Tales and Novels Volume VI Part 51

"Mad. de Coulanges expressed a wish to see the ceremony of the installation; and, though I hate such things myself, I took prodigious pains to procure tickets, and to have you well placed--"

"Indeed, I was very sensible of it, dear madam."

"May be so, my dear; but you did not look as if you were: you seemed tired to death, and said you were sleepy; and ten times repeated, 'Ah! qu'il fait chaud!' But this is what I am used to--what I have experienced all my life. The more pains a person takes to please and oblige, the less they can succeed, and the less grat.i.tude they are to expect."

Emilie reproached herself, and resolved that, upon the next similar trial, she would not complain of being sleepy or tired; and that she would take particular care not to say--"Ah! qu'il fait chaud!" A short time afterwards she was in a crowded a.s.sembly, at the house of a friend of Mrs. Somers, a _rout_--a species of entertainment of which she had not seen examples in her own country (it appeared to her rather a barbarous mode of amus.e.m.e.nt, to meet in vast crowds, to squeeze or to be squeezed, without a possibility of enjoying any rational conversation). Emilie was fatigued, and almost fainting, from the heat, but she bore it all with a smiling countenance, and heroic gaiety; for this night she was determined not to displease Mrs. Somers. On their return home, she was rather surprised and disappointed to find this lady in a fit of extreme ill-humour.

"I wanted to get away two hours ago," cried she; "but you would not understand any of my hints, Mlle. de Coulanges; and when I asked you whether you did not find it very hot, you persisted in saying, 'Not in the least--not in the least.'"

Mrs. Somers was the more angry upon this occasion, because she recollected having formerly reproached Emilie, at the installation, for complaining of the heat; and she persuaded herself, that this was an instance of perversity in Emilie's temper, and a sly method of revenging herself for the past. Nothing could be more improbable, from a girl of such a frank, forgiving, sweet disposition; and no one would have been so ready to say so as Mrs. Somers in another mood; but the moment that she was irritated, she judged without common sense--never from general observations, but always from particular instances. It was in vain that Emilie disclaimed the motives attributed to her: she was obliged to wait the return of her friend's reason, and in the mean time to bear her reproaches--she did with infinite patience.

Unfortunately this patience soon became the source of fresh evils.

Because Emilie was so gentle, and so ready to acknowledge and to believe herself to be in the wrong, Mrs. Somers became convinced that she herself was in the right in all her complaints; and she fancied that she had great merit in pa.s.sing over so many defects in one whom she had so much obliged, and who professed so much grat.i.tude. Between the fits of her ill-humour, she would, however, waken to the full sense of Emilie's goodness, and would treat her with particular kindness, as if to make amends for the past. Then, if Emilie could not immediately resume that easy, gay familiarity of manner, which she used to have before experience had taught her the fear of offending, Mrs. Somers grew angry again and decided that Emilie had not sufficient elevation of soul to understand her character, or to forgive the _little infirmities_ of the best of friends. When she was under the influence of this suspicion, every thing that Emilie said or looked was confirmation strong. Mrs. Somers was apt in conversation to throw out general reflections that were meant to apply to particular persons; or to speak with one meaning obvious to all the company, and another to be understood only by some individual whom she wished to reproach. This art, which she had often successfully practised upon Emilie, she, for that reason, suspected that Emilie tried upon her.

And then the utmost ingenuity was employed to torture words into strange meanings: she would misinterpret the plainest expressions, or attribute to them some double, mysterious signification.

One evening Emilie had been reading a new novel, the merits of which were eagerly discussed by the company. Some said that the heroine was a fool: others, that she was a mad woman; some, that she was not either, but that she acted as if she were both; another party a.s.serted that she was every thing that was great and good, and that it was impossible to paint in truer colours the pa.s.sion of love. Mrs. Somers declared herself of this opinion; but Emilie, who happened not to be present when this declaration was made, on coming into the room and joining in the conversation, gave a diametrically opposite judgment: she said, that the author had painted the enthusiasm with which the heroine yielded to her pa.s.sion, instead of the violence of the pa.s.sion to which she yielded. The French abbe, to whom Emilie made this observation, repeated it triumphantly to Mrs. Somers, who immediately changed colour, and replied in a constrained voice, "Certainly that is a very apposite remark, and vastly well expressed; and I give Mlle. de Coulanges infinite credit for it."

Emilie, who knew every inflection of Mrs. Somers' voice, and every turn of her countenance, perceived that these words of praise were accompanied with strong feelings of displeasure. She was much embarra.s.sed, especially as her friend fixed her eyes upon her whilst she blushed; and this made her blush ten times more: she was afraid that the company, who were silent, should take notice of her distress; and therefore she went on talking very fast about the novel, though scarcely knowing what she said. She made sundry blunders in names and characters, which were eagerly corrected by the astonished Mad. de Coulanges, who could not conceive how any body could forget the dramatis personae of the novel of the day. Mrs. Somers, all the time, preserved silence, as if she dared not trust herself to speak; but her compressed lips showed sufficiently the constraint under which she laboured. Whilst every body else went on talking, and helping themselves to refreshments which the servants were handing about, Mrs. Somers continued leaning on the mantel-piece in a deep reverie, pulling her bracelet round and round upon her wrist, till she was roused by Mad. de Coulanges, who appealed for judgment upon her new method of preparing an orange.

"C'est a la corbeille--Tenez!" cried she, holding it by a slender handle of orange-peel; "Tenez! c'est a la corbeille!"

Mrs. Somers, with a forced smile admired the orange-basket; but said, that, for her part, her hands were not sufficiently dexterous to imitate this fas.h.i.+on: "I," said she, "can only do like the king of Prussia and _other people_--squeeze the orange, and throw the peel away. By-the-bye, how absurd it was of Voltaire to be angry with the king of Prussia for that witty and just apologue!"

"_Just!_" repeated Emilie.

"Just!" reiterated Mrs. Somers, in a harsh voice: "surely you think it so. For my part, I like the king the better for avowing his principles--all the world act as he did, though few avow it."

"What!" said Emilie, in a low voice, "do not you believe in the reality of grat.i.tude?"

"Apparently," cried Mad. de Coulanges, who was still busy with her orange, "apparently, madame is a disciple of our Rochefoucault, and allows of no principle but self-love. In that case, I shall have as bitter quarrels with her as I have with you, mon cher abbe;--for Rochefoucault is a man I detest, or rather, I detest his maxims--the duke himself, they say, was the most amiable man of his day. Only conceive, that such a man should ascribe all our virtues to self-love and vanity!"

"And, perhaps," said the abbe, "it was merely vanity that made him say so--he wished to write a witty satirical book; but I will lay a wager he did not think as ill of human nature as he speaks of it."

"He could hardly speak or think too ill of it," said Mrs. Somers, "if he judged of human nature by such speeches as that of the king of Prussia about his friend and the orange."

"But," said Emilie, in a timid voice, "would it not be doing poor human nature injustice to judge of it by such words as those? I am convinced, with M. l'abbe, that some men, for the sake of appearing witty, speak more malevolently than they feel; and, perhaps, this was the case with the king of Prussia."

"And Mlle. de Coulanges thinks, then," said Mrs. Somers, "that it is quite allowable, for the sake of appearing witty, to speak malevolently?"

"Dear madam! dear Mrs. Somers!--no!" cried Emilie; "you quite misunderstood me."

"Pardon me, I thought you were justifying the king of Prussia,"

continued Mrs. Somers; "and I do not well see how that can be done without allowing--what many people do in practice, though not in theory--that it is right, and becoming, and prudent, to sacrifice a friend for a bon-mot."

The angry emphasis, and pointed manner, in which Mrs. Somers spoke these words, terrified and completely abashed Emilie, who saw that something more was meant than met the ear. In her confusion she ran over a variety of thoughts; but she could not recollect any thing that she had ever said, which merited the name of a bon-mot--and a malevolent bon-mot! "Surely what I said about that foolish novel cannot have offended Mrs. Somers?--How is it possible!--She cannot be so childish as to be angry with me merely for differing with her in opinion. What I said might be bad criticism, but it could not be malevolent; it referred only to the heroine of a novel. Perhaps the author may be a friend of hers, or some person who is in distress, and whom she has generously taken under her protection. Why did not I think of this before?--I was wrong to give my opinion so decidedly: but then my opinion is of so little consequence; a.s.suredly it can neither do good nor harm to any author. When Mrs. Somers considers this, she will be pacified; and when she is once cool again, she will feel that I could not mean to say any thing ill-natured."

The moment Mrs. Somers saw that Emilie was sensible of her displeasure, she exerted herself to a.s.sume, during the remainder of the evening, an extraordinary appearance of gaiety and good-humour.

Every body shared her smiles and kindness, except the unfortunate object of her indignation: she behaved towards Mlle. de Coulanges with the most punctilious politeness; but "all the cruel language of the eye" was sufficiently expressive of her real feelings. Emilie bore with this infirmity of temper with resolute patience: she expected that the fit would last only till she could ask for an explanation; and she followed Mrs. Somers, as was her usual custom upon such occasions, to her room at night, in order to a.s.sert her innocence.

Mrs. Somers walked into her room in a reverie, without perceiving that she was followed by Emilie--threw herself into a chair--and gave a deep sigh.

"What is the matter, my dear friend?" Emilie began; but, on hearing the sound of her voice, Mrs. Somers started up with sudden anger; then, constraining herself, she said, "Pardon me, Mlle. de Coulanges, if I tell you that I really am tired to-night--body and mind--I wish to have rest for both if possible--would you be so very obliging as to pull that bell for Masham?--I wish you a very good night.--I hope Mad.

de Coulanges will have her a.s.s's milk at the proper hour to-morrow--I have given particular orders for that purpose."

"Your kindness to mamma, dear Mrs. Somers," said Emilie, "has been invariable, and--"

"Spare me, I beseech you, Mlle. de Coulanges, all these _grateful speeches_--I really am not prepared to hear them with temper to-night.

Were you so good as to ring that bell--or will you give me leave to ring it myself?"

"If you insist upon it," said Emilie, gently withholding the ta.s.sel of the bell; "but if you would grant me five minutes--one minute--you might perhaps save yourself and me a sleepless night."

Mrs. Somers, incapable of longer commanding her pa.s.sion, made no reply, but s.n.a.t.c.hed the bell-rope, and rang violently--Emilie let go the ta.s.sel and withdrew. She heard Mrs. Somers say to herself, as she left the room--"This is too much--too much--really too much!--hypocrisy I cannot endure.--Any thing but hypocrisy!"

These words hurt Emilie more than any thing Mrs. Somers had ever said: her own indignation was roused, and she was upon the point of returning to vindicate herself; but grat.i.tude, if not prudence, conquered her resentment: she recollected her promise to bear with the temper of her benefactress; she recollected all Mrs. Somers' kindness to her mother; and quietly retired to her room, determining to wait till morning for a more favourable opportunity to speak.--After pa.s.sing a restless night, and dreaming the common dream of falling down precipices, and the uncommon circ.u.mstance of dragging Mrs.

Somers after her by a bell-rope, she wakened to the confused, painful remembrance of all that had pa.s.sed the preceding evening. She was anxious to obtain admittance to Mrs. Somers as soon as she was dressed; but Masham informed her that her lady had given particular orders that she should "_not be disturbed_." When Mrs. Somers made her appearance late at breakfast, there was the same forced good-humour in her countenance towards the company in general, and the same punctilious politeness towards Emilie, which had before appeared. She studiously avoided all opportunity of explaining herself; and every attempt of Emilie's towards a reconciliation, either by submissive gentleness or friendly familiarity, was disregarded, or noticed with cold disdain. Yet all this was visible only to her; for every body else observed that Mrs. Somers was in remarkably good spirits, and in the most actively obliging humour imaginable. After breakfast she proposed and arranged various parties of pleasure: she went with Mad.

de Coulanges to pay several visits; a large company dined with her; and at night she went to a concert. In the midst of these apparent amus.e.m.e.nts, Emilie was made as unhappy as the marked, yet mysterious, displeasure of a benefactress could render a person of real sensibility. As she did not wish to expose herself to a second repulse, she forbore to follow Mrs. Somers to her room at night; but she sent her this note by Mrs. Masham.

"I have done or said something to offend you, dear Mrs. Somers.

If you knew how much pain I have felt from your displeasure, I am sure you would explain to me what it can be. Is it possible that my differing in opinion from you about the heroine of the novel can have offended you?--Perhaps the author of the book is a friend of yours, or under your protection. Be a.s.sured, that if this be the case, I did not in the least suspect it at the time I made the criticism. Perhaps it was this to which you alluded when you said that the King of Prussia was not the only person who would not hesitate to sacrifice a friend for a bon-mot. What injustice you do me by such an idea! I will not here say one word about my grat.i.tude or my affection, lest you should again reproach me with hypocrisy--any thing else I am able to bear. Pray write, if you will not speak to me.

"EMILIE."

When Emilie was just falling asleep, Masham came into her room with a note in her hand.

"Mademoiselle, I am sorry to waken you; but my mistress thought you would not sleep, unless you read this note to-night."

Emilie started up in her bed, and read the following _note_ of four pages.

"Yes I will write, because I am ashamed to speak to you, my dear Emilie. I beg your pardon for pulling the bell-cord so violently from your hand last night--you must have thought me quite ill-bred; and still more, I reproach myself for what I said about _hypocracy_--You have certainly the sweetest and gentlest temper imaginable--would to Heaven I had! But the strength of my feelings absolutely runs away with me. It is the doom of persons of great sensibility to be both unreasonable and unhappy; and often, alas!

to involve in their misery those for whom they have the most enthusiastic affection. You see, my dear Emilie, the price you must pay for being my friend; but you have strength of mind joined to a feeling heart, and you will bear with my defects.

Dissimulation is not one of them. In spite of all my efforts, I find it is impossible ever to conceal from you any of even my most unreasonable fancies--your note, which is so characteristically frank and artless, has opened my eyes to my own folly. I must show you that, when I am in my senses, I do you justice. You deserve to be treated with perfect openness; therefore, however humiliating the explanation, I will confess to you the real cause of my displeasure. When you spoke of the heroine of this foolish novel, what you said was so applicable to some part of my own history and character, that I could not help suspecting you had heard the facts from a person with whom you spent some hours lately; and I was much hurt by your alluding to them in such a severe and public manner. You will ask me, how I could conceive you to be capable of such unprovoked malevolence: and my answer is, 'I cannot tell;' I can only say, such is the effect of the unfortunate susceptibility of my heart, or, to speak more candidly, of my temper. I confess I cannot, in these particulars, alter my nature. Blame me as much as I blame myself; be as angry as you please, or as you can, my gentle friend: but at last you must pity and forgive me.

"Now that all this affair is off my mind, I can sleep in peace: and so, I hope, will you, my dear Emilie--Good night! If friends never quarrelled, they would never taste the joys of reconciliation. Believe me,

"Your ever sincere and affectionate

"A. SOMERS."

No one tasted the joys of reconciliation more than Emilie; but, after reiterated experience, she was inclined to believe that they cannot balance the evils of quarrelling. Mrs. Somers was one of those, who "confess their faults, but never mend;" and who expect, for this gratuitous candour, more applause than others would claim for the real merit of reformation. So far did this lady carry her admiration of her own candour, that she was actually upon the point of quarrelling with Emilie again, the next morning, because she did not seem sufficiently sensible of the magnanimity with which she had confessed herself to be ill-tempered. These few specimens are sufficient to give an idea of this lady's powers of tormenting; but, to form an adequate notion of their effect upon Emilie's spirits, we must conceive the same sort of provocations to be repeated every day, for several months. Petty torments, incessantly repeated, exhaust the most determined patience.

All this time, Mad. de Coulanges went on very smoothly with Mrs.

Somers; for she had not Emilie's sensibility; and, notwithstanding her great quickness, a hundred things might pa.s.s, and did pa.s.s, before her eyes, without her seeing them. She examined no farther than the surface; and, provided that there was not any deficiency of those _little attentions_ to which she had been accustomed, it never occurred to her that a friend could be more or less pleased: she did not understand or study physiognomy; a smile of the lips was, to her, always a sufficient token of approbation; and, whether it were merely conventional, or whether it came from the heart, she never troubled herself to inquire. Provided that she saw at dinner the usual _couverts_, and that she had a sufficient number of people to converse with, or rather to talk to, she was satisfied that every thing was right. All the variations in Mrs. Somers' temper were unmarked by her, or went under the general head, _vapeurs noirs_. This species of ignorance, or confidence, produced the best effects; for as Mrs.

Somers could not, without pa.s.sing the obvious bounds of politeness, make Mad. de Coulanges sensible of her displeasure, and as she had the utmost respect for the countess's opinion of her good breeding, she was, to a certain degree, compelled to command her temper. Mad. de Coulanges often, without knowing it, tried it terribly, by differing from her in taste and judgment, and by supporting her own side of the question with all the enthusiastic volubility of the French language.

Sometimes the English and French music were compared--sometimes the English and French painters; and every time the theatre was mentioned, Mad. de Coulanges p.r.o.nounced an eulogium on her favourite French actors, and triumphed over the comparison between the elegance of the French, and the _grossierete_ of the English taste for comedy.

"Good Heaven!" said she, "your fas.h.i.+onable comedies would be too absurd to make the lowest of our audiences at the Boulevards laugh; you have excluded sentiment and wit, and what have you in their place?

Characters out of drawing and out of nature; grotesque figures, such as you see in a child's magic lantern. Then you talk of English humour--I wish I could understand it; but I cannot be diverted with seeing a tailor turned gentleman p.r.i.c.king his father with a needle, or a man making grimaces over a jug of sour beer."

Mrs. Somers, piqued perhaps by the justice of some of these observations, would dryly answer, that it was impossible for a foreigner to comprehend English humour--that she believed the French, in particular, were dest.i.tute of taste for humour.