Literary Shrines Part 4

_Holmes's Church-yard--Bridge, Smithy, Chapel, and River of Longfellow's Verse--Abodes of Lettered Culture--Holmes--Higginson--Aga.s.siz-- Norton--Clough--Howells--Fuller--Longfellow--Lowell--Longfellow's City of the Dead and its Precious Graves._

Crossing the Charles by "The Bridge" of Longfellow's popular poem, a stroll along elm-shaded streets brings us to the ancient Common of Cambridge and a vicinage which has much besides its historic traditions to allure the literary pilgrim. For centuries the site of a celebrated college and a conspicuous centre of learning, it has long been the abiding-place of representatives of the best and foremost in American culture and mental achievement.

Close by the Common, and opposite the remains of the elm beneath which Was.h.i.+ngton a.s.sumed the command of the patriot army, stood the old gambrel-roofed house in which that "gentlest of autocrats," Holmes, was born and reared, and upon whose door-post was first displayed his "s.h.i.+ngle," on which he whimsically proposed to inscribe "The Smallest Fevers Thankfully Received;" across the college grounds is the home-like edifice where lived the erudite Professor Felton, loved by d.i.c.kens and oft mentioned in his letters; not far away, at the corner of Broadway, was the home of Aga.s.siz, since occupied by his son; and a few rods eastward is the picturesque residence of the witty and profound Colonel Higginson,--poet, essayist, novelist, and reformer. In the adjacent Kirkland Street dwelt the delightful Dr. Estes Howe, brother-in-law to Lowell, with whom the poet sometime lived and whom he celebrated as "the Doctor" in the "Fable for Critics." Dr. C. C. Abbott formerly lived in this neighborhood, and the collections on which his best-known books are founded are preserved in the near-by Peabody Museum, beyond which we find the tasteful abode of Professor Charles Eliot Norton, the friend and literary executor of Lowell. Near the Common, too, dwelt for a year or so that rare poet Arthur Clough, author of "The Bothie" and "Qua Cursum Ventus;" and the sweet singer Charlotte Fiske Bates--the intimate friend of Longfellow--had her habitation in the same neighborhood.

Opposite the southern end of the Common is the ancient village cemetery celebrated in the poetry of Holmes and Longfellow; a little way westward, Howells lived in a delightful rose-embowered cottage and pleasantly pictured many features of the old town in the "Charlesbridge"

of his "Suburban Sketches." Two or three furlongs distant, within the grounds of the Botanic Garden, long lived the American Linnaeus, Professor Asa Gray.

Of all the Cambridge thoroughfares, the shady and venerable Brattle Street, which curves westward from the University Press, is most interesting and attractive. Near the Press building stands the historic Brattle House,--its beautiful stairway and other antique features preserved by the Social Club, to whom the property now belongs,--where Margaret Fuller, the priestess and queen of modern Transcendentalism, pa.s.sed much of her youth and young womanhood, and where her sister, wife to the poet Ellery Channing, was reared. Margaret, who is said to have stood for the Theodora of Beaconsfield's "Lothair," first saw the light in a modest little dwelling in Main Street nearer the Boston bridge, and here attended school with Holmes and Richard Henry Dana; but it was in this Brattle House that her marvellous, and in some respects unique, intellectual career commenced. Here she acquired the moral and mental equipment which fitted her for leaders.h.i.+p in the most vital epoch of American culture and thought, and here she attracted and attached all the wisest and n.o.blest spirits within her range. To her here came Theodore Parker, the older Channing, Harriet Martineau, James Freeman Clarke,--the earnest, brilliant, and thoughtful of all ages and conditions. One n.o.ble soul who knew her here speaks of her friends.h.i.+p as a "gift of the G.o.ds," and some eminent in thought and achievement testify that they have ever striven toward standards set up for them by her in that early period of her residence here.

Close by Miss Fuller's home, "under a spreading chestnut-tree" at the intersection of Story Street, stood the smithy of Pratt, who was immortalized by Longfellow as "The Village Blacksmith." To the poet, pa.s.sing daily on the way between his home and the college, the "mighty man" at his anvil in the shaded smithy was long a familiar vision. The tree--a horse-chestnut--has been removed, the shop has given place to a modern dwelling, and years ago the worthy smith rejoined his wife, "singing in Paradise."

A few steps westward from the site of the smithy is the "Chapel of St.

John" of another sweet poem of Longfellow; and just beyond this we find, bowered by lilacs and environed by acres of shade and sward, the colonial Cragie House, once the sojourn of Was.h.i.+ngton, but holding for us more precious a.s.sociations, since Sparks, Worcester, and Everett have lived within its time-honored walls, and our popular poet of grace and sentiment for near half a century here had his home, and from here pa.s.sed into the unknown. The picturesque mansion wears the aspect of an old acquaintance, and the interior, with its princely proportioned rooms, s.p.a.cious fireplaces, wide halls, curious carvings and tiles, has much that Longfellow has shared with his readers. On the entrance door is the ponderous knocker; a landing of the broad stairway holds "The Old Clock on the Stairs;" the right of the hall is the study, with its priceless mementos of the tender and sympathetic bard who wrought here the most and best of his life-work, from early manhood onward into the mellow twilight of sweet and benign age. Here is his chair, vacated by him but a few days before he died; his desk; his inkstand which had been Coleridge's; his pen with its "link from the chain of Bonnivard;" the antique pitcher of his "Drinking Song;" the fireplace of "The Wind over the Chimney;" the arm-chair carved from the "spreading chestnut-tree"

of the smithy, which was presented to him by the village children and celebrated in his poem "From my Arm-Chair." About us here are his cherished books, his pictures, his ma.n.u.scripts, all his precious belongings, and from his window we see, beyond the Longfellow Memorial Park, the river so often sung in his verse, "stealing onward, like the stream of life." In this room Was.h.i.+ngton held his war councils. Of the many intellectual _seances_ its walls have witnessed we contemplate with greatest pleasure the Wednesday evening meetings of the "Dante Club,"

when Lowell, Howells, Fields, Norton, Greene, and other friends and scholars sat here with Longfellow to revise the new translation of Dante.

The book-lined apartment over the study--once the bedchamber of Was.h.i.+ngton and later of Talleyrand--was occupied by Longfellow when he first lived as a lodger in the old house. It was here he heard "Footsteps of Angels" and "Voices of the Night," and saw by the fitful firelight the "Being Beauteous" at his side; here he wrote "Hyperion"

and the earlier poems which made him known and loved in every clime.

Later this room became the nursery of his children, and some of the grotesque tiles which adorn its chimney are mentioned in his poem "To a Child:"

"The lady with the gay macaw, The dancing-girl, the grave bashaw.

The Chinese mandarin."

[Ill.u.s.tration: WHERE LONGFELLOW LIVED]

Along the western facade of the mansion stretches a wide veranda, where the poet was wont to take his daily exercise when "the G.o.ddess Neuralgia" or "the two Ws" (Work and Weather) prevented his walking abroad. In this stately old house his children were born and reared, here his wife met her tragic death, and here his daughter--the "grave Alice" of "The Children's Hour"--abides and preserves its precious relics, while "laughing Allegra" (Anna) and "Edith with golden hair"--now Mrs. Dana and Mrs. Thorp--have dwellings within the grounds of their childhood home, and their brother Ernst owns a modern cottage a few rods westward on the same street.

In Sparks Street, just out of Brattle, dwelt the author Robert Carter,--familiarly, "The Don,"--sometime secretary to Prescott and long the especial friend of Lowell, with whom he was a.s.sociated in the editors.h.i.+p of the short-lived "Pioneer." Carter's home here was the rendezvous of a circle of choice spirits, where one might often meet "Prince" Lowell,--as his friends delighted to call him,--Bartlett of "Familiar Quotations," and that "songless poet" John Holmes, brother of the "American Montaigne."

A short walk under the arching elms of Brattle Street brings us to Elmwood, the life-long home of Lowell. The house, erected by the last British lieutenant-governor of the province, is a plain, square structure of wood, three stories in height, and is surrounded by a park of simple and natural beauty, whose abundant growth of trees gives to some portions of the grounds the sombreness and apparent seclusion of a forest. A gigantic hedge of trees encloses the place like a leafy wall, excluding the vision of the world and harboring thousands of birds who tenant its shades. Some of the aquatic fowl of the vicinage are referred to in Longfellow's "Herons of Elmwood." In the old mansion, long the home of Elbridge Gerry, Lowell was born and grew to manhood, and to it he brought the bride of his youth, the lovely Maria White, herself the writer of some exquisite poems; here, a few years later, she died in the same night that a child was born to Longfellow, whose poem "The Two Angels" commemorates both events. Here, too, Lowell lost his children one by one until a daughter, the present Mrs. Burnett,--now owner and occupant of Elmwood,--alone remained. During the poet's stay abroad, his house was tenanted by Mrs. Ole Bull and by Lowell's brother-bard Bailey Aldrich, who in this sweet retirement wrought some of his delicious work. To the beloved trees and birds of his old home Lowell returned from his emba.s.sage, and here, with his daughter, he pa.s.sed his last years among his books and a chosen circle of friends. Here, where he wished to die, he died, and here his daughter preserves his former home and its contents unchanged since he was borne hence to his burial. Until the death of his father, Lowell's study was an upper front room at the left of the entrance. It is a plain, low-studded corner apartment, which the poet called "his garret," and where he slept as a boy. Its windows now look only into the neighboring trees, but when autumn has shorn the boughs of their foliage the front window commands a wide level of the sluggish Charles and its bordering lowlands, while the side window overlooks the beautiful slopes of Mount Auburn, where Lowell now lies with his poet-wife and the children who went before. His study windows suggested the t.i.tle of his most interesting volume of prose essays. In this upper chamber he wrote his "Conversations on the Poets" and the early poems which made his fame,--"Irene," "Prometheus," "Rhoecus,"

"Sir Launfal,"--which was composed in five days,--and the first series of that collection of grotesque drolleries, "The Biglow Papers." Here also he prepared his editorial contributions to the "Atlantic." His later study was on the lower floor, at the left of the ample hall which traverses the centre of the house. It is a prim and delightful old-fas.h.i.+oned apartment, with low walls, a wide and cheerful fireplace, and pleasant windows which look out among the trees and lilacs upon a long reach of lawn. In this room the poet's best-loved books, copiously annotated by his hand, remain upon his shelves; here we see his table, his accustomed chair, the desk upon which he wrote the "Commemoration Ode," "Under the Willows," and many famous poems, besides the volumes of prose essays. In this study he sometimes gathered his cla.s.ses in Dante, and to him here came his friends familiarly and informally,--for "receptions" were rare at Elmwood: most often came "The Don," "The Doctor," Norton, Owen, Bartlett, Felton, Stillman,--less frequently G.o.dkin, Fields, Holmes, Child, Motley, Edmund Quincy, and the historian Parkman.

While the older trees of the place were planted by Gerry, the pines and cl.u.s.tering lilacs were rooted by Lowell or his father. All who remember the poet's pa.s.sionate love for this home will rejoice in the a.s.surance that the old mansion, with its precious a.s.sociations and mementos, and the acres immediately adjoining it, will not be in any way disturbed during the life of his daughter and her children. At most, the memorial park which has been planned by the literary people of Boston and Cambridge will include only that portion of the grounds which belonged to the poet's brothers and sisters.

A narrow street separates the hedges of Elmwood from the peaceful shades of Mount Auburn,--the "City of the Dead" of Longfellow's sonnet. Lowell thought this the most delightful spot on earth. The late Francis Parkman told the writer that Lowell, in his youth, had confided to him that he habitually went into the cemetery at midnight and sat upon a tombstone, hoping to find there the poetic afflatus. He confessed he had not succeeded, and was warned by his friend that the custom would bring him more rheumatism than inspiration. Dr. Ellis testified that at this period his friend Dr. Lowell often expressed to him his anxiety "lest his son James would amount to nothing, because he had taken to writing poetry."

In the sanctuary of Mount Auburn we find many of the names mentioned in these chapters,--names written on the scroll of fame, blazoned on t.i.tle-pages, borne in the hearts of thousands of readers in all lands,--now, alas! inscribed above their graves. From the eminence of Mount Auburn, we look upon Longfellow's river "stealing with silent pace" around the sacred enclosure; the verdant meads along the stream; the distant cities, erst the abodes of those who sleep about us here,--for whom life's fever is ended and life's work done. Near this summit, Charlotte Cushman rests at the base of a tall obelisk, her favorite myrtle growing dense and dark above her. By the elevated Ridge Path, on a site long ago selected by him, Longfellow lies in a grave decked with profuse flowers and marked by a monument of brown stone. On Fountain Avenue we find a beautiful spot, shaded by two giant trees, which was a beloved resort of Lowell, and where he now lies among his kindred, his sepulchre marked by a simple slab of slate: "Good-night, sweet Prince!" Not far away is the beautiful Jackson plot, where not long ago the beloved Holmes was tenderly laid in the same grave with his wife beneath a burden of flowers. Some of the blossoms we lately saw upon this grave were newly placed by the creator of "Micah Clarke" and "Sherlock Holmes," Dr. Conan Doyle. By a great oak near the main avenue is the sarcophagus of Sumner, and one shady slope bears the memorial of Margaret Fuller and her husband,--buried beneath the sea on the coast of Fire Island. Near by we find the grave of "f.a.n.n.y Fern,"--wife of Parton and sister of N. P. Willis,--with its white cross adorned with exquisitely carved ferns; the pillar of granite and marble which designates the resting-place of Everett; the granite boulder--its unchiselled surface overgrown with the lichens he loved--which covers the ashes of Aga.s.siz; the simple sarcophagus of Rufus Choate; the cenotaph of Kirkland; the tomb of Spurzheim; and on the lovely slopes about us, under the dreaming trees, amid myriad witcheries of bough and bloom, are the enduring memorials of affection beneath which repose the mortal parts of Sargent, Quincy, Story, Parker, Worcester, Greene, Bigelow, William Ellery Channing, Edwin Booth, Phillips Brooks, and many like them whom the world will not soon forget.

In this sweet summer day, their place of rest is so quiet and beautiful,--with the birds singing here their lowest and tenderest songs, the soft winds breathing a lullaby in the leafy boughs, the air full of a grateful peace and calm, the trees spreading their great branches in perpetual benediction above the turf-grown graves,--it seems that here, if anywhere, the restless wayfarer might learn to love restful death.

OUT OF BOSTON

II

BELMONT: THE WAYSIDE INN: HOME OF WHITTIER

_Lowell's Beaver Brook--Abode of Trowbridge--Red Horse Tavern--Parsons and the Company of Longfellow's Friends--Birthplace of Whittier-- Scenes of his Poems--Dwelling and Grave of the Countess--Powow Hill-- Whittier's Amesbury Home--His Church and Tomb._

A few miles westward from the cla.s.sic shades of Cambridge we found, perched upon a breezy height of Belmont, a picturesque, red-roofed villa, for some years the summer home of our "Altrurian Traveller." From its verandas he overlooked a slumberous plain, diversified with meads, fields, country-seats, and heavy-tinted copses, and bordered by a circle of verdant hills; while on the eastern horizon rises the distant city, crowned by the resplendent dome of the capitol. In his dainty white study here, with its gladsome fireplace and curious carvings and mottoes, Howells wrote--besides other good things--his "Lady of the Aroostook," in which some claim to have discerned an answer to Henry James's "Daisy Miller."

In this neighborhood is the valley of "Beaver Brook," a favorite haunt of Lowell, to which he brought the English poet Arthur Clough. The old mill is removed, but we find the water-fall and the other romantic features little changed since the poet depicted the ideal beauties of this dale, in what has been adjudged one of the most artistic poems of modern times.

In a charming retreat among the hills of Arlington, scarce a mile away from Howells's sometime Belmont home, dwells and writes that genial and gifted poet and novelist, John T. Trowbridge, whose books--notably his war-time tales--have found readers round the world.

[Sidenote: Longfellow's Wayside Inn]

Westward again from Belmont, a prolonged drive through a delightful country brings us to "Sudbury town" and the former hostelry of 'Squire Howe,--the "Wayside Inn" of Longfellow's "Tales." Our companion and guide is one who well knew the old house and its neighborhood in the halcyon days when Professor Treadwell, Parsons,--the poet of the "Bust of Dante,"--and the quiet coterie of Longfellow's friends came, summer after summer, to find rest and seclusion under its ample roof and sheltering trees, among the hills of this remote region. The environment of fragrant meadow and smiling field, of deep wood glade and forest-clad height, is indeed alluring. About the ancient inn remain some of the giant elms and the "oak-trees, broad and high," shading it now as in the day when the "Tales" immortalized it with the "Tabard" of Chaucer; while through the near meadow circles the "well-remembered brook" of the poet's verse, in which his friends saw the inverted landscape and their own faces "looking up at them from below."

The house is a great, old-fas.h.i.+oned, bare and weather-worn edifice of wood,--"somewhat fallen to decay."--standing close upon the highway. Its two stories of s.p.a.cious rooms are supplemented by smaller chambers in a vast attic; two or three chimneys, "huge and tiled and tall," rise through its gambrel roofs among the bowering foliage; a wing abuts upon one side and imparts a pleasing irregularity to the otherwise plain parallelogram. The wide, low-studded rooms are lighted by windows of many small panes. Among the apartments we find the one once occupied by Major Molineaux, "whom Hawthorne hath immortal made," and that of Dr.

Parsons, the laureate of this place, who has celebrated it in the stanzas of "Old House at Sudbury" and other poems. But it is the old inn parlor which most interests the literary visitor,--a great, low, square apartment, with oaken floors, ponderous beams overhead, and a broad hearth, where in the olden time blazed a log fire whose ruddy glow filled the room and shone out through the windows. It is this room which Longfellow peoples with his friends, who sat about the old fireplace and told his "Tales of a Wayside Inn." The "rapt musician" whose transfiguring portraiture we have in the Prelude is Ole Bull; the student "of old books and days" is Henry Wales; the young Sicilian, "in sight of Etna born and bred," is Luigi Monti, who dined every Sunday with Longfellow; the "Spanish Jew from Alicant" is Edrelei, a Boston Oriental dealer; the "Theologian from the school of Cambridge on the Charles" is Professor Daniel Treadwell; the Poet is T. W. Parsons, the Dantean student and translator of "Divina Commedia;" the Landlord is 'Squire Lyman Howe, the portly bachelor who then kept this "Red Horse Tavern," as it was called. Most of this goodly circle have been here in the flesh, and our companion has seen them in this old room, as well as Longfellow himself, who came here years afterward, when the Landlord was dead and the poet's company had left the old inn forever. In this room we see the corner where stood the ancient spinet, the spot on the wall where hung the highly colored coat of arms of Howe and the sword of his knightly grandfather near Queen Mary's pictured face, the places on the prismatic-hued windows where the names of Molineaux, Treadwell, etc., had been inscribed by hands that now are dust.

Descendants of the woman who died of the "Shoc o' Num Palsy" are said to live in the neighborhood, as well as some other odd characters who are embalmed in Parsons's humorous verse. But the ancient edifice is no longer an inn; the Red Horse on the swinging sign-board years ago ceased to invite the weary wayfarer to rest and cakes and ale; the memory-haunted chambers, where starry spirits met and tarried in the golden past, were later inhabited by laborers, who displayed the rooms for a fee and plied the pilgrim with lies anent the former famed occupants. The storied structure has recently pa.s.sed to the possession of appreciative owners,--Hon. Herbert Howe being one of them,--who have made the repairs needful for its preservation and have placed it in the charge of a proper custodian.

A longer way out of Boston, in another direction, our guest is among the haunts of the beloved Quaker bard. On the bank of the Merrimac--his own "lowland river"--and among darkly wooded hills of hackmatack and pine, we find the humble farm-house, guarded by giant sentinel poplars, where eighty-eight years agone Whittier came into the world.

[Sidenote: Scenes of Whittier's Poems]

Among the plain and bare apartments, with their low ceilings, antique cross-beams, and multipaned windows, we see the lowly chamber of his birth; the simple study where his literary work was begun; the great kitchen, with its brick oven and its heavy crane in the wide fireplace, where he laid the famous winter's evening scene in "Snow-Bound,"

peopling the plain "old rude-furnished room" with the persons he here best knew and loved. We see the dwelling little changed since the time when Whittier dwelt--a dark-haired lad--under its roof; it is now carefully preserved, and through the old rooms are disposed articles of furniture from his Amesbury cottage, which are objects of interest to many visitors.

All about the place are spots of tender identification of poet and poem: here are the brook and the garden wall of his "Barefoot Boy;" the scene of his "Telling the Bees;" the spring and meadow of "Maud Muller;" not far away, with the sumachs and blackberries cl.u.s.tering about it still, is the site of the rude academy of his "School Days;" and beyond the low hill the gra.s.ses grow upon the grave of the dear, brown-eyed girl who "hated to go above him." We may still loiter beneath the overarching sycamores planted by poor Tallant,--"pioneer of Erin's outcasts,"--where young Whittier pondered the story of "Floyd Ireson with the hard heart."

Delightful rambles through the country-side bring us to many scenes familiar to the tender poet and by him made familiar to all the world.

Thus we come to the "stranded village" of Aunt Mose,--"the muttering witch-wife of the gossip's tale,"--where Whittier found the materials out of which he wrought the touching poem "The Countess," and where we see the poor low rooms in which pretty, blue-eyed Mary Ingalls was born and lived a too brief life of love, and her sepulchre--now reclaimed from a tangle of brake and brier--in the lonely old burial-ground that "slopes against the west." Her grave is in the row nearest the dusty highway, and is marked by a mossy slab of slate, which is now protected from the avidity of relic-gatherers by a net-work of iron, bearing the inscription, "The Grave of the Countess."

Thus, too, we come to the ruined foundation of the cottage of "Mabel Martin, the Witch's Daughter," and look thence upon other haunts of the beloved bard, as well as upon his river "gla.s.sing the heavens" and the wave-like swells of foliage-clad hills which are "The Laurels" of his verse. In West Newbury, the town of his "Northman's Written Rock," we find the comfortable "Maplewood" homestead where lived and lately died the supposed sweetheart of the poet's early manhood.

[Sidenote: Whittier's Amesbury Cottage]

Whittier's beloved Amesbury, the "home of his heart," is larger and busier than he knew it, but, as we dally on its dusty avenues, we find them aglow with living memories of the sweet singer. In Friend Street stands--still occupied by Whittier's former friends--the plain little frame house which was so long his home. A bay window has been placed above the porch, but the place is otherwise little changed since he left it; the same n.o.ble elms shade the front, the fruit-trees he planted and pruned and beneath which the saddened throng sat at his funeral are in the garden; here too are the grape-vines which were the especial objects of his loving care,--one of them grown from a rootlet sent to him in a letter by Charles Sumner.

Within, we see the famous "garden room," which was his sanctum and workshop, and where this gentle man of peace waged valiant warfare with his pen for the rights of man. In this room, with its sunny outlook among his vines and pear-trees, he kept his chosen books, his treasured souvenirs; and here he welcomed his friends,--Longfellow, Fields, Sumner, Lowell, Colonel Higginson, Bayard Taylor, Mrs. Thaxter, Mrs.

Phelps-Ward, Alice Cary, Lucy Larcom, Sarah Orne Jewett, and many another ill.u.s.trious child of genius.

A quaint Franklin fireplace stood by one side wall,--usually surmounted in summer by a bouquet; in the nook between this and the sash-door was placed an old-fas.h.i.+oned writing-desk, and here he wrote many of the poems which brought him world-wide fame and voiced the convictions and the conscience of half the nation. Here are still preserved some of his cherished books. Above the study was Whittier's bedchamber, near the rooms of his mother, his "youngest and dearest" sister, and the "dear aunt" (Mercy) of "Snow-Bound," who came with him to this home and shared it until their deaths. After the others were gone, the brother and sister long dwelt here alone, later a niece was for some years his house-keeper, and at her marriage the poet gave up most of the house to some old friends, who kept his study and chamber in constant readiness for his return upon the prolonged sojourns which were continued until his last year of life,--this being always his best-loved home.

Near by are the "painted s.h.i.+ngly town-house" of his verse, where during many years he failed not to meet with his neighbors to deposit "the freeman's vote for Freedom," and the little, wooden Friends'

meeting-house, where he loved to sit in silent introspection among the people of his faith. The trees which now shade its plain old walls with abundant foliage were long ago planted by his hands. The "Powow Hill" of his "Preacher" and "The Prophecy of Samuel Sewall" rises steeply near his home, and was a favorite resort, to which he often came, alone or with his guests. One who has often stood with Whittier there pilots us to his accustomed place on the lofty rounded summit, whence we overlook the village, the long reach of the "sea-seeking" river, and the entrancing scene pictured by the poet in the beautiful lines of "Miriam."

[Sidenote: Whittier's Tomb]

From these precious haunts our pilgrim shoon trace the revered bard to the peaceful precincts of the G.o.d's-acre--just without the town--where, in a sequestered spot beneath a dark cedar which sobs and soughs in the summer wind, his mortal part is forever laid, with his beloved sister and kindred, within

"the low green tent Whose curtain never outward swings."