A Tramp's Sketches Part 4

I stood on the platform where the many-domed temple was built, and watched the gathering night. Unnumbered trees lay beneath me, but it was so dusk I hardly knew them to be trees. The gigantic black cliff that shuts off the west stood blank into the heaven like a great door: to the east lay the ghostly fading coast-line of Aloopka. Among the black clouds overhead danced out happy fires, and, answering their brightness, windows lighted up in cottages far below, and lanterns gleamed on a little steamer just puffing over the horizon.

There came the pure December evening with frost and Christmas bells, and happy hearths somewhere in the background. The one star in the sky was a beckoning one: my heart yearned.

I dipped down upon the road, and in a few minutes was looking at the temple from below, seeing it entirely silhouetted against the sky. It was now indeed held up in a giant's palm and looked at.

Far out at sea now lay a silver strand; the lines of the waves were all curves and heavily laden with shadows--they were, indeed, waves.

Far above me the cliffs that I had left were mist-hidden, and in the midst shone a strange light from the last glow of sunset in the unseen west.

Night. At a word the sea became lineless and shapeless. The sunset sky was green-blue, and black strips of cloud lay athwart it. Looking up to the crags above me, I missed the church: it was in heaven or in the clouds. A great wind blew, and ceased, and came no more--the one gust that I felt of a whole day's storm on the coast. Night chose to be calm, and though all the waves called in chorus upon the rocks, there was a silence and a peace within the evening that is beyond all words.

I walked with the night. I walked to find an inn, and yet cared not that the way was far and that men dwelt not in these parts. For something had entered into me from Nature, and I had lived an extra life after the day was done. It was not one person alone that, pack on back, walked that dark and quiet Crimean road. And the new spirit that was with me whispered promises and lingered over secrets half-revealed. I came to know that I should really enter into it, and be one with it, that I should be part of a description of night and part of night itself.

At one of the many turnings of the road I came upon five dreamy waggons, and Tartar waggoners walked by the horses, for their loads were heavy. I made friends with the third waggoner, and he asked me to carry his whip and take his place whilst he talked with one of his mates. For eight miles I walked by the side of the plodding horses, and encouraged them or whipped them, coaxed or scolded them, as they slowly dragged their lumberous merchandise along the dark and heavy roads.

I almost fell asleep, but at an inn half-way I drank tea with the waggoners "cheek by jowl and knee by knee," and they saw me as one of themselves.

Once more on the road--we went nearly all the way to Aloopka. The Tartars sang songs, the beasts of burden toiled; on one side the cliffs overwhelmed us, and on the other lay the dark sea on which the stars were peeping. The still night held us all.

IX

THE MEANING OF THE SEA

I

It is good to live ever in the sight of the sea. I have been tramping two months along seash.o.r.es, and living a daily life in the presence of the Infinite. From Novorossisk to Batoum, eight hundred and fifty versts, I have explored all that coast of the Black Sea that lies at the feet of the Caucasus--to left of me the snow-peaked mountains shoulder to shoulder under heaven, to right the resplendent, magnificent sea.

"The sea cannot be described," wrote Chekhov; "I once read in a child's copy-book an essay on the sea, four words and a full stop--'The sea is large'--and whenever I attempt a description, I am obliged to confess that I can do no better than the child." The fact is, the sea describes us; that is why we cannot describe it. It is, itself, language and metaphor for the telling of our own longings and our own mysteries. In the sound of the waves is only the song of man's life; in the endless variety of its appearance only the story of our own mystery.

Thus the sea is all things. They call this the Black Sea, and at evening when the clouds in the high heaven are reflected in it, it is indeed black. But it should be called the many-coloured, for indeed it is all colours. In the full heat of noon, as I write, it is white; it is covered with half-visible vapour through which a greenness is lost in pallor. The horizon is the black line of a broken arc. Other days it is blue as a great ripe plum, and the horizon is faint-pink, like down. On cloudy afternoons it is grey with unmingled sorrow; in early morning it is joyous as a young child. I have seen it from a distance piled up to the sky like a wall of hard sapphire. I have seen it near at hand faint away from the sh.o.r.e, colourless, lifeless, in the heart-searching of its ebb tide. It is all things, at all times, and to all persons.

II

At Dzhugba the sea was quiet as a little lake; at Dagomise it was many-crested and thundering in the majesty of storm. At Gudaout the sun rose over it as it might have done on the first morning of the world.

Every dawning I bathed, and each bathing was as a new baptism. And in multifarious places it was given to me to bathe; at Dzhugba, where the sun shone fiercely on green water and the dark seaweed washed to and fro on the rocks; at Olginka, the quietest little bay imaginable, where the sea was so clear that one could count the stones below it, the rippling water so crystalline that it tempted one to stoop down and drink--a dainty spot--even the stones, on long curves of the sh.o.r.e, seemed to have been nicely arranged by the sea the night before, and far as I swam out to sea I saw the bottom as through gla.s.s.

How different at Dagomise! All night long it had thundered. I slept under a wooden bridge that spanned a dried-up river. The lightning played all about me, the rain roared, the thunder crashed overhead.

The storm pa.s.sed, but as the thunder died away from the sky, it broke out from the sea and roared deafeningly all around. I could not bathe, for the sea was tremendous. A grand sight presented itself at dawn, the sea foaming forwards in thousands of billows. Along five miles of seash.o.r.e the white horses galloped forward against the rocks, as if the whole sea were an army arrayed against the land. How the white pennons flew!

Later in the morning I undressed, and sitting in moderate safety on a shelf of rock, let the spent billows rush over me. The waves rushed up the steep beach like tigers for their prey, their eyes turned away from mine, but full of cruelty and anger. I was, deep in myself, afear'd.

At what an extraordinary rate the waves rushed up the sh.o.r.e, fast galloping after one another, accomplis.h.i.+ng their fates! There is only one line I know that tells well of their rate, that glory of Swinburne:--

Where the dove dipped her wing and the oars won their way, Where the narrowing Symplegades whiten the straits of Propontis with spray.

III

At Osipovka, where I spent a whole long summer day sitting on a log on the seash.o.r.e, I saw a vision of the sea and nymphs--a party of peasant girls came down and bathed. They were very pretty and frolicsome, taking to the water in a very different style from educated women.

They were boisterous and wild. They went into the sea backwards, and let the great waves knock them down; they lay down and were buffeted by the surf; they ran about the sh.o.r.e, sang, shouted, yelled, waved their arms; they dived headlong into the waves, swam hand over hand among them, pulled one another by the legs. The sea does not know how to play games: it seemed like an ogre with his twelve princesses. They made sport of him, pulled his beard and his hair, tempted and evaded him, mocked him when he grabbed at them, befooled him when he captured them. I used to have an idea of nymphs behaving very artistically with really drawing-room manners, but I saw I was wrong. Nymphs are only artistic and alluring singly--one nymph on a rock before a gallant prince.

In numbers they are absolutely wild and have no manners at all. Lucky old ogre, to possess twelve such princesses, I thought; but as I looked at the gleam of their limbs as they mocked, and heard their hard laughter, I found him to be but a pitiable old greybeard, for he looked at beauty that he could scarce comprehend and never possess.

The beauty of life has power greater than the beauty of the sea.

IV

One night after I had made my bed on a gra.s.sy sand-bank above the sea and was waiting, in the thrilling and breathless twilight, to fall asleep, I suddenly heard a sound as of a child weeping somewhere. My heart bounded in horror. I lay scarce daring to breathe, and then when there was silence again, looked up and down the sh.o.r.e for the person who had cried. But I saw no one. I listened--listened, expecting to hear the cry again, but only the waves turned the stones, broke, rolled up, and turned the stones again. Evening crept over the sea, and the waves looked dark and shadowy; the silence grew more intense.

I turned on one side to go to sleep, and then once more came a sad, despairing human cry as of a lost child. I sat bolt upright and looked about me, and even then, whilst I stared, the cry came again, and from the sea. "Is it possible there is a child down by the waves?" I thought, and I tried to distinguish some little human shape in the darkness that seemed hastening on the shoulders of the incoming waves.

There came a terrible wail and another silence. I dared not go and search, but I lay and shuddered and felt terribly lonely. The waves followed one another and followed again, ever faster and faster as it seemed in the darkness--

Still on each wave followed the wave behind, And then another behind, And then another behind....

They came forward fantastically, and I felt as if I were lying in the presence of something most ancient, most terrible.

Presently a bird with great dark wings flew noiselessly just over my head, and then over the sea rose the moon, young, new drest, and I forgot the strange cry in the presence of a familiar friend. It was as if a light had been brought into one's bedroom. Probably the cry was that of an owl; it came no more. I slept.

V

There was my walk to the forlorn and lonely monastery of Pitsoonda on the promontory where the great lighthouse burns. Along the seash.o.r.e were swamps overgrown with bamboos and giant gra.s.ses, twelve feet high. The sea was grey and calm. Lying on the sand, one saw the reflection, or the refracted images, of the grey stones at the bottom of the sea for twenty yards out and more. The sea had no power, it splashed in weak and hopeless waves, sucked itself away inward, came back again with a little run, and feebly toppled over. The high-water line was shown by a serpentine strip of jetsam winding along the whole of the sh.o.r.e. There was no yellow in the sands; clouds and suns.h.i.+ne struggled overhead, but beneath them all was grey. The wind rustled in the giant gra.s.ses like the sound of men on horseback, so that I was continually looking behind in apprehension.

A land that is lonelier than ruin, A sea that is stranger than death.

At a lonely house, half-way to the monastery, I thought to obtain bread, but as I approached it twelve large brown mastiffs rushed out and a.s.sailed me. I was in a pitiable plight, warding them off with my stick, and did not escape without bites. I called for help, and some one then whistled from a window and called the dogs back. I don't fear dogs, but these were powerful animals, and withal a tremendous surprise. I must have had a bad time had no one called them away.

I came to the river Bzib, deep and fast-running, and rowed myself across in a leaky and muddy boat. I ploughed my way through deep sand, or stepped from boulder to boulder, or crushed through miles of sea-holly and p.r.i.c.kly shrub. I came to the sacred wood in which the Ahkbasians used to pray when they were pagans, but in which, since their conversion, they have chiefly committed murder. I pa.s.sed through three strange woods, the first of juniper and wild pear; the second, all dead, bleached and impenetrable, of what had once been hawthorn, but now one jagged, fixed ma.s.s of awkward arms and cruel thorns; the third, a beautiful, s.p.a.cious pine-wood, climbing over cliffs to the far verge of the cape where the lighthouse flashes. These were like woods in a fairy tale, and may well have had each their own particular elves and spirits. Each had a separate character: the first as of the earth, homely, full of gentle russet colours from the juniper and the wild fruit; the second, haggish, full of witches whose finger-nails had never been clipped; the third, queenly, as if beloved of Diana.

Evening grew to night as I plodded past these woods or struggled through them. The temptation was to go into the wood and walk on firmer soil--but the thickets were many, and not a furlong did it profit me. Then there were thorns, you must know, and abundant long-clawed creepers that grasped the legs and kept them fixed till they were tenderly extricated by the hand. When I came to the pine-wood it was night, and the many stars shone over the sea. I walked easily and gratefully over the soft pine needles, and I constantly sought with my eyes for the monastery domes. The moonlight through the pines looked like mist, and the forest climbed gradually over rising cliffs. Far away on the dark cape I saw the flash of the lighthouse....

No houses, no people, only a faint cart-track. That track bade me hope. I would follow it in any case. At last, suddenly, I thought I saw the cloud of white smoke of a bonfire. It was the far-away monastery wall, high and white, with a little lamp in one window. I bore up with the distance, forms grew distinct in the night; I entered the monastery by a five-hundred-yard avenue of cedars.

I met a novice in a long smock. He took me to the guest-rooms of the monastery, and there, to my joy, I was accommodated with a bed--the first for many weeks. I was introduced to a very fat and ancient monk who carried at his belt a bunch of keys. Though very stupid, and, as I learnt afterwards, quite illiterate, he was the spirit of hospitality.

He kept the larder, and very gladly brought me milk and bread and cheese, roast beef, wine, and would apparently have brought me anything I asked for--all "for the love of G.o.d": no monastery charges anything for its hospitality.

After my supper I was glad to stretch my limbs and sleep. I opened my window and lay for a while looking at the mysterious dark ma.s.ses of the cedars and listening to the low sobbing of the waves. In the monastery buildings I heard the turnings of heavy keys. I slept. Next morning at sunrise I had breakfast in the refectory, and the abbot deigned to come in and talk about Pitsoonda. His was an ancient and beautiful monastery, built by the same hand that erected St. Sophia at Constantinople, Justinian the First. It was indeed a replica of that famous building, a fine specimen of Byzantine architecture. It had changed hands many times, belonging to the Greeks, the Turks, the Cherkesses, and finally to the Russians. Here formerly stood the fortified town of Pitius, scarcely a stone of which was now standing, though many were the weapons and household implements that had been found by the monks. It was now the scene of the quiet life of twenty or thirty brethren. No one ever visited them or sought them from without. Steamers never called--only occasional feluccas came in bringing Caucasian tribesmen from neighbouring villages, and there was no carriage-way to any town.

We talked later of present-day matters, the abbot being at once omniscient and omni-ignorant, and I finished my breakfast in time to accompany him to church. I went to morning service in the great high-walled cathedral and saw all the brothers pray. Of the people of the neighbourhood there were only three; these with the monks formed the whole congregation--there is no village at Pitsoonda. Imagine a gigantic and n.o.ble building fit to be the living heart of a great metropolis, and inside of it but a few little pictures, brightly painted, and a diminutive rood-screen, scarcely higher than a five-barred gate. On the ceiling of the great dome was painted a lively and striking picture of Christ, probably done of old time, but in countenance resembling, strangely enough, the accepted portrait of Robert Louis Stevenson--a Christ with a certain amount of cynicism, one who might have smoked upon occasion. No doubt it was painted by a Greek: a Russian would never have done anything so Western.

The monks, looking ancient and dwarf-like, for they had never cut their beards, were accommodated in little pews along the walls, and they could stand and rest their shoulders upon the high arms of the pews and doze, but could not sit, for there were no seats.

The service was beautiful, though I had little feeling of being in church--one needs many people in such a cathedral. I was more interested in the monks, their faces and appearances, and in the atmosphere of the monastery. Most of the monks were peasants, dedicated to the religion of Christ and leading particularly strict lives. It was difficult to understand how they lived. Their faces all bore witness to their religious exercises, and on some were evidences of spiritual meditation. They were all naturally rather stupid, and here more stupid than usual, because they were cut off from society, even from the society of their native villages. They did not study, or read, or write; they had no worldly life to occupy them--there was no means for it. They could gossip--yes, but I doubt if they even did that. a.s.suredly here the Middle Ages slept.