Maker's Song - A Rush Of Wings Part 34

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"Itis my business," Lucien said, steel edging his voice. "It willalways be my business. You are my son." Dante stared at Lucien, stunned, mind reeling.His son? "Let go."

Lucien lifted his hands. Blood glistened on the tips of his talons. "I should've told you from the start -"

"Yeah, but you didn't," Dante said, voice husky. "And now it's too late." He whirled and strode from the room.

Dante sprinted down the stairs, muscles taut, heart pounding against his ribs. He struggled for air. He needed blood. He needed truth.

Penance. Maybe everything he knew and everyone he loved would be stripped away until he paid what was owed.



He found Simone in the front room, curled up on the sofa beside Von. Her eyes widened and th.e.l.lygad straightened, brows knitted.

"What's wrong?" she asked, handing him the phone.

Dante shook his head. Tried to calm his breathing."Oui, cherie?" he said into the phone.

"Wait for me," Heather said. Static crackled across her voice. "I'll be there soon."

Would she be stripped from him as well?

"Don't. I won't be here," he said. His thumb slid across the end b.u.t.ton. The phone slipped from his hand, hitting the carpet with a m.u.f.fled thud.

In the sudden silence, Dante heard the whoosh of wings, then the ceiling creaked as Lucien perched on the roof. His father. Fallen.

What are you afraid of, True Blood?

Rage burned through Dante, poured white-hot through his veins. "Not you, Peeping Tom," he whispered. "Not you."

28.

Convergence "s.h.i.+t!" Heather stared at the cell phone in frustration. "Pigheaded..." She glanced at Collins. "We need to move it. Dante's heading over there without us."

The car surged forward as Collins floored it. "Hope you're right about the probable cause. If we take Jordan in for questioning, I don't want him getting off on a technicality."

"My research placed Jordan at each kill site," Heather said. "If we get a DNA sample from him, it'll match the evidence in every single case." She dropped the cell phone back into her purse.

The fire that'd been smoldering within her since she'd awakened beside Dante had flared to life at the sound of his voice.Oui, cherie? She could almost smell him - warm, earthy, and inviting. But underneath Dante's words, his voice had been strained. Migraine? she wondered. Or was it somethingelse?

It's quiet when I'm with you. The noise stops.

I'll help you stop it forever.

Heather knew qualified hypnotherapists in Seattle who might be able to coax Dante's subconscious into relenting, and help ease his past up from dark depths without pain. She trailed a hand through her hair.

With humans, yes. But nightkind? Nocturnal blood-fed predators? The psychology wouldn't -couldn't - be the same. She sighed.

She looked at the briefcase on the seat beside her. Dante's past. Everything he couldn't or didn't want to remember contained in a slim black briefcase.Dante's past.He should see it first. The fist around her heart unclenched and she drew in an easy breath.

After they'd dealt with Elroy Jordan, she'd give the briefcase to Dante, tell him what Stearns had said, and then stay with him as he delved into the contents.

And if Dante was a monster?

Heather glanced out the pa.s.senger's side window, hands knotted in her lap. The road blurred past, black and endless. She remembered the taste of Dante's lips, the desolation in his voice at the slaughterhouse. Remembered her promises.

I won't walk away from you.

I'll help you stop it forever.

I'll never bury evidence no matter how much it hurts.

Stearns p.i.s.sed into an empty orange juice bottle, his attention never wavering from the house Thomas Ronin had rented. When he'd finished, he screwed the lid back onto the bottle and set it carefully on the pa.s.senger's side floor. He cracked his window for fresh air.

The tidy house was a block up and on the opposite side of the street. Stearns had watched it since noon.

He'd watched as a man in his midthirties with thinning brown hair left the house in a Jeep, returning an hour later in a white van with black-tinted UV-protected windows. Elroy Jordan. According to the printout he'd swiped from Prejean's kitchen, Jordan was Wallace's prime suspect for the CCK murders.

He was also one of Moore's projects.

No sign of Thomas Ronin, but a sleek Camaro parked in the driveway suggested that the journalist was inside the house. Stearns still wasn't sure where Ronin fit into the picture. An exclusive story deal? With a freaking serial killer?

And why not? Stearns had witnessed and partic.i.p.ated in stranger, darker things.

Someone stepped out the front door. Jordan again, but something was spattered on his face and clothes.

Hard to make out what in the deepening twilight. Then as Jordan tried several keys in the Camaro's trunk, Stearns realized the spatter was blood. Whatever Jordan had going with the journalist seemed to have ended. In a messy but inevitable way.

Playing with serial killers was pretty much like running with scissors; sooner or later you're gonna get skewered.

The trunk finally opened and Jordan rummaged around in its interior. After a moment, he straightened, then slammed the trunk lid down. He kicked the Camaro several times, then hammered one fist against the trunk.

Through the cracked window, Stearns heard Jordan scream, "f.u.c.k!"

Stearns touched the Glock on the seat beside him.Doesn't handle disappointment well. Jordan stomped up the drive to the front door, then stopped. He paced back and forth as though uncertain.

Afraid to go back in? Stearns wondered. After a minute, Jordan stopped pacing, squared his shoulders, and marched inside the house.

Glock in hand, Stearns slid out of the Buick LeSabre.

Gifford drew on his cigarillo, savoring the dark, vanilla-spiced tobacco taste, his gaze locked on the Buick LeSabre parked on the opposite side of the street three blocks down. He blew smoke toward his cracked window.

Stearns exited the LeSabre, his right arm down, his gun a black silhouette against his leg. He crossed the street, aimed for the house E had disappeared into. Gifford stubbed the half-smoked cigarillo out in the car's ashtray. Without Wallace he couldn't stage the murder-suicide gig, but he'd learned to improvise during his years with Johanna.

Gathering up a paper-stuffed grocery bag, Gifford climbed out of his Taurus. He strolled along the sidewalk, "groceries" crooked in his left arm. He reached inside his jacket with his right, fingers grasping the .45's grip.

Let Stearns take down E. I'll mop up what's left.

E thumped the heel of his hand against his forehead.Idiot! Shoulda waited. Where could the bloodsucker have hidden the s.h.i.+t? Not under his bed. Not in his closet. Not in his car.

E walked toward the hall, heart pounding, knowing the goodies had to be in the house. f.u.c.ker'd been expecting Dante and woulda been ready for him. Striding down the hall, E paused by Tom-Tom's door and glanced inside. Blood everywhere. Even on the ceiling. But the bed was empty.

Heart hammering, E jumped past the doorway and ran to the hall closet. Yanked it open. Rummaged through the towels and sheets, flinging them to the floor as he did. E froze. Had he heard something shuffling ? Lurching up the dark hall like a gore-oozing zombie? E whirled, s.h.i.+v in hand.

He stood alone in the darkened hall.

Pulse racing, mouth dry, E returned to Ronin's bedroom doorway. The thick stink of blood rushed to hishead -Ah, smells like s.e.x.He stepped into the bedroom. As he did, he became aware of a sc.r.a.ping sound.

From the floor on the far side of the bed, dark, bloodstained fingers clawed for purchase on the wall.

Bloodied gouges marred the paint.

E stared, heart leaping in his chest like it wantedout , thinking:It's Dawn of the Deadtime. The dead won't stay down. Don't wanna be torn apart and gobbled up by a zombie!

A mewling sound drowned out the sc.r.a.ping finger noise. E clamped a hand over his mouth and the mewling stopped.

Shut the h.e.l.l up. That's no zombie, just a blood-drained bloodsucker refusing to die. You're a G.o.d. Get a f.u.c.king grip.

E nodded. A G.o.d. He lowered his hand from his mouth and walked over to the dresser. Jerked open the top drawer. Gold light s.h.i.+mmered and an angelic chorus voiced a triumphant song. Nestled in the folds of silk underwear and pricey socks were the files. E scooped them up, then pulled open the next drawer.

Nuthin'. He found the zippered black bag in the last drawer and grabbed it.

Nails scratched along the wall. E split, running up the hall, through the front room, and out the door.

When he reached the van, E climbed inside and stashed the bag and files beside his satchel o' tricks.

Now all he needed was Dante. Where was the GPS receiver? E unzipped the black bag and searched its contents - vials of sedatives, trank gun, hypos, handcuffs - all designed with the fun-lovin'

bloodsucker in mind, but no GPS receiver. How the h.e.l.l would he track Dante without it?

E thumped his fists against his temples. Pain screamed up from his broken wrist. His stomach clenched.

Idiotidiotidiot! Swallowing hard, he lowered his injured arm. Purple, almost black, bruises mottled his swollen wrist. He'd have to make a sling for it later. For the moment, he needed to find the GPS receiver.

E scrambled out of the van, then froze. A hard-looking man in a jacket stood in front of him, a serious f.u.c.king gun in his hand. The muzzle leveled with E's chest. E dropped to the concrete and rolled under the van.Stop-drop-'n'-roll. Somethingtunk ed against the side of the van. Bullet?

E glanced past his view of the man's polished black shoes, aware of a sound like an engine at high speed, redlining. On the street, a small black car jolted up and onto the sidewalk, peeled across the lawn, aimed straight for the house.

E narrowed his eyes against the glare of headlights. The car slammed into the front step. Bashed grill against threshold. The house shook.

Dante'd arrived.

Stearns threw himself against Elroy Jordan's new van as the sports car jumped the curb, tore across the yard and smashed against the house. Steam hissed into the air from the crumpled front end.

For a moment, Stearns hesitated, then pushed away from the side of the van. An accident? Deliberate?Then a slender figure in black slipped out of the car through the driver's side window and his heart kicked against his ribs.

Beautiful white face. Black hair. Leather jacket and chain-strapped black jeans. He jumped with ease over the car's buckled front end to the house's warped threshold, surrounded by spikes of blue/white light. Pale hands braced against the wood.

Stepping forward, Stearns lifted the Glock. "Dante!" he called.

He fired as the young vampire swiveled.

The bullet caught Dante in the temple, the impact snapping his head to one side. He crumpled across the threshold.

"Stop the car!" Heather cried. Collins. .h.i.t the brakes. She threw the door open and hit the ground running, yanking her .38 from the trench's pocket.

Stearns glanced up. Looked at her, then strode toward the MG. Toward Dante.

"Drop your gun," Heather yelled, .38 in a two-handed grip. She aimed it at Stearns. "Drop it! Don't make me do this!"

Stearns hesitated, then stepped forward, lifting the Glock. Heather fired. Stearns stumbled, dropping to one knee in the gra.s.s beside the MG. She ran from the sidewalk to the tire-ravaged yard, gun aimed at her former mentor.

"Drop it," she said.

The Glock tumbled from Stearns's fingers. Blood stained the shoulder of his jacket. Wincing, he linked his hands together behind his head.

"Let me finish him," Stearns said. "If you've read the file -"

"Shut up," Heather said, gun leveled with his forehead.

She glanced toward the house. Dante hadn't moved. He was sprawled across the threshold, haloed by the headlights, black hair spilled like wine across the carpet. A line of blood trickled from his temple across his face.

Heather looked away. Her breath rasped in a throat gone too tight. Not dead, she reminded herself, not dead. She sucked in cold air, pulled her handcuffs from her pocket. Kneeling behind Stearns, she ratcheted a cuff around one wrist, securing it.

Collins trotted past Heather to the doorway. "I'll check Prejean," he said.

"Heather, listen, you don't understand -"

"I understand that you shot an unarmed man," she said, voice low, tight. "Now shut the f.u.c.k up." As Heather swung Stearns's arms down so she could finish cuffing him, a man carrying a bag of groceries stopped in the drive.

"Sir, please move on -"

The man dropped his groceries. Wads of paper tumbled onto the sidewalk as he drew a gun. Stearns jerked his uncuffed arm free from Heather's grasp and lunged for his Glock.

Heart triple-timing, Heather lifted her .38. "Trent! Look out!"

Maker's Song - A Rush Of Wings Part 34

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Maker's Song - A Rush Of Wings Part 34 summary

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