The Eleven Comedies Vol 2 Part 75

SECOND CITIZEN. There will be many less eager than I.

FIRST CITIZEN. In the meantime you are going to dine.

SECOND CITIZEN. What else should I do? Every sensible man must give his help to the State.

FIRST CITIZEN. But if admission is forbidden you?

SECOND CITIZEN. I shall duck my head and slip in.

FIRST CITIZEN. And if the women have you beaten?

SECOND CITIZEN. I shall summon them.

FIRST CITIZEN. And if they laugh you in the face?

SECOND CITIZEN. I shall stand near the door ...

FIRST CITIZEN. And then?

SECOND CITIZEN. ... and seize upon the dishes as they pa.s.s.

FIRST CITIZEN. Then go there, but after me. Sicon and Parmeno,[715] pick up all the baggage.

SECOND CITIZEN. Come, I will help you carry it.

FIRST CITIZEN. No, no, I should be afraid of your pretending to the leader that what I am depositing belonged to you.

SECOND CITIZEN. Let me see! let me think of some good trick by which I can keep my goods and yet take my share of the common feast. Ha! that's a good notion! Quick! I'll go and dine, ha, ha! [_Exit laughing_.

FIRST OLD WOMAN. How is this? no men are coming? And yet it must be fully time! 'Tis then for naught that I have painted myself with white lead, dressed myself in my beautiful yellow robe, and that I am here, frolicking and humming between my teeth to attract some pa.s.ser-by! Oh, Muses, alight upon my lips, inspire me with some soft Ionian love-song!

A YOUNG GIRL. You rotten old thing, you have placed yourself at the window before me. You were expecting to strip my vines during my absence and to trap some man in your snares with your songs. If you sing, I shall follow suit; all this singing will weary the spectators, but is nevertheless very pleasant and very diverting.

FIRST OLD WOMAN. Ha! here is an old man; take him and lead him away. As for you, you young flute-player, let us hear some airs that are worthy of you and me. Let him who wishes to taste pleasure come to my side. These young things know nothing about it; 'tis only the women of ripe age who understand the art of love, and no one could know how to fondle the lover who possessed me so well as myself; the young girls are all flightiness.

YOUNG GIRL. Don't be jealous of the young girls; voluptuousness resides in the pure outline of their beautiful limbs and blossoms on their rounded bosoms; but you, old woman, you who are tricked out and perfumed as if for your own funeral, are an object of love only for grim Death himself.

FIRST OLD WOMAN. May your hole be stopped; may you be unable to find your couch when you want to be f.u.c.ked. And on your couch, when your lips seek a lover, may you embrace only a viper!

YOUNG GIRL. Alas! alas! what is to become of me? There is no lover! I am left here alone; my mother has gone out and the rest care little for me.

Oh! my dear nurse, I adjure you to call Orthagoras, and may heaven bless you.

FIRST OLD WOMAN. Ah! poor child, desire is consuming you like an Ionian woman; I think you are no stranger to the wanton arts of the Lesbian women, but you shall not rob me of my pleasures; you will not be able to reduce or filch the time that first belongs to me, for your own gain.

Sing as much as you please, peep out like a cat lying in wait, but none shall pa.s.s through your door without first having been to see me.

YOUNG GIRL. If anyone enter your house, 'twill be to carry out your corpse.

FIRST OLD WOMAN. That's new to me.

YOUNG GIRL. What! you rotten wretch, can anything be new to an old hag like you?

FIRST OLD WOMAN. My old age will not harm you.

YOUNG GIRL. Ah! shame on your painted cheeks!

FIRST OLD WOMAN. Why do you speak to me at all?

YOUNG GIRL. And why do you place yourself at the window?

FIRST OLD WOMAN. I am singing to myself about my lover, Epigenes.

YOUNG GIRL. Can you have any other lover than that old fop Geres?

FIRST OLD WOMAN. Epigenes will show you that himself, for he is coming to me. See, here he is.

YOUNG GIRL. He's not thinking of you in the least, you old witch.

FIRST OLD WOMAN. Aye, but he is, you little pest.

YOUNG GIRL. Let's see what he will do. I will leave my window.

FIRST OLD WOMAN. And I likewise. You will see I am not far wrong.

A YOUNG MAN. Ah! could I but sleep with the young girl without first satisfying the old flat-nose! 'Tis intolerable for a free-born man.

FIRST OLD WOMAN. w.i.l.l.y nilly, you must first gratify my desire. There shall be no nonsense about that, for my authority is the law and the law must be obeyed in a democracy. But come, let me hide, to see what he's going to do.

YOUNG MAN. Ah! ye G.o.ds, if I were to find the sweet child alone! for the wine has fired my l.u.s.t.

YOUNG GIRL. I have tricked that cursed old wretch; she has left her window, thinking I would stay at home.

FIRST OLD WOMAN. Ah! here is the lover we were talking of. This way, my love, this way, come here and haste to rest the whole night in my arms. I wors.h.i.+p your lovely curly hair; I am consumed with ardent desire. Oh!

Eros, in thy mercy, compel him to my bed.

YOUNG MAN (_standing beneath the young girl's window and singing_).[716]

Come down and haste to open the door unless you want to see me fall dead with desire. Dearest treasure, I am burning to yield myself to most voluptuous sport, lying on your bosom, to let my hands play with your b.u.t.tocks. Aphrodite, why dost thou fire me with such delight in her? Oh!

Eros, I beseech thee, have mercy and make her share my couch. Words cannot express the tortures I am suffering. Oh! my adored one, I adjure you, open your door for me and press me to your heart; 'tis for you that I am suffering. Oh! my jewel, my idol, you child of Aphrodite, the confidante of the Muses, the sister of the Graces, you living picture of Voluptuousness, oh! open for me, press me to your heart, 'tis for you that I am suffering.

FIRST OLD WOMAN. Are you knocking? Is it I you seek?

YOUNG MAN. What an idea!

FIRST OLD WOMAN. But you were tapping at the door.

YOUNG MAN. Death would be sweeter.

FIRST OLD WOMAN. Why do you come with that torch in your hand?