A Spirit in Prison Part 44
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"You say that Vere showed agitation last night?" he said, turning round after a moment.
"About Ruffo's illness? It really almost amounted to that. But Vere was certainly excited. Didn't you notice it?"
"I think she was."
"Emile," Hermione said, after an instant of hesitation, "you remember my saying to you the other day that Vere was not a stranger to me?"
"Yes, quite well."
"You said nothing--I don't think you agreed. Well, since that day--only since then--I have sometimes felt that there is much in Vere that I do not understand, much that is hidden from me. Has she changed lately?"
"She is at an age when development seems sudden, and is often striking, even startling."
"I don't know why, but--but I dread something," Hermione said. "I feel as if--no, I don't know what I feel. But if Vere should ever drift away from me I don't know how I could bear it. A boy--one expects him to go out into the world. But a girl! I want to keep Vere. I must keep Vere.
If anything else were to be taken from me I don't think I could bear it."
"Vere loves you. Be sure of that."
"Yes."
Hermione got up.
"Well, you won't give me your advice?"
"No, Hermione."
He looked at her steadily.
"You must treat Vere as you think best, order her life as you think right. In some things you do wisely to consult me. But in this you must rely on yourself. Let your heart teach you. Do not ask questions of my head."
"Your head!" she exclaimed.
There was a trace of disappointment, even of surprise, in her voice.
She looked at him as if she were going to say more, but again she was disconcerted by something in his look, his att.i.tude.
"Well, good-bye, Emile."
"I will come with you to the lift."
He went with her and touched the electric bell. As they waited for a moment he added:
"I should like to have an evening quietly on the island."
"Come to-night, or whenever you like. Don't fix a time. Come when the inclination whispers--'I want to be with friends.'"
He pressed her hand.
"Shall I see Peppina?"
"Chi lo sa?"
"And Ruffo?"
She laughed.
"The Marchesino, too, perhaps."
"No," said Artois, emphatically. "Disfigured girls and fisher-boys--as many as you like, but not the alta aristocrazia Napoletana."
"But I thought--"
"I like Doro, but--I like him in his place."
"And his place?"
"Is not the island--when I wish to be quiet there."
The lift descended. Artois went out once more onto the balcony, and watched her get into the carriage and drive away towards Naples. She did not look up again.
"She has gone to fetch that girl Peppina," Artois said to himself, "and I might have prevented it."
He knew very well the reason why he had not interfered. He had not interfered because he had wished too much to interfere. The desire had been strong enough to startle him, to warn him.
An islet! That suggests isolation. Like Hermione, he wished to isolate Vere, to preserve her as she was in character. He did not know when the wish had first been consciously in his mind, but he knew that since he had been consulted by Vere, since she had broken through her reserve and submitted to him her poems, unveiling for him alone what was really to her a holy of holies, the wish had enormously increased. He told himself that Vere was unique, and that he longed to keep her unique, so that the talent he discerned in her might remain unaffected. How great her talent was he did not know. He would not know, perhaps, for a very long time.
But it was definite, it was intimate. It was Vere's talent, no one else's.
He had made up his mind very soon about Hermione's incapacity to produce work of value. Although Vere was such a child, so inexperienced, so innocent, so cloistered, he knew at once that he dared not dash her hopes. It was possible that she might eventually become what her mother certainly could never be.
But she must not be interfered with. Her connection with the sea must not be severed. And people were coming into her life--Ruffo, the Marchesino, and now this wounded girl Peppina.
Artois felt uneasy. He wished Hermione were less generous-hearted, less impulsive. She looked on him as a guide, a check. He knew that. But this time he would not exercise his prerogative. Ruffo he did not mind--at least he thought he did not. The boy was a sea creature. He might even be an inspiring force to Vere. Something Artois had read had taught him that. And Ruffo interested him, attracted him too.
But he hated Vere's acquaintance with the Marchesino. He knew that the Marchesino would make love to her. And the knowledge was odious to him.
Let Vere be loved by the sea, but by no man as yet.
And this girl, Peppina?
He thought of the horrors of Naples, of the things that happen "behind the shutter," of the lives led by some men and women, some boys and girls of the great city beneath the watching volcano. He thought of evenings he had spent in the Galleria. He saw before him an old woman about whom he had often wondered. Always at night, and often in the afternoon, she walked in the Galleria. She was invariably alone. The first time he had seen her he had noticed her because she had a slightly humped back. Her hair was snow white, and was drawn away from her long, pale face and carefully arranged under a modest bonnet. She carried a small umbrella and a tiny bag. Glancing at her casually, he had supposed her to be a respectable widow of the borghese cla.s.s. But then he had seen her again and again, and by degrees he had come to believe that she was something very different. And then one night in late spring he had seen her in a new light dress with white thread gloves. And she had noticed him watching her, and had cast upon him a look that was unmistakable, a look from the world "behind the shutter"; and he had understood. Then she had followed him persistently. When he sat before the "Gran caffe" sipping his coffee and listening to the orchestra of women that plays on the platform outside the caffe, she had pa.s.sed and repa.s.sed, always casting upon him that glance of sinister understanding, of invitation, of dreary wickedness that sought for, and believed that it had found, an answering wickedness in him.
Terrible old woman! Peppina's aunt might well be like that. And Peppina would sleep, perhaps to-night, in the Casa del Mare, under the same roof as Vere.
He resolved to go that evening to the island, to see Peppina, to see Vere. He wished, too, to have a little talk with Gaspare about Ruffo.
The watch-dog instinct, which dwelt also in Gaspare, was alive in him.
But to-day it was alive to do service for Vere, not for Hermione. He knew that, and said to himself that it was natural. For Hermione was a woman, with experience of life; but Vere was only upon the threshold of the world. She needed protection more than Hermione.
Some time ago, when he was returning to Naples from the island on an evening of scirocco, Artois had in thought transferred certain hopes of his from Hermione to Vere. He had said to himself that he must henceforth hope for Hermione in Vere.
A Spirit in Prison Part 44
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A Spirit in Prison Part 44 summary
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