines, since Demosthenes is condemned even by him, for running into these figurative expressions. But observe, I entreat you, how far superior the former orator is to his critic, and superior too in the very pa.s.sage to which he objects; for in others, the force of his genius, in those above quoted, its loftiness, makes itself manifest.

But does Aeschines himself avoid those errors which he reproves in Demosthenes? "The orator," says he, "Athenians, and the law, ought to speak the same language; but when the voice of the law declares one thing, and that of the orator another we should give our vote to the justice of the law, not to the impudence of the orator."[159]--And in another place: "He afterwards manifestly discovered the design he had, of concealing his fraud under cover of the decree, having expressly declared therein that the amba.s.sadors sent to the Oretae gave the five talents, not to you, but to Callias. And that you may be convinced of the truth of what I say (after having stripped the decree of its gallies, its trim, and its arrogant ostentation) the clause itself." -- And in another part: "Suffer him not to break cover and escape out of the limits of the question." A metaphor he is so fond of that he repeats it again. "But remaining firm and confident in the a.s.sembly, drive him into the merits of the question, and observe well how he doubles."--Is his style more reserved and simple when he says: "But you are ever wounding our ears, and are more concerned in the success of your daily harangues than for the salvation of the city?"--What follows is conceived in a yet higher strain of metaphor: "Will you not expel this man as the common calamity of Greece? Will you not seize and punish this pirate of the state, who sails about in quest of favourable conjunctures," &c.--With many other pa.s.sages of a similar nature. And now I expect you will make the same attacks upon certain expressions in this letter as you did upon those I have been endeavouring to defend.

The rudder that groans, and the pilot compared to a sea-G.o.d, will not, I imagine, escape your criticism: for I perceive, while I am suing for indulgence to my former style, I have fallen into the same kind of figurative diction which you condemn. But attack them if you please provided you will immediately appoint a day when we may meet to discuss these matters in person: you will then either teach me to be less daring or I shall teach you to be more bold. Farewell.

CVII -- To CANINIUS

I HAVE met with a story, which, although authenticated by undoubted evidence, looks very like fable, and would afford a worthy field for the exercise of so exuberant, lofty, and truly poetical a genius as your own. It was related to me the other day over the dinner table, where the conversation happened to run upon various kinds of marvels. The person who told the story was a man of unsuspected veracity:--but what has a poet to do with truth? However, you might venture to rely upon his testimony, even though you had the character of a faithful historian to support. There is in Africa a town called Hippo, situated not far from the sea-coast: it stands upon a navigable lake, communicating with an estuary in the form of a river, which alternately flows into the lake, or into the ocean, according to the ebb and flow of the tide. People of all ages amuse themselves here with fis.h.i.+ng, sailing, or swimming; especially boys, whom love of play brings to the spot. With these it is a fine and manly achievement to be able to swim the farthest; and he that leaves the sh.o.r.e and his companions at the greatest distance gains the victory. It happened, in one of these trials of skill, that a certain boy, bolder than the rest, launched out towards the opposite sh.o.r.e. He was met by a dolphin, who sometimes swam before him, and sometimes behind him, then played round him, and at last took him upon his back, and set him down, and afterwards took him up again; and thus he carried the poor frightened fellow out into the deepest part; when immediately he turns back again to the sh.o.r.e, and lands him among his companions. The fame of this remarkable accident spread through the town, and crowds of people flocked round the boy (whom they viewed as a kind of prodigy) to ask him questions and hear him relate the story.

The next day the sh.o.r.e was thronged with spectators, all attentively watching the ocean, and (what indeed is almost itself an ocean) the lake. Meanwhile the boys swam as usual, and among the rest, the boy I am speaking of went into the lake, but with more caution than before.

The dolphin appeared again and came to the boy, who, together with his companions, swam away with the utmost precipitation. The dolphin, as though to invite and call them back, leaped and dived up and down, in a series of circular movements. This he practised the next day, the day after, and for several days together, till the people (accustomed from their infancy to the sea) began to be ashamed of their timidity. They ventured, therefore, to advance nearer, playing with him and calling him to them, while he, in return, suffered himself to be touched and stroked. Use rendered them courageous. The boy, in particular, who first made the experiment, swam by the side of him, and, leaping upon his back, was carried backwards and forwards in that manner, and thought the dolphin knew him and was fond of him, while he too had grown fond of the dolphin. There seemed, now, indeed, to be no fear on either side, the confidence of the one and tameness of the other mutually increasing; the rest of the boys, in the meanwhile, surrounding and encouraging their companion. It is very remarkable that this dolphin was followed by a second, which seemed only as a spectator and attendant on the former; for he did not at all submit to the same familiarities as the first, but only escorted him backwards and forwards, as the boys did their comrade.

But what is further surprising, and no less true than what I have already related, is that this dolphin, who thus played with the boys and carried them upon his back, would come upon the sh.o.r.e, dry himself in the sand, and, as soon as he grew warm, roll back into the sea. It is a fact that Octavius Avitus, deputy governor of the province, actuated by an absurd piece of superst.i.tion, poured some ointment[160] over him as he lay on the sh.o.r.e: the novelty and smell of which made him retire into the ocean, and it was not till several days after that he was seen again, when he appeared dull and languid; however, he recovered his strength and continued his usual playful tricks. All the magistrates round flocked hither to view this sight, whose arrival, and prolonged stay, was an additional expense, which the slender finances of this little community would ill afford; besides, the quiet and retirement of the place was utterly destroyed. It was thought proper, therefore, to remove the occasion of this concourse, by privately killing the poor dolphin. And now, with what a flow of tenderness will you describe this affecting catastrophe![161] and how will your genius adorn and heighten this moving story! Though, indeed, the subject does not require any fict.i.tious embellishments; it will be sufficient to describe the actual facts of the case without suppression or diminution. Farewell.

CVIII -- To Fuscus

You want to know how I portion out my day, in my summer villa at Tusc.u.m?

I get up just when I please; generally about sunrise, often earlier, but seldom later than this. I keep the shutters closed, as darkness and silence wonderfully promote meditation. Thus free and abstracted from these outward objects which dissipate attention, I am left to my own thoughts; nor suffer my mind to wander with my eyes, but keep my eyes in subjection to my mind, which, when they are not distracted by a multiplicity of external objects, see nothing but what the imagination represents to them. If I have any work in hand, this is the time I choose for thinking it out, word for word, even to the minutest accuracy of expression. In this way I compose more or less, according as the subject is more or less difficult, and I find myself able to retain it.

I then call my secretary, and, opening the shutters, dictate to him what I Wave put into shape, after which I dismiss him, then call him in again, and again dismiss him. About ten or eleven o'clock (for I do not observe one fixed hour), according to the weather, I either walk upon my terrace or in the covered portico, and there I continue to meditate or dictate what remains upon the subject in which I am engaged. This completed, I get into my chariot, where I employ myself as before, when I was walking, or in my study; and find this change of scene refreshes and keeps up my attention. On my return home, I take a little nap, then a walk, and after that repeat out loud and distinctly some Greek or Latin speech, not so much for the sake of strengthening my voice as my digestion;[162] though indeed the voice at the same time is strengthened by this practice. I then take another walk, am anointed, do my exercises, and go into the bath. At supper, if I have only my wife or a few friends with me, some author is read to us; and after supper we are entertained either with music or an interlude. When that is finished, I take my walk with my family, among whom I am not without some scholars.

Thus we pa.s.s our evenings in varied conversation; and the day, even when at the longest, steals imperceptibly away. Upon some occasions I change the order in certain of the articles abovementioned. For instance, if I have studied longer or walked more than usual, after my second sleep, and reading a speech or two aloud, instead of using my chariot I get on horseback; by which means I ensure as much exercise and lose less time.

The visits of my friends from the neighbouring villages claim some part of the day; and sometimes, by an agreeable interruption, they come in very seasonably to relieve me when I am feeling tired. I now and then amuse myself with hunting, but always take my tablets into the field, that, if I should meet with no game, I may at least bring home something. Part of my time too (though not so much as they desire) is allotted to my tenants; whose rustic complaints, along with these city occupations, make my literary studies still more delightful to me.

Farewell. --

CIX -- To PAULINUS

As you are not of a disposition to expect from your friends the ordinary ceremonial observances of society when they cannot observe them without inconvenience to themselves, so I love you too steadfastly to be apprehensive of your taking otherwise than I wish you should my not waiting upon you on the first day of your entrance upon the consular office, especially as I am detained here by the necessity of letting my farms upon long leases. I am obliged to enter upon an entirely new plan with my tenants: for under the former leases, though I made them very considerable abatements, they have run greatly in arrear. For this reason several of them have not only taken no sort of care to lessen a debt which they found themselves incapable of wholly discharging, but have even seized and consumed all the produce of the land, in the belief that it would now be of no advantage to themselves to spare it. I must therefore obviate this increasing evil, and endeavour to find out some remedy against it. The only one I can think of is, not to reserve my rent in money, but in kind, and so place some of my servants to overlook the tillage, and guard the stock; as indeed there is no sort of revenue more agreeable to reason than what arises from the bounty of the soil, the seasons, and the climate. It is true, this method will require great honesty, sharp eyes, and many hands. However, I must risk the experiment, and, as in an inveterate complaint, try every change of remedy. You see, it is not any pleasurable indulgence that prevents my attending you on the first day of your consuls.h.i.+p. I shall celebrate it nevertheless, as much as if I were present, and pay my vows for you here, with all the warmest tokens of joy and congratulation. Farewell.

CX -- To FUSCUS

You are much pleased, I find, with the account I gave you in my former letter of how I spend the summer season at Tusc.u.m, and desire to know what alteration I make in my method when I am at Laurentum in the winter. None at all, except abridging myself of my sleep at noon, and borrowing a good piece of the night before daybreak and after sunset for study: and if business is very urgent (which in winter very frequently happens), instead of having interludes or music after supper, I reconsider whatever I have previously dictated, and improve my memory at the same time by this frequent mental revision. Thus I have given you a general sketch of my mode of life in summer and winter; to which you may add the intermediate seasons of spring and autumn, in which, while losing nothing out of the day, I gain but little from the night.

Farewell.

FOOTNOTES TO THE LETTERS OF PLINY]

[Footnote 1: A pupil and intimate friend of Paetus Thrasea, the distinguished Stoic philosopher. Arulenus was put to death by Domitian for writing a panegyric upon Thrasea.]

[Footnote 2: The impropriety of this expression, in the original, seems to ha in the word stigmosum, which Regulus, probably either coined through affectation or used through ignorance. It is a word, at least, which does not occur in any author of authority: the translator has endeavoured, therefore, to preserve the same sort of impropriety, by using an expression of like unwarranted stamp in his own tongue. M.]

[Footnote 3: An allusion to a wound he had received in the war between Vitellius and Vespasian.]

[Footnote 4: A brother of Piso Galba's adopted son. He was put to death by Nero.]

[Footnote 5: Sulpicius Camerinus, put to death by the same emperor, upon some frivolous charge.]

[Footnote 6: A select body of men who formed a court of judicature, called the centurnviral court. Their jurisdiction extended chiefly, if not entirely, to questions of wills and intestate estates. Their number, it would seem, amounted to ion. M.]

[Footnote 7: Junius Mauricus, the brother of Rusticus Arulenus. Both brothers were sentenced on the same day, Arulenue to execution and Mauricui to banishment.]

[Footnote 8: There seems to have been a cast of uncommon blackness in the character of this Regulus; otherwise the benevolent Pliny would scarcely have singled him out, as he has in this and some following letters, for the subject of his warmest contempt and indignation. Yet, infamous as he was, he had his flatterers and admirers; and a contemporary poet frequently represents him as one of the most finished characters of the age, both in eloquence and virtue. M.]

[Footnote 9: The Decurii were a sort of senators in the munic.i.p.al or corporate cities of Italy. M.]

[Footnote 10: "Euphrates was a native of Tyre, or, according to others, of Byzantium. He belonged to the Stoic school of philosophy. In his old age he became tired of life, and asked and obtained from Hadrian permission to put an end to himself by poison." Smith's Dict. of Greek and Roman Biog.]

[Footnote 11: A pleader and historian of some distinction, mentioned by Tacitus, Ann. XIV. 19, and by Quintilian, X, I, 102.]

[Footnote 12: Padua.]

[Footnote 13: Domitian]

[Footnote 14: Iliad, XII. 243. Pope.]

[Footnote 15: Equal to about $4,000 of our money. After the reign of Augustus the value of the seat ertius.]

[Footnote 16: "The equestrian dignity, or that order of the Roman people which we commonly call knights, had nothing in it a.n.a.logous to any order of modern knighthood, but depended entirely upon a valuation of their estates; and every citizen, whose entire fortune amounted to 400,000 sesterces, that is, to about $16000 of our money, was enrolled, of course, in the list of knights, who were considered as a middle order between the senators and common people, yet, without any other distinction than the privilege of wearing a gold ring, which was the peculiar badge of their order." Life of Cicero, Vol. I. III. in note. M.]