The Dramatic Works of Gerhart Hauptmann Volume Ii Part 118

JOHN

Then it didn't take long for us to agree, eh?

MRS. JOHN

Yes, an' I laughed an', bit by bit, I looked at myself in every one o'

your bra.s.s b.u.t.tons. I was lookin' different then! An' then you said ...

JOHN

Well, mother, you're a great one for rememberin' things, I must say!

MRS. JOHN

An' then you said: When we has a boy, an' that'll be soon, he c'n follow the flag into the field too "with G.o.d for King an' country."

JOHN

[_Sings to the child, playing with the rattle._]

"To heaven he turns his glances bold Whence gaze the hero sires of old: The Rhine, the Rhine, the German Rhine!"...

Well, an' now that I has a little feller like that I ain't half so keen on sendin' him to the war to be food for powder.

[_He retires with the child behind the part.i.tion._

MRS. JOHN

[_Still staring at the ceiling._] Paul, Paul! Seems as if all that was a hundred years ago!

JOHN

[_Reappears from behind the part.i.tion without the child._] Not as long ago as all that.

MRS. JOHN

Look here, what d'you think? How would it be if you was to take me an'

the child an' go to America?

JOHN

Now listen here, Jette! What's gotten into you, anyhow? What is it? Looks as if there was nothin' but ghosts aroun' me here! You know I has a good easy temper! When the workmen heave bricks at each other, I don't even get excited. An' what do they say? Paul has a comfortable nature. But now: what's this here? The sun's s.h.i.+nin'; it's bright daylight! I can't _see_ nothin'; that's a fac'. But somethin's t.i.tterin' an' whisperin' an'

creepin' aroun' in here. Only when I stretches out my hand I can't lay hold on nothin'! Now I wants to know what there is to this here story about the strange girl what came to the room. Is it true?

MRS. JOHN

You heard, Paul, that the young lady didn't come back no more. An' that shows you, don't it ...

JOHN

I hear what you're sayin'. But your lips is fair blue an' your eyes look as if somebody was tormentin' you.

MRS. JOHN

[_Suddenly changing her att.i.tude_] Yes. Why do you leave me alone year in an' year out, Paul? I sits here like in a cave an' I ain't got a soul to who I c'n say what I'm thinkin'. Many a time I've sat here an' axed myself why I works an' works, why I skimps an' saves to get together a few crowns, an' find good investments for your earnin's an' try to add to 'em. Why? Was all that to go to strangers? Paul, it's you who's been the ruin o' me!

[_She lays her head on the table and bursts out in sobs._

_Softly and with feline stealth BRUNO MECHELKE enters the room at this moment. He has on his Sunday duds, a sprig of lilac in his hat and a great bunch of it in his hand. JOHN drums with his fingers on the window and does not observe him._

MRS. JOHN

[_Has gradually realised BRUNO'S presence as though he were a ghost._]

Bruno, is that you?

BRUNO

[_Who has recognised JOHN in a flash, softly._] Sure, it's me, Jette.

MRS. JOHN

Where d'you come from? What d'you want?

BRUNO

I been dancin' all night, Jette! You c'n see, can't you, that I'm dam'

jolly?

JOHN

[_Has been staring steadily at BRUNO. A dangerous pallor has overspread his face. He now goes slowly to a small cupboard, takes out an old army revolver and loads it. MRS. JOHN does not observe this._] You! Listen!

I'll tell you somethin'--somethin' you forgot, maybe. There ain't no reason on G.o.d's earth why I shouldn't pull this here trigger! You scoundrel! You ain't fit to be among human bein's! I told you ... las'

fall it was ... that I'd shoot you down if I ever laid eyes on you in my home again! Now go ... or I'll ... shoot. Y'understan'?

BRUNO

Aw, I ain't scared o' your jelly squirter.

MRS. JOHN

[_Who observes that JOHN, losing control of himself, is slowly approaching BRUNO with the weapon and raising it._] Then kill me too, Paul. 'Cause he's my brother.

JOHN

[_Looks at her long, seems to awaken and change his mind._] All right.

[_He replaces the revolver carefully in the cupboard._] You're right, anyhow, Jette! It's h.e.l.l, Jette, that your name's got to be on the tongue of a crittur like that. All right. The powder'd be too good, too. This here little pistol's tasted the blood o' two French cavalry men! Heroes they was! An' I don't want it to drink no dirt.

BRUNO