Gerfaut Part 6

"That is my secret, Madame," he replied, coldly.

Although her curiosity was greatly aroused, Clemence felt that it would be beneath her to ask any more questions. She replied with an affectation of mocking indifference:

"Since I am to have the pleasure of seeing you tomorrow, I hope you will permit me to leave you today. You know that I am not well, and it is showing me very little attention to allow me to stand here in this wet gra.s.s."

She raised her skirt a trifle and extended her foot, showing her slipper, which was really covered with pearly drops of rain. Octave threw himself quickly upon his knees, and, taking a silk handkerchief from his pocket, began to wipe away all traces of the storm. His action was so rapid that Madame de Bergenheim stood for a moment motionless and speechless, but when she felt her foot imprisoned in the hand of the man who had just declared war against her, her surprise gave place to a mingled feeling of impatience and anger. She drew her foot back with a sudden movement, but unfortunately the foot went one way and the slipper another. A fencing-master, who sees his foil carried ten steps away from him by a back stroke, could not feel more astonishment than that felt by Madame de Bergenheim. Her first movement was to place her foot, so singularly undressed, upon the ground; an instinctive horror of the damp, muddy walk made her draw it quickly back. She stood thus with one foot lifted; the movement which she had started to make threw her off her balance and as she was about to fall she extended her hand to find some support. This support proved to be Octave's head, for he still remained upon his knees. With the usual presumption of lovers, he believed that he had the right to give her the a.s.sistance which she seemed to ask for, and pa.s.sed his arm about the slender waist which was bent toward him.

Clemence drew herself up at once, and with frowning brow regained her coolness, standing upright upon one foot, like Cupid in the painting by Gerard; like him, also, she seemed about to fly away, there was so much airy lightness in her improvised att.i.tude.

Many puerile incidents and ridiculous events occur in life, which it would render impossible for the most imperturbable of mandarins to struggle against in order to preserve his gravity. When Louis XIV, this king so expert in courtly ways, dressed his hair alone behind his curtains before presenting himself to the eyes of his courtiers, he feared that this disarray of costume might compromise even his royal majesty. So, upon such authority, if one looks upon a complete head of hair as indispensable to the dignity of manhood, the same reasoning should exist for the covering of one's feet. In less than a second, Madame de Bergenheim comprehended that in such circ.u.mstances prudish airs would fail of their effect. Meanwhile, the agreeable side of her position operated within her; she felt unable to keep up the show of anger that she had wished to a.s.sume. The involuntary smile upon her lips smoothed her forehead as a ray of sun dissipates a cloud. Thus, disposed to clemency by reflection or fascination, it was in a very sweet and coaxing voice that she said: "Octave, give me my slipper." Gerfaut gazed at the lovely face bent toward him with an expression of childish entreaty, then he glanced with an irresolute air at the trophy which he held in his hand. This slipper, which was as small as Cinderella's, was not green, but gray, the lining was of rose-colored silk, and the whole was so pretty, coquettish, and dainty that it seemed impossible its owner could be vexed with him if he examined it closely. "I will give it back to you," said he, at last, "on condition that you will allow me to put it on for you."

"As to that, certainly not," said she, in a sharp tone; "I should much prefer to leave it with you and return home as I am."

Gerfaut shook his head and smiled incredulously.

"Think of your delicate lungs and of this terrible mud?"

Clemence drew her foot suddenly back under her skirt, concealing it entirely from the sight of the young man, who gazed at it more than she thought proper. Then she exclaimed, with the obstinacy of a spoiled child:

"Very well! I will return hopping on one foot; I could hop very well when I was young, I should be able to do so now."

To give more weight to this observation, she took two little jumps with a grace and sprightliness worthy of Mademoiselle Taglioni.

Octave arose.

"I have had the pleasure of seeing you waltz," said he; "but I admit that I shall be pleased to witness a new dance, and one executed for me alone."

As he said these words, he pretended to conceal the innocent object of this dispute in his blouse. The pretty dancer saw by this that a compromise would be necessary. Recourse to concessions is often as fatal to women as to kings; but what can one do when every other exit is closed? Obliged by absolute necessity to accept the conditions imposed upon her, Clemence wished at least to cover this defeat with sufficient dignity, and escape from an awkward position with the honors of war.

"Get down upon your knees, then," she said, haughtily, "and put on my slipper, since you exact it, and let this end this ridiculous scene. I think you should be too proud to regard a maid's privilege as a favor."

"As a favor which a king would envy," replied Gerfaut, in a voice as tender as hers had been disdainful. He put one knee on the ground, placed the little slipper upon the other and seemed to await his enemy's pleasure. But the latter found a new subject for complaint in the pedestal offered her, for she said with increased severity:

"On the ground, Monsieur; and let that end it."

He obeyed, without a reply, after giving her a reproachful glance by which she was as much moved as by his silent obedience. She put out her foot with a more gracious air, and thrust it into the slipper. To be a correct historian, we must admit that this time she left it in the hands which softly pressed it longer than was strictly necessary. When Octave had fastened it with skill but with no haste, he bent his head and pressed his lips to the openwork stocking, through which he could catch a glimpse of white, satiny skin.

"My husband!" exclaimed Madame de Bergenheim, as she heard the clatter of horses' hoofs at the end of the avenue; and without adding a word she fled rapidly toward the chateau. Gerfaut arose from his position no less rapidly and darted into the woods. A rustling of branches which he heard a few steps from him made him uneasy at first, for he feared that an invisible witness had been present at this imprudent interview; but he was soon rea.s.sured by the silence which reigned about him.

After the Baron and his sister had pa.s.sed, he crossed the avenue and soon disappeared over the winding road on the other side of the bridge.

CHAPTER V. ART AND MUSIC

A league below the castle of Bergenheim, the village of La Fauconnerie was situated, at the junction of several valleys the princ.i.p.al of which, by means of an unfrequented road, opened communications between Lorraine and upper Alsatia. This position had been one of some importance in the Middle Ages, at the time when the Vosges were beset with partisans from the two countries, always ready to renew border hostilities, the everlasting plague of all frontiers. Upon a cliff overlooking the village were situated the ruins which had given the village its name; it owed it to the birds of prey [falcons, in French: 'faucons'], the habitual guests of the perpendicular rocks. To render proper justice to whom it belongs, we should add that the proprietors of La Fauconnerie had made it a point at all times to justify this appellation by customs more warlike than hospitable; but for some time the souvenirs of their feudal prowess had slept with their race under the ruins of the manor; the chateau had fallen without the hamlet extending over its ruins; from a bourg of some importance La Fauconnerie had come down to a small village, and had nothing remarkable about it but the melancholy ruins of the chateau.

It would be impossible to imagine anything more miserably prosaic than the houses that bordered the road, in regular order; their one story with its thatched roof blackened by rain; the sorry garden surrounded by a little low wall and presenting as vegetables patches of cabbage and a few rows of beans, gave an idea of the poverty of its inhabitants. Save the church, which the Bishop of St.-Die had caused to be built, and the manse that had naturally shared this fortunate privilege, only one house rose above the condition of a thatched cottage; this was the tavern called 'La Femme-sans-Tete', and kept by Madame Gobillot, an energetic woman, who did not suggest in the least the name of her establishment, "The Headless Woman."

A large sign shared with the inevitable bunch of juniper, the honor of decorating the entrance and justified an appellation one might have regarded as disrespectful to the fair s.e.x. The original design had been repainted in dazzling colors by the artist charged with restoring the church. This alliance of the profane with the sacred had, it is true, scandalized the parish priest, but he did not dare say a word too much, as Madame Gobillot was one of his most important paris.h.i.+oners. A woman in a rose-colored dress and large panniers, standing upon very high-heeled shoes, displayed upon this sign the rejuvenated costume of 1750; an enormous green fan, which she held in her hand, entirely concealed her face, and it was through this caprice of the painter that the tavern came to have the name it bore.

At the right of this original figure was painted, in a very appetizing manner, a pie out of whose crust peeped a trio of woodc.o.c.ks' heads. A little farther, upon a bed of watercresses, floated a sort of marine monster, carp or sturgeon, trout or crocodile. The left of the sign was none the less tempting; it represented a roast chicken lying upon its back with its head under its wing, and raising its mutilated legs in the air with a piteous look; it had for its companion a cl.u.s.ter of crabs, of a little too fine a red to have been freshly caught. The whole was interspersed with bottles and gla.s.ses brimful of wine. There were stone jugs at each extremity, the sergeants of the rear-rank of this gastronomic platoon, whose corks had blown out and were still flying in s.p.a.ce, while a bubbling white foam issued from their necks and fell majestically over their sides after describing a long parabola. A misleading sign, indeed!

A remorseful conscience, or a desire to protect herself from all reproach of mendacity on the part of the customers, had made the owner of the inn place a wire cupboard upon the sill of one of the windows near the door; in which receptacle were some eggs on a plate, a bit of bread with which David might have loaded his sling, a white gla.s.s bottle filled with a liquid of some color intended to represent kirsch, but which was in reality only water. This array gave a much more correct idea of the resources of the establishment and formed a menu like an anchorite's repast, and even this it was difficult for the kitchen's resources to maintain.

A carriage-gate led into the yard and to the stables, cart-drivers being the princ.i.p.al habitues of the place; another entrance, the one which was crowned with the fantastic sign, was flanked by two stone seats and opened directly into the kitchen, which also served as parlor for the guests. A fireplace with an enormous mantel, under which a whole family might warm themselves, occupied the middle of one side of the room.

There was a large oven in one corner which opened its huge mouth, the door partly hiding the shovels and tongs employed in its service. Two or three thoroughly smoked hams, suspended from the beams, announced that there was no fear of a famine before the gastronomic ma.s.sacres of Middlemas. Opposite the window, a large, polished oak dresser displayed an array of large flowered plates and little octagon-shaped gla.s.ses. A huge kitchen kettle and some wooden chairs completed the furniture of the room.

From the kitchen one pa.s.sed into another room, where a permanent table surrounded by benches occupied its entire length. The wall paper, once green, was now a dirty gray; it was embellished by half a dozen black frames representing the story of Prince Poniatowski, who shares the honor of decorating village inns with Paul and Virginia and Wilhelm Tell. On the upper floor-for this aristocratic dwelling had a second story--several sleeping-rooms opened upon a long corridor, at the end of which was a room with two beds in it. This room was very neat and clean, and was destined for any distinguished guests whose unlucky star led them into this deserted country.

That evening the inn presented an unaccustomed lively appearance; the long seats, each side of the door, were occupied by rustics stripping hemp, by some village lads, and three or four cart-drivers smoking short pipes as black as coal. They were listening to two girls who were singing in a most mournful way a song well known to all in this country:

"Au chateau de Belfort Sont trois jolies filles, etc."

The light from the hearth, s.h.i.+ning through the open door, left this group in the shadow and concentrated its rays upon a few faces in the interior of the kitchen. First, there was Madame Gobillot in person, wearing a long white ap.r.o.n, her head covered with an immense cap. She went from oven to dresser, and from dresser to fireplace with a very important air. A fat little servant disappeared frequently through the dining-room door, where she seemed to be laying the cover for a feast.

With that particular dexterity of country girls, she made three trips to carry two plates, and puffed like a porpoise at her work, while the look of frightened amazement showed upon her face that every fibre of her intelligence was under unaccustomed tension. Before the fire, and upon the range, three or four stew-pans were bubbling. A plump chicken was turning on the spit, or, rather, the spit and its victim were turned by a bright-looking boy of about a dozen years, who with one hand turned the handle and with the other, armed with a large cooking-ladle, basted the roast.

But the two princ.i.p.al persons in this picture were a young country girl and a young man seated opposite her, who seemed busily engaged in making her portrait. One would easily recognize, from the airs and elegance of the young woman, that she was the daughter of the house, Mademoiselle Reine Gobillot, the one whose pa.s.sion for fas.h.i.+on-plates had excited Mademoiselle de Corandeuil's anger. She sat as straight and rigid upon her stool as a Prussian corporal carrying arms, and maintained an excessively gracious smile upon her lips, while she made her bust more prominent by drawing back her shoulders as far as she could.

The young painter, on the contrary, was seated with artistic abandon, balancing himself upon a two-legged chair with his heels resting against the mantel; he was dressed in a black velvet coat, and a very small Tam O'Shanter cap of the same material covered the right side of his head, allowing a luxuriant crop of brown hair to be seen upon the other side.

This head-dress, accompanied by long moustaches and a pointed beard covering only his chin, gave the stranger's face the mediaeval look he probably desired. This travelling artist was sketching in an alb.u.m placed upon his knees, with a freedom which indicated perfect confidence in his own talents. A cigar, skilfully held in one corner of his mouth, did not prevent him from warbling between each puff some s.n.a.t.c.hes of Italian airs of which he seemed to possess a complete repertoire. In spite of this triple occupation he sustained a conversation with the ease of a man who, like Caesar, could have dictated to three secretaries at once if necessary.

"Dell' a.s.siria, ai semidei Aspirar--"

"I have already asked you not to purse up your mouth so, Mademoiselle Reine; it gives you a Watteau air radically bourgeois."

"What sort of air does it give me?" she asked, anxiously.

"A Watteau, Regence, Pompadour air. You have a large mouth, and we will leave it natural, if you please."

"I have a large mouth!" exclaimed Reine, blus.h.i.+ng with anger; "how polite you are!"

And she pinched up her lips until she reduced them to nearly the size of Montmorency cherries.

"Stop this vulgar way of judging of art, queen of my heart. Learn that there is nothing more appetizing than a large mouth. I do not care for rosebud mouths!"

"If it is the fas.h.i.+on!" murmured the young girl, in a pleased tone, as she spread out horizontally her vermillion lips, which might have extended from ear to ear, not unlike--if we can credit that slanderer, Bussy-Rabutin-the amorous smile of Mademoiselle de la Valliere.

"Why did you not let me put on my gold necklace?

"That would have given my portrait a smarter look. Sophie Mitoux had hers painted with a coral comb and earrings. How shabby this style is!"

"I beg of you, my good Reine, let me follow my own fancy; an artist is a being of inspiration and spontaneity. Meanwhile, you make your bust too prominent; there is no necessity for you to look as if you had swallowed a whale. L'art n'est pas fait pour toi, tu n'en as pas besoin. Upon my word, you have a most astonis.h.i.+ng bust; a genuine Rubens."

Madame Gobillot was an austere woman, though an innkeeper, and watched over her daughter with particular care, lest any ill-sounding or insiduous expression should reach her child's ear. Considering the company which frequented the house, the task was not easy. So she was shocked at the young man's last words, and although she did not quite understand his meaning, for that very reason she thought she scented a concealed poison more dangerous for Mademoiselle Reine than the awful words used by the drivers. She dared not, however, show her displeasure to a customer, and one who seemed disposed to spend money freely; and, as usual in such circ.u.mstances, she vented her displeasure upon the persons immediately under her charge.

"Hurry now, Catherine! Will you never finish setting the table? I told you before to put on the Britannia; these gentlemen are used to eating with silver. Listen to me when I am talking to you. Who washed these gla.s.ses? What a shame! You are as afraid of water as a mad-dog. And you!

what are you staring at that chicken for, instead of basting it? If you let it burn you shall go to bed without any supper. If it is not provoking!" she continued, in a scolding tone, visiting her stewpans one after another, "everything is dried up; a fillet that was as tender as it could be will be scorched! This is the third time that I have diluted the gravy. Catherine! bring me a dish. Now, then, make haste."