The Venetian Painters of the Renaissance Part 26

=Frankfort a/M.= 50. Court Scene.

=Hamburg.= CONSUL WEBER, 141. Christ bearing Cross.

142. Crucifixion.

=London.= 1192, 1193. Sketches.

1333. Deposition.

LORD BATTERSEA, Sketch of Madonna, Saints, and Angels.

THE MISSES COHEN, Sketch of Esther and Ahasuerus.

MRS. MARTIN COLNAGHI, a.s.sumption.

SIR W. M. CONWAY, Allegory of the Over-throw of Paganism.

DR. RICHTER, Two Versions of Christ and Adulteress.

Two legendary subjects.

=Mayence.= 124. An Encampment.

=Milan.= PALAZZO CHIERICI, Chariot of the Sun, ceiling fresco.

NATURAL HISTORY MUSEUM, Frescoes.

POLDI-PEZZOLI, PINACOTECA, 74. A Sketch.

90. Madonna and Saints.

SIGNOR CRESPI, St. Anne presenting Virgin to G.o.d, 1759.

=Munich.= 1271. Adoration of Magi.

1272, 1273. Historical subjects.

=New York, U. S. A.= METROPOLITAN MUSEUM, 18. Sacrifice of Isaac.

28. Triumph of Ferdinand III.

Crowning with Thorns.

=Padua.= SALA ROMANINO, 654. St. Patrick.

SANTO, Martyrdom of St. Agatha.

=Paris.= 1547. Christ at Emaus.

1549. Standard painted on both sides.

MME. ANDRe, Reception of Henry III (fresco).

Three Ceiling frescoes.

M. LeOPOLD GOLDSCHMIDT, Crucifixion.

=Parma.= 216. St. Antony Abbot.

=Piove= (near Padua). S. Niccol, Franciscan Saint in Ecstacy.

=Richmond.= SIR F. COOK. Esther and Ahasuerus.

=Rossie Priory, N. B.= LORD KINNAIRD, a.s.sumption.

=Stra.s.sburg.= St. Roch.

=Turin.= 293. St. Antony Abbot.

=Udine.= 31. Chapter of Maltese Order.

S. MARIA DELLA PIETa, Ceiling.

=Venice.= 484. S. Joseph, the Child, and four Saints.

462. Finding of True Cross.

PALAZZO DUCALE, SALA DI QUATTRO PORTE, Neptune and Venice.

SEMINARIO, REFECTORY, Christ at Emaus.

QUIRINI-STAMPALIA, SALA X, 219. Portrait of Procurator.

PALAZZO l.a.b.i.a, Frescoes: Antony and Cleopatra.

PALAZZO REZZONICO, Two Ceilings.

S. ALVISE, Christ at Column. Way to Golgotha.

S. APOSTOLI, Communion of S. Lucy.

S. FAVA, The Virgin and her Parents.

FRARI, Stations of the Cross.

GESUATI, Ceiling. Altar-piece: Madonna and three female Saints.

S. GIOVANNI E PAOLO, Ceiling of R. Chapel.

S. MARIA DELLA PIETa, Ceiling.

SCALZI, Ceiling.

SCUOLA DEL CARMINE, Ceiling paintings.

=Verona.= 70. Four Olivetan Saints.

=Vicenza.= Entrance Hall, I. Immaculate Conception.

VILLA VALMARANA, Frescoes in Villa and Casino, subjects from Homer, Virgil, Ariosto, and Ta.s.so, also Costume Pieces, and Oriental Scenes.

=Vienna.= ACADEMY, 484. Sketch.

=Wurzburg.= ARCHBISHOP'S PALACE, Frescoes: Grand Staircase, 1753. Hall of Emperors, 1751.

CHAPEL, Two Altar-pieces.

JACOPO TINTORETTO.

1518-1592. May have been a pupil of Bonifazio Veronese; influenced by t.i.tian, Parmigianino, and Michelangelo.

=Augsburg.= 265. Christ in the House of Martha.

=Bergamo.= CARRARA, 111. A Lady dressed as a Queen.

=Berlin.= 298. Portrait of Procurator.

299. The same.

300. Madonna with SS. Mark and Luke.

310. Luna, and the Hours.

316. Procurator before St. Mark.

HERR KAUFMANN, Bust of Old Man.

=Bologna.= 145. Visitation. CORRIDOR IV, Portrait of Man.

=Boston, U. S. A.= MRS. J. L. GARDNER, Portrait of Senator.