The Hundred Best English Poems Part 16

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When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancell'd woe, And moan the expense of many a vanish'd sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before.

But if the while I think on thee, dear friend, All losses are restored and sorrows end.

61. x.x.xIII.

Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did s.h.i.+ne With all-triumphant splendour on my brow; But, out, alack! he was but one hour mine, The region cloud hath mask'd him from me now.

Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.

62. LX.

Like as the waves make towards the pebbled sh.o.r.e, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend.

Nativity, once in the main of light, Crawls to maturity, wherewith being crown'd, Crooked eclipses 'gainst his glory fight, And Time that gave doth now his gift confound.

Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow: And yet to times in hope my verse shall stand, Praising thy worth, despite his cruel hand.

63. LXVI.

Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill: Tired with all these, from these would I be gone, Save that, to die, I leave my love alone.

64. LXXI.

No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell: Nay, if you read this line, remember not The hand that writ it; for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe.

O, if, I say, you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehea.r.s.e, But let your love even with my life decay; Lest the wise world should look into your moan, And mock you with me after I am gone.

65. LXXIII.

That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang.

In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.

In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed whereon it must expire, Consumed with that which it was nourish'd by.

This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long.

66. LXXIV.

But be contented: when that fell arrest Without all bail shall carry me away, My life hath in this line some interest, Which for memorial still with thee shall stay.

When thou reviewest this, thou dost review The very part was consecrate to thee: The earth can have but earth, which is his due; My spirit is thine, the better part of me: So then thou hast but lost the dregs of life, The prey of worms, my body being dead; The coward conquest of a wretch's knife, Too base of thee to be remembered.

The worth of that is that which it contains, And that is this, and this with thee remains.

67. CVI.

When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.

So all their praises are but prophecies Of this our time, all you prefiguring; And, for they look'd but with divining eyes, They had not skill enough your worth to sing: For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise.

68. CXVI.

Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.

Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compa.s.s come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.

If this be error and upon me proved, I never writ, nor no man ever loved.

69. _Song from 'The Tempest.'_

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange.

Sea-nymphs hourly ring his knell: Ding-dong.

Hark! now I hear them,-- Ding-dong, bell.

70. _Song from 'Measure for Measure.'_

Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again, bring again; Seals of love, but seal'd in vain, seal'd in vain.

71. _Song from 'Much Ado about Nothing.'_

Sigh no more, ladies, sigh no more, Men were deceivers ever, One foot in sea and one on sh.o.r.e, To one thing constant never: Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into Hey nonny, nonny.

Sing no more ditties, sing no moe, Of dumps so dull and heavy; The fraud of men was ever so, Since summer first was leavy: Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into Hey nonny, nonny.

72. _Song from 'Cymbeline.'_

Fear no more the heat o' the sun, Nor the furious winter's rages; Thou thy worldly task hast done, Home art gone and ta'en thy wages: Golden lads and girls all must, As chimney-sweepers, come to dust.

Fear no more the frown o' the great; Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this and come to dust.

Fear no more the lightning-flash, Nor the all-dreaded thunder-stone; Fear not slander, censure rash; Thou hast finish'd joy and moan: All lovers young, all lovers must Consign to thee and come to dust.

No exorciser harm thee!

Nor no witchcraft charm thee!

Ghost unlaid forbear thee!

Nothing ill come near thee!

Quiet consummation have; And renowned be thy grave!

_Cambridge Shakespeare Text._

PERCY BYSSHE Sh.e.l.lEY.

The Hundred Best English Poems Part 16

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The Hundred Best English Poems Part 16 summary

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