The Giant's Robe Part 49
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'Would you rather not talk about it,' she continued, 'or do you mind telling us how you were treated?'
Vincent hesitated; just then the sense of his wrong, the sight of the man who had deceived him, made him hard as adamant. Could he desire a fuller satisfaction than was offered him now?
'It's rather a long story,' he said; 'perhaps this is not quite the place to tell it. _You_ might find it interesting, though, from the literary point of view,' he added, turning suddenly on Mark, who did not attempt to meet his eyes.
'Tell it by all means, then,' said the latter, without moving his head.
'No; you shall hear it another time,' said Holroyd. 'Put shortly, Mabel, it's this: I trusted the other man; he deceived me. Nothing very original in that, is there?'
'I'm afraid not,' said Mabel. 'Did he rob you, Vincent? Have you lost much?'
'Much more than money! Yes, he robbed me first and paid me the compliment of a highly artistic chain of lies afterwards. That was a needless waste; the ordinary sort of lie would have been quite enough for me--from him.'
Mark heard all this with a savage inclination at first to cut the scene short, and say to Mabel, 'He means Me. _I_ robbed him! _I_ lied to him! _I_ am the scoundrel--it's all true! I own it--now let me go!'
But he let Holroyd take his own course in the end, with an apathetic acknowledgment that he had the right to revenge himself to the very utmost.
The house at the nearer end of the bridge had a small projecting gallery, where he remembered having seen a tame fox run out when he was there in the autumn before. He caught himself vaguely speculating whether the fox was there still, or if it had died; and yet he heard every word that Vincent was saying.
'And what do you mean to do with him when you meet?' asked Mabel.
'Ah,' said Vincent, 'I have thought over that a good deal. I have often wondered whether I could keep calm enough to say what I mean to say. I think I shall; in these civilised days we have to repress ourselves now and then, but that won't, of course, prevent me from punis.h.i.+ng him as he deserves; and, when those nearest and dearest to him know him as he really is, and turn from him, even he will feel that a punishment!' (He turned to Mark again) 'Don't you agree with me?' he asked.
Mark moistened his lips before answering. 'I think you will find it very easy to punish him,' he said.
'Is he--is he married?' asked Mabel.
'Oh, yes,' said Vincent; 'I was told that his wife believes in him still.'
'And you are going to undeceive her?' she said.
'She must know the truth. That is part of his punishment,' replied Vincent.
'But it will be so terrible for her, poor thing!' said Mabel, with an infinite compa.s.sion in her voice. 'What if the truth were to _kill_ her?'
'Better that,' he said bitterly, 'than to go on loving a lie! Whatever happens her husband is responsible, not I. That is the correct view, Ashburn, I think?'
'Quite correct,' said Mark.
'It may be correct,' cried Mabel indignantly, 'but it is very cruel! I didn't think you could be so harsh, either of you. Of course, I don't know what the man has done; perhaps if I did _I_ might be "correct"
too. But, Vincent, I do ask you to think a little of his poor wife.
She, at least, has done you no harm! Is there no way--no way at all--to get back something of what you have lost; even to punish the man, if you must, and yet spare his wife?'
'If there were,' he cried pa.s.sionately, 'do you suppose I would not take it? Is it my fault that this man has done me such a wrong that he can only make amends for it by exposing himself? What can I do?'
'I suppose there is no help for it, then,' agreed Mabel reluctantly, 'but I wish she had not to suffer too. Only think what it must be to have to give up believing in one's husband!' and as she spoke she slid a confiding hand through Mark's arm.
There was another silence, and, as it seemed plain now that the interview was not likely to be a success, she made haste to end it.
'We must say good-bye now, Vincent,' she said. 'I hope you are not so harsh as your words.'
'I don't know. I feel considerably harsher just now, I think,' he said. 'Good-bye then, Mabel. By the way, Ashburn,' he added in a slightly lowered tone, 'there is something I have to say to you.'
'I know,' muttered Mark doggedly. 'Are you going to say it now?'
'No, not now,' he answered; 'you must meet me--where shall we say? I don't know this place--here? No, on that little terrace over there, by the fountain; it will be quieter. Be there at nine.--I am going to tell your husband the details of that story, Mabel,' he continued aloud, 'and then we shall decide what to do. You will spare him to me for half an hour?'
'Oh, yes,' said Mabel, cheerfully. She thought this looked as if they were going to arrive at a better understanding. Mark looked at Vincent, but his face was impenetrable in the dim light as he added, again in an undertone, 'You are to say nothing until I give you leave.
If you are not at the place by nine, remember, I shall come to you.'
'Oh, I will be there,' said Mark recklessly; and they parted.
As Mabel and Mark were walking back, she said suddenly, 'I suppose, when you met Vincent last, you told him that you were going to marry me, Mark?'
'Didn't he say so?' he answered, prevaricating even then.
'I thought you must have done so,' she said, and was silent.
Vincent _had_ known then. He had deliberately kept away from them all.
He had pretended to ignore the marriage when they met; that was his way of resenting it. She had not thought of this till then, and it confirmed her in the idea that Ceylon had sadly changed him.
They dined alone together in the large bare _Speise-Saal_, for the handsome hotel was scarcely ever occupied even in the season. Now they had it all to themselves, and the waiters almost fought with one another for the privilege of attending upon them. The 'Director'
himself--a lively, talkative little German, who felt his managerial talents wasted in this wilderness--came in to superintend their meals, partly to refresh himself by the contemplation of two real guests, but chiefly to extend his English vocabulary.
Hitherto Mark had considered him a nuisance, but he was glad that evening when the host followed the fish in with his customary greeting. 'Good-night! You haf made a goot valk? Guten appet.i.t--yes?'
and proceeded to invite them to a grand concert, which was to take place in the hotel the following Sunday. 'Zere vill pe ze pandt from Klein-Laufingen; it is all bra.s.s, and it is better as you vill not go too near. Zey blow vair strong ven zey go off, but a laty from hier vill gambole peautifully after zem on ze piano. You vill come--yes?'
When he had gone at last little Max came in and stood by Mabel, with his mouth gaping like a young bird's for chance fragments of dessert.
Mark was grateful to him, too, for diverting her attention from himself. He grew more and more silent as the long Black Forest clock by the s.h.i.+ning porcelain stove ticked slowly on towards the hour. It was time to go, and he rose with a s.h.i.+ver.
'You will not be very long away, will you, dear?' said Mabel, looking up from the orange she was peeling for the child. 'And you will do what you can for the poor woman, I know.'
'Yes, yes,' he said as he reached the door. 'Good-bye, Mabel!'
'Good-bye,' she said, nodding to him brightly. 'Max, say "Good-evening, Herr Mark; a pleasant walk,"' but Max backed away behind the stove, declining to commit himself to an unknown tongue.
Mark took a last look at her laughing gaily there in the lamplight.
Would he ever hear her laugh like that again? How would he ever find courage to tell her? There was little need just then of Holroyd's prohibition.
He went down to the hotel steps to the little open s.p.a.ce where the two streets unite, and where the oil lamp suspended above by cords dropped a shadow like a huge spider on the pale patch of lighted ground below.
The night was warm and rather dark; no one was about at that hour; the only sound was the gurgle of the fountain in the corner, where the water-jets gleamed out of the blackness like rods of twisted crystal.
He entered the narrow street, or rather alley, leading to the bridge.
In the state of blank misery he was in his eye seized upon the smallest objects as if to distract his mind, and he observed--as he might not have done had he been happy--that in the lighted upper room of the corner house they had trained growing ivy along the low raftered ceiling.
So, too, as he went on he noticed details in each dim small-paned shop-front he pa.s.sed. The tobacconist's big wooden negro, sitting with bundles of Hamburg cigars in his lap and filling up the whole of the window; the two rows of dangling silver watches at the watchmaker's; the butcher's unglazed slab, with its strong iron bars, behind which one small and solitary joint was caged like something dangerous to society; even the grotesque forms in which the jugs and vases at the china shop were shadowed on the opposite wall.
He looked up at a quaint metal inn-sign, an ancient s.h.i.+p, which swung from a wrought-iron bracket overhead. 'When next I pa.s.s under that!'
he thought.
He came to the end of the street at last, when his way to the place of meeting lay straight on, but he turned to his right instead, past the _Zoll-Verein_--where the chief was busy writing by the window under his linen-shaded oil-lamp--and on to the bridge as if some irresistible attraction were drawing him.
The Giant's Robe Part 49
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The Giant's Robe Part 49 summary
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