The Mammoth Book Of Steampunk Part 18

There was a ratcheting noise as one of the Brains adjusted the camera. A tinny disembodied voice came from the speaker. It was ZF-43. "Amelia. We are equipping your autogyro with an important new device. It is essential that we test it today."

"What does it do?" she asked.

"If it works properly, it will paralyze Lt Eszterhazy's engine."

Amelia glared at the eye of the camera. "And why would I want to do that?"

"Clearly you do not, Amelia." ZF's voice was as dispa.s.sionate as ever. "It is we who want you to do it. You will oblige us in this matter."

"You tell me, ZF, why I would want to cheat."

"Amelia, you do not want to cheat. However, you are in our service. We have experimental devices to test, and the rules of your game are not important to us. This may be a spiritual endeavor to yourself, it may be a rousing amus.e.m.e.nt to the mult.i.tudes, but it is a military exercise to us." There was a pause, as if ZF were momentarily somewhere else, and then he resumed. "NQ-14 suggests I inform you that Lt Eszterhazy's aeroplane can glide with a dead engine. There is little risk to the pilot."

Amelia glared even more fiercely at the televideon camera. "That is beside the point, ZF. I would argue that my autogyro is far less dependent on its engine than Eszterhazy's 'plane. Why not give the device to each of us, for a square match?"

"There is only one device, Amelia, and we need to test it now. You are here, you are trusted. Eszterhazy is too independent. You will take the device." A grinding noise, as of badly lubricated machinery. "Or you will not be in the Game."

"What are this b.a.s.t.a.r.d's specs? How does it work?"

"You will be told, Amelia. In good time."

"Where is it?"

"It's being installed in your autogyro as we speak. A red b.u.t.ton on your joystick controls it: press, it's on. Release, it's off."

"I'm not happy about this, ZF."

"Go to your autogyro, Amelia. Fly well." The light dimmed even more and the camera clicked again as the lens irised shut. ZF-43 had turned off the world outside his jar.

Rudy choked down a nickel's worth of beans and kielbasa and enough java to keep him running for the rest of the day. It was going to be a long one. The scheduled game would bring the people out into the streets, and that was a recruiting opportunity he couldn't pa.s.s up. He knew his targets: not the fat, good-natured guys catching a few hours of fun before hitting the night s.h.i.+ft. Not their sharp-eyed wives, juggling the kids and grabbing the paycheck on Friday so it wouldn't be spent on drink. Oh, no. Rudy's const.i.tuency was hungry-looking young men, just past their teens, out of work, smarter than they needed to be, and not yet on the bottle. One in ten would take a pamphlet from him. Of those, one in twenty would take it home, one in fifty would read it, one in five hundred would take it to heart, and one in a thousand would seek him out and listen to more.

The only way to make it worth his while, the only way to pull together a force, was to get as many pamphlets out there as possible. It was a numbers game, like the lottery, or like selling insurance.

Rudy had sold insurance once, collecting weekly nickels and dimes from the hopeful and the despairing alike. Until the day he was handed a pamphlet. He took it home, he read it, and he realized what a sham his life was, what a s.h.i.+ll he had been for the corporate powers, what a fraud he had been perpetrating upon his own people, the very people that he should be helping to escape from the treadmill of their lives.

He finished his coffee and hit the street. Crowds were already building near the CityPlace that vast open square at the heart of the city, carved out of the old shops, tenements, and speakeasies that had once thrived there where the aerobattle would take place. He picked out a corner near some ramshackle warehouses on the plaza's grimy southern rim. That's where his people would be, his tillage, as he thought of them.

"Tillage" was a word his grandfather used back when Rudy was young. The old man used to speak lovingly of the tillage, the land he had farmed in his youth. The tillage, he said, responded to him as a woman would, bringing forth fruit as a direct result of his care and attention. Not that he, Rudy, had great amounts of time to spend on a woman but that hadn't seemed to matter on the streets, where women were freely available, and briefly enjoyable. s.e.xual intercourse was overrated, in his opinion. Politics was another matter, and he made his friends among men and women who felt the same. They kept their distance from one another, so the Naked Brains couldn't pick them all off in a single raid. When they coupled, they did so quickly, and they didn't exchange names.

Moving deftly through the gathering crowd, he held out only one pamphlet at a time, and then only after catching a receptive eye. A willing offering to a willing receptor, that wasn't illegal. It wasn't pamphleteering, which was a harvestable offense. Last thing he wanted, to be harvested and, if the rumors were, as he suspected, true, have his grey matter pureed and fed to the Naked Brains.

But to build his cadre, to make his mark, he needed to hand out a thousand pamphlets a day, and crowds like this in the CityPlace or on the slidewalks at rush hour were the only way to do it.

"Take this, brother. Thank you." He said it over and over. "Salaam, brother, may I offer you this?"

He had to keep moving, couldn't linger anywhere, kept his eye out for the telltale stare of an Eye of the Brains. When he had first started this business, he had sought out only men who looked like himself. But that approach proved too slow. He'd since learned to size up a crowd with a single glance and mentally mark the receptive. That tall, black-skinned man with the blue kerchief, the skinny little freckled guy in the ragged work clothes, the grubby fellow with the wisp of a beard and red suspenders. All men, and mostly young. He let his female compatriots deal with the women. Didn't want any misunderstandings.

The guy with the kerchief first. Eye contact, querying glance, non-s.e.xual affect, tentative offer of pamphlet. He takes it! Eye contact, brief nod, on to the little guy. Guy looks away. Abort. Don't offer pamphlet. On to the third guy- "What's this, then?" Flatfoot! An Eye? Surely not a Fist? Best to hoof it.

Rudy feinted to one side of the copper and ran past him on the other, swivel-hipping through the crowd like Jim Thorpe in search of a touchdown. He didn't look back, but if the cop was an Eye, he'd have backup p.r.o.nto. Around the big guy with the orange wig, past the scared-looking lady with the clutch of kids yikes! almost overturned the baby carriage. What's that on the ground? No time to think about it! Up and over, down the alleyway, and into the door that's cracked open a slot. Close it, latch it, jam the lock. SOP.

Rudy turned away from the fire door. It was almost lightless in here. He was in an old, run-down kinescope parlor, surrounded by benches full of kinescope devotees, their eyes glued to the tiny screens wired to the backs of the pews in front of them. On each screen the same blurry movie twitched: Modern Times, with the Marx Brothers.

He took a seat and put a nickel in the slot.

He was just a regular Joe at the movies now. An anonymous unit of the ma.s.ses, no different from anybody else. Except that he didn't have his girlfriend with him. Or a girlfriend at all. Or any real interest in having a girlfriend. Or in anything so historically blinkered as going to the kinescope parlor.

Rudy had heard about this particular kinescope in a Know the Foe session. It was supposed to be funny, but its humor originated in a profound cla.s.s bias. The scene that was playing was one in which Harpo, Chico and Zeppo were working on an a.s.sembly line while their supervisor (Groucho) flirted with the visiting efficiency inspector (Margaret Dumont). Zeppo and Chico worked methodically with wrenches, tightening bolts on the bombs that glided remorselessly into view on the conveyor belt. Harpo, equipped with a little handheld pneumatic drill, worked regularly and efficiently at first, drilling a hole in a bomb fin which Zeppo promptly unbolted and Chico replaced with a new fin. That his work was meaningless appeared to bother him not at all. But then, without noticing it, Groucho leaned against a long lever, increasing the belt's speed. As the pace increased, Harpo realized that the drill could be made to go faster and faster, just like the a.s.sembly line. He became fascinated by the drill and then obsessed with it, filling the bombs' fins with so many holes that they looked like slices of Swiss cheese.

Chico and Zeppo, meanwhile, kept working faster and faster as the line sped up. For them, this was grim business. To keep from falling behind, they had to employ two wrenches, one per hand. Sweat poured off them. They shed their hats, then their jackets, then their s.h.i.+rts and pants, leaving them clad only in voluminous underwear. Harpo, on the other hand, was feeling no pressure at all. He began drilling holes in his hat, then his jacket, then his s.h.i.+rt and pants.

Groucho urged Dumont into his office, then doffed his hat, clasped it to his chest and tossed it aside. He chased her around the desk. Dumont projected both affronted dignity and matronly s.e.xual curiosity. A parody of authority, Groucho backed Dumont up against the wall and, unexpectedly, plucked a rose from a nearby vase and, bowing deeply, offered it to her.

Charmed, Dumont smiled and bent down to accept it.

But then, in a single complex and weirdly graceful action, Groucho spun Dumont around, bending her over backwards in his arms, parallel to the floor. Margaret Dumont's eyes darted wildly about as she realized how perilously close she was to falling. Meanwhile, Harpo had started to drill holes from the other side of the wall, the drill bit coming through the plaster, each time missing Groucho by a whisker. His desperate gyrations as he tried to avoid the incoming drill were misunderstood by the efficiency expert, who made to slap him. Each time she tried, however, she almost fell and was forced to clutch him tighter to herself. Groucho waggled his eyebrows, obviously pleased with his romantic prowess.

Just then, however, Harpo drilled Dumont in the b.u.t.t. She lurched forward, mouth an outraged O, losing balance and dignity simultaneously, and overtoppling Groucho as well. The two of them fell to the floor, struggling. It was at that instant that Chico and Zeppo, still in their underwear and with Harpo in tow, appeared in the doorway to report the problem and saw the couple on the floor thras.h.i.+ng about and yelling soundlessly at one another. Without hesitation, all three leaped joyously into the air on top of the pile. Behind them, the runaway a.s.sembly line was flooding the factory with bombs, which now crested into the office in a great wave. The screen went white and a single card read: BANG!

The audience was laughing uproariously. But Rudy was not amused. None of these characters had a shred of common sense. Furthermore, it was clear that appropriate measures to protect the workers' health and safety had not been implemented. Harpo should never have been given that drill in the first place. And Margaret Dumont! What was she thinking? How could she have accepted such a demeaning role?

Rudy stood up on his chair. "Comrades!" he yelled. "Why you are laughing?"

A few viewers looked up briefly, then shrugged and returned to their kinescopes. "We're laughin' because it's funny, you halfwit," muttered a surly-looking young man.

"You there, brother," Rudy addressed him directly. After all, he, of everyone there, was Rudy's const.i.tuency. "Do you think it's funny that the Brains work people beyond endurance? That they speed up a.s.sembly lines without regard for the workers' natural pace, and without increasing their compensation? Do you think it's funny that a human man and woman would take the side of the Brains against their own kind? Think about this: what if Charles Chaplin a man who respects the workers' dignity had made this kinescope? There would be nothing funny about it: you'd weep for the poor fellows on the Brains' a.s.sembly line. As you should weep for Chico and Zeppo, whose dream of a life of honest labor and just reward has been cruelly exploited."

"Aw, shut yer yap!" It wasn't the young man that Rudy had addressed. This was the voice of an older man, embittered by many years of disappointment and penury.

"I apologize, sir," said Rudy. "You have every right to be angry. You have earned your leisure and have paid dearly for the right to sit here in the darkness and be a.s.saulted by the self-serving garbage of the entertainment industry. Please return to your kinescope. But, I beg of you, do not swallow the tissue of lies that it offers you. Argue with it. Fight back! Resist!"

A huge hand reached out of the darkness and grabbed Rudy's right shoulder.

"Awright there, buddy," said a firm but quiet voice. "And why don't yez come along wit' me, and we can continue this discussion down at the station house?"

Rudy twisted about in the flatfoot's grasp. A sudden head-b.u.t.t to the solar plexus, a kick to take the man's feet out from under him, and Rudy was running fast, not once looking back to see if he was being pursued. Halfway to the exit, he spotted a narrow circular staircase that burrowed down into the bowels of the earth below the kinescope parlor. He plunged into the darkness, down into the steam tunnels that ran beneath all the buildings of the Old Town.

That was Phase Three of his plan: run like h.e.l.l.

Amelia had less than five minutes to the start of the Game. She sprinted to the flight deck and her autogyro. Grimy Huey was waiting, and he didn't look happy. "Why didn't you tell me you were having work done on the machine? You don't trust me no more?"

"Huey, I'm up. We can talk about it later." She swung into the c.o.c.kpit. The engine was already running. Even when he was ticked off, Huey knew his stuff. "Just throw me out there. The whistle's about to blow."

Grimy Huey waved and Amelia grabbed the controls. Everything in place. She nodded, and the launch platform thrust the autogyro out of the Zep, into takeoff position.

The steam-whistle blew. The Game was in motion.

Amelia kicked, pushed, pedaled and screamed her improbable craft into the air.

For a time, all was well. As was traditional, the flying aces appeared in goose-vee formation from opposite sides of the plaza, ignoring each other on the first pa.s.s, save for a slight wing-waggle of salute, and then curving up into the sky above. Then began the series of thrilling moves that would lead to the heart-stopping aerial ballet of sporting dogfight.

On the first fighting pa.s.s, the advantage was to the Reds. But then Blockhead O'Brien threw his autogyro into a mad sideways skid that had half their 'planes pulling up in disarray to avoid being shredded by his blades. Amelia and Hops Wynzowski hurled themselves into the opening and ran five stars, neat as a pin, before the opposition could recover.

Amelia pulled up laughing, only to discover that the Big E was directly behind her and coming up her tail fast. She crouched down over her stick, raising her hips up from the seat, taut as a wire being tested to destruction, neurons snapping and crackling like a Tesla generator. "You catch me," she murmured happily, "and I swear to G.o.d I'll never fly again for as long as I live."

Because if there was one thing she knew, it was that Eszterhazy wasn't going to catch her. She was in her element now. In that timeless instant that lasted forever, that was all instinct and reflex, l.u.s.t and glory. She was vengeance and righteous fury. She was death in all its cold and naked beauty.

Then a rocket flew up out of nowhere and exploded in her face.

Rudy pounded through the steam tunnels as if every finger in the Fist of the Brains was on his tail. Which they weren't yet. He'd given Fearless Fosd.i.c.k the slip, he was sure.

It was only a matter of time, though. Back at Fat Edna's, he knew, they had a pool going as to the date. But when the Fist came for him, he wasn't going to go meekly, with his hands in the air. Not Rudy. That was why he was running now, even though he'd given the flatfoot the slip. He was practicing for the day when it all came down and his speed negotiating the twists and turns of the tunnels would spell the difference between escape and capture, survival and death.

The light from Rudy's electric torch flashed from a rectangle of reflective tape he'd stuck to one wall at chest level. Straight ahead, that meant. Turn coming up soon. And, sure enough, up ahead were two bits of tape together, like an equal sign, on the right-hand wall. Which, counterintuitively, signaled a left turn.

He ran, twisting and turning as the flas.h.i.+ng blips of tapes dictated. A left ... two rights ... a long downward decline that he didn't remember but which had to be correct because up ahead glinted another tab of reflective tape and beyond it another two, indicating a left turn. Into the new tunnel he plunged, and then, almost falling, down a rattling set of metal steps that definitely wasn't right. At the bottom the tunnel opened up into an enormous cavernous blackness. He stumbled to a halt.

A cold wind blew down on him from above.

Rudy s.h.i.+vered. This was wrong. He'd never been here before. And yet, straight ahead of him glowed yet another tab of the tape. He lifted his electric torch from the ground in front of his feet to examine it.

And, as he lifted it up, he cried out in horror. The light revealed a mocking gargoyle of a man: filthy, grey-skinned, dressed in rags, with running sores on his misshapen face and only three fingers on the hand that mockingly held up a flas.h.i.+ng rectangle of reflective tape.

"It's the bolshy," the creature said to n.o.body in particular.

"I thought he was a menshevik," said a second voice.

"Naw, he's a tvardokhlebnik," said a third. "A pathetic nibbler at the leavings of others."

"My brothers!" Rudy cried in mingled terror and elation. His torch slid from monstrous face to monstrous face. A throng of grotesques confronted him. These were the broken hulks of men, horribly disfigured by industrial accidents, disease and bathtub gin, creatures who had been driven into the darkness not by poverty alone but also by the reflexive stares of those who had previously been their fellows and compeers. Rudy's revulsion turned to an enormous and terrible sense of pity. "You have lured me here for some purpose, I presume. Well ... here I am. Tell me what is so important that you must play these games with me."

"Kid gets right to the point."

"He's got a good mind."

"No sense of humor, though. Heard him speak once."

Swallowing back his fear, Rudy said, "Now you are laughing at me. Comrades! These are desperate times. We should not be at each other's throats, but rather working together for the common good."

"He's got that right."

"Toldya he had a good mind."

One of the largest of the men seized Rudy's jacket in his malformed hand, lifting him effortlessly off his feet. "Listen, pal. Somebody got something important to tell ya." He shook Rudy for emphasis. "So you're gonna go peacefully, all right? Don't do nothing stupid. Remember who lives here and can see in the dark and who don't and can't. Got that?"

"Brother! Yes! Of course!"

"Good." The t.i.tan let Rudy drop to the floor. "Open 'er up, boys." Shadowy figures pushed an indistinct pile of boxes and empty barrels away from a steel-clad door. "In there."

Rudy went through the door.

It closed behind him. He could hear the crates and barrels being pushed back into place.

He was in a laboratory. Even though it was only spa.r.s.ely lit, Rudy could see tables crowded with huge jars that were linked by gla.s.s tubes and entwined in electrical cables. Things sizzled and bubbled. The air stank of ozone and burnt sulfur.

In the center of the room, illuminated by a single incandescent bulb dangling from the ceiling, was a gla.s.s tank a good twenty feet long. In its murky interior a huge form moved listlessly, filling it almost entirely a single enormous sturgeon. Rudy was no sentimentalist, but it seemed to him that the great fish, unable to swim or even turn about in its cramped confines indeed, unable to do much of anything save slowly move its fins in order to keep afloat and flutter its gills to breathe must lead a grim and terrible existence.

Cables snaked from the tank to a nearby clutter of electrical devices, but he paid them no particular notice. His attention was drawn to a woman standing before the aquarium. Her lab smock seemed to glow in the gloom.

She had clearly been waiting for him, as without preamble she said, "I am Professor Anna Pavlova." Her face was old and drawn; her eyes blazed with pa.s.sionate intensity. "You have probably never heard of me, but-"

"Of course I know of you, Professor Pavlova!" Rudy babbled. "You are one of the greatest inventors of all time! The monorail! Citywide steam heat! You made the Naked Brains possible. The ma.s.ses idolize you."

"Pah!" Professor Pavlova made a dismissive chopping gesture with her right hand. "I am but a scientist, nothing more nor less. All that matters is that when I was young I worked on the Naked Brain Project. Those were brave days indeed. All the best thinkers of our generation politicians, artists, engineers lined up to surrender their bodies in order to put their minds at the service of the people. I would have done so myself, were I not needed to monitor and fine-tune the nutrient systems. We were Utopians then! I am sure that not a one of them was influenced by the possibility that as Naked Brains they would live forever. Not a one! We wished only to serve." She sighed.

"Your idealism is commendable, comrade scientist," Rudy said. "Yet it is my unhappy duty to inform you that the Council of Naked Brains no longer serves the people's interests. They-"

"It is worse than you think!" Professor Pavlova snapped. "For many years I was part of the inner circle of functionaries serving the Brains. I saw ... many things. Things that made me wonder, and then doubt. Quietly, I began my own research. But the scientific journals rejected my papers. Lab books disappeared. Data were altered. There came a day when none of the Naked Brains who had been my friends, remember! would respond to my messages, or even, when I went to them in person, deign to speak to me.

"I am no naive innocent. I knew what that meant: the Fist would shortly be coming for me.

"So I went underground. I befriended the people here, whose bodies are damaged but whose minds remain free and flexible, and together we smuggled in enough equipment to continue my work. I tapped into the city's electric and gas lines. I performed miracles of improvisation and bricolage. At first I was hindered by my lack of access to the objects of my study. But then my new friends helped me liberate Old Teddy" she patted the side of the fish tank "from a pet shop where he was kept as a curiosity. Teddy was the key. He told me everything I needed to know."

Rudy interrupted the onslaught of words. "This fish told you things?"

"Yes." The scientist picked up a wired metal dish from the lab bench. "Teddy is very, very old, you see. When he was first placed in that tank, he was quite small, a wild creature caught for food but spared the frying pan to be put on display." She adjusted cables that ran from the silver dish to an electrical device on the bench. "That was many years ago, of course, long before you or I were born. Sturgeon can outlive humans, and Teddy has slowly grown into what you see before you." Other cables ran from the device into the tank. Rudy saw that they had been implanted directly into the sturgeon's brain. One golden-grey eye swiveled in the creature's whiskered, impa.s.sive head to look at him. Involuntarily, he shuddered. It was just a fish, he thought. It wished him no ill.

"Have you ever wondered what thoughts pa.s.s through a fish's brain?" With a grim smile that was almost a leer, the scientist thrust the silver dish at Rudy. "Place this cap on your head and you will know."

More than almost anything, Rudy wanted not to put on the cap. Yet more than anything at all, he wanted to do his duty to his fellow beings, both human and fish. This woman might well be mad: she certainly did not act like any woman he had ever met. The device might well kill him or damage his brain. Yet to refuse it would be to give up on the adventure entirely, to admit that he was not the man for the job.

Rudy reached out and took the silver cap.

He placed it upon his head.

Savage homicidal rage filled him. Rudy hated everything that lived, without degree or distinction. All the universe was odious to him. If he could, he would murder everyone outside his tank, devour their eggs and destroy their nests. Like a fire, this hatred engulfed him, burning all to nothing, leaving only a dark cinder of self at his core.

With a cry of rage, Rudy s.n.a.t.c.hed the silver cap from his head and flung it away. Professor Pavlova caught it, as if she had been expecting his reaction. Horrified, he turned on her. "They hate us! The very fish hate us!" He could feel the sturgeon's deadly anger burning into his back, and this filled him with shame and self-loathing, even though he knew he did not personally deserve it. All humans deserved it, though, he thought. All humans supported the idea of putting fish in tanks. Those who did not were branded eccentrics and their viewpoint dismissed without a hearing.

"This is a terrible invention! It does not reveal the universal brotherhood natural among disparate species entwined in the Great Web of Life quite the opposite, in fact!" He despaired of putting his feelings into words. "What it reveals may be the truth, but is it a truth that we really need to know?"

Professor Pavlova smiled mirthlessly. "You understand so well the inequalities in human intercourse and the effect they have on the human psyche. And now! Now, for the first time, you understand some measure of what a fish feels and thinks. Provided it has been kept immobile and without stimulation for so many years it is no longer sane." She glanced over at Old Teddy with pity. "A fish longs only for cold water, for food, for distances to swim, and for a place to lay its eggs or spread its milt. We humans have kept Teddy in a tank for over a century."

Then she looked at Rudy with almost the same expression. "Imagine how much worse it would be for a human being, used to suns.h.i.+ne on his face, the feel of a lover's hand, the soft sounds an infant makes when it is happy, to find himself even if of his own volition nothing more than a Naked Brain afloat in amniotic fluid. Sans touch, sans taste, sans smell, sans sound, sans sight, sans everything. You have felt the fish's hatred. Imagine how much stronger must be the man's." Her eyes glittered with a cold fire. "I have suspected this for years, and now that I have experienced Teddy's mind now I know." She sliced her hand outward, as if with a knife, to emphasize the depth of her knowledge, and its force. "The Naked Brains are all mad. They hate us and they will work tirelessly for our destruction."

"This is what I have been saying all along," Rudy gasped. "I have been trying to engage-"

Pavlova interrupted him. "The time for theorizing and yammering and pamphleteering is over. You were brought here because I have a message and I need a messenger. The time has come for action. Tell your superiors. Tell the world. The Naked Brains must be destroyed."