War and the Weird Part 6

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"'Let's get back to the dining-room,' my father urged.

"Just as we got up to the house door (not the library door which opened on the path), I saw, as I thought, a figure move in the bushes near the library. Perhaps it would be better to describe it as a shadow ... but I could swear that it was of a greenish colour. For one moment, from sheer terror of the unseen, I stood frozen to the doorstep, and then my father touched my arm and we walked in together.

"That evening, my friend Price, after his wont, dropped in. I had just run the car round to the front door and was about to run into the village to bring the vicar back to stay with us over the week-end--besides I badly wanted to get away from those infernal gusts of depression that swept the place. I did not scruple to keep to my arrangements and told Price to make himself comfortable in the library till my return. 'You'll find cigars, spirits--and _the_ spirit,' I said jokingly. He nodded and laughed, and I jumped into the car, and quickly put a mile between myself and--the bronze statue, for I was convinced that Albertus of Cologne was connected in some unearthly way with the face of Fear that often turned full on me.

"A half-hour afterwards I had pulled up at the vicarage, and was hanging on to the bell which gave forth a mighty clamour. I was impatient to get inside for a moment and behold the good genial face of the vicar.

Somehow, wherever the vicar went, he had a wonderful way of cheering things up; his presence diffused an atmosphere of merriment. The door suddenly opened and I was face to face with him:

"'My dear boy,' cried the vicar, 'I am glad to see you.'

"Then he stared at me in amazement. 'What have you done to yourself? You have aged years since I saw you last week.'

"'Ah, I have things to tell you,' I said, 'Things that will make you think I am off my head, but I shall convince you----'

"The vicar took my arm and walked me up to his sanctum, a fine s.p.a.cious chamber, beautified with that simplicity which throws a wonderful dignity over all, and tends to show how in omission so much more refinement is to be discovered than in ornament. Touches of the vicar's keen discernment of those things which are worthy and n.o.ble were revealed on every hand--knowledge of this sort is older than ten thousand years. The room received one like a friend. The alcoves were filled with well-bound books, there was a superb Persian carpet, old gate-legged tables--oak was there everywhere; in the beams and the shelves and the mighty writing desk. The servant had brought in a small table with syphons and spirits, and had set a lamp upon it. 'Help yourself,' said the vicar.

"I poured out a dose of whisky and was lifting it for a squirt of soda when all at once I saw Fear; not apprehension, not foreboding, but FEAR--the gla.s.s fell from my hand and my fingers sagged on the handle of the syphon. I saw my reflection in a long gla.s.s, and my face was bleached to an unhealthy dull whiteness.

"Suddenly like a shot, right in the middle of things, I found myself wondering about poor Price. And I wasn't only wondering somehow I was horribly uneasy about him. It came to me that I had been heartless to leave him all alone with the statue. At last I couldn't stand the strain any longer. I got up.

"'Vicar,' I said, 'I'm going back to see if Price is all right. It will sound quite mad to you, I expect, but if you want to know the sober truth, I will tell you that I have just seen him in a vision: he was in trouble, I know. But come, let us get into the car. I have never told anyone my whole story yet, but I shall like to tell you about Ombos and his statue. I will tell you on the way back to Abbot's Ely. It is about time, in fact, that I tried to cla.s.sify what I have learned.'

"I then briefly related the story of Ombos and our acquaintance. I concealed nothing, dwelling on the irresistible alluring influence of the bronze statue. I described the depression, the despair, the overpowering moral weakness which seemed to follow me since the Albertus Magnus had become one of my possessions. In short, I lifted the curtain, for the first time, and showed the vicar a true picture of the strange world I had moved in for the last few weeks.

"When we had returned and backed the car into the coach house we walked across the lawn to the back door. Here we met Clayton, the butler. He appeared to be frightened, and told me that he had heard a kind of quivering, sobbing voice coming from the library. He thought Mr. Price was ill. We went to the door. It was locked, and an application of a spare key proved that the other key had been left in the lock inside. We knocked loudly, and called. There was no reply. Clayton's conviction that 'something had happened' worked on my nerves frightfully, and in the end the vicar and I forced open the door with some gardening tools.

"Something _had_ happened.

"The room was in complete darkness, and at first nothing could be discerned at all. A slight wind had got up in the last half an hour; and it rustled the trailers of ivy against the opened windows. The heavy curtains moved carelessly in the draught, and the trees creaked faintly.

But beyond these inevitable noises, the room was quiet. Then gradually, the outline of the room became visible and the framework of the window began to shape itself dimly before my eyes. In the hazy light from the gla.s.s doors, and the vague light of a lamp in the hall, I saw that the chesterfield in the window bay where Price so often lounged was tenanted. A gleam of his light tweed suit showed there and across that.... Oh, I fully expected to see the other thing! Across that there was an obscure greenish shadow.

"I walked towards it, when suddenly the shadow shot upwards and was lost to sight. Then the springs of the chesterfield creaked and wheezed, the same as they will when suddenly released from pressure. Clayton came in at that moment holding a candelabra aloft and the feeble flames disclosed poor old Price. He was on his back, his knees slightly drawn up. The face was not the face of a man at all--it was a horrible mask of contorted terror. His eyes were opened and fixed; the mouth was twisted in a gape of fearful wonder.

"'Run, Clayton,' said I; 'a doctor and a policeman!' Clayton placed the candelabra on the table and bounced out and down the front steps.

"Price was dead without a doubt. He had been strangled, the doctor thought from the greenish-black marks on his neck and other circ.u.mstances. The savage deed had been accomplished with frightful ferociousness and strength. Soon the room was in the possession of the police, and the vicar and I turned out. There was little evidence at the inquest. The cries of poor Price had been heard by my man, the body had been found--that was the practical summing-up of the whole matter.

The doctor gave his evidence as to the probability of murder, and the police evidence tended in the same direction. It was affirmed that (some would say) he had been baffled by Price in an attempt to rob the house, had sacrificed the poor fellow to the fury of his checked greed, and had afterwards escaped by the window. The jury found that Price had died by the hand of some person unknown.

"'Well, vicar,' I asked afterwards, 'what do you think of the verdict?'

"He told me that from _his_ point of view it seemed to be the most reasonable one that could be given; and to agree with the laws of common-sense.

"'Yes,' I replied, 'perhaps you are right from the common-sense point of view. Nevertheless, I know that Price did not die by any human agency.

It is too ghastly; I can still see that green shadow hovering above his body on the couch. The huge shadow, the Elemental, the spirit of Ombos--whatever you like to call it--was there in that room with Price.

It was there in a form that could be seen and felt. It is something more substantial than an ordinary shadow ... it is a thing of h.e.l.lish terror, and it comes from that infernal bronze statue.'

"Thence forward, as day followed day, the ghastly memory of the murder of Price seemed to recede from my mind. I neither heard nor saw anything, nor did that sense of the unseen presence lurking about the house, come to me. I was beginning to hope that the spell of the bronze statue had pa.s.sed away for good. But one night after this interval I again felt fear looking whitely on me again. If I were to describe all the incidents of the next few days in their order my story would never come to an end, and your patience would be exhausted. Wherever I went after dark had fallen the shadow of the unseen followed me. I had a pa.s.sion for inviting people to stay with me, and I longed for companions.h.i.+p of my kind which I had never known before; I was eager to throw myself into the realities of life. The sense of a certain kind of separateness is h.e.l.l! Just you ask anybody who knows. I called on people, lived in my car, and dined out on the slightest provocation. I remember I spent one evening, (after my desperate efforts to find some good Samaritan to bear me company), with a party of road-menders; I helped them break up the stones and all that kind of thing. But after they had packed up their tools and tea cans and bid me 'thanks and good night,' I met fear on the homeward road--a shadow among shadows. It would be almost impossible to describe the swerves that my mind took from that time till the end. The presence of the Albertus Magnus filled me by turns with dread, blind fear, an overshadowed sort of pleasure, and utter hopelessness. I dare not have it taken away; and I knew that its presence was driving me mad. The vicar told me that if I could make up my mind to have the statue removed or destroyed, it might dispel all my troubles. I ought to make an application to the authority on bronzes at the British Museum, who would be only too pleased to accept it. An application to escape the company of Albertus Magnus! A request that the British Museum would graciously take over a bronze statue, the soul of departed Ombos, and a blind terror that walked at twilight! The vicar's proposal sent me into a paroxysm of hysterical laughter.

"I'd gone into the library one afternoon about four, as I had heavy arrears of letter-writing to make up. It was surprising that I should choose that room where Albertus Magnus towered in his corner--and (I don't know why) I felt vaguely unhappy when I had been separated too long from him. By half past six I had finished. I went to the door to ring for Clayton to post my letters, and turned to light up the candelabra (I forgot to say that it was a fad of my father's all through his life to use candelabra in preference to electric light or gas), when I heard, I thought I heard a chuckle behind me--low, faint, but unmistakably malicious. The fate of poor Price flashed into my mind, and at the same time, I myself was watching myself fight on that same chesterfield with something horrible, unclean, intangible. I turned round instantaneously, feeling that the Albertus Magnus was at his h.e.l.lish game again. With sudden horror I saw where the chuckle had come from. The statue had changed from the bronze-green to a fleshy-green. It was alive, and the great muscles were twitching and quivering. To my unutterable horror, I perceived it was not Albertus Magnus.... _It was...o...b..s!_ His breath came in horrid little flutters, with seconds between each one, as if he had just come to life and was not quite used to it. A dreadful viciousness and vitality shone from his green eyes, and his demon-like mouth was twisted into a grin of unimaginable evil.

"'G.o.ds don't grow in one night like mushrooms,' he said with a leer.

(There was no mistake about his voice--it was...o...b..s; the words rang through my brain as if they had been shouted.) 'You can't expect a statue to turn into a G.o.d in a breath, or to come down and skip about ... it takes time and faith.'

"At that moment I must have gone mad. I s.n.a.t.c.hed the heavy candelabra and with a howl of rage I hurled it with all my force at his narrow leering eyes. It struck the solid bronze with a terrific crash and fell at the base of the pedestal whereon Ombos had stood a moment before.

"Clayton rushed in at this juncture, and we went into the sitting-room.

I saw him wipe his forehead with the back of his hand.

"'He's been here again, sir,' he said. 'I was standing on the gravel path by the library, a minute ago, when I saw him close by me in the bushes. He came across the water-meadow, I think. And any way he made off back that way when I shouted at him. Begad, though, it'll be worth a trifle to see who this rascal is, sir. I wonder what he's after. Not the common kind of a.s.sa.s.sin. What?'

"This was the climax; I felt that another such encounter would drive me raving mad. Somewhere there must be a natural explanation; it was only a question of finding it. Among other things it occurred to me that someone, for reason unknown, might be playing a series of practical jokes upon me, but it was hard to believe a hoax of such malignant and serious intent. Besides, it did not explain the death of Price which, I felt more and more convinced, was in some way connected with the bronze statue. I felt it would be my own fault if I did not get some part of the mystery cleared up soon. It was plain, too, that I must virtually act alone. The first thing was to find a helper, and after casting about me I thought of a member of my company, John Travers, who had lost two fingers at Charleroi at the first stage of the war. He was a giant in stature, his muscular force would have warranted him in contesting a fall or two with a full-grown lion.

"I wrote to Travers the same evening and his answer came a couple of days later, saying that he would be down by the first train that he could catch. I said nothing in my letter about the bronze statue, but merely mentioned that I feared a gang of thieves had marked my house down, and I wanted his help to guard the place for a week or so.

"Well, Travers arrived. Armed with two new service rifles, we each in turn kept watch over the statue, agreeing that a shot out of the window should warn the other, were any sudden danger to arise.

"On the second night of our vigil I retired to bed hugely sleepy. I had left Travers on guard in the library. He was seated in an armchair under my Albertus Magnus, with his rifle over his knees. I did not take off my clothes, but threw myself, dressed as I was, upon the bed. Determining to make sure of some rest I took a stiff gla.s.s of hot brandy. I slept--I could scarcely help sleeping--but not for long, for I suddenly awoke from a tumultuous dream, my limbs atremble, and my forehead sticky with cold sweat. It seemed as though somebody was calling my name from a vast distance. The room was full of whisperings and moanings and strange uncanny things. Something was evidently at work in my sub-consciousness.

Nothing was wrong with Travers or I should have heard the report of his rifle. Yet something _was_ wrong! The conviction grew stronger and stronger within me. Then came the faint sound of rattling at the bra.s.s k.n.o.b, and with sudden horror I saw the door open a couple of inches. A pause of some seconds and it was pushed open still farther. For a s.p.a.ce of five seconds my heart seemed to stop beating, and then the worst came. You will think I was beside myself; but as the door was pushed open a face peeped round behind it, and I saw two green eyes looking at me! I had at once recognised the face, and the face was that of Ombos!

He appeared to smile at me, but it was a leer of inscrutable evil and malevolence, and I took up my rifle and fired at a venture. A howl of pain, hoa.r.s.e with anger, rent the air, and the face vanished.... I rushed downstairs and into the library. As I entered, the body of Travers came twisting across the room like a penny whirligig. His head struck the marble fire-place with a frightful dull thud, and he fell a motionless heap on the floor. I struck straight in front of me with a rifle--and hit something--something that pushed past me. Then the front door opened and shut with a deafening clang. A sudden qualm of real fear took hold of my heart, but, mastering it as best I could, I opened the front door and tore madly down the drive. I looked down the hushed street. Past the lamp-posts, skipping from the gloom into the light and from light into shadow, with a series of bounds, sped a horrible apish form. It bounded along with incredible fleetness, and was soon lost to view in the distant gloom. Just at that moment Clayton came down the drive. I could not speak. I pointed to the library.... I beckoned him to follow. On the floor lay the dead body of John Travers. The statue of Albertus Magnus had vanished!

"And there the story ends. I can give no explanation whatever, beyond what I have related. The bronze figure has never, so far as I know, been seen again, nor has the restless spirit of poor Ombos walked again in our garden and library. But, taking the circ.u.mstances into consideration, the whole train of events points to the fact that Ombos _had_ in some occult way pa.s.sed his ethereal body into that statue, and for that very reason he was unable to rest quietly in his grave."

"You will continue to live in the house at Abbot's Ely, of course," said Duckford.

Crabbe shook his head. "Never! I wrote a week ago putting it in the agent's hands for sale. There may be nothing in it, but I hardly want to make any new experiments now. The bronze statue has disappeared. I should like to think it was stolen by a gang of burglars. But I remember that chuckle--the malicious mirth of some unearthly thing, it seemed. And I remember ... let us leave it at that. I want to forget, to walk in the Suns.h.i.+ne, in the crowded Strand, away from the darknesses and silences. As I say, there the story ends.... I have told you all of it."

But Captain Crabbe did not tell it all. The best part was "strictly private." He married Margot at half-past ten on the following Sat.u.r.day morning but one, at St. George's, Hart Street, Bloomsbury.

II

THE DE GAMELYN TRADITIONS

He was just an Irish soldier's son; a real boy in real life, and his name was Tim, and that was the only name he had besides his surname which was Gamelyn. And somehow he was perfectly happy. But one day he found an old book and read about a boy whose name was Victor; and the more he read about Victor the more ardent was his wish to be like Victor, and he wished that he had been called Victor--for Victor was a genius and a gentleman, and all things which Victor put his hands to were crowned with success. But Tim's name _was_ Tim Gamelyn, which was unfortunate; and when he went to an English school at Margate they called him, because his hair was red, "Carrots" which was heartbreaking.

In the book n.o.body had ever jeered at Victor or called him nicknames; they would have been dealt with very severely, besides they would not have dared; he was far too heroic. So Tim became very furious when the other fellows called him "Carrots." But the more he showed his dislike for this name the more the boys made use of it, also when they had time to spare--they warmed their hands in the imaginary heat radiated by his ruddy hair. It was impossible to uphold any dignity under the circ.u.mstances, and he began to wonder what Victor would have done in a like predicament. But then Victor's hair was rich and brown and curly, and no one could have said a word against it; Tim's was red and of the kind that fate keeps in stock of the humble and low, and it made a little lump come up in his throat when he realized it. Then the football season on, Victor, Tim well remembered, had gone in for every kind of athletic sport. When he had first arrived at a strange boarding school he had refused, with a heedless laugh, to say whether he could play or not. Victor did not even deign to go near the football field for a month. But ten minutes before the Match of the year commenced he suddenly made up his mind to play. During the first half of the game Victor had "laid low"; he was waiting. Then his eyes flashed, and his lithe, active figure flashed up the field sending the ball into the posts like a shot from a gun, thus scoring the first and only goal. He had then fainted away; and a beautiful girl had exclaimed "A-a-a-a-a-h,"

and had hurried to him with a smelling-bottle and much sympathy. When he recovered, he sat up and made an apology for stopping the game and was loudly cheered by both teams. This was the model which Tim had to keep in his mind's eye. In one or two ways he succeeded, and in others he failed--failed dismally.

When Tim came to ask questions about football at Thetford Grammar School he found it was quite another thing. In the first place the boys all spoke to him in that specially offensive you're-only-a-little-kid sort of way. They also took it for granted that he had never seen a football in his life. He found it impossible to refuse (with a careless laugh) to say whether he had ever kicked a ball before. He was told that he would have to play in the next school practice match, and that if he could kick a ball, he might be allowed to play in a _real_ match one fine day.

When the first practice game commenced, Tim remembered that an enthusiastic crowd had run by Victor's side, shouting wildly: "Hurrah!

hurrah for Victor." It is true that a few of the smaller boys shouted at him. But what they shouted was: "Put a bit of life into it, old Carrots!" and "Go it, Rufus! You'll never score a goal if you kick the ball in that mother-may-I-have-an-orange style." During the first part of the game Tim was rather quiet--he was waiting for a golden opportunity, just as Victor had waited. It came when the forwards were in full movement, and the ball came travelling neatly along the line on the right wing. It finally came to rest at Tim's feet, and he, avoiding a man who darted at him, raced forward a few yards. Then something, which came through the air like a Whitehead Torpedo, sent him spinning backwards on the gra.s.s. Amidst roars of laughter from the other fellows, the Whitehead Torpedo, (who was a boy and smaller than Tim), spun round, ran the ball a few dozen yards, and sent it soaring away with a vent kick straight for the goal. There was a moment of silence. The ball pitched fair and square on the top bar, and then trickled gently between the posts.

War and the Weird Part 6

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War and the Weird Part 6 summary

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