Miranda of the Balcony Part 15

"I left it lying there, on my writing-desk, yesterday, after you and I had been talking--" She left the sentence unfinished.

"Yes, and I found it there. It was torn, so I had it thrown away."

Miranda rang a hand-bell, and ordered search to be made for the glove.

It could not be found; it had been burnt with the answered letters.

"Very well," said Miranda, and the servant retired. Miranda sat down, and showed to Jane Holt a face of which the expression was almost scared.

"What does it matter?" exclaimed Jane. "The glove was torn; you could never have used it."

"No," answered Miranda, quickly, almost guiltily it seemed. "I should never have used it; I never meant to use it. The glove was only a symbol; it was no more than that, it represented a belief. I can retain the belief, no doubt. No doubt, though, I have lost the glove--"

"What in the world are you talking about?" interrupted Jane Holt.

"Nothing, nothing," answered Miranda, with a start. The loss of the glove had so dismayed her that she had forgotten who it was she had been speaking to, or indeed that she was speaking to anyone. She had merely uttered her thoughts, for she had come to look upon that glove, which, under no circ.u.mstances, would she use, as none the less a safeguard, and of late, in particular, she had fallen into a habit of taking it from the drawer in which it rested and setting it before her eyes; of stating it, as it were, as a refutation of Jane Holt's ready opinions.

Jane Holt shook her head. "You have changed very much towards me, Miranda. You are growing secret. I don't want to know. I would not press anyone for their confidence; but I may think it strange, I suppose?" She folded her arms across her breast and tapped with her fingers upon her elbows. "I suppose I may think it strange; and if anyone took the trouble to give me a thought, perhaps anyone might believe that I had a right to feel hurt. But I don't! Please don't run away with that idea! No, I cannot allow you, Miranda, to fancy for a moment that I should feel hurt. But I do notice that you jump whenever there is a knock at the door. There! What did I say?"

The door of the parlour stood open to the patio; in the corner of the opposite side of the patio there was the mouth of a pa.s.sage which led to the outer door; and upon that outer door just at this moment someone rapped heavily, as though he came in haste. Miranda started nervously, and to cover the movement, rose from her chair and closed the door.

"And as for the glove," resumed Jane Holt, who found it difficult to leave any subject alone when it was evident that it was unwelcome, "you could never have used it."

"No," answered Miranda, thoughtfully. "Of course--of course, I could never have used it;" and a servant entered the room and handed to her a card on which was engraved M. Fournier's name and address.

Miranda held the card beneath her eyes for some little while. Then she walked out into the patio, where M. Fournier awaited her. He came towards her at once, in an extreme agitation, but she signed to him to be silent, and opening a second door on the same side of the patio as the door of her parlour, but farther to the right, she led the way into a tiny garden rich with deep colours. Jonquils, camellias, roses, wild geraniums, and pinks, tended with a care which bespoke a mistress from another country, made a gay blaze in the sun, and sweetened the air with their delicate perfumes.

The garden was an irregular nook with something or the shape of a triangle, enclosed between the back wall of the house and a wing flung out at a right angle. The base of the triangle was an old brick wall, breast-high, which began at the end of the house wall and curved outwards until it reached the wing. Over this wall the eye looked through air to the olive-planted slope of a mountain. For the house was built on the brink of the precipice, it was in a line with the Alameda, though divided from it by the great chasm, and if one leaned over the crumbling wall built long ago by the Moors, one had an impression that one ought to see the waves churning at the foot of the rock and to hear a faint moaning of the sea; so that the sight of the level carpet of the plain continually surprised the eyes.

Into this garden Miranda brought M. Fournier. No windows overlooked it, for those which gave light to Miranda's parlour were in the end and the other side of the wing, and so commanded the valley without commanding this enclosure. A little flagged causeway opened a path between the flowers to the nook between the wing of the house and the old wall, where two lounge chairs invited use.

Miranda seated herself in one of these chairs and with a gesture offered the other to M. Fournier. M. Fournier, however, took no heed of the invitation. He had eyes only for Miranda's face. He held his hat in one hand, and with a coloured handkerchief continually mopped his forehead, a dusty perspiring image of anxiety.

"You come from my husband?" said Miranda.

M. Fournier's face lightened. "Ah, then, you know--"

"That he is alive? Yes. You come from him?"

"From him, no; on his behalf, yes."

Miranda smiled at the subtle distinction. "You need money, of course,"

she said drily. "How much do you want? You have, no doubt, some authority from my husband."

The little Belgian's anxiety gave place to offended pride. "We do not need money, neither he nor I; but as for authority, perhaps this will serve."

He drew from his pocket a soiled sc.r.a.p of paper and handed it to Miranda. The paper, as she could see from the blue lines, the shape, and the jagged border, had been torn from a small pocketbook. It was so crumpled and soiled that a few words scribbled with a pencil on the outside in Arabic were barely visible. Miranda unfolded the paper slowly, for the mere look of it was sinister. The words within were written also in pencil, and her face altered as she read them.

"What does J. B. mean?" she asked.

"J. B. are the initials of the name he took."

"You are sure this comes from my husband? I do not recognise his hand."

"Quite sure."

"Here is bad news," said she, and she conned the words over again, and could nowhere pick out the familiar characteristics of Ralph Warriner's handwriting. The words themselves were startling. _Reward the bearer well, and for G.o.d's sake do quickly what you can_. But more startling, more significant, than the words was the agitation of the writer's hand. Haste and terror had kept the hand wavering. Here the pencil had paused, yet even when pausing, its point had trembled on the paper, as the blurred dots showed. Miranda imagined that so it had paused and trembled, while someone walked by the writer's back and had but to glance over his shoulder to discover the business he was engaged upon. Then again the pencil had raced on, running the words one into the other, fevered to get the message done. A whole tragedy was indicated in the formation of the letters. Or a malady? Miranda turned eagerly to the letter. The writing wavered up and down. The small letters were clear; the capitals and the long letters, the "f's," the "q's," the "y's," weak, as though the fingers could not control the pencil. Illness might account for the message, and Miranda chose that supposition.

"He is lying very ill somewhere," she said.

M. Fournier shook his head. "No. I tried to believe that myself at first; but I never did believe it, and I thought and thought and thought--_Tenez_, look!" He drew a piece of blank paper from one pocket, a pencil from another. The paper he spread upon his knee, the pencil he took between his teeth; then he held out his wrists.

"Now fasten them together."

Miranda uttered a cry. Her face grew very white. "What with?" she asked.

"Your belt."

She unclasped her belt from her waist and strapped Fournier's wrists together.

"Tighter," said he, "tighter. Now see!"

With great difficulty and labour he copied out Warriner's message on the blank paper; and while he wrote Miranda saw the sentence wavering up and down, the small letters coming out clear and small, the long strokes and tails straggling. She seized the copy almost before he had finished, and held it side by side with the original. There was a difference, of course, the difference which stamped one man's hand as Warriner's and the other as Fournier's, the difference of fear, but that was the only difference. The method in each case was identical; the same difficulties had produced the same results.

"There can be no doubt, _hein?_" asked Fournier, as Miranda unfastened the belt.

"How did this come to you?" she returned.

"I tell you," said he, "from the beginning. Bentham--that is what M.

Warriner calls himself now, Bentham--Jeremy Bentham he calls himself, because he says he's such an economist--well, he and I are partners in a little business, and we have prospered. So when Bentham came back from Bemin Sooar to Tangier a week ago, I give a dinner in my house to a few friends and we dance afterwards. Perhaps ten or eleven of us and Bentham. Bentham he came and danced and he was the last to go away. He did not stay in my house--it was better for our little business that we should not be thought more than mere friends. He had a lodging in the town, while my house was outside up the hill. He rode away alone on a mule, for he was in evening dress and one cannot walk across the Sok in dancing shoes, and he never reached his lodging. He disappeared. I heard no word of him, until yesterday; yesterday about mid-day, an Arab brought that sc.r.a.p of paper to my shop."

"But the Arab told you how and where he got it?" said Miranda.

"Yes. He belonged to a douar, a tent village, you understand. The village is three days from Tangier on the road to Mequinez. The Arab was leading down his goats to the water a week ago, in the morning, when six men pa.s.sed him at a distance. They were going up into the country; they had a mule with them. He watched them pa.s.s and noticed that one of them would now and then loiter and fall a little behind, whereupon the rest beat him with sticks and drove him again in front.

And he did not resist, Madame, I am afraid we know why he did not resist."

Miranda pressed her hands to her forehead.

"Well," she said with an effort, and her voice had sunk to a whisper, "finish, finis.h.!.+"

"It seemed to the Arab," continued Fournier, whose anxiety seemed in some measure to diminish, and whose face grew hopeful as he watched Miranda's increasing distress, "that this victim made a sign to him, and when the party had gone by he noticed something white gleaming on the brown soil in the line of their march. He went forward and picked it up. It was this piece of paper. He read the writing on it, these marks." M. Fournier turned over the sheet, and pointed to the indecipherable Arabic. "They mean, 'Take this to Fournier at Tangier and you will get money.' He opened it, he could not read the inside, but seeing that it was written in one of the languages of the Nazarenes, he thought there might be some truth in the promise. So he brought the paper to Tangier yesterday and I have brought it to you."

M. Fournier settled his gla.s.ses upon his nose and leaned forward for his answer. Miranda sat with knitted brows, gazing out to the dark mountains. Fournier would not interrupt her; he fancied she was searching her wits for a device to bring help to Warriner; but, indeed, she was not thinking at all.

Miranda had a trick of seeing pictures. She was not given to arguments and inferences; but a word, a sentence, would strike upon her hearing, and at once a curtain was rolled up somewhere in her mind, and she saw men moving to and fro and things happening as upon a lighted stage.

Such pictures made up her arguments, her conclusions, even her motives; and it was because of their instant vividness that she was so rapidly moved to sympathy and dislike. So now there was set before her eyes the picture of a man riding down the hill of Tangier at night in the civilisation of evening dress, and, as she looked, it melted into another in which the same man, clad in vile rags, with his hands bound, was flogged forwards under a burning sun into the barbaric inlands of Morocco. She saw that brutal party, the five gaolers, the one captive, straggle past the tent village. She guessed at Ralph's despairing glance as though it was directed towards herself, she saw the sc.r.a.p of paper flutter white upon the dark soil. And as she contemplated this vision, she heard M. Fournier speaking again to her; but the sound of his voice had changed. He was no longer telling his story; he was pleading with a tenderness which had something grotesquely pathetic, when she considered who it was for whom he pleaded. His foreign accent became more p.r.o.nounced, and the voluble words tumbled one over the other.

"So M. Warriner does not ask you for money; that sees itself, is it not? Nor even does he ask you for help. Be sure of that, Madame; read the note again. He would not come to you for help; he is not so mean; he has too much pride;" and as Mrs. Warriner smiled, with perhaps a little bitterness, M. Fournier, noticing her smile, became yet more astonis.h.i.+ng and intricate in his apologies. "He take your money, oh yes, I know very well, while he is with you; but then you get his company in exchange. That make you both quits, eh? But once he has gone away, he would not come back to you for money or help at all. He has so much pride. Oh no! He just take it from the first person he meet, me or anyone else. He has so much pride; besides, it would be simpler. No! It is I who come to you. He often speak to me of you--oh, but in the highest terms! And I say to myself: That dear Ralph, he is difficult to live with. He is not a comfortable friend. We know that, Mrs. Warriner and I, but we both love him very much--"