My Recollections of Lord Byron Part 18

Another view, not less renown'd for wit; Alike for courts, and camps, or senates fit; Bold in the field, and favor'd by the Nine; In every splendid part ordain'd to s.h.i.+ne; Far, far distinguish'd from the glittering throng, The pride of princes, and the boast of song.

Such were thy fathers, thus preserve their name; Not heir to t.i.tles only, but to fame.

The hour draws nigh, a few brief days will close, To me, this little scene of joys and woes; Each knell of Time now warns me to resign Shades where Hope, Peace, and Friends.h.i.+p all were mine: Hope, that could vary like the rainbow's hue, And gild their pinions as the moments flew; Peace, that reflection never frown'd away, By dreams of ill to cloud some future day; Friends.h.i.+p, whose truth let childhood only tell; Alas! they love not long, who love so well.

To these adieu! nor let me linger o'er Scenes hail'd, as exiles hail their native sh.o.r.e, Receding slowly through the dark-blue deep, Beheld by eyes that mourn, yet can not weep.

Dorset, farewell! I will not ask one part Of sad remembrance in so young a heart; The coming morrow from thy youthful mind Will sweep my name, nor leave a trace behind.

And yet, perhaps, in some maturer year, Since chance has thrown us in the self-same sphere, Since the same Senate, nay, the same debate, May one day claim our suffrage for the State, We hence may meet, and pa.s.s each other by, With faint regard, or cold and distant eye.

For me, in future, neither friend nor foe, A stranger to thyself, thy weal or woe, With thee no more again I hope to trace The recollection of our early race; No more, as once, in social hours rejoice, Or hear, unless in crowds, thy well-known voice: Still, if the wishes of a heart untaught To veil those feelings which perchance it ought, If these--but let me cease the lengthen'd strain,-- Oh! if these wishes are not breathed in vain, The guardian seraph who directs thy fate Will leave thee glorious, as he found thee great.

It was especially at Harrow that Byron contracted those friends.h.i.+ps which were like cravings of his heart, and which, although partaking of a pa.s.sionate character, had nevertheless none of the instability which is the characteristic of pa.s.sion.

The death of some of his friends, and the coldness of others, caused him the greatest grief, and broke up the illusions of youth, exchanging them for that misanthropy discernible in some of his poems, though contrary to his real character.

For those, on the other hand, who were spared, and remained faithful to him, Byron preserved through life the warmest affection and the tenderest regard; the princ.i.p.al feature of his nature being the unchanging character of his sentiments.

Although he showed at an early age his disposition to a poetical turn of mind, by the force of his feelings and by his meditative wanderings--in Scotland among the mountains and on the sea-sh.o.r.e at Cheltenham;--by his rapturous admiration of the setting sun, as well as by the delight which he took in the legends told him by his nurses, and the emotions which he experienced to a degree which made him lose all appet.i.te, all rest, and all peace of mind; yet no one would have believed at that time that a gigantic poetical genius lay dormant in so active a nature. Soon, however, did his soul light up his intelligence, and obliged him to have recourse to his pen to pour out his feelings. From that moment his genius spread its roots in his heart, and Harrow became his paradise owing to the affection which he met with there.

It was at Harrow that he wrote, between his fourteenth and eighteenth year, the "Hours of Idleness, by a Minor," of which he had printed at the request of his friends, a few copies for private circulation only.

These modest poems did not, however, escape the brutal attacks of critics. Mackenzie, however, a man of talent himself, soon discovered that at the bottom of these poems there lay the roots of a great poetical genius. The "Hours of Idleness" are a treasure of intellectual and psychological gleanings. They showed man as G.o.d created him, and before his n.o.ble soul, depressed by the insolence of his enemies and the troubles of life, endeavored to escape the eyes of the world, or at least of those who could not or would not understand him.

The n.o.blest instincts of human nature s.h.i.+ne so conspicuously in the pages of this little volume, that we thank G.o.d that he created such a n.o.ble mind, while we feel indignant toward those who could not appreciate it. But to understand him better he must reveal himself, and we shall therefore quote a few of his own sayings as a boy. His first grief brought forth his first poem. A young cousin of his died, and of her death he spoke to this effect in his memorandum:--

"My first recourse to poetry was due to my pa.s.sion for my cousin Margaret Parker. She was, without doubt, one of the most beautiful and ethereal beings I ever knew. I have forgotten the lines, but never shall I forget her. I was twelve years of age, and she was older than myself by nearly a year. I loved her so pa.s.sionately, that I could neither sleep, nor get rest, or eat when thinking of her. She died of consumption, and it was at Harrow that I heard both of her illness and of her death."

Then it was that Byron wrote his first elegy, which he characterizes as "very dull;" but it is interesting as his first poetical essay, and as the first cry of pain uttered by a child who vents his grief in verse, and reveals in it the goodness of his heart and the power of his great mind. On a calm and dark night he goes to her tomb and strews it with flowers; then, speaking of her virtues, exclaims:--

"But wherefore weep? Her matchless spirit soars Beyond where splendid s.h.i.+nes the orb of day; And weeping angels lead her to those bowers Where endless pleasures virtue's deeds repay.

"And shall presumptuous mortals Heaven arraign, And, madly, G.o.dlike Providence accuse?

Ah, no! far fly from me attempts so vain;-- I'll ne'er submission to my G.o.d refuse.

"Yet is remembrance of those virtues dear, Yet fresh the memory of that beauteous face, Still they call forth my warm affection's tear, Still in my heart retain their wonted place."

1802.

So beautiful a mind, and one so little understood, reveals itself more and more in each poem of this first collection; and on this account, rather than because of its poetical merits, are the "Hours of Idleness"

interesting to the psychological biographer of Byron. "Whoever," says Sainte-Beuve, "has not watched a youthful talent at its outset, will never form for himself a perfect and really true appreciation of it."

Moore adds: "It is but justice to remark that the early verses of Lord Byron give but little promise of those dazzling miracles of poesy with which he afterward astonished and enchanted the world, however distinguished they are by tenderness and grace.

"There is, indeed, one point of view in which these productions are deeply and intrinsically interesting; as faithful reflections of his character at that period of life, they enable us to judge of what he was before any influences were brought to bear upon him, and so in them we find him pictured exactly such as each anecdote of his boyish days exhibits him--proud, daring, and pa.s.sionate--resentful of slight or injustice, but still more so in the cause of others than in his own; and yet, with all this vehemence, docile and placable at the least touch of a hand authorized by love to guide him. The affectionateness, indeed, of his disposition, traceable as it is through every page of this volume, is yet but faintly done justice to even by himself; his whole youth being from earliest childhood a series of the most pa.s.sionate attachments, of those overflowings of the soul, both in friends.h.i.+p and love, which are still more rarely responded to than felt, and which, when checked or sent back upon the heart, are sure to turn into bitterness."

While his soul expanded with the first rays of love which dawned upon it, friends.h.i.+p too began to a.s.sert its influence over him. But in continuing to observe in him the effects of incipient love, let us remark that, while such precocious impressions are only with others the natural development of physical instincts, they were, in Byron, also, the expression of a soul that expands, of an amiability, of a tenderness ever on the increase. Though sensible to physical beauty as he always was through life, his princ.i.p.al attraction, however, was in that beauty which expresses the beauty of the soul, without which condition no physical perfection commanded his attention. We have seen what an ethereal creature Miss Margaret Parker was. Miss Chaworth succeeded her in Byron's affections, and was his second, if not third love if we notice his youthful pa.s.sion at nine years of age for Mary Duff. But his third love was the occasion of great pain to him. Miss Chaworth was heiress to the grounds and property of Annesley, which were in the immediate neighborhood of Newstead. Notwithstanding, however, the enmity which had existed between the two families for a long time, on account of a duel which had resulted in the death of Miss Chaworth's grandfather, Byron was received most cordially at Annesley. Mrs.

Chaworth thought that a marriage between her daughter and Byron might perhaps some day efface the memory of the feud that had existed between their respective families. Byron therefore found his school-boy advances encouraged by both mother and daughter, and his imagination naturally was kindled. The result was that Byron fell desperately in love with Miss Chaworth; but he was only fifteen years old, and yet an awkward schoolboy, with none of that splendid and attractive beauty for which he was afterward distinguished. Miss Chaworth was three years older, and unfortunately her heart was already engaged to the man who, to her misfortune, she married the year after. She therefore looked upon Byron as a mere child, as a younger brother, and his love almost amused her.

She, however, not only gave him a ring, her portrait, and some of her hair, but actually carried on a secret correspondence with him. These were the faults for which she afterward had to suffer so bitterly. Such a union, however, with so great a difference of age, would not have been natural. It could only be a dream; but I shall speak elsewhere[20] of the nature of this attachment, which had its effect upon Byron, in order to show the beauty of his soul under another aspect. I can only add here that he had attributed every virtue to this girl whom he afterward styled frivolous and deceitful.

On his return to Harrow this love and his pa.s.sionate friends.h.i.+ps divided his heart. But when the following vacation came, his dream vanished.

Miss Chaworth was engaged to another, and on his return to Harrow he vainly tried to forget her who had deceived and wounded him. Like other young men, he devoted his time during the Harrow or Cambridge vacations to paying his respects and offering his regards to numerous belles, whose names appear variously in his poems as Emma, Caroline, Helen, and Mary. Moore believes them to have been imaginary loves. A slight acquaintance with the liberty enjoyed by young men at English universities would lead one to believe these loves to have been any thing but unreal. This can be the more readily believed, as Byron always sought in reality the objects which he afterward idealized. He always required some earthly support, though the slightest, as Moore observes, in speaking of the charming lines with which his love for Miss Chaworth inspired him, at the time when the recollection of it made him compare his misfortune in marrying Miss Milbank, with the happier lot which might have been his had he married Miss Chaworth. Whether these loves were real or not, however, it must be borne in mind that Byron deemed all physical beauty to be nothing if unaccompanied by moral beauty.

Thus, in speaking of a vain young girl, he exclaims:--

"One who is thus from nature vain, I pity, but I can not love."

And to Miss N. N----, who was exquisitely beautiful, but in whose eyes earthly pa.s.sion shone too powerfully, he says:--

"Oh, did those eyes, instead of fire, With bright but mild affection s.h.i.+ne, Though they might kindle less desire, Love, more than mortal, would be thine.

For thou art form'd so heavenly fair, Howe'er those orbs may wildly beam, We must admire, but still despair; That fatal glance forbids esteem."

In a letter to Miss Pigott, which he wrote from Cambridge, he says:--

"Saw a girl at St. Mary's the image of Ann----; thought it was her--all in the wrong--the lady stared, so did I--I blushed, so did _not_ the lady--sad thing--wish women had more modesty."

On awaking from his dream, and on finding that the jewels with which he had believed Mary's nature to be adorned were of his own creation, he sought his consolation in friends.h.i.+p. His heart, which was essentially a loving one, could not be consoled except by love, and Harrow, to use his own expressions, became a paradise to him. In tracing the picture of Ta.s.so's infancy he has drawn a picture of himself:--

"From my very birth My soul was drunk with love, which did pervade And mingle with whate'er I saw on earth Of objects all inanimate I made Idols, and out of wild and lonely flowers, And rocks, whereby they grew, a paradise Where I did lay me down within the shade Of waving trees, and dreamed uncounted hours, Though I was chid for wandering...."

This sentiment of friends.h.i.+p, which is always more powerful in England than on the Continent, owing to the system of education which takes children away from their parents at an early age, was keenly developed in Byron, whose affectionate disposition wanted something to make up for the privation of a father's and a brother's love. In his pure and pa.s.sionate heart friends.h.i.+p and love became mixed: his love partook of the purity of friends.h.i.+p, and his friends.h.i.+ps of all the ardor of love.

But to return to his fourteenth year. While expressing in verse his love for his cousin, he expressed at the same time in poetry the strong friends.h.i.+p he had conceived, even before going to Harrow, for a boy who had been his companion.

This boy, who had a most amiable, good, and virtuous disposition, was the son of one of his tenants at Newstead. Aristocratic prejudices ran high in England, and this friends.h.i.+p of Byron for a commoner was sure to call forth the raillery of some of his companions. Notwithstanding this, Byron, at twelve years and a half old, replied in these terms to the mockery of others:--

To E----.

Let Folly smile to view the names Of thee and me in friends.h.i.+p twined; Yet Virtue will have greater claims To love, than rank with vice combined.

And though unequal is thy fate, Since t.i.tle deck'd my higher birth!

Yet envy not this gaudy state; Thine is the pride of modest worth.

Our souls at least congenial meet, Nor can thy lot my rank disgrace; Our intercourse is not less sweet, Since worth of rank supplies the place.

What n.o.ble views in a child of twelve! How well one feels that, whatever may be his fate, such a nature will never lose its independence, nor allow prejudice to carry it beyond the limits of honor and of justice, and that its device will always be, "_Fais ce que dois, advienne que pourra._" "I do what I ought, come what may."

At thirteen he wrote some lines in which he seemed to have a kind of presentiment of the glory that awaited him, and, at any rate, in which he displayed his resolve to deserve it:--

A FRAGMENT.

When to their airy hall, my fathers' voice Shall call my spirit, joyful in their choice; When, poised upon the gale, my form shall ride, Or, dark in mist, descend the mountain's side; Oh! may my shade behold no sculptured urns To mark the spot where earth to earth returns!

No lengthen'd scroll, no praise-enc.u.mber'd stone; My epitaph shall be my name alone: If _that_ with honor fail to crown my clay, Oh! may no other fame my deeds repay!

_That_, only _that_, shall single out the spot; By that remember'd, or with that forgot.

Again, at thirteen, a visit to Newstead inspired him with the following beautiful lines:--

ON LEAVING NEWSTEAD ABBEY.

"Why dost thou build the hall, son of the winged days? Thou lookest from thy tower to-day; yet a few years, and the blast of the desert comes, it howls in thy empty court."--OSSIAN.

Through thy battlements, Newstead, the hollow winds whistle; Thou, the hall of my fathers, art gone to decay: In thy once smiling garden, the hemlock and thistle Have choked up the rose which late bloom'd in the way.

Of the mail-cover'd Barons, who proudly to battle Led their va.s.sals from Europe to Palestine's plain, The escutcheon and s.h.i.+eld, which with every blast rattle, Are the only sad vestiges now that remain.