Star-Dust Part 13

"Listen to her, Ben. Make something. Her stories come back from the editors. Her teacher keeps telling me her voice isn't ready yet. Miss Lee says her piano technique is lazy--"

"Then let me travel--college--anything."

"She thinks we're millionaires, Ben."

"Lilly, Lilly! What is the young generation coming to?"

"I wish I was dead. Dead," cried Mrs. Becker, beating at the table until the dishes s.h.i.+vered. Danger lights sprang out in little green signals around about the f.l.a.n.g.es of her nose. She was mounting to hysteria.

"Lilly, aren't you ashamed to torture your mother like this?" cried Mr.

Becker, his voice shot through with what for him amounted to a pistol report. "Comfort your mother. Apologize at once!"

"Mamma, I'm sorry! I am, dear."

"You would think we were plotting against her."

"Now, now, Carrie, Lilly doesn't mean all she says."

"But she eats my life out."

"She wants to please us. Don't you, Lilly?"

"Y-yes, papa--"

"Now let us see if things can't run smoother in our little home, eh, Lilly? We'll all try and do each his part, eh, Lilly?"

"Y-yes, papa."

"It's late," cried Mrs. Becker, suddenly, on the single gong of half after seven, and, ever quick and kaleidoscopic of mood: "Katy Stutz will be here any minute. That's her now. Run upstairs, Lilly, and take the top off the sewing machine and lay out the white organdie. Quick, Lilly.

I want you to have it without fail for to-morrow night."

CHAPTER IX

It was at this controversial gathering of young people at the home of Flora Kemble that Lilly met, for the first time, Albert Penny.

The Kemble home lent itself gracefully to occasions of this kind, the parlor and reception hall opening into one, and the impending refreshments in the dining room shut off with folding doors. There was more of ostentation in the Kemble home. More festooning of fringed scarfs, gilt chairs, and a gla.s.s curio cabinet crammed with knickknacks.

"Dutch as sauerkraut," was Mrs. Becker's indictment; and Flora Kemble came under the gaucherie of the impeachment, too.

She had attained tall and exceedingly supine proportions, wore pinks and blues and an invariable necklace of pink paste pearls to fine advantage, and a fuzz of yellow bangs that fell down over her eyes, only to be repeatedly flung back again.

Again MRS. BECKER (who could be caustic): "She makes me so nervous, with her hair down over her eyes like a poodle dog, that I could scream."

Nevertheless, at eighteen Flora's neat spiritous air lay calm as a wimple over her keenly motivated little self. The same apparently guileless exterior that had concealed her struggle along a road lit with midnight oil toward her graduation, enveloped the campaign of strategy and minutiae that had resulted victoriously in her engagement to Vincent Bankhead, a.s.sistant credit man to his father.

Albert Penny at this time was second-a.s.sistant buyer for Sloc.u.m-Hines, and, at the instance of his friend Vincent, somewhat reluctantly present.

"Al, what are you doing to-night?"

"Oh, about the same old thing! Take a stroll and turn in, I guess. Why?"

"There is a little gathering up at the Kembles' this evening. Thought maybe you'd like to meet the girl. Nothing formal, just a few of the girls and boys over to celebrate."

"I'm not much on that kind of thing, Bankhead. Guess you'd better count me out."

"Come along. Want to show you the kind of little peach I've picked."

"Ask me out some night to a quiet little supper, Bankhead. I feel a cold coming on."

"Quiet little supper, nothing. That's your trouble now, too much quiet.

Nice people, her folks. It'll do you good."

And so it came that when the folding doors between the Kemble dining room and parlor were thrown open, Lilly Becker, still flushed from a self-accompanied rendition of "Angels' Serenade" and an encore, "Jocelyn," and Albert Penny, in a neat business suit and plaid four-in-hand, found themselves side by side, napkin and dish of ice cream on each of their laps, gay little bubbles of conversation, that were constantly exploding into laughter, floating up from off the gathering.

There is a photograph somewhere in an alb.u.m of Lilly much as she must have looked that night. Her white organdie frock out charmingly around her, a fluted ruffle at the low neck forming fitting calyx for the fine upward flow of her high white chest into firm, smooth throat; the enormous puff sleeves of the period ending above the elbow where her arm was roundest; the ardent, rather upward thrust of face as if the stars were fragrant; the little lilt to the eyebrows; the straight gray eyes; the complexion smooth as double cream, flowing in cleanest jointure into the s.h.i.+ning brown hair, worn in an age of Psyche or Pompadour, so swiftly and s.h.i.+ningly drawn back that it might have been painted there.

That was the Lilly Becker upon whom Albert Penny cast the first second glance he had ever spared her s.e.x.

"Miss Becker, we certainly did enjoy your solo."

She was still warmed from the effort, the tingling nervousness of the moment not yet died down, and she was eager and grateful.

"Oh, Mr. Penny, did you really? I was so afraid I flatted there at the end."

"I had to laugh the way they broke in with clapping before you were finished. I knew you weren't done."

"Oh, then you're musical, too?"

"No, but I could see there was one more page you hadn't turned."

"Oh!"

"My! but you can go high! Like a regular opera singer."

"Oh, if I thought you meant that! It's my ambition to sing--real big opera, you know."

"It certainly was a pretty song, not so much the song as the way you sang it. I could understand every word."

"If only my parents could hear you say that. You see, they don't approve. They think it's all right for a girl to have a parlor voice, but it must stop right there, otherwise it becomes a liability instead of an a.s.set."

At this little conceit of speech he turned delighted eyes upon her.

"Why, you're a regular little business woman!" he cried.

"Yes," she sighed out at him through a smile, "I took the commercial course at High."