Forsake The Sky Part 14

The bound slave still faced the wall, so Tom quietly set the clothes on the deck and picked up the axe. He raised it over his head, aiming at the man's neck. He stood that way for a while, squinting at the horizon as if trying to remember something. Then his attention returned to his surroundings, and with a hearty grunt he swung the axe down with all the force he could add to the thing's own weight, and he crouched as he struck to keep the blow perpendicular. He stood up a moment later, rocked the blood-splashed axe blade loose from the deck-wood it had bitten into, and flung it overboard. The severed head he tied in a canvas bag weighted with two s.e.xtants, which he also tossed over the side.

He cut the ropes loose from the body and stripped it of its clothes, and then pulled Frank's pants and s.h.i.+rt onto it. The shoes were difficult-he pushed them and pounded on the slave's feet, but to no avail. He finally tossed the shoes into the sea. The sword clipped easily onto the belt, and Tom stood up dizzily.

He picked up the slave's bloodstained clothes, wrapped a large fis.h.i.+ng sinker in them, and threw that bundle, too, into the water. It's a messy ocean floor tonight, he thought crazily. I wonder how often the cleaning lady comes.

He stumbled to the bow and sat down in one of the canvas deck chairs to await Frank's arrival. The sun was in Tom's eyes; no matter how he blinked and s.h.i.+fted his gaze he frequently got an eyeful of glare. Black spots floated through his vision. For this reason he didn't notice the approaching rowboat until it was only about fifty yards away.

"Oh no," he muttered. He stood up and waved, and then dashed back behind the cabin, crouched beside the headless body and rolled it over the rail into the sea. "I'll fish you out again real soon," he giggled. Then he ran back to the bow and waved again, smiling broadly.

"That's him," said one of the three men in the boat. "Look at him waving at us, all dressed in white. He must have mistaken us for someone."

"Yeah," agreed another. "I wonder why he ran away when he first saw us, though? Do you think it's a trap?"

"I don't know," said the third. "Best not to get too close, anyway. Move in ten yards more and I'll pitch a bomb at him."

A minute later the third man stood up, lit the fuse of a shot-put-sized bomb and hurled it at the larger boat. Tom still stood on the bow, waving. A moment later an explosion tore a hole in the cabin and flung pieces of lumber spinning through the air. The roar of the detonation echoed off the sh.o.r.e, and a cloud of smoke and wood splinters hung over the blasted vessel.

"Let's circle and look for the body," growled the man in the stem. The little rowboat made an unhurried circle around the smoking boat, and near the stem they found a headless body floating. They pulled it aboard.

"That's him all right. Odd the way the bomb just took his head off and left the rest of him untouched, though."

"Who cares?" said another. "It's him. Look, there's one of his shoes floating there. I've seen bombs do that. Let's get his body back to Costa quickly, and get paid." The other two nodded, and the one at the oars began leaning into his work.

AN hour later Frank wearily tied up his own rowboat next to Tom's at the stem and climbed aboard. "Tom?" he called. "Sorry I'm late. Business, you know. Tom?" It was just light enough to see, and he looked in shock at the wreckage of his boat.

"Tom!" he shouted. "Where are you?" He leaped inside the cabin-and stared at the chaos he found. The bulkhead between the cabin and his own stateroom was split; the air was thick with the smell of gunpowder; his bed and desk lay shattered in the broken doorway, and stretched across this wreckage was a body. Frank crossed to it warily, and stared at the face.

He was just able to recognize it as Tom Strand's.

Frank backed out of the cabin and sat down heavily on the deck. My father, he thought. Orcrist. Blanchard. And now Tom. I'm poison to my friends, beyond doubt.

After a while he stood up and stared out to sea, where a s.h.i.+p beyond the jetty was unfurling its sails and tacking south.

It must be the Transports who did this, Frank thought. They must have found out I was coming here frequently, and thought Tom was me. He went below and carried four bottles of Tamarisk brandy into the cabin, then broke them on the floor. After he dropped a lit match into the aromatic puddle and heard it whoosh alight, he strode out onto the deck, climbed into his rowboat and cast off.

HODGES lit a cigarette nervously. He liked times of quiet prosperity, leisure to spend untroubled days with his family and cats. It upset him to scent doom in the air, and tonight it almost masked the tobacco reek in his nostrils. He watched gloomily as Frank poured himself a fifth gla.s.s of scotch.

"Gentlemen," Frank said, "remember that you are ... only my ... advisors. I will listen, have listened, to your timid cautions and warnings, and I don't believe there's arty course of action you'd favor. I've told you my idea, and you haven't yet given me a good objection."

Hodges leaned forward. "Your plan, sire, is to try out for the job of painting Costa's portrait and to kill him once you get close to him. Right?"

"That's right, Hodges. You've got it. And then I'll give a signal down the pipes somehow, which will alert our sewer army. They'll be ma.s.sed and waiting in the tunnels somewhere, see. We've scavenged enough explosives to blow the floors out of half the bas.e.m.e.nts in the palace, and though the Transports are prepared for possible attacks from north, south, east, west and above, they aren't set up to deal with one from below."

"I don't think we are, either," said a burly old thief-lord known as Hussar. "You use the word army, Rovzar, but it's just an acc.u.mulation of b.u.ms and farmless farmers."

"We've been training them," Frank insisted, "and each one of them has a strong stake-namely his home and livelihood-in our being successful. And they'll be coming right up out of the cellars! h.e.l.l, we'll probably have the palace under our control before the guards on the walls even notice that anything has happened behind their backs."

"Well, Mr. Hussar has pointed out that you'd be killed yourself, almost immediately," said Hodges.

"I might not," Frank said, taking a liberal sip of his drink. "That doesn't matter, anyway. The main thing is to get rid of Costa."

"Ah. But who would they replace him with?"

"I don't know. A relative, if he has any-though G.o.d knows I can't find any. Who cares? It would be a change, anyway."

"Maybe not," Hodges answered. "Costa is only a figurehead for the Transport government. Kill him and they'll get another mascot. If you could kill the whole Transport there'd be a change-but killing poor idiot Costa would do nothing but give you personal vengeance, which a king can't really afford."

"Well, dammit, Hodges, I've got to do something. Every day we lie quiet, the Transport gets stronger. What's being done to stop them? I-"

"Sire," Hodges said, "Hemingway said never confuse motion with action. I think-"

"I think," said Hussar, leaning forward, "that perhaps we ought to discuss Mr. Rovzar's claim to be our king."

Hodges let the cigarette smoke hiss out between his teeth. Everyone had stopped talking, so the sound of Frank's sword sliding out of its sheath was clearly audible.

"How do you mean, Hussar?" asked Frank with a smile.

"Put your sword away," Hussar snapped angrily. "Tolley wasn't king when you killed him. Isn't that right, Hodges? Therefore, you can't claim the ius gladii precedent. Therefore you're not our king." Hussar sat back. "I wouldn't have brought this up," he added, "if you hadn't exhibited signs of alcoholism and insanity."

"Hodges," Frank said. "A point of protocol: what is the procedure when someone calls the king's qualifications into question?"

Hodges answered wearily, as if reciting a memorized piece. "The person is free to prove his allegations by engaging the king in personal combat. Sorry, Hussar."

Frank stood up, suddenly looking much soberer. His sword was in his hand. "Now, then, Hussar, what about these allegations?"

Hussar pressed his lips together angrily. "I withdraw them, sire," he said.

There was a long pause. "All right," Frank said finally. He sheathed his sword and sat down, looking vaguely puzzled and defeated. "I ... I guess you're right, Hodges." He had another sip of scotch. "What we've got to do, I guess, is keep building our army and keep looking for a ducal heir." He drained his gla.s.s. "Keep sending the claimants to me, Hodges. Maybe if we don't find a real one we can come up with a convincing fake."

"A fake?" said Hodges. "Sire, even with a real one we'd have our work cut out for us." He shook his head. "Gentlemen, I p.r.o.nounce this meeting adjourned." Everyone except Frank stood up and began shouldering on coats and bidding each other goodnight. They all filed out, leaving Frank alone in the room. Two of the lamps had gone out, the candles were low in their sockets, and the clink of the bottle-lip on the gla.s.s-edge, and the gurgle of the scotch sluicing into the gla.s.s, were the only sounds.

HEAVY music resounded in Kelly Harmon's huge living room, and most of the guests were dancing wildly. Hannon lived in the finest district of Munson Understreet, and his parties, which had become legendary in the belt-tightening days of Costa's reign, were said to be the gathering place of all the truly worthwhile people in Munson, above or below the surface. The music, provided by a trio of crazed trumpet players, was so loud that the knocking at the door could only be heard by the people actually leaning against it. They pulled the door open and a tall, dark-bearded man edged his way inside, waving an invitation, and was soon absorbed into the crowd.

The music and dancing slowly mounted in intensity to a feverish and frenzied climax, after which the dancers began reeling to their chairs and gulping drinks. Kathrin Figaro whirled like a spun top to the last choppy bars of one song, and collided with a table, knocking over a lamp.

"Whoops!" she giggled. "Time for a rest, I think." She weaved away from the dance floor to the only empty chair, at a back table at which the bearded man was sitting. "Can I join you?" she asked breathlessly. He looked up at her and, after the briefest hesitation, nodded.

"Thank you." She slid into the chair and looked at her table-mate. Long black hair was cut in uneven bangs across his forehead, and his eyes hid in a network of wrinkles under his brows. The black beard didn't quite hide a long scar that arched across his cheek. "Do I know you?" she asked politely, privately wondering how this derelict had got in.

"Yes," he said.

Kathrin looked at him uneasily. "Who are you?"

"John Pine."

Kathrin looked blank, and then startled. "Frank ...?" she whispered.

He nodded.

"But I heard you were dead-they hung ... somebody's headless body, dressed in your clothes, from the palace wall a week ago." He shrugged impatiently. "When did you grow the beard, Frank? I don't like it."

"My name, please, is John Pine. The beard's fake."

"Oh." She lifted two gla.s.ses of champagne from the tray of a pa.s.sing steward and set one of them before Frank. "Isn't it terribly risky for you to be here? Did you come to see me?"

"No," he said. "I didn't know you'd be here. I came because I was bored." He sipped the champagne. "Harmon has been sending me invitations to these affairs for months, and I decided to take him up on one."

"Will I see you at more of these, then?" she asked brightly.

"No. I'm not much of a party man, as you doubtless recall. And it is too risky a thing to make a habit of."

She tasted her drink thoughtfully. "Are you still king of the ... you-know-whos?" He nodded. "I heard about how you got it. It sounded very brave." He looked at her skeptically. "I don't see Matthews anymore, John. He treated me horribly, just ... horribly. Do you think," she went on, lowering her eyes, "there's any chance of us trying it again?" Yes, he thought. "No," he said.

"But I've-"

"Don't embarra.s.s both of us, Kathrin." He stood up. "There's nothing to say. I shouldn't have come to this. I'm sorry." He stepped around the table, pushed his way through the crowd to the door and disappeared into the eternal understreet night.

THE yawning page boy plodded around the room, refilling the oil-reservoirs of the lamps from a can he carried. The job done, he returned to his chair, began nodding sleepily and was soon snoring.

George Tyler refilled Frank's wine gla.s.s and then his own; his aim had deteriorated during the evening, and he poured a good deal of it onto the tabletop.

"Frank," George said carefully, "don't try to pretend with me that this is an ... altruistic action you're contemplating. You know that it isn't Costa that's strangling this planet. He's just a ... pitiful puppet ... within whom moves the cold, steely hand of the Transport." Pleased with his metaphor, Tyler chuckled and gulped his wine. "And it isn't even personal revenge, lad, that's goading you to kill the poor geek. Not entirely, anyway. Want to know what it is?"

"What is it, George?" Frank asked obligingly. "It's suicide, Frankie," said Tyler sadly. "You want to die. No, don't get rude with me; I'm a poet, I'm allowed to talk this way. If you go grinning up to the palace gate with a knife in your paint box, it may look like a gallant bid for revenge, but I'll know. It will be a suicide attempt, disguised as desperate vengeance to fool everyone, yourself as well, maybe."

"George, you are so full of c.r.a.p-"

"Yeah, you say that. But you're my last friend since Sam got it, and now you're eager to get killed. And all because that half-wit girl ditched you for Matthews."

"That isn't it, George. Not much of it, anyway."

"Aha! You admit it's suicide, then?"

"I'm not admitting anything, dammit. I'm humoring a raving drunk."

"Well, there's a judgment. But all right, I won't bother you anymore."

For a full five minutes they drank in silence. "Someday I'll be restored to my former exalted state," Tyler muttered, half to himself, "and then I'll set all this right. I'll have Costa sweeping the gutters, and then you won't have to kill him."

"George," said Frank levelly, "I have been trying very hard, for weeks, to find a real claimant to the ducal throne. Throughout that time I have admired your tact in not burdening me with your own ... delusions in that line. If there is (and there is) one thing I don't want to hear, it's another crackpot telling me he's the true prince."

"I'm sorry, Frank," Tyler said. "You're right, you don't need that." He emptied his gla.s.s. "I don't really believe all my stories, either, so you needn't think I'm a crackpot. It's just my poetic nature letting off steam."

"I didn't mean you're a crackpot, George. I spoke ... heatedly, without thinking." Frank opened the table drawer and felt around in it, but his pipe was missing. "Where did you come up with all those stories about being Topo's son, anyway?" he asked.

"I made them up, mostly," Tyler said. "And my mother used to tell me I was. I was an illegitimate child, you see. I'll bet all unwed mothers tell their sons they're the secret offspring of royalty."

"Yeah, probably so. Not a good idea, in the long run, if you ask me." Frank poured out the last dribble of the bottle. "Page. Hey, page! Another bottle of this. A cold one."

The page nodded and scampered away.

"It was a bedtime story, you see," Tyler explained. Frank hiccupped. "Did your mother even work in the palace? At least?"

"Naw, the story hasn't even got that much to support it. She told me she was a dancer at a tavern he used to go to. She claimed that for a season he was crazy about her, wanted to marry her. This would have been before Topo's brother, Ovidi, died, you see, back in the days when n.o.body thought Topo would ever make Duke. And Topo was supposed to be a wild lad in those days, you know, Frank-drunk all the time, always getting into fights-my mother told me he even got a tattoo of her, had it done on his chest by some young painter they both knew. The guy had never done a tattoo before, but he'd got hold of a tattooing needle somewhere, and they were all drunk, and so they gave it a try." Tyler smiled. "My mother said the tattoo didn't turn out too badly, considering."

Frank gulped some wine. "Oh?" he said. "That's good, that's a relief. Looked like her, did it? Caught a resemblance?"

Tyler laughed. "Well, no, probably not. He ... portrayed her ... in her dancing costume, which was ... well, it was a bird suit."

Frank nodded. "A bird suit."

"Yeah, an immodest one. My mother didn't even describe it to me until I was fifteen. Her costume was an over-the-head bird mask, see, and big wings that she'd slip her arms down inside of-and nothing else. Well, shoes, maybe."

Frank laughed, but Tyler's words had reminded him of something. Sure you don't want me to make it either all-bird or all-girl? I still could, you know. His father had said that-to Duke Topo-who had never permitted himself to be seen even partially undressed.

"She even told me he'd made up a birth certificate for me, acknowledging me as a son of his. She said he'd shown it to her once, but wouldn't let her keep it, in case he changed his mind or something."

The page returned with the wine, and Frank absent-mindedly took a swig right from the bottle. "Uh," he said, noticing that his hand was shaking, "uh, this tattoo-"

"And you know where she said he'd hid this birth certificate?" Tyler went on. "You'll love this. In a copy of Winnie the Pooh. Frank! That's good wine!" Frank had dropped the bottle, and pieces of wet gla.s.s spun on the floor. The page leaped up to fetch a mop and broom. "Never mind that," Frank told him. "Get Hodges for me. Tell him to summon a full council, at once. Yes, I know it's three o'clock in the morning. A full council, you hear? Immediately! Run!"

The page darted out of the room.

"Frank," said Tyler uncertainly, "are you all right?"

"For the first time in months, George."

An hour later twelve irritable lords sat around the table, their eyes squinting, their hair oddly tufted, and half of them in incorrectly-b.u.t.toned s.h.i.+rts.

"What is this, Hodges?" rasped Hussar. "More delirium tremens?"

"You're treading on thin ice, Hussar," said Hodges softly. "His majesty will be here in a moment to explain the reason for this meeting."

"We probably haven't been hijacking enough brandy to suit him," giggled Emsley.

"I'll discuss that with you afterward, if you like, Emsley," said Frank, who had silently entered the room. "Come on in, George."

Frank and Tyler took the two empty chairs at Hodges's left. "All right, gentlemen," Frank said. "I've found an heir-a genuine one, as a matter of fact. He's an illegitimate son of Topo, and I know where to find a birth certificate, signed by Topo, acknowledging him as a son."

The lords stared at him skeptically. Even Hodges looked doubtful, knowing that Frank had not interviewed any claimants since the last meeting. "And who is this lost prince?" asked Hussar, with a look of long-suffering patience.

"It's George Tyler," Frank said, knowing full well the response that declaration would have. It did. After a moment of stunned silence all the lords burst into howls of laughter.

"Tyler?" gasped Emsley. "Get some black coffee into you, Rovzar."

"Black coffee?" queried Frank with a quick smile. "Why black coffee, my lord?"

"Because you're drunk," Emsley replied carelessly. "That will do, I think," Frank said, "especially in front of thirteen witnesses. You will do me the honor, Lord Emsley, of meeting me in East Watson Hall tomorrow morning at ten?"