Classics Mutilated Part 45
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"This will not absolve you of your sins, my old friend. But it will relieve humanity of its sickness."
(Anaheim, 7/4/45) It's Dixon's birthday (unofficially, for his birth certificate has never been located, fueling a lifelong terror that he was adopted), and Dixonland is throwing a party. Free admission to the park, with parades, special performances, and fireworks all night long.
The gates are thrown wide open at 8 a.m., though the lines flow slowly, as G-Men search purses and force visitors to remove shoes and hats to prove they don't have hooves or horns.
In their hunger to love him and his fabulous creations, the crowd tramples nine of its own to death outside the gates, with hundreds more injured. Fifty thousand more roam outside.
The rides are all whirling and racing, the exhibits-Why Is the FBI Watching You?-mobbed, the arcades and shooting galleries-Bag the Leopard Man! Win a Prize!-are chattering madhouses.
The guest of honor is nowhere to be seen, but he is here. From his suite in the highest tower of Fairyland Castle, he can see it all.
It cannot give him much comfort. The uncensored news from Florida is disturbing. Only six weeks from completion, Dixon's World is plagued with accidents and disasters. The humanimal work crews are riddled with saboteurs. Reports of gator-man raids and sightings of roving snafus and lummoxes in the Everglades and Louisiana bayous have gotten beyond Hoover's ability to suppress.
This enormous, expensive birthday gesture might gladden his heart and keep the Florida insurrection out of the news, but tomorrow, the National Guard will begin combing the swamps and erecting a barricade around Dixon World and its suburbs.
The tens of thousands of happy tourists know and worry about nothing today. The rivers of bobbing balloons and Moxie Monkey hats-made from capybara pelts-swell and burst through every dam in the park. In the painterly hour before dusk, they are sweaty and exhausted, and churn through the splendid attractions like cud through the many-chambered stomach of a cow.
So drunk on the relentless barrage of wonder, they don't even look up when our shadow falls upon them.
The dirigible LZ131 was commissioned in 1939 as a second Hindenburg, but it crossed the Atlantic only once, last year. Then it was abandoned and forgotten in Buenos Aires by the Third Reich fugitives who escaped in it.
Now its silver skin is emblazoned with red fangs and claws, and its underbelly bristles with bombs.
We have christened it The Law of the Jungle.
I take up a microphone in my trunk and twist it round to bring to my parched lips. My undescended tusks throb in my jaw. "Will Dixon! Dr. Moreau has come to claim his debt from you!"
From the trees of Sherwood Forest and the summit of Mount Olympus, hidden anti-aircraft batteries and howitzers open up on us. The aft gondola is ripped to splinters by the first volley. Jets of flame erupt amids.h.i.+ps, but our nacelles are filled not with hydrogen, but helium and something else.
The wounded zeppelin descends over Moxie's Main Street, sending the crowds scurrying into the gift shops and the Hall of Emperors. The mongrels and squirrels among them throw down their brooms and litterbags and bound into the shops on all fours, hooting and screeching and biting and scratching.
The setting sun hides its face behind Mount Olympus. I pull the lever and drop our bombs.
At last, the portcullis of Fairyland Castle rises, and a black dragon with iron scales and wings like the mainsails of a clipper s.h.i.+p storms across the s.h.i.+vering drawbridge, then bathes us in fire.
Dixon has been to the Barnyard, and Dr. Hiss has made him into something more terrible than even his own worst nightmares. Only the piercing, wounded stare and the hacking, chronic cough mark the Master within the beast that rises up on its furiously flapping wings and blasts our flimsy skin with napalm bile.
The forward nacelles buckle and burst like rice paper. The gondola is upended, tossing the captain and crew and myself into a pile against the cracked windscreen.
Below us, Main Street is engulfed in green clouds. The helium gushes out of our sinking balloon, while the heavier ingredients settle over the entire park in billowing emerald waves that merge with the fog sown by our bombs.
For a moment, we seem to be hovering over a jungle. Then the ma.s.sive, armored head looms before us. The dragon flies through our gutted balloon and erupts from the tail in an ecstasy of rage. We plummet in hideous slow motion into the lake at the foot of Mount Olympus.
Dixon wheels and perches on the peak of the faux-mountain, riddled with rus.h.i.+ng rollercoasters and sky-buckets stuffed with shrieking tourists, their amus.e.m.e.nt park experience amusing no longer.
"WHAT THE h.e.l.l ARE YOU STARING AT?" he roars.
They look at him now, and all they see is horror.
But he still has no idea how much he's lost.
I crawl out of the shallows of the fake lake, staring up at his towering monstrosity, as the first of the vacationing hordes come barreling out of the green fog.
On all fours.
I know he can't hear me over his own tortured scream, the wails of the innocent, the howls of the transformed.
But it gives me great pleasure to inform him out loud that the Moreau formula has just become public domain.
"NOOOOO!" The Dixon-beast roars, and the rollercoaster is enveloped in flame.
Far below him-hooting and gibbering and c.r.a.pping in their hands-the waves upon waves of now-simian rabble s.h.i.+mmy up drainpipes, trash gift shops, slough off their clothes, and copulate with abandon, all in plain sight of their dragon master.
"LOOK WHAT YOU'VE DONE!" he howls.
His wrathful flames scourge the rooftops of Fairyland, sending waves of burning monkey-men leaping over the fences and into the streets of Anaheim.
They also ignite the stockpiles of fireworks poised throughout the park.
All at once, a great b.u.t.terfly-swarm of celebratory chaos animates the night sky, with dancing rainbow sparks that say more than I could ever hope to put in words.
Independence Day has come at last, for animals and humans alike.
Never, in my long, shameful life, have I raised my trunk high and sounded a note of pure animal joy, but I am powerless to resist it now.
As the Army closes in, with their shackles and cattle prods, a halo of crows descends and settles on the monorail track overhead. They wear hats and smoke cigars, and their eyes flash red in the glow of the fireworks.
They smile down at me, and-with raucous, tone-deaf voices-begin to sing my theme song, changing the words just right: "And I know I done seen The most beautiful dream When an elephant Gets his wings ..."
Dread Island.
By Joe R. Lansdale.
This here story is a good'n, and just about every word of it is true. It's tempting to just jump to the part about where we seen them horrible things, and heads was pulled off and we was in a flying machine and such. But I ain't gonna do it, 'cause Jim says that ain't the way to tell a proper yarn.
Anyhow, this here story is as true as that other story that was written down about me and Jim. But that fella wrote it down made all the money and didn't give me or Jim one plug nickel of it. So, I'm going to try and tell this one myself like it happened, and have someone other than that old fart write it down for me, take out most of the swear words and such, and give you a gussied up version that I can sell and get some money.
Jim says when you do a thing like that, trying to make more of something than it is, it's like you're taking a drunk in rags and putting a hat on him and giving him new shoes with ties in them, and telling everybody he's from up town and has solid habits. But anyone looks at him, they're still gonna see the rags he's wearing and know he's a drunk 'cause of the stagger and the smell. Still, lots of drunks are more interesting than bankers, and they got good stories, even if you got to stand downwind to hear them in comfort.
If I get somebody to write it down for me, or I take a crack at it, is yet to be seen. All I know right now is it's me talking and you listening, and you can believe me or not, because it's a free country. Well, almost a free country, unless your skin ain't white. I've said it before: I know it ain't right in the eyes of G.o.d to be friends with a slave, or in Jim's case, an ex-slave that's got his free papers. But even if it ain't right, I don't care. Jim may be colored, but he has sure fire done more for me than G.o.d. I tried praying maybe a dozen times, and the only thing I ever got out of it was some sore knees. So, if I go to h.e.l.l, I go to h.e.l.l.
Truth is, I figure heaven is probably filled with dogs, 'cause if you get right down to it, they're the only ones deserve to be there. I don't figure a cat or a lawyer has any chance at all.
Anyway, I got a story to tell, and keep in mind-and this part is important-I'm trying to tell mostly the truth.
Now, any old steamboater will tell you, that come the full moon, there's an island out there in the wide part of the Mississippi. You're standing on sh.o.r.e, it's so far out it ain't easy to see. But if the weather's just right, and you got some kind of eye on you, you can see it. It don't last but a night-the first night of the full moon-and then it's gone until next time.
Steamboats try not to go by it, 'cause when it's there, it has a current that'll drag a boat in just like a fella with a good stout line pulling in a fish. I got word about it from half a dozen fellas that knew a fella that knew a fella that had boated past it and been tugged by them currents. They said it was all they could do to get away. And there's plenty they say didn't get away, and ain't never been heard of again.
Another time, me and Tom Sawyer heard a story about how sometimes you could see fires on the island. Another fella, who might have been borrowing the story from someone else, said he was out fis.h.i.+ng with a buddy, and come close to the island, and seen a post go up near the sh.o.r.e, and a thing that wasn't no kind of man was fastened to it. He said it could scream real loud, and that it made the hairs on the back of his neck stand up. He said there was other things dancing all around the post, carrying torches and making a noise like yelling or some such. Then the currents started pulling him in, and he had to not pay it any more mind, because he and his buddy had to row for all they was worth to keep from being sucked onto the island.
When we got through hearing the story, first thing Tom said was, "Someday, when the moon is right, and that island is there, I'm gonna take a gun and a big Bowie knife, and I'm going to go out there. I'll probably also have to pack a lunch."
That danged old island is called Dread Island, and it's always been called that. I don't know where it got that name, but it was a right good one. I found that out because of Tom and Joe.
Way this all come about, was me and Jim was down on the bank of the river, night fis.h.i.+ng for catfish. Jim said there was some folks fished them holes by sticking their arms down in them so a catfish would bite. It wasn't a big bite, he said, but they clamped on good and you could pull them out that way, with them hanging on your arm. Then you could bust them in the head, and you had you something good to eat. He also said he wouldn't do that for nothing. The idea of sticking his hand down in them holes bothered him to no end, and just me thinking on it didn't do me no good either. I figured a gator or a moccasin snake was just as likely to bite me, and a fis.h.i.+ng line with a hook on it would do me just as good. Thinking back on that, considering I wouldn't put my hand in a hole for fear something might bite it, and then me going out to Dread Island, just goes to show you can talk common sense a lot more than you can act on it.
But anyway, that ain't how this story starts. It starts like this.
So, there we was, with stinky bait, trying to catch us a catfish, when I seen Becky Thatcher coming along the sh.o.r.eline in the moonlight.
Now Becky is quite a nice looker, and not a bad sort for a girl; a breed I figure is just a step up from cats. Jim says my thinking that way is because I'm still young and don't understand women's ways. He also explained to me their ways ain't actually understandable, but they sure do get a whole lot more interesting as time goes on.
I will say this. As I seen her coming, her hair hanging, and her legs working under that dress, the moonlight on her face, I thought maybe if she wasn't Tom's girl, I could like her a lot. I'm a little ashamed to admit that, but there you have it.
Anyway, she come along, and when she saw us, she said, "Huck. Jim. Is that you?"
I said, "Well, if it ain't, someone looks a whole lot like us is talking to you."
She come over real swift like then. She said, "I been looking all over for you. I figured you'd be here."
"Well," I said, "we're pretty near always around somewhere or another on the river."
"I was afraid you'd be out on your raft," she said.
"We don't like to go out on the water the night Dread Island is out there," I said.
She looked out over the water, said, "I can't see a thing."
"It looks just like a brown line on top of the water, but it's sharp enough there in the moonlight," I said. "If you give a good look."
"Can you see it too, Jim?" she asked.
"No, Miss Becky, I ain't got the eyes Huck's got."
"The island is why I'm looking for you," she said. "Tom has gone out there with Joe. He's been building his courage for a long time, and tonight, he got worked up about it. I think maybe they had some liquid courage. I went to see Tom, and he and Joe were loading a pail full of dinner into the boat. Some cornbread and the like, and they were just about to push off. When I asked what they were doing, Tom told me they were finally going to see Dread Island and learn what was on it. I didn't know if he was serious. I'm not even sure there is an island, but you tell me you can see it, and well ... I'm scared he wasn't just talking, and really did go."
"Did Tom have a big knife with him?" I asked.
"He had a big one in a scabbard stuck in his belt," she said. "And a pistol."
"What do you think, Jim?" I asked.
"I think he's done gone out there, Huck," Jim said. "He said he was gonna, and now he's got that knife and gun and dinner. I think he's done it."
She reached out and touched my arm and a shock run through me like I'd been struck by lightning. It hurt and felt good at the same time, and for a moment there, I thought I'd go to my knees.
"Oh, my G.o.d," she said. "Will they be all right?"
"I reckon Tom and Joe will come back all right," I said, but I wasn't really that sure.
She shook her head. "I'm not so certain. Could you and Jim go take a look?"
"Go to Dread Island?" Jim said. "Now, Miss Becky, that ain't smart."
"Tom and Joe went," she said.
"Yes, ma'am," Jim said, like she was a grown woman, "and that proves what I'm saying. It ain't smart."
"When did they go?" I said.
"It was just at dark," she said. "I saw them then, and they were getting in the boat. I tried to talk Tom out of it, because I thought he was a little drunk and shouldn't be on the water, but they went out anyway, and they haven't come back."
I figured a moment. Nightfall was about three or four hours ago.
I said, "Jim, how long you reckon it takes to reach that island?"
"Couple of hours," Jim said, "or something mighty close to that."
"And a couple back," I said. "So what say we walk over to where Tom launched his boat and take a look. See if they done come in. They ain't, me and Jim will go take a gander for him."
"We will?" Jim said.
I ignored him.
Me and Jim put our lines in the water before we left, and figured on checking them later. We went with Becky to where Tom and Joe had pushed off in their boat. It was a pretty far piece. They hadn't come back, and when we looked out over the water, we didn't see them coming neither.
Becky said, "Huck, I think I see it. The island, I mean."
"Yeah," I said, "there's a better look from here."
"It's just that line almost even with the water, isn't it?" she said.
"Yep, that's it."
"I don't see nothing," Jim said. "And I don't want to."
"You will go look for him?" Becky said.
"We'll go," I said.
"We will?" Jim said again.
"Or I can go by myself," I said. "Either way."
Classics Mutilated Part 45
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Classics Mutilated Part 45 summary
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