A Siren Part 60

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Paolina insisted on employing a part of the time which necessarily elapsed before her marriage in completing the engagement she had undertaken, and the promise she had made to her English patron. But she found herself compelled to beg that some other specimen, chosen from among the wonderful wealth of early Christian art that remains at Ravenna, might be subst.i.tuted for that in the choir of St. Apollinare.

She made the attempt to return to the scaffolding by the side of the window, but she found that her strength was unequal to the task. She could not bear to look on the prospect from that window. By agreement with her employer, some further figures from the mosaics in San Vitale were subst.i.tuted for those which had originally been selected in St.

Apollinare. Her a.s.sociations with the former church were of a more pleasant character; and Paolina never visited the desolate old building "in Cla.s.se" again. When the specimens selected in lieu of those in the latter building had been completed, Paolina and her friend and protectress returned with them to Venice, where it had been arranged that they were to be delivered to the Director of the Gallery.

In the ensuing Carnival Ludovico came hither, and the marriage was there solemnized. It is not intended to insinuate that he had not often made the journey from Ravenna to Venice in the interval. More of his time was probably pa.s.sed there than in his native city. From Venice the newly married couple proceeded to Rome, and it was not till three or four years later, that the Marchese and Marchesa di Castelmare, bringing with them their two boys Lamberto and Ludovico, and their little Violante, the most exquisite little fairy that ever was seen, returned to make the Marchese's ancestral palace, ancestral city, their home.

There was one other stranger in Ravenna whose lamentations over the fate that had ever brought him thither were as loud as they were sincere. The poor old singing-master, Quinto Lalli, was left, by the death of his adopted daughter, as dest.i.tute of the means of support as desolate in his home and heart. He was not worth much; but it would be unjust to suppose of him that his violent outcry on her murderer was wholly or mainly prompted by the former consideration. There had been a real and strong affection between him and his adopted daughter, and her death in truth left him utterly desolate.

Yet he never again quitted the city he so much regretted having ever seen. His comfortable support was adequately provided for by the Marchese Ludovico. And often in after years--on summer evenings on a stone bench beneath a fig-tree in the garden of the cottage provided for him, and in winter at the chimney corner of its tiny parlour--might be seen the tall spare nun-like figure of a grave and gentle lady, earnestly labouring at the somewhat up-hill task of consoling the old man, and striving to shape the teachings of his Bohemian life to a better lesson than he was apt to draw from them. It was the Contessa Violante; and it may be concluded from her occupation both that she succeeded in escaping the pursuit of the Duca di San Sisto, and that her great-uncle the Cardinal did not succeed in becoming Pope at the most recent vacancy.

After the return of the Marchese and Marchesa di Castelmare to Ravenna, however, the greater number of the hours of the Contessa Violante were spent in the home of her little G.o.d-daughter Violante di Castelmare, and of her friend Paolina.

THE END

A Siren Part 60

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A Siren Part 60 summary

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