How It Ended Part 2

Heading back from the coffee shop, he walked two blocks out of his way to follow a redhead in a yellow halter top. He entertained the notion of striking up a conversation, but then she walked out of his life, slipping smartly into the revolving door of an office building.

"What the h.e.l.l is wrong with you?" he said aloud, standing in the middle of the sidewalk, drawing scrutiny from several pedestrians who seemed ready to offer opinions.

He absolutely had to have a cigarette.

Outside the newsstand, he stopped and reminded himself that he had already betrayed Corrine once today, if only in his imagination. He walked on, smokeless and repentant.

Waiting for a traffic light, he looked over the display of a sidewalk vendor, one of those West Africans he'd read about in the Times Times, and spotted among the wares a cigarette case made out of python skin. Tracey would be leaving soon to go back to school. He bought the case for ten bucks and took it back to work. Tracey was at her desk, eating a bowl of cottage cheese.

"It's beautiful," she said. "You're so thoughtful."

"It comes with strings attached," Russell said.

She looked up warily.

"Give me a cigarette, for Christ's sake, before I die." He smoked it in her cubicle, and they talked about her courses for the fall. Russell wished he were going back to college, wished that he were embarking on some open-ended adventure, as he savored what he told himself would be his last cigarette.

One morning toward the end of August, Corrine woke up at five a.m. in a terrible state. She'd had a dream: The apartment had gone up in flames. Her breath was short, and she was trembling. At first she wanted to stay home from work, and wanted Russell to stay with her, but Russell pointed out that if the fire was in the apartment building, they were both better off in their offices.

She called after lunch to see if he was okay. As he was leaving the office, he called to remind her about a c.o.c.ktail party that night. The theme was La Mort d'ete; La Mort d'ete; for some reason, all the parties had themes that year, as if conviviality were no longer its own reward. for some reason, all the parties had themes that year, as if conviviality were no longer its own reward.

"I won't be able to make it," she said. "You should go."

"Got a previous engagement?" Russell suggested.

"Don't be an idiot, okay? It's been a b.i.t.c.h of a day already."

"What should I wear," Russell asked.

"Wear a tie. They won't recognize you."

"Remind me what you look like, so I'll recognize you when you get home tonight."

"I'll be the girl with dark circles under her eyes."

After a moment, Russell said. "How's old Dow Jones?"

"The market's up four points."

"I mean the stiff with the starched boxer shorts."

"Duane is very busy, like the rest of us."

"I don't hear you denying my surmise about his undershorts."

"Would you like me to check?"

"No, that's okay."

"I'll see you when I get home. And no smoking."

Russell planned to make a quick appearance, but after two hours the party was just hitting optimal cruise alt.i.tude. The invitation had said c.o.c.ktails six to eight c.o.c.ktails six to eight, but food and booze were plentiful and everyone was canceling dinner reservations. Rick Cohen had some blow that he let Russell in on. By ten, Russell had b.u.mmed three cigarettes. He felt guilty about the first. The second came after he visited the bathroom with Rick, and obviously that didn't count. Smoking the third, he decided that he was glad Corrine wasn't with him: He could be weak without spoiling her resolution.

Nancy Tanner arrived wearing one of her strapless dresses. She was flashy in a way that reminded him of stewardesses-a stylized, overly wrought femininity that he a.s.sociated with the service sector. Her obviousness made him feel virtuous. If Nancy were a film, she'd be Superman II Superman II. Corrine was, say, Hiros.h.i.+ma Mon Amour Hiros.h.i.+ma Mon Amour.

Nancy spotted Russell and winked, then caught up with him at the bar. "Behaving yourself?" she asked.

"Trying."

"Haven't seen you since ... you remember."

For a moment he thought she meant the dream. "How's your step father?" he said.

"My stepfather?" She looked baffled for a moment. "Oh, he's fine. He's better. Where's Corrine?" she asked, much as one asks after a tagalong sibling who has finally been given the slip. He felt that if he didn't challenge her tone, he'd be implicated in a developing conspiracy.

"Working," he said.

"All work and no play ..." She arched her eyebrows and then escaped before he could register his indignation. That was going a little too far. He got a drink and plunged back into the crowd.

"We were just wondering what happened to Dino Signorelli," Rick said when Russell joined his circle.

"Last I heard, he was selling seeds in South Dakota."

"Spilling seed, you mean," Tom Dalton said.

"That guy could fake a guard like n.o.body's business."

"He could bend an elbow, too," Russell observed.

Russell was listening to Skip Blackman's girlfriend-who had never looked so good-talk about her incredibly boring job when Nancy touched his shoulder.

"Got a cigarette?"

Russell was about to say he'd quit, but he deftly turned the reflex into a negative monosyllable.

"Let's find some," she said, her sparkling eyes seeming to make this simple notion witty and daring.

She took his hand and he followed her, feeling crisp and purposeful in his movements, negotiating the tight throng of bodies and the carpeted floor like an expert skier rounding the poles of a hazardous slalom course.

"I think I've got some in my coat," she said, leading him into one of the bedrooms. She closed the door behind them. He reached for her and drew her face to his, his feeling of precision and control dissolving, the ski slope giving way to a free fall through the clouds.

Shortly before midnight, Russell reeled toward home. His legs were wobbly, but this was a transparent defensive strategy, a white lie on the part of the body on behalf of the guilty mind. It didn't work. His head was utterly clear, an acoustically perfect amphitheater for the voices of accusation. He told himself that it could have been worse; they hadn't closed the deal, those few minutes in the bedroom. But they might have. They were well en route when somebody came in looking for a coat.

He took off his shoes in the hallway, eased the keys into the locks. The apartment was dark. He crept to the bedroom, which was empty. He tried to feel relief, told himself he had a second chance. He couldn't have faced Corrine tonight. She would have seen right through him.

Russell was in bed when he heard the stealthy tick of keys and tumblers. With one eye half-open, he watched the door of the bedroom. The hallway remained dark. Eventually he heard her tiptoe into the bedroom; accustomed to the dark, he could see that she was carrying her shoes.

He pretended to be asleep as she undressed and slipped into bed beside him. He wanted to take her in his arms.

Corrine lay very still beside him. He waited for her rapid breathing to resolve itself into the rhythm of sleep; she could fall asleep on a dime. Instead, her breath became shorter, more irregular, until he realized that she was crying. Somehow she knew. Russell cursed himself for violating this intimacy, which over the years had become so finely tuned that she was able, even in the silent dark, to sense a change in pitch. Then he decided that was absurd. He began to wonder where she'd been all night.

"Oh, Russell," she said. "I'm sorry."

He lifted himself on an elbow and tried to see her face in the dark.

"What do you mean, you're sorry?"

She began to sob. Her back was heaving. She was trying to say something, but her words were m.u.f.fled by the pillow.

"What?" he said.

When she finally spoke, it was in a dull, featureless voice that he had never heard before. "Tonight," she said, "tonight I had a couple cigarettes...."

She said more, but the sound of her voice was already fading away as Russell lay back on his own pillow, feeling the chill blast of the air conditioner on his face, imagining himself henceforth as a wanderer of frozen landscapes, and in searching for a suitably tragic picture of himself, he came at length, unexpectedly, upon the image of Dino Signorelli, standing alone on a treeless prairie, hatless, leaning into the cold wind.

Invisible Fences.

So I come in the front door about one in the morning, after stopping to get some beer and cigarettes, and I hear these sounds from the living room. Two kinds, a low guttural growl that doesn't even sound human and a high-pitched chirping that some kind of distressed tropical bird might make but which I recognize as the love song of my wife, Susan.

"Honey?" I call.

I walk into the living room and this is what I see: Susan naked on the floor, entwined with an equally naked stranger.

"Jesus, Susan."

The man lifts his head from between her legs and regards me with mild alarm.

"You could've waited till I got back," I say.

"I'm sorry," she says breathlessly. "I guess I got carried away."

Meanwhile, the man-I think he said his name was Marvin-puts his hand on the back of her head and directs her back to her task.

Trying to get over my pique, I kneel down on the floor beside them.

"You get those Newport Lights," he asks, thrusting his hips into Susan's face.

Sometimes I think the difference between what we want and what we're afraid of is about the width of an eyelash.

It's amazing what human beings get accustomed to-how quickly the bizarre, the absurd and the perverse can become routine. People have become accustomed to torture, or so I've read, bonded with their tormentors, the wielders of pliers and electricity.

It happens gradually. Maybe one day you get high with another couple and there's a certain amount of joking and talk, and the next thing you know, the guy's making out with your wife and you're kind of freaked-out about it. You and his wife go at it a little, and when you look up, he's ma.s.saging your wife's breast. At that point you break it up. Enough is enough. But later you find yourself thinking about the man's hand on your wife's breast. I don't know-could you imagine something like that? I'm just throwing it out as a hypothetical. A possible scenario.

The thing is, I consider myself a pretty normal guy. I manage the bookstore in the Sunset Mall. My parents are still married. My wife, Susan, is a lawyer who works for the city. We have two kids, Cara and Bucky, both of them baptized at the First Episcopal, and while I can't say we go to church every Sunday, we're there for the big holy days. We live in a place where people ask on first meeting what church you go to, a city that has far more churches than saloons. Most of the Bibles in the country are published here, and so are most of the country songs. We also have more strip clubs and ma.s.sage parlors and adult bookstores than you'd think possible, all tucked away downtown, just off the cloverleaf where the interstate hits the bypa.s.s. Locals will tell you it's all out-of-towners at those places, but I'm not convinced. You might even make a case for some kind of correlation between all the pay s.e.x and all these churches, though I wouldn't make it in public, since there's also a h.e.l.l of a lot of guns around here. I myself have a .38 revolver between the mattress and the box spring and a twelve-gauge Remington pump in the gun cabinet, which would be considered about average. So far I haven't used the .38 for anything, but it makes me feel safer knowing it's there, even though the statistics tell me otherwise. I use the twelve-gauge for ducks; every winter I go with some college buddies down to Reelfoot Lake. We spend four days drinking and shooting, b.i.t.c.hing about our wives and our jobs, talking about fish we've caught, and others we should've caught, and occasionally about the girls we've nailed, but more often about the ones who got away.

Sometimes, deep into the sour mash after a morning of freezing in the duck blind, things can get pretty confessional. But in my experience, men are more circ.u.mspect when it comes to their s.e.x lives than women are. Susan once let me hide in the closet while she threw a baby shower for her friend Genevra, and all I can say is, it scared me, the s.h.i.+t they were saying. Length and width and how many times. Not that it didn't turn me on, especially when Susan started bragging on me. I'm sitting there next to the dusty-smelling vacuum cleaner with a hard-on. But these women were just, I don't know, clinical, whereas men speak in generalities and hypotheticals. Like, Hey, tell you what. I'd love to f.u.c.k that waitress down at the Trace Hey, tell you what. I'd love to f.u.c.k that waitress down at the Trace. Or, What about that Penelope Cruz, whooee! I could wear her out What about that Penelope Cruz, whooee! I could wear her out. As for me, I've never been so s.h.i.+tfaced as to share any intimate love details with the boys. Not that I haven't fantasized and even talked with Susan about sharing more than the details with my buddies. Susan gets it-she thinks it's s.e.xy. But there's fantasy and there's reality. Even when you're pus.h.i.+ng the frontier between them-especially when you're pus.h.i.+ng it-it's important to know where the one leaves off and the other begins. I may be a pervert, but I'm not an idiot. I can't help wondering, though, what happens late at night on their living room floors.

So anyway, on Friday nights Susan's mom takes the kids and we head out on the town. We go different places, often hitting three or four spots in a night. Susan dresses up, puts on makeup and her finest lingerie. Usually I buy the lingerie, or we pick it together out of the Victoria's Secret catalog. "Do you like the pink, or the black and white," she'll ask, standing in front of the mirror. She has a superb little body. Pet.i.te but voluptuous-and I don't mean fat. I mean five four, with curves like Daytona. I still can't look at her b.r.e.a.s.t.s without my breath catching in my throat. Sometimes I get faint seeing them suddenly. I mean, really. A few of the girls at work have asked her if she has implants, not that they're so big-she sort of fluctuates between B and C-but because they just seem a little too good to be true. Sometimes I can't believe they're mine, so to speak. It must be kind of like marrying money. You think, Whoa, what did I do to deserve these? When I saw guys looking at them, it made me proud. Maybe that was the beginning of something. Sometimes the guys look in a lecherous way, but more often they're secretive and pained, like dogs trying to sneak up on a garbage can. It's like, G.o.d, what I wouldn't give to get a good look at those, to stroke them, to put my mouth on those nipples. I admit it: I encourage her to wear tops that show her off, buy her tight little low-cut things.

So, on Friday nights I get home as quick as I can. I'm usually at the house by six, but on this particular night I'm a few minutes late. Darlene, the baby-sitter, is hovering by the front door with her jacket on, all antsy to smoke a cigarette and drive over to her boyfriend's house. My friend Hal always talks about how hot she is and how he'd be happy to drive her home sometime, but I don't know, it's not my thing. She has unnaturally yellow hair and a deep cavernous navel that she displays at all times, winter and summer, beneath short little T-s.h.i.+rts and halters. Sometimes I can't believe I entrust my kids to this little tramp, but so far they haven't broken any bones, collected any tattoos or ingested anything too terribly toxic on her watch. On the other hand, why is Cara lying on the floor, sobbing?

"Bongo saw another dog and he chased it," Darlene says. "I tried to catch him, but he got away."

Appearing in the doorway, trailing her blanket, Cara confirms this. "Bongo run away."

"He'll come back," I say.

Every once in a while he gets so worked up by some dog in the street that he forgets about the Invisible Fence that encircles the property. Getting zapped as he crosses the line makes him even crazier. f.u.c.king Bongo.

"Darlene says he'll get smooshed by a car."

"Where's your brother?"

"Darlene says dogs can't go to heaven."

"Honey, Darlene's no expert on heaven," I say.

Susan's still at work, so I fire up a box of Kraft mac and cheese for the kids, the leftovers of which I eat myself, then pack them up for their big night at grandma's, Bucky with his Game Boy, his Pokemon cards and figures, his SpongeBob pajamas, two pairs of jeans, two T-s.h.i.+rts and two sweats.h.i.+rts, one that says Vanderbilt and the other UT, equal time for Susan's alma mater and mine. Cara packs her own h.e.l.lo Kitty backpack: Barbie nightgown, Barbie and Chrissie dolls, the usual stuff.

"Come on, come on," I say.

"I don't want to go to Grammy's," Bucky says.

"Sure you do," I say. "You always have fun at Grammy's."

"Her house smells funny."

"What about Bongo?" Cara whines.

I've forgotten about that. "Okay, let's go find Bongo."

We walk out front and look up and down the street, though I don't really expect to see the crazy mutt-the last time he ran off, we got a call two days later from the next town over. Bongo's a wanderer. He's also a biter, which is why we always make sure he's out in the backyard before we bring anybody over on Friday nights.

"I'm sure Bongo will come home soon," I say, but Cara's still weepy when I drive them over to Susan's mother's house.

"What have you kids got planned for tonight," Susan's mother asks me after we have planted the kids in front of the TV.

"Just going to have a bite and hit the town."

"I think it's great the way you two have your together time. It's important to keep the romance alive. Some couples, the kids come along, they just let the spark go out." I'm afraid she's going to start talking about her ex, Susan's dad, an epic horndog who has achieved sainthood since he succ.u.mbed to lung cancer a few years back.

"We're trying to keep it fresh," I say.

"It takes work," she says. "You can't just take it for granted. Buck and I, we had our problems, Lord knows. But every Sat.u.r.day night he'd take me to dinner at the club."

If I were her, I wouldn't bring up the club; there's a famous story about my father-in-law and one of the waitresses. "He was a h.e.l.l of a guy, old Buck," I say.