Free Air Part 40
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"Black and white," Milt said eagerly.
He heard Mrs. Gilson giggle.
He stood on the terrace wiping his forehead and, without the least struggle, finally and irretrievably admitting that he would never see Claire Boltwood or any of her friends again. Not--never!
He had received from Mrs. Gilson a note inviting him to share their box at the first night of a three-night Opera Season. He had spent half a day in trying to think of a courteously rude way of declining.
A straggly little girl came up from the candy-shop below his room, demanding, "Say, are you Mr. Daggett? Say, there's some woman wants to talk to you on our telephone. Say, tell them we ain't supposed to be no messenger-office. You ain't supposed to call no upstairs people on our telephone. We ain't supposed to leave the store and go trotting all over town to---- Gee, a nickel, gee, thank you, don't mind what ma says, she's always kicking."
On the telephone, he heard Claire's voice in an agitated, "Milt! Meet me down-town, at the Imperial Motion Picture Theater, right away. Something I've got to tell you. I'll be in the lobby. Hurry!"
When he bolted in she was already in the lobby, agitatedly looking over a frame of "stills." She ran to him, hooked her fingers in his lapel, poured out, "They've invited you to the opera? I want you to come and put it all over them. I'm almost sure there's a plot. They want to show me that you aren't used to tiaras and saxophones and creaking dowagers and tulle. Beat 'em! Beat 'em! Come to the opera and be awf'ly aloof and supercilious. You can! Yes, you can! And be sure--wear evening clothes.
Now I've got to hurry."
"B-but----"
"Don't disappoint me. I depend on you. Oh, say you will!"
"I will!"
She was gone, whisking into the Gilson limousine. He was in a glow at her loyalty, in a tremor of anger at the meddlers.
But he had never worn evening clothes.
He called it "a dress-suit," and before the complications of that exotic garb, he was flabby with anxiety. To Milt and to Schoenstrom--to Bill McGolwey, even to Prof Jones and the greasily prosperous Heinie Rauskukle--the dress-suit was the symbol and proof, the indication and manner, of sophisticated wealth. In Schoenstrom even waiters do not wear dress-suits. For one thing there aren't any waiters. There is one waitress at the Leipzig House, Miss Annie Schweigenblat, but you wouldn't expect Miss Schweigenblat to deal them off the arm in black trousers with braid down the side.
No; a dress-suit was what the hero wore in the movies; and the hero in the movies, when he wasn't a cowpuncher, was an ex-captain of the Yale football team, and had chambers and a valet. You could tell him from the valet because he wasn't so bald. It is true that Milt had heard that in St. Cloud there were people who wore dress-suits at parties, but then St. Cloud was a city, fifteen or sixteen thousand.
"How could he get away with a dress-suit? How could he keep from feeling foolish in a low-cut vest, and what the deuce would he do with the tails? Did you part 'em or roll 'em up, when you sat down? And wouldn't everybody be able to tell from his foolish look that he didn't belong in one?" He could hear A.D.T. boys and loafers in front of pool rooms whispering, "Look at the piker in the rented soup and fis.h.!.+"
For of course he'd rent one. n.o.body bought them--except plutes like Henry B. Boltwood.
He agitatedly walked up and down for an hour, peering into haberdashery windows, looking for a kind-faced young man. He found him, in Ye Pall Mall Toggery Shoppe & Shoes; an open-faced young man who was gazing through the window as sparklingly as though he was thinking of going as a missionary to India--and liked curry. Milt ironed out his worried face, clumped in, demanded fraternally, "Say, old man, don't some of these gents' furnis.h.i.+ngs stores have kind of little charts that tell just what you wear with dress-suits and Prince Alberts and everything?"
"You bet," said the kind-faced young man.
West of Chicago, "You bet" means "Rather," and "Yes indeed," and "On the whole I should be inclined to fancy that there may be some vestiges of accuracy in your curious opinion," and "You're a liar but I can't afford to say so."
The kind-faced young man brought from behind the counter a beautiful brochure ill.u.s.trated with photographs of Phoebus Apollo in what were described as "American Beauty Garments--neat, natty, n.o.bby, new." The center pages faithfully catalogued the ties, s.h.i.+rts, cuff-links, spats, boots, hats, to wear with evening clothes, morning clothes, riding clothes, tennis costumes, polite mourning.
As he looked it over Milt felt that his wardrobe already contained all these gentlemanly possessions.
With the aid of the clerk and the chart he purchased a tradition-haunted garment with a plate-armor bosom and an opening as crooked as the Missouri River; a white tie which in his strong red hands looked as silly as a dead fish; waistcoat, pearl links, and studs. For the first time, except for seizures of madness during two or three visits to Minneapolis motor accessory stores, he caught the shopping-fever. The long s.h.i.+ning counter, the trim red-stained shelves, the glittering cases, the racks of flaunting ties, were beautiful to him and beckoning. He revolved a pleasantly clicking rack of ties, then turned and fought his way out.
He bought pumps--which cost exactly twice as much as the largest sum which he had allowed himself. He bought a newspaper, and in the want-columns found the advertis.e.m.e.nt:
Silberfarb the Society Tailor DRESS SUITS TO RENT Snappiest in the City
Despite the superlative snappiness of Mr. Silberfarb's dress-suits his establishment was a loft over a delicatessen, approached by a splintery stairway along which hung shabby signs announcing the upstairs offices of "J. L. & T. J. O'Regan, Private Detectives," "The Zenith Spiritualist Church, Messages by Rev. Lulu Paughouse," "The International Order of Live Ones, Seattle Wigwam," and "Mme. Lavourie, Sulphur Baths." The dead air of the hallway suggested petty crookedness. Milt felt that he ought to fight somebody but, there being no one to fight, he banged along the flapping boards of the second-floor hallway to the ground-gla.s.s door of Silberfarb the Society Tailor, who was also, as an afterthought on a straggly placard, "Pressng & Cleang While U Wait."
He belligerently shouldered into a low room. The light from the one window was almost obscured by racks of musty-smelling black clothes which stretched away from him in two dismal aisles that resembled a morgue of unhappy dead men indecently hung up on hooks. On a long, clumsily carpentered table, a small Jew, collarless, sweaty, unshaven, was darning trousers under an evil mantle gaslight. The Jew wrung out his hands and tried to look benevolent.
"Want to rent a dress-suit," said Milt.
"I got just the t'ing for you!"
The little man unfolded himself, galloped down the aisle, seized the first garment that came to hand, and came back to lay it against Milt's uncomfortable frame, b.u.mbling, "Fine, mister, fy-en!"
Milt studied the s.h.i.+ny-seamed, worn-b.u.t.tonholed, limp object with dislike. Its personality was disintegrated. The only thing he liked about it was the good garage stink of gasoline.
"That's almost worn out," he growled.
At this sacrilege Mr. Silberfarb threw up his hands, with the dingy suit flapping in them like a bed-quilt shaken from a tenement window. He looked Milt all over, coldly. His red but s.h.i.+ning eyes hinted that Milt was a clodhopper and no honest wearer of evening clothes. Milt felt humble, but he snapped, "No good. Want something with cla.s.s."
"Vell, that was good enough for a university professor at the big dance, but if you say so----"
In the manner of one who is being put to an unfair amount of trouble, Mr. Silberfarb returned the paranoiac dress-suit to the rack, sighing patiently as he laboriously draped it on a hanger. He peered and pawed.
He crowed with throaty triumph and brought back a rich ripe thing of velvet collar and cuffs. He fixed Milt with eyes that had become as sulky as the eyes of a dog in August dust.
"Now that--you can't beat that, if you vant cla.s.s, and it'll fit you like a glove. Oh, that's an ellllegant garment!"
Shaking himself out of the spell of those contemptuous eyes Milt opened his brochure, studied the chart, and in a footnote found, "Never wear velvet collars or cuffs with evening coat."
"Nope. Nix on the velvet," he remarked.
Then the little man went mad and ran around in circles. He flung the ellllegant garment on the table. He flapped his arms, and wailed, "What do you vant? What do you vannnnt? That's a hundred-and-fifty-dollar dress-suit! That belonged to one of the richest men in the city. He sold it to me because he was going to j.a.pan."
"Well, you can send it to j.a.pan after him. I want something decent. Have you got it--or shall I go some place else?"
The tailor instantly became affectionate. "How about a nice Tuxedo?" he coaxed.
"Nope. It says here--let me see--oh yes, here it is--it says here in the book that for the theater-with-ladies, should not wear 'dinner-coat or so-called Tuxedo, but----'"
"Oh, dem fellows what writes books they don't know nothing. Absolute!
They make it up."
"Huh! Well, I guess I'll take my chance on them. The factory knows the ignition better 'n any repair-man."
"Vell say, you're a hard fellow to please. I'll give you one of my reserve stock, but you got to leave me ten dollars deposit instead of five."
Mr. Silberfarb quite cheerfully unlocked a gla.s.s case behind the racked and ghostly dead; he brought out a suit that seemed to Milt almost decent. And it almost fitted when, after changing clothes in a broiling, boiling, reeking, gasoline-pulsing hole behind the racks, he examined it before a pier-gla.s.s. But he caught the tailor a.s.sisting the fit by bunching up a roll of cloth at the shoulder. Again Milt snapped, and again the tailor suffered and died, and to a doubting heathen world maintained the true gospel of "What do you vannnnt? It ain't stylish to have the dress-suit too tight! All the gents is wearing 'em loose and graceful." But in the end, after Milt had gone as far as the door, Mr.
Silberfarb admitted that one dress-coat wouldn't always fit all persons without some alterations.
The coat did bag a little, and it was too long in the sleeves, but as Milt studied himself in his room--by placing his small melancholy mirror on the bureau, then on a chair, then on the floor, finally, to get a complete view, clear out in the hall--he admitted with stirring delight that he looked "pretty fair in the bloomin' outfit." His clear face, his s.h.i.+ning hair, his straight shoulders, seemed to go with the costume.
He wriggled into his top-coat and marched out of his room, theater-bound, with the well-fed satisfaction of a man who is certain that no one is giggling, "Look at the hand-me-downs." His pumps did alternately pinch his toes and rub his heels; the trousers cramped his waist; and he suspected that his tie had gone wandering. But he swaggered to the trolley, and sat as one rich and famous and very kind to the Common People, till----
Free Air Part 40
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Free Air Part 40 summary
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