My Recollections of Lord Byron Part 6

"The object of so many contradictory comparisons must probably be like something different from them all; but what _that_ is, is more than I know, or any body else."

But, while merely explaining the extraordinary richness of this nature by the a.n.a.lysis of its results, by his changeable character, by the frankness which ever made his heart speak that which it felt, by his excessive sensitiveness, which made him the slave of momentary impressions, by his almost childlike delight and astonishment at things, Moore does not arrive at the true causes of the phenomenon. He registers, it is true, certain effects which become causes when they draw upon the head of Lord Byron certain false judgments, and open the door to every calumny.

Without adopting the system of the influence of races on mankind--which, if pushed to its extreme consequences, must lead to the disastrous and deplorable doctrine of fatalism, and would make of man a mere machine--it is, however, impossible to deny that races and their amalgamation do exercise a great influence over our species.

It is to this very influence of race, which was so evident in Lord Byron, that we attribute, in a measure, the exceptional nature of the great English poet.

As the reader knows, Lord Byron was descended, by his father, from the n.o.ble race of the Birons of France. His ancestors accompanied William the Conqueror to England, aided him in the conquest of that country, and distinguished themselves in the various fields of battle which ultimately led to the total subjugation of the island.

In his family, the sympathies of the original race always remained strong.

His father, a youthful and brilliant officer, was never happy except in France. He was very intimate with the Marechal de Biron, who looked upon him as a connection. He even settled in Paris with his first wife, the Marchioness of Carmarthen. Soon after his second marriage, he brought his wife over to France, and it was in France that she conceived the future poet. When obliged to return to England to be confined, she was so far advanced in pregnancy that she could not reach London in time, but gave birth to Lord Byron at Dover. It was in France that Byron's father died at thirty-five years of age. Through his mother--a Scotch lady connected with the royal house of Stuart--he had Scotch blood in his veins.

The powerful influence exercised by the Norman Conquest, in the modification of all the old habits of Great Britain, and in making the English that which they now are, has descended as an heirloom to some old aristocratic families of the kingdom, where it discovers itself at different times in different individuals. Nowhere, perhaps, did this influence show itself more clearly than in the person of Lord Byron.

His duplicate or triplicate origin was already visible in the cast of his features. Without any a.n.a.logy to the type of beauty belonging to the men of his country (a beauty seldom found apart from a kind of cold reserve), Lord Byron's beauty appeared to unite the energy of the western with the splendor and the mildness of the southern climes.

The influence of this mixture of races was equally visible in his moral and intellectual character.

He belonged to the Gallic race (modified by the Latin and Celtic elements) by his vivacity and mobility of character, as well as by his wit and his keen appreciation of the ridiculous, by those smiles and sarcasms which hide or discover a profound philosophy, by his perception of humor without malice, by all those amiable qualities which in the daily intercourse of life made of him a being of such irresistible attraction. He belonged to that race likewise by his great sensitiveness, by his expansive good-nature, by his politeness, by his tractableness, by his universal character which rendered every species of success easy to him; by his great generosity, by his love of glory, by his pa.s.sion for honor, his intuitive perception of great deeds, by a courage which might have appeared rash, had it not been heroic, and which, in presence of the greatest perils and even of death, ever preserved for him that serenity of mind which allowed him to laugh, even at such times; by his energy, and also by his numerous mental and bodily requirements; and by his defects,--which were, a slight tendency to indiscretion, a want of prudence injurious to his interests, impatience, and a kind of intermittent and apparent fickleness.

He belonged to the western race by his vast intellect, by his practical common sense, which formed the basis of his intellect, and which never allowed him to divorce sublime conceptions from sound sense and good reason,--two qualities, in fact, which so governed his imagination as to make people say he had not any; by the depth of his feelings, the extent of his learning, his pa.s.sion for independence, his contempt of death, his thirst for the infinite, and by that kind of melancholy which seemed to follow him into the midst of every pleasure. All these various elements, which belonged separately to individuals in France, in England, and in various countries, being united in Lord Byron, produced a kind of anomaly which startled systematic critics, and even honest biographers. The apparent contradiction of all these qualities caused his critics to lose their psychological compa.s.s in their estimate of his charming nature, and justice, together with truth, suffered by the result. Thus a portrait, drawn over and over again, still remains to be painted.

The most imaginary portrait, however, of Lord Byron, and certainly the least like him, is that which has general currency in France: not only has that portrait not been drawn from nature, not only is it a caricature, but it is also a calumny. Those who drew it took romance for history. They charged or exaggerated incidents in his life and peculiarities of his character; thus the harmony of the _tout ensemble_ was lost. Ugliness and eccentricity, which amuse, succeeded beauty and truth, which are sometimes wearisome.

Those who knew and loved Lord Byron even more as a man than a genius (and, after all, these are those who knew him personally) suffer by this injustice done to him, and feel the absurdity of making so privileged a being act so whimsical a part, and one so contrary to his nature as well as to the reality of his life.

If this imaginary portrait, however, were more like those which his best biographers have drawn of him, justice to his memory would become so difficult a task as to be almost impossible. Happily it is not so; and those who would conscientiously consult Moore, Parry, and Gamba, must at least give up the idea that this admirable genius was the eccentric and unamiable being he has been represented. To reach this point would, perhaps, require a greater respect for truth.

Even in France there are many superior persons who, struck by the force of facts, have at times endeavored to seize certain features which might lead to the discovery of truth, and have attempted to show that Lord Byron's n.o.ble character and beauty of soul, as well as his genius, did honor to humanity. But their efforts have been vain in presence of the absurd and contradictory creation of fancy which has been styled "Lord Byron," and which with few modifications, continues to be called so to this day.

How has this occurred? what gave rise to it? ignorance, or carelessness?

Both causes in France, added to revenge in England, which found its expression in cant,--a species of scourge which is becoming quite the fas.h.i.+on.

The first of these French biographers (I mean of those who have written upon and wished to characterize Lord Byron), without knowing the man they were writing about, set to work with a ready-made Byron. This, no doubt, they found to be an easier method to follow, and one of which the results must prove at least original. But where had they found, and from whose hands did they receive this ready-made poet, whose features they reproduced and offered to the world? Probably from a few lines, not without merit, of Lamartine, who by the aid of his rich imagination had identified Byron with the types which he had conceived for his Oriental poems, mixing up the whole with a heap of calumnies which had just been circulated about him.

Perhaps also from certain critics who believed in the statements of various calumniators, and who themselves had probably not had any better authority than a few articles in badly informed papers, or in newspapers politically opposed to Lord Byron. We all know, by what we see daily in France, how little we can trust the moderation of these, and the justice they render to their adversaries; what must it not have been in England at that time, when pa.s.sions ran so high?--Perhaps also from the jealousy of dethroned rivals!--the echoes, perhaps, of the revenge of a woman equally distinguished by her rank and by her talent, but whose pa.s.sion approached the boundaries of madness, or of the implacable hatred of a few fanatics who, subst.i.tuting in the most shameless manner their worldly and sectarian interests for the Gospel, denounced him as an atheist because he himself had proclaimed them hypocrites. Finally, perhaps, from a host of absurd rumors, equally odious and vague, caused by his separation from his wife, and by the articles published in newspapers printed at Venice and at Milan.

For Byron's n.o.ble, simple, and sublime person was therefore subst.i.tuted an imaginary being, formed out of these prejudices and these contradictory elements, too outrageous even to be believed, and by dint of sheer malice.

Thus enveloped in a dense atmosphere, which became an obstacle to the disclosure of truth as the clouds are to the rays of the sun, his image only appeared in fantastical outlines borrowed from "Conrad the Corsair," or "Childe Harold," or "Lara," or "Manfred," or indeed "Don Juan." a.n.a.logies were sought which do not exist, and to the poet were attributed the sentiments, and even the acts, of these imaginary beings, albeit without any of the great qualities which const.i.tuted his great and n.o.ble soul, and which he has not imparted to any of his poetical creations.

Upon him were heaped every possible and most contradictory accusation--of skepticism and pantheism, of deism and atheism, of superst.i.tion and enthusiasm, of irony and pa.s.sion, of sensuality and ideality, of generosity and avarice. These went to form his portrait, presenting every contrast and every antagonism, which G.o.d Himself, the Father and Creator of all things, but also the Author of all harmony, could not have a.s.sembled in one and the same being unless He made of him a species of new Frankenstein, incapable of treading the ordinary paths of physical, moral, or intellectual, nay, of the most ordinary existence.

After thus producing such an eccentric character,--the more extraordinary that they entirely forgot to consult the true and most simple history of his life, where if some of the ordinary excusable faults of youth are to be found, "some remarkable qualities, however, must be noticed,"--these wonderful biographers exclaim, astonished as it were at their own conclusions:--"This is indeed a most singular, extraordinary, and not-to-be-defined being!"

I should think so: it is their own work, not the n.o.ble, amiable, and sublime mind, the work of G.o.d, and which he always exhibited in himself,

"Per far di cola.s.sa fede fra noi."--PETRARCH.

Happily, if to paint the portrait of Byron has become impossible, now that

"Poca terra e rimasto il s...o...b..lviso,"

it is easy to describe his moral character. His invisible form is, it is true, above, but a conscientious examination of his whole life will give us an idea of it. He knew this so well himself, that a few days before his death he begged, as a favor, of his friend Lord Harrington, then Colonel Stanhope, at Missolonghi, to judge him only by his deeds. "Judge me by my deeds."

All bombastic expressions, all systematic views should be discarded, and attention paid only to facts, in order to discover the fine intellectual figure of Lord Byron so completely lost sight of by his detractors.

Since the imaginary creations of his pen in moments of exalted pa.s.sion should not be taken as the real manifestation of his character, the latter is to be found in his own deeds, and in the testimony of those who knew him personally. Herein shall we seek truth by which we are to deal with the fanciful statements which have too long been received as facts. Let us consider the opinions of those who by their authority have a right to portray him, while we study the various causes which have contributed to lead the public into errors which time has nearly consecrated, but which shall be corrected in France, and indeed in every country where pa.s.sion and animosity have no interest in maintaining them.

"Public opinion," says M. Cousin, "has its errors, but these can not be of long duration." They lasted a long time, however, as regards Lord Byron; but, thanks to G.o.d, they will not be eternal. He depended upon this himself, for he once at Ravenna wrote these prophetic words in a memorandum:--

"Never mind the wicked, who have ever persecuted me with the help of Lady Byron: triumphant justice will be done to me when the hand which writes this is as cold as the hearts that have wounded me."

In England, Lord Byron triumphed over many jealous enemies whom his first satire earned for him, no less than the rapid and wonderful rise of his genius, which, instead of appearing by degrees, burst forth at once, as it were, and towering over many established reputations. The prestige which he acquired was such that every obstacle was surmounted, and in one day he saw himself raised against his will, and without his having ever sought the honor, to the highest pinnacle of fas.h.i.+on and literary fame.

In a country where success is all, his enemies, and those who were jealous of his name, were obliged to fall back; but they did not give up their weapons nor their spite. One curious element was introduced in the national veneration for the poet. It was agreed that never had such an acc.u.mulation of various gifts been heaped upon the head of one man: he was to be revered and honored, but on one condition. He was to be a mysterious being whose genius should not transgress the boundaries of the East; who was to allow himself to be identified with the imaginary beings of his own fancy, however disagreeable, nay, even criminal they might be in reality. True, his personal conduct (at twenty-four) was to be above all human weakness; if not, he was to be treated, as certain superst.i.tious votaries treat their idols if they do not obtain at once the miracles they ask for. His secret enemies perfidiously made use of these stupid demands of the public.

Insinuating and giving out at times one calumny after another, they always kept behind the scenes, resolved, however, to ruin him in the public esteem on the first opportunity, which they knew they would not have long to wait for from one so open, so pa.s.sionate, so generous as Lord Byron. The greatest misfortune of his life--his marriage--gave them their opportunity. Then they came forth, threw down the mask which they had hitherto worn, to put on one more hideous still; overturned the statue from the pedestal upon which the public had raised it, and tried to mutilate its remains. But as the stuff of which it was made was a marble which could not be broken, they only defiled, insulted, and outlawed it.

Then it was that France made acquaintance with Lord Byron. She saw him first mysteriously enveloped in the romantic semblance of a Corsair, of a skeptical Harold, of a young lord who had despised and wounded his mother-country, from which he had almost been obliged to exile himself, in consequence of a series of eccentricities, faults, and--who knows?--of crimes, perhaps. Thus caught in a perfidious net, Lord Byron left England for Switzerland.

He found Sh.e.l.ley, whom he only knew by name, at Geneva, where he stopped. Sh.e.l.ley was another victim of English fanatical and intolerant opinions; but he, it may be allowed at least, had given cause for this by some reprehensible writings, in which he had declared himself an atheist. No allowance had been made for his youth, for he was only seventeen when he wrote "Queen Mab," and he found himself expelled not only from the university but also from his home, which was to him a real cause of sorrow and misfortune.

Between these two great minds there existed a wide gulf--that which exists between pantheism and spiritualism; but they had one great point of resemblance, their mutual pa.s.sionate love for justice and humanity, their hatred of cant and hypocrisy, in fact, all the elevated sentiments of the moral and social man. With Lord Byron these n.o.ble dispositions of the heart and mind were naturally the consequence of his tastes and opinions, which were essentially spiritualistic. With Sh.e.l.ley, though in contradiction with his metaphysics, they were notwithstanding in harmony with the beautiful sentiments of his soul, which, when he was only twenty-three years of age, had already experienced the unkindness of man. Their respective souls, wounded and hurt by the perfidiousness and injustice of the world, felt themselves attracted to each other. A real friends.h.i.+p sprang up between them. They saw one another often, and it was in the conversations which they held together at this time that the seed was sown which shortly was to produce the works of genius which were to see the day at the foot of the Alps and under the blue sky of Italy.

Although Lord Byron's heart was mortally wounded, still no feeling of hatred could find its way into it. The sorrow which he felt, the painful knowledge which he had of cruel and perfidious wrongs done to him, the pain of finding out the timidity of character of his friends, and the recollection of the many ungrateful people of whom he was the victim, all and each of these sentiments found their echo in the "Prisoner of Chillon," in the third canto of "Childe Harold," in "Manfred," in the pathetic stanzas addressed to his sister, in the admirable and sublime monody on the death of Sheridan, and in the "Dream," which according to Moore, he must have written while shedding many bitter tears. According to the same authority, the latter poem is the most melancholy and pathetic history that ever came forth from human pen.

I shall not mention here the persecution to which Byron was subjected then, nor the ever-manly, dignified, but heartrending words which it drew forth from the n.o.ble poet in the midst of his retired, studious, regular, and virtuous existence. I shall speak of it elsewhere; but I will say now that so unexampled, atrocious, and foolish was this persecution, that his enemies must have feared the awakening of the public conscience and the effects of a reaction, which might make them lose all the fruits of their victory, if they tarried in their efforts to prevent it. The most cruel among them was the poet laureate, in whose eyes Byron could have had but one defect--that of being superior to him.

True, Byron had mentioned him in the famous satire which was the work of his youth; but he had most generously expiated his crime by confessing it, in buying up the fifth edition so as to annihilate it, and by declaring that he would have willingly suppressed even the memory of it.

This n.o.ble action had gained for him the forgiveness and even the friends.h.i.+p of the most generous among them; but the revengeful poet laureate was not, as Byron said, "of those who forgive."

This man arrived at Geneva, and at once set about his hateful work of revenge. This was all the easier on account of the spirit of cant which reigned in that country, and owing to the intimacy which he found to be existing between Byron and Sh.e.l.ley, for whom likewise he had conceived a malignant hatred. It must be said, however, that the laureate having to account for, among other works, his "Wat Tyler" (which had been p.r.o.nounced to be an immoral book, and had been prohibited on that account), rather trusted to his hypocrisy to regain for him the former credit he enjoyed.

The intimacy between Byron and the spurned atheist Sh.e.l.ley presented a capital opportunity for this man to take his revenge. He circulated in Geneva all the false reports which had been current in London, and described Byron under the worst colors. Switzerland was at that time overrun by the English, whom the recently-signed Peace had attracted to the Continent. The laureate took the lead of those who tried to make the good but bigoted people of Geneva believe in all the t.i.ttle-tattle against Byron which was pa.s.sed about in London, and actually attempted to make a scandal of his very presence in their town. When he pa.s.sed in the streets they stopped to stare at him insolently, putting up their gla.s.ses to their eyes. They followed him in his rides; they reported that he was seducing all the girls in the "Rue Ba.s.se," and, in fact, although his life was perfectly virtuous, one would have said that his presence was a contagion. Having found in a travellers' register the name of Sh.e.l.ley, accompanied by the qualification of "atheist!" which Byron had amiably struck out with his pen, the laureate caught at this and gave out that the two friends had declared themselves to be atheists. He attributed their friends.h.i.+p to infamous motives; he spoke of incest and of other abominations, so odious, that Byron's friends deemed it prudent not to speak to him a word of all this at the time. He only learned it at Venice later.[10]

Loaded with this very creditable amount of falsehoods, most of which were believed in Geneva, the laureate returned to London to spread them in England, so as to prevent the effects of the beautiful and touching poems which were poured forth from the great and wounded soul of Byron, and which might have restored him to the esteem of all the honest and just minds of his country.

Meanwhile Lady C. L---- having failed to discover any one who would accept the reward she offered to the person who would take Byron's life, had recourse to another means of injuring him--to a kind of moral a.s.sa.s.sination--which she effected by the publication of her revengeful sentiments in the three volumes ent.i.tled "Glenarvon." Such a work might justify a biographer in pa.s.sing it over with contempt without even mentioning it; but as enemies of Lord Byron have made capital out of this book,--as it found credence even with some superior minds, such as Goethe's--as the intimacy which prefaced this revenge caused great sensation all over England, and was a source of continual vexation and pain for Byron--it must not be pa.s.sed over without comment, as Moore did to spare the susceptibility of living personages.

Lady C. L---- (afterward Lady M----) belonged to the high aristocracy of England. Young, clever, and fas.h.i.+onable, but a little eccentric, she had been married some years when she fell so desperately in love with Lord Byron that she braved every thing for him. It was not Byron who made the first advances, for his powers of seduction were only the attractions with which nature had endowed him. His person, his voice, his look,--all in him was irresistible. In presenting himself anywhere, he could very well say with Shakspeare, in "Oth.e.l.lo,"--

"This only is the witchcraft I have used."

Lord Byron, who was then only twenty-three years of age, and not married, was flattered, and more than pleased, by this preference shown to him. Although Lady C. L----'s beauty was not particularly attractive to him, and although her character was exactly opposite to the ideal which he had formed of what woman's character should be, yet she contrived to interest him, to captivate him by the power of her love, and in a very short time to persuade him that he loved her.

This sort of love could not last. It was destined to end in a catastrophe. Lady L----'s jealousy was ridiculous. Dressed sometimes as a page, sometimes in another costume, she was wont to follow him by means of these disguises. She quarrelled and played the heroine, etc.

Byron, who disliked quarrels of all kinds (and perhaps even the lady herself), besides being intimate with all her family, was too much the sufferer by this conduct not to endeavor to bring her back to a sense of reason and of her duty. He was indulging in the hope that he had succeeded in these endeavors when, at a ball given by Lady Heathcote, Lady L----, after vain efforts to attract Byron's attention, went up to him and asked him whether she might waltz. Byron replied, half-absently, that he saw no reason why she should not; upon which her pride and her pa.s.sion became so excited that she seized hold of a knife, and feigned to commit suicide. The ball was at once at an end, and all London was soon filled with accounts of this incident. Lady L---- had scarcely recovered from the slight wound she had inflicted on herself, when she wrote to a young peer, and made him all kinds of extravagant promises, if he would consent to call out Byron and kill him. This, however, did not prevent her calling again upon Lord Byron, not, however, says Medwin, with the intention of blowing his brains out; as he was not at home, she wrote on one of his books