The American Part 48

"Oh, they won't come round!" said Newman.

"Well, you can make them."

"Make them?"

"I can tell you something--a great secret--an immense secret. You can use it against them--frighten them, force them."

"A secret!" Newman repeated. The idea of letting Valentin, on his death-bed, confide him an "immense secret" shocked him, for the moment, and made him draw back. It seemed an illicit way of arriving at information, and even had a vague a.n.a.logy with listening at a key-hole.

Then, suddenly, the thought of "forcing" Madame de Bellegarde and her son became attractive, and Newman bent his head closer to Valentin's lips. For some time, however, the dying man said nothing more. He only lay and looked at his friend with his kindled, expanded, troubled eye, and Newman began to believe that he had spoken in delirium. But at last he said,--

"There was something done--something done at Fleurieres. It was foul play. My father--something happened to him. I don't know; I have been ashamed--afraid to know. But I know there is something. My mother knows--Urbain knows."

"Something happened to your father?" said Newman, urgently.

Valentin looked at him, still more wide-eyed. "He didn't get well."

"Get well of what?"

But the immense effort which Valentin had made, first to decide to utter these words and then to bring them out, appeared to have taken his last strength. He lapsed again into silence, and Newman sat watching him. "Do you understand?" he began again, presently. "At Fleurieres. You can find out. Mrs. Bread knows. Tell her I begged you to ask her. Then tell them that, and see. It may help you. If not, tell, every one. It will--it will"--here Valentin's voice sank to the feeblest murmur--"it will avenge you!"

The words died away in a long, soft groan. Newman stood up, deeply impressed, not knowing what to say; his heart was beating violently.

"Thank you," he said at last. "I am much obliged." But Valentin seemed not to hear him, he remained silent, and his silence continued. At last Newman went and opened the door. M. le cure reentered, bearing his sacred vessel and followed by the three gentlemen and by Valentin's servant. It was almost processional.

CHAPTER XX

Valentin de Bellegarde died, tranquilly, just as the cold, faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintre, relating to her the circ.u.mstances of her brother's death--with certain exceptions--and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin's will--Bellegarde had a great deal of elegant personal property to dispose of--contained a request that he should be buried near his father in the church-yard of Fleurieres, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin's friends.h.i.+p was older than Urbain's enmity, and that at a funeral it was easy to escape notice. Madame de Cintre's answer to his letter enabled him to time his arrival at Fleurieres. This answer was very brief; it ran as follows:--

"I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C."

As soon as he received this letter Newman went straight to Paris and to Poitiers. The journey took him far southward, through green Touraine and across the far-s.h.i.+ning Loire, into a country where the early spring deepened about him as he went. But he had never made a journey during which he heeded less what he would have called the lay of the land. He obtained lodging at the inn at Poitiers, and the next morning drove in a couple of hours to the village of Fleurieres. But here, preoccupied though he was, he could not fail to notice the picturesqueness of the place. It was what the French call a pet.i.t bourg; it lay at the base of a sort of huge mound on the summit of which stood the crumbling ruins of a feudal castle, much of whose st.u.r.dy material, as well as that of the wall which dropped along the hill to inclose the cl.u.s.tered houses defensively, had been absorbed into the very substance of the village.

The church was simply the former chapel of the castle, fronting upon its gra.s.s-grown court, which, however, was of generous enough width to have given up its quaintest corner to a little graveyard. Here the very headstones themselves seemed to sleep, as they slanted into the gra.s.s; the patient elbow of the rampart held them together on one side, and in front, far beneath their mossy lids, the green plains and blue distances stretched away. The way to church, up the hill, was impracticable to vehicles. It was lined with peasants, two or three rows deep, who stood watching old Madame de Bellegarde slowly ascend it, on the arm of her elder son, behind the pall-bearers of the other. Newman chose to lurk among the common mourners who murmured "Madame la Comtesse" as a tall figure veiled in black pa.s.sed before them. He stood in the dusky little church while the service was going forward, but at the dismal tomb-side he turned away and walked down the hill. He went back to Poitiers, and spent two days in which patience and impatience were singularly commingled. On the third day he sent Madame de Cintre a note, saying that he would call upon her in the afternoon, and in accordance with this he again took his way to Fleurieres. He left his vehicle at the tavern in the village street, and obeyed the simple instructions which were given him for finding the chateau.

"It is just beyond there," said the landlord, and pointed to the tree-tops of the park, above the opposite houses. Newman followed the first cross-road to the right--it was bordered with mouldy cottages--and in a few moments saw before him the peaked roofs of the towers.

Advancing farther, he found himself before a vast iron gate, rusty and closed; here he paused a moment, looking through the bars. The chateau was near the road; this was at once its merit and its defect; but its aspect was extremely impressive. Newman learned afterwards, from a guide-book of the province, that it dated from the time of Henry IV. It presented to the wide, paved area which preceded it and which was edged with shabby farm-buildings an immense facade of dark time-stained brick, flanked by two low wings, each of which terminated in a little Dutch-looking pavilion capped with a fantastic roof. Two towers rose behind, and behind the towers was a ma.s.s of elms and beeches, now just faintly green. But the great feature was a wide, green river which washed the foundations of the chateau. The building rose from an island in the circling stream, so that this formed a perfect moat spanned by a two-arched bridge without a parapet. The dull brick walls, which here and there made a grand, straight sweep; the ugly little cupolas of the wings, the deep-set windows, the long, steep pinnacles of mossy slate, all mirrored themselves in the tranquil river. Newman rang at the gate, and was almost frightened at the tone with which a big rusty bell above his head replied to him. An old woman came out from the gate-house and opened the creaking portal just wide enough for him to pa.s.s, and he went in, across the dry, bare court and the little cracked white slabs of the causeway on the moat. At the door of the chateau he waited for some moments, and this gave him a chance to observe that Fleurieres was not "kept up," and to reflect that it was a melancholy place of residence.

"It looks," said Newman to himself--and I give the comparison for what it is worth--"like a Chinese penitentiary." At last the door was opened by a servant whom he remembered to have seen in the Rue de l'Universite.

The man's dull face brightened as he perceived our hero, for Newman, for indefinable reasons, enjoyed the confidence of the liveried gentry. The footman led the way across a great central vestibule, with a pyramid of plants in tubs in the middle of gla.s.s doors all around, to what appeared to be the princ.i.p.al drawing-room of the chateau. Newman crossed the threshold of a room of superb proportions, which made him feel at first like a tourist with a guide-book and a cicerone awaiting a fee. But when his guide had left him alone, with the observation that he would call Madame la Comtesse, Newman perceived that the salon contained little that was remarkable save a dark ceiling with curiously carved rafters, some curtains of elaborate, antiquated tapestry, and a dark oaken floor, polished like a mirror. He waited some minutes, walking up and down; but at length, as he turned at the end of the room, he saw that Madame de Cintre had come in by a distant door. She wore a black dress, and she stood looking at him. As the length of the immense room lay between them he had time to look at her before they met in the middle of it.

He was dismayed at the change in her appearance. Pale, heavy-browed, almost haggard with a sort of monastic rigidity in her dress, she had little but her pure features in common with the woman whose radiant good grace he had hitherto admired. She let her eyes rest on his own, and she let him take her hand; but her eyes looked like two rainy autumn moons, and her touch was portentously lifeless.

"I was at your brother's funeral," Newman said. "Then I waited three days. But I could wait no longer."

"Nothing can be lost or gained by waiting," said Madame de Cintre. "But it was very considerate of you to wait, wronged as you have been."

"I'm glad you think I have been wronged," said Newman, with that oddly humorous accent with which he often uttered words of the gravest meaning.

"Do I need to say so?" she asked. "I don't think I have wronged, seriously, many persons; certainly not consciously. To you, to whom I have done this hard and cruel thing, the only reparation I can make is to say, 'I know it, I feel it!' The reparation is pitifully small!"

"Oh, it's a great step forward!" said Newman, with a gracious smile of encouragement. He pushed a chair towards her and held it, looking at her urgently. She sat down, mechanically, and he seated himself near her; but in a moment he got up, restlessly, and stood before her. She remained seated, like a troubled creature who had pa.s.sed through the stage of restlessness.

"I say nothing is to be gained by my seeing you," she went on, "and yet I am very glad you came. Now I can tell you what I feel. It is a selfish pleasure, but it is one of the last I shall have." And she paused, with her great misty eyes fixed upon him. "I know how I have deceived and injured you; I know how cruel and cowardly I have been. I see it as vividly as you do--I feel it to the ends of my fingers." And she unclasped her hands, which were locked together in her lap, lifted them, and dropped them at her side. "Anything that you may have said of me in your angriest pa.s.sion is nothing to what I have said to myself."

"In my angriest pa.s.sion," said Newman, "I have said nothing hard of you. The very worst thing I have said of you yet is that you are the loveliest of women." And he seated himself before her again, abruptly.

She flushed a little, but even her flush was pale. "That is because you think I will come back. But I will not come back. It is in that hope you have come here, I know; I am very sorry for you. I would do almost anything for you. To say that, after what I have done, seems simply impudent; but what can I say that will not seem impudent? To wrong you and apologize--that is easy enough. I should not have wronged you." She stopped a moment, looking at him, and motioned him to let her go on.

"I ought never to have listened to you at first; that was the wrong.

No good could come of it. I felt it, and yet I listened; that was your fault. I liked you too much; I believed in you."

"And don't you believe in me now?"

"More than ever. But now it doesn't matter. I have given you up."

Newman gave a powerful thump with his clenched fist upon his knee. "Why, why, why?" he cried. "Give me a reason--a decent reason. You are not a child--you are not a minor, nor an idiot. You are not obliged to drop me because your mother told you to. Such a reason isn't worthy of you."

"I know that; it's not worthy of me. But it's the only one I have to give. After all," said Madame de Cintre, throwing out her hands, "think me an idiot and forget me! That will be the simplest way."

Newman got up and walked away with a crus.h.i.+ng sense that his cause was lost, and yet with an equal inability to give up fighting. He went to one of the great windows, and looked out at the stiffly embanked river and the formal gardens which lay beyond it. When he turned round, Madame de Cintre had risen; she stood there silent and pa.s.sive. "You are not frank," said Newman; "you are not honest. Instead of saying that you are imbecile, you should say that other people are wicked. Your mother and your brother have been false and cruel; they have been so to me, and I am sure they have been so to you. Why do you try to s.h.i.+eld them? Why do you sacrifice me to them? I'm not false; I'm not cruel. You don't know what you give up; I can tell you that--you don't. They bully you and plot about you; and I--I"--And he paused, holding out his hands. She turned away and began to leave him. "You told me the other day that you were afraid of your mother," he said, following her. "What did you mean?"

Madame de Cintre shook her head. "I remember; I was sorry afterwards."

"You were sorry when she came down and put on the thumb-screws. In G.o.d's name what IS it she does to you?"

"Nothing. Nothing that you can understand. And now that I have given you up, I must not complain of her to you."

"That's no reasoning!" cried Newman. "Complain of her, on the contrary.

Tell me all about it, frankly and trustfully, as you ought, and we will talk it over so satisfactorily that you won't give me up."

Madame de Cintre looked down some moments, fixedly; and then, raising her eyes, she said, "One good at least has come of this: I have made you judge me more fairly. You thought of me in a way that did me great honor; I don't know why you had taken it into your head. But it left me no loophole for escape--no chance to be the common, weak creature I am.

It was not my fault; I warned you from the first. But I ought to have warned you more. I ought to have convinced you that I was doomed to disappoint you. But I WAS, in a way, too proud. You see what my superiority amounts to, I hope!" she went on, raising her voice with a tremor which even then and there Newman thought beautiful. "I am too proud to be honest, I am not too proud to be faithless. I am timid and cold and selfish. I am afraid of being uncomfortable."

"And you call marrying me uncomfortable!" said Newman staring.

Madame de Cintre blushed a little and seemed to say that if begging his pardon in words was impudent, she might at least thus mutely express her perfect comprehension of his finding her conduct odious. "It is not marrying you; it is doing all that would go with it. It's the rupture, the defiance, the insisting upon being happy in my own way. What right have I to be happy when--when"--And she paused.

"When what?" said Newman.

"When others have been most unhappy!"

"What others?" Newman asked. "What have you to do with any others but me? Besides you said just now that you wanted happiness, and that you should find it by obeying your mother. You contradict yourself."

"Yes, I contradict myself; that shows you that I am not even intelligent."

"You are laughing at me!" cried Newman. "You are mocking me!"

She looked at him intently, and an observer might have said that she was asking herself whether she might not most quickly end their common pain by confessing that she was mocking him. "No; I am not," she presently said.

"Granting that you are not intelligent," he went on, "that you are weak, that you are common, that you are nothing that I have believed you were--what I ask of you is not heroic effort, it is a very common effort. There is a great deal on my side to make it easy. The simple truth is that you don't care enough about me to make it."