Nightlife_ A Novel Part 28
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"So you're an outlaw parker?"
"Yep. I left Boston, and figured that was the end of it. But I found out that some judge had issued a warrant for my arrest. I tried to register a car in Colorado once, and my name came up on the computer. They wouldn't let me register a car unless I paid the fines. I didn't have that kind of money at the time, and so I didn't do it."
"I've never heard of anything like this," said Greg. "At least not for parking."
"Neither had I until it happened to me. But here I am. I can buy a car. I just can't register it or get insurance for it."
"Not to be too obvious, but have you thought about solving the problem by paying the fine?"
"Of course. At first I didn't take it seriously. It seemed like everyone was doing it. Then I got kind of mad, because it's just a way for the city to make money off all these disenfranchised students from other places. Then I figured I'd better pay it. But by the time I was in Colorado it wasn't seven thousand dollars. Those penalties had been growing for seven or eight years. It was up to about fifteen, and now that there's a warrant, we're talking about lawyers, and going back to court in Boston. They could put me in jail to make an example of me. Anyway, now you know why I don't have a car."
"It's a bad situation," he said. "Let me think about it."
"I'm not asking you to solve it," she said. "It's my problem."
Three days later, while they were on their way to a movie, he said, "Did I get it wrong, or did you tell me you have the money for a car?"
She shrugged. "Yes, I have the money. But big deal."
"I've got an idea. You give me the money, and I'll buy the car. I'll add your car to my insurance, which will also make it cheaper. Second cars cost practically nothing to insure."
"But then my car will be registered in your name. What happens if you get tired of having me around?"
"You'll be driving a car that's registered and insured in my name. What happens if you decide to drive it through the front wall of a nursery school?"
"I guess we have to trust each other."
She forced tears to well in her eyes, put her hand on his knee so he turned to look at her, and then kissed him on the rough skin of his cheek. "I think this is the best thing anybody ever did for me."
"So be nice to me forever. What kind of car do you want?"
"An Acura. Teal blue."
42.
Catherine Hobbes stood in the outer lobby of the airport, her hand on Joe Pitt's arm. "I think this is as far as I go."
He said, "You're a cop. You could flash your badge at the security guys and they'd let you go to the gate with me."
"How about if we put you in handcuffs, and I say I'm escorting you to trial in California?"
"I wish you would escort me to California."
"Me too. But I can't leave here now. I've got three cases that are heating up and one that's getting cold, and that's scary. It's the one we're both interested in."
"The only thing about that case I'm interested in is you. My client let me go, remember? Then he replaced me with a professional psychotic."
"I haven't been replaced, and I'm going to do my job before I go anywhere with the likes of you. Stop stalling and go to your gate, or you'll miss your plane."
He held her and she put her arms around his neck and gave him a lingering kiss. "That's not going to make things easier," he said.
"Who said it was supposed to be easy?" she said. "Now move it."
She watched him as he turned and hurried up the escalator, taking three steps at a time until he came up behind a lady who was stopped on a step above him, then turned and waved. A moment later, he was at the top and gone.
Catherine walked out of the terminal and headed across the street toward her car. She had delayed driving in to the police bureau on North Thompson Street by telling the captain she thought she ought to drive Joe Pitt to the airport. It had not aroused his suspicion, but it had not exactly been honest. She had not said that since their collaboration was over she had been dating him.
For the thousandth time she had the same thought, that the words for the dealings between people of the two s.e.xes were always wrong. She wasn't dating him. She had thought about him for a long time and then started sleeping in his hotel room with him and then rus.h.i.+ng home every morning to get ready for work, or just spending the evening with him and driving home at one or two A.M. A.M. for three or four hours of unconsciousness. They didn't have dates. When one of them was hungry the other would say, "Let's go eat," and she would drive them to a nice restaurant, because Portland was her city. On three rainy nights when the restaurants had been near her house, they had slept there instead of driving back to his hotel. for three or four hours of unconsciousness. They didn't have dates. When one of them was hungry the other would say, "Let's go eat," and she would drive them to a nice restaurant, because Portland was her city. On three rainy nights when the restaurants had been near her house, they had slept there instead of driving back to his hotel.
The words were always wrong. If they kept getting along, then there would be a time when he would be called her boyfriend, even though he was over forty and already much more intimate than any friend, and she would be his girlfriend, even though she was hardly a girl and had already been married and divorced. The only time the words were right was when people changed their behavior to fit the words. When people were married they tried to fill the s.p.a.ce made by the word, behaved the way they had sworn they would-all of them except her ex-husband, Kevin, anyway.
Was she going to marry Joe Pitt? When she had met him she had experienced the standard reaction. She had wondered, "Is he the one?" but she had gone to the Internet to learn about him, asked the older male detectives if anybody knew him, listened to what they said, and decided that he almost certainly wasn't husband material. But maybe that was just another case of the words setting up an expectation that wasn't real. Right now he was the one. That was the only word she could think of that described the relations.h.i.+p: the one.
She got into her car and drove through the early-morning traffic to North Thompson Street to get to work. She still went in as early as she could every day to work at finding Tanya Starling while her mind was fresh and she had solitude and silence. Today she was starting late. She could spend only a half hour reviewing the information she had about Tanya Starling and searching bulletins and circulars for anything that might relate to the case before the other homicide detectives began to arrive. This morning her in-box was full, but there were no signs in it that Tanya Starling had been seen anywhere.
Catherine had a theory about what was going on. Tanya would be living in a very quiet way in an apartment in a distant city, working at developing a new ident.i.ty. She would probably be dyeing her hair again, making herself fake identification, and constructing a reason for being where she was. She would try to wait long enough for all of the law enforcement agencies all over the country to be buried in circulars about other people.
Catherine knew her, and yet the feeling of knowing was like being gagged. The things she knew weren't things that she could prove to anyone or translate into action. Tanya had been born with a reasonably agile mind, and whatever had made her into a killer-or maybe the actual experience of killing-had made her an avid learner. Tanya was learning at a phenomenal rate. Every day that went by while she was free seemed to make her better at staying free. Every time she killed someone she did it differently. The other detectives had all interpreted the range of methods she'd used as proof that someone else had been in charge all along, and Tanya was just the companion. Catherine had known since Los Angeles that it wasn't true-no man had been in Mary Tilson's apartment, and no man had been on the security tapes going into Brian Corey's hotel room. Tanya had no companion. Tanya's methods were new each time because she was learning.
Tanya had learned some things between Portland and Flagstaff that made her much more dangerous. She had learned how to isolate victims, she had learned that there were lots of ways of denying blood to the heart and brain, and then she had learned that she could induce other people to do the killing for her. Now anything could happen.
At ten, a fresh homicide case arrived on Catherine's desk. The previous night there had been a burglary in the house in Arlington Heights where Marjorie and Jack Hammond lived. When Catherine arrived at the house, Marjorie Hammond had been so carefully made up, coifed, and dressed that to Catherine she looked as though she had been sitting for a portrait. The responding officer's report said Marjorie Hammond was forty-two years old, but like some beautiful women, she seemed to be without age.
She had been present when her husband had shot an intruder in the dark house in the night, and they had tried uselessly to stop the bleeding until the ambulance had arrived. The downstairs entrance and hallway were still blocked off with tape, so Mrs. Hammond met Catherine at the kitchen door. Catherine sat in a spotless, cheerful sunroom at the back of the house while Mrs. Hammond brought tea on a Chinese lacquerware tray.
Catherine said, "I know it's hard to talk about what happened here last night, but you understand that we do have to be able to explain all of it."
"I understand."
"Do you mind if I record our conversation? It helps when I make out my report."
"No."
Catherine took the recorder out of her pocket so Mrs. Hammond could see it, turned it on, and said, "This is Detective Sergeant Catherine Hobbes. I am recording my interview with Mrs. Marjorie Hammond at . . . eleven-thirteen A.M. A.M. on October fifth." She put the tape recorder back into her coat pocket. "Let's see. You and your husband told the responding officers last night that you had never seen the intruder before. Is that right?" on October fifth." She put the tape recorder back into her coat pocket. "Let's see. You and your husband told the responding officers last night that you had never seen the intruder before. Is that right?"
"Yes."
"By the way, where is your husband right now?"
"Jack?" She looked shocked. "He's at work. I thought it would help him get through the experience if he went back to his routines right away. Men are creatures of routine, aren't they?"
"Are they?"
"Of course. Their work habits rely on it, and even the things they do for pleasure they do exactly the same each time. Once you've watched fifty football games, what can be new in the fifty-first, or the five thousandth? But it seems to give them some kind of rea.s.surance."
"What about you? Are you getting through the experience?"
"I'll be okay."
Looking at her, Catherine sensed that it wasn't going to be that easy. She seemed too put together, too perfect. He should be here. "I guess I can interview him separately," said Catherine. Alarm signals were everywhere, but Catherine wasn't ready to decide exactly what they meant. "Tell me what happened."
"Well, Jack was working late last night. He had been in Seattle at a trade show. He sells power tools, mostly for the construction industry, and they were showing off a new line. I was upstairs in bed, asleep. Jack arrived home around midnight, came upstairs, and started to get ready for bed."
"Did he wake you up?"
"Yes. I heard him trying to undress in the bathroom, so I turned on a light by the bed and called out to him. That was when we realized that there was someone else in the house."
Catherine's eyes went to the doorway across the sunroom to the alarm keypad near the back door. "Was the alarm system turned on?"
"He turned it on when he came in. I should have done it before I went upstairs, but I forgot because Jack usually does it, and so I didn't think of it."
"Does he go away on business often?"
"Not really. There are conferences sometimes, or training sessions he has to go to so he can demonstrate new machines. Once in a while he goes somewhere to make a sale and stays over. It's only a few nights a year."
"What time did you expect him to come home last night?"
"Actually, I didn't know he was coming home. I thought he'd be home tonight. But he got his meetings in early, and he caught a flight yesterday."
"And when he goes away, do you usually forget the alarm?"
"I don't usually forget. I guess I was sleepy last night. That's all."
"Okay. So you said you realized there was someone in the house. How?"
"Jack was the one who noticed. When I called to him that I was awake, he answered, then started down the stairs. He had left his suitcase in the entry because he didn't want to wake me up clunking around with it, but since I was awake, he decided to go down to get it. When he reached the top of the stairs he heard something. He ran back to his dresser, where he keeps the gun. He told me to get ready to call nine-one-one, and went down to search the house."
Catherine was having the experience again of listening to someone lie, but not being quite sure of what the lie was. The secret that all police officers knew but that other people seemed not to was that truth and lies were not mutually exclusive. They were always mixed together in a kind of stew and had to be separated. Every person who told a police officer a story was lying. Sometimes they were only making themselves look braver or more sensible than they really had been in a crisis, and sometimes they were fabricating whole incidents to hide the fact that they had committed a crime. But while they spoke, Catherine always detected the same signs of lying in their faces and bodies. "So he went downstairs alone?"
"Yes."
"Where were you and what were you doing?"
"First I asked him not to do it, but he wouldn't listen. Then I took the phone off its cradle and brought it with me to the top of the stairs."
"Did you turn on the lights?"
"No."
"Why not?"
"We had heard someone making noises down here."
"What kind?"
"Footsteps."
"Walking or running?"
"Walking, at first, I guess. Then, when Jack came down, I think it was more like running. The man was trying to get into a good hiding place before Jack got there."
"What then?"
"When Jack got there he started looking around. The man jumped out of the closet at him, and Jack fired."
"How many times?"
"Once. No, twice. We called the police."
"Who did?"
"I did."
"And you told the responding officers that you didn't know Samuel Daily."
"Oh. That was his name, wasn't it? I remember the police officer looked at his wallet and said it. No, we didn't know him."
Catherine said very carefully, "Before your husband arrived, did the intruder touch you?"
"No," she said.
"Sometimes women don't say anything when something like that happens. I don't know if they're too traumatized to remember it clearly, or they block it out entirely, or if they have some misguided feeling that it must have been their fault. Maybe they're afraid their husbands will have the wrong idea. But nothing like that happened to you?"
"No. I already told you," she said. "I was upstairs asleep. He was downstairs."
"Do you have any idea what he might have been after?"
"I don't know."
Catherine was getting close to it, and she sensed that as Mrs. Hammond got more agitated, she was beginning to forget the tape recorder. "Sam Daily is the part of this that I can't quite get to fit," Catherine said. "He had no criminal record. He had a good job. He was a s.h.i.+ft manager at a big supermarket. It's the Mighty Food Mart down on Tillamook." She paused. "Have you ever shopped there?"
"No."
"Are you sure? It might explain a lot."
"What would it explain?" She was confused, wary.
"Well, he doesn't seem to have stolen anything in your house, or even tried to. And he came here on one of the few nights when your husband was away. If he had noticed you in the store, he might have been stalking you. If you pay with a check, they have your name and address. He might have begun to watch you, seen your husband leave with a suitcase or seen that his car was gone, and come for you."
Mrs. Hammond's mind seemed to be working hard to evaluate the suggestion. "You know, I may have been there once or twice. It's not my regular store. But I'll bet you're right. I'm lucky my husband came home when he did." She was grasping for the story, trying to make it her own.
"It's a theory, anyway," said Catherine. "It's possible he wanted to incapacitate your husband or kill him, so he could s.e.xually a.s.sault you. Some of them even like to make the husband watch."
Nightlife_ A Novel Part 28
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Nightlife_ A Novel Part 28 summary
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