Widow's Walk Part 18

"Fifty-one," I said.

"Children?" Susan said. "With Mary?"

"No. But she told me that he was friendly with a number of young boys."

"Maybe you're looking for the wrong kind of s.e.x partner," Susan said.

CHAPTER TWENTY-SIX.

There was a photographer I knew named Race Witherspoon who was gayer than springtime and quite happy about it. He had his studios this year in a fourth-floor loft in South Boston, just across Fort Point Channel.

His studio was cluttered with tripods, and reflector umbrellas, and props, and Diet c.o.ke cans. Curled Polaroid peel-offs were everywhere. A Flintlock musket leaned in a corner. A red feather boa was draped over the edge of an old rolltop desk. A cowboy hat lay on top of a file cabinet, a pair of combat boots stood side by side on an overturned milk carton. Light flooded in through a skylight. On the wall was a huge black-and-white blowup of two naked men. I tried to remain calm about it.

In the middle of the clutter Race was surgically immaculate. His white flannel pants were sharply creased. His turquoise s.h.i.+rt was fitted. His black-and-white shoes were gleaming.

"Oh my G.o.d!" Race said. "Man of my dreams."

"How unfortunate," I said.

"Well, honey," he said, "sooner or later they all come back."

"I need h.o.m.o info," I said.

Race grinned and did a small shuffle ball change and spread his arms.

"You've come to the right place, Big Boy."

"If you were an older man," I said.

"Which I'm not," Race said.

"Certainly not," I said. "In all the years I've known you you haven't aged any more than I have."

"That's unkind," Race said. "But go ahead, if I were an older man..."

"Where would you be likely to go to meet young men?"

"How young."

"Boys."

"Nellie's," Race said. "Third floor. It's chickenf.u.c.ker central."

"Joint in Bay Village?" I said.

"Nice turn of phrase, honey," Race said.

"I try to be appropriate," I said. "Bay Village?"

"Where else?"

"Ever go there?"

"Downstairs," he said. "I don't like children much."

I took the picture of Nathan Smith out and held it up for him. "Ever see this guy?"

Race examined the picture. "Not my type," he said.

"You know him?"

"No."

"If I took this picture down to Nellie's and showed it around, you think they'd tell me anything?"

"Nellie's doesn't stay in business by telling secrets," Race said.

"How about I pretended I was in your program?" I said. I shot out my right hip and put my fist on it.

Race said, "They could tell."

"How could they tell?"

"They could tell, honey."

"I'm not even sure this guy was gay," I said.

"And you're trying to decide?"

"I'm not trying to out him. He's been murdered."

Race nodded. "I'll tell you what, darlin'. You give me the picture. I'll find out for you."

I gave him the picture.

"Isn't there some saying about set a queer to catch a queer?" Race said.

"I think so," I said.

CHAPTER TWENTY-SEVEN.

Frank Belson, with a fresh shave and his suit pressed, came into my office carrying two cups of coffee. He put one on my desk and sat down in a client chair and took a sip from the other one.

"Know a broad named Amy Peters?" he said.

"Yes."

"Tell me about her."

"Why?"

"Because I'm a cop and I'm asking you," Belson said.

"Oh," I said. "That's why."

Belson waited. I took the lid off the coffee and drank some. Belson was homicide and Amy Peters had been scared. There was a small sinking feeling in my stomach.

"She was until recently the vice president for public relations at the Pequod Savings and Loan which is headquartered in Cambridge."

"Why "until recently"?"

"She got fired."

"For?"

"Talking to me."

"About what?"

"About a case I was on."

"Nathan Smith," Belson said.

"Yes."

"You doing anything for her?"

"No."

"How'd you know she was fired?"

"She came and told me."

"Why you?" Belson said.

"Why not me," I said. "What's up, Frank?"

"She's dead," Belson said.

The sinking feeling bottomed. Belson was looking at me carefully.

"We found your card in her purse," he said. "Nice-looking card."

"Thanks. How'd she die?"

"Bullet in the head. Looks self-inflicted."

"Her gun?"

"Unregistered. We're chasing the serial number."

"She didn't seem like somebody who'd have a gun," I said.

"You knew her?"

"Not really. Just talked with her a couple of times."

"About Nathan Smith?"

"Yes."

"Anything else?"

"She'd been fired. She seemed a little frightened of the guy who fired her."

"Marvin Conroy?"

"No gra.s.s growing under your feet," I said.

Belson ignored me.

"She want you to protect her?"

"Not really. Just consolation, I think. I gave her my card."

"And wrote Hawk's name and phone on the back," Belson said.

"Yes. I thought she might feel better if she had somebody to call."

"I guess she didn't," Belson said.

"No."

My office felt stuffy to me. I got up and opened my window a couple of inches to let the city air in. I looked out at Berkeley Street for a moment, looking at the traffic waiting for the light to change on Boylston.

"She leave a note?" I said.