Blue-grass and Broadway Part 4
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From that conversation it was natural to man nature that the demand for a half-interest in the next Hawtry show would have been made by Mr.
Dennis Farraday of Mr. G.o.dfrey Vandeford, and acceded to with the brotherly reservations already related. The eye-teeth of Mr. Dennis Farraday were very precious to Mr. G.o.dfrey Vandeford, and he had the intention of taking great care that their edges should not be dulled. It was well that he did not know that the eleven-fifteen train he had taken in his flight to New York pa.s.sed the huge, eight-cylinder Surreness of his beloved Jonathan in its race up the beach for the home of the Violet.
Now, when all is said and considered, a large admiration is due and much should be forgiven Miss Violet Hawtry, who, as half-starved Maggie Murphy, had darted out of the gutter into the back stage-door at the age of fifteen, snapped her huge violet eyes with their fringes of black, trilled a vulgar, Irish street song in accompaniment to sundry provocative swayings of her lissome, maturing young body, and thus had made enough impression on her world to hang on by the tips of her fingers until she dropped into the outstretched arms of Mr. G.o.dfrey Vandeford, who was prowling around Weehawken and the vicinity for just such ripe fruit as she when he was casting his first musical girl-show for the purpose of some violent excitement after a snowed-in winter in the Klondike.
He had taken her to an old stage-mother he knew, had her thoroughly washed, combed, manicured, dressed, schooled, and had given her the benefit of his respect for five years while she worked up into the star of "Dear Geraldine" with all the might of the Irish eyes and lissome figure and cooing, creamy voice. He had then built Highcliff in the artist's colony of the Beach for the joint domicile of mother and daughter. However, it is easier to bathe, comb, manicure, and luxuriously clothe a body than it is to renovate a soul, and within the Violet Maggie dwelt in all her gutter vigor. It is also safe to say that perhaps it was no little part of the Maggie that the beautiful and haughty Violet threw across the footlights to draw to her the primitive in the hearts of her vast audiences. It was to some extent the wisdom of Maggie that the Violet was using as she prepared for her first encounter alone with Mr. Dennis Farraday as he raced down the moonlit beach to her.
"Not the violet and jet, Susette, but that white embroidered lisle, and take time to sew three inches of tulle around the top of the bodice in front and put folds five inches deep across the back. Let it come just below the shoulder," she commanded, as she commenced the whirlwind of a toilette with which, she had a.s.sured the hurrying Dennis, she was already adorned.
"_Mais_, Mademoiselle--" Susette began.
"He'd shy at too much omitted clothing when we are alone. I'll have to introduce him to myself gradually," she answered the protest, laughing as she tossed her pale, yellow mane high on her head, and dabbed a little curl against her cheek with the rose oil, and made a skilful use of the lip-stick brought by Mr. G.o.dfrey Vandeford from the famed Celeste's.
"He will behold that Mademoiselle Simone dance with very few garments _alors_," Susette pouted as she laid in the folds of modest tulle.
"But he won't be alone in the moonlight with her, that is, if I can help it," answered the mistress, as she further perfumed and painted the lily of her beauty. "Don't worry, Susette; I'm going to give monsieur the time of his life."
"That is without saying, Mademoiselle," answered Susette, as she slipped the silky fluff over the Violet's head, and fastened the one or two hooks that held it in place over the filmy undergarments in which the Violet stood waiting for its veiling. "_Mon Dieu_, what a beauty it gives you, and that placing of the tulle is _ravissant_."
"That is what I meant it to be," laughed the Violet. "There's his car!
Bring me that orchid wrap when I ring for it." And leaving the admiration of Susette, the Violet hurried down to drink from the cup of the same vintage she was sure would be offered her by Mr. Dennis Farraday. It was offered.
"It's awfully good of you people to help a poor lonely dub to a pleasant evening," were the words with which the victim greeted the Violet, while his eyes offered the expected portion of admiration as he beheld her bathed in the radiance of the moon.
"Sure the pleasure is ours--or rather mine, poor old Van," she answered, with not a little trepidation well hidden under her rich voice.
"Couldn't you wake him up, the old scout? Let me get to him. I have a way with him I learned in the Nova Scotia woods." Mr. Farraday laughed a big laugh, which had in it the tang of the breeze in the tops of pine-trees. But the Violet was ready for him.
"He's not there for your torture. The poor darling got a telephone message just twenty minutes ago to come back to New York to-night. I've just motored him up the beach to catch the eleven-fifteen train. Some day that tiresome Dolph will follow Van about some play snarl into--into Paradise."
"He did that to-night, didn't he?" asked Mr. Farraday, with a merry laugh as he ruffled his red forelock up off his broad brow, and made himself look like a huge, tame lion.
"Away with your blarney, boy!" laughed the Violet, in return, using her Maggie Murphy form of speech with telling effect, as she often did. "He left a thousand apologies for you," she added, slipping back into her veneer of the--for Maggie--upper world. "And you've had your race down for nothing; poor Simone!"
"Oh, I say, can't we just go on over to supper at the Beach Inn? The Clyde Trevors asked me, and we can have supper with them. Wouldn't you like that? We can tell them about poor Van." He was as eager as a boy in his friendly efforts to mend what he thought must be a broken evening for her.
"I'd love it," answered the Violet, with a flash of her white teeth and violet eyes at him.
After a summons Susette appeared with the alluring orchid garment, and a white film of seed-pearls for her mistress's hair. She a.s.sisted the Violet's discreet j.a.panese butler to put them into the big car, which Mr. Farraday was driving himself, and then stood for a minute watching them hurl themselves away across the white sand.
"_Quelle vie!_" she muttered to herself as she turned back into the darkened house.
The Beach Inn was aglow and atwinkle and in full laugh as they ascended the steps of the wide veranda hung out over the ocean, where members and guests were having supper at small tables lit with shaded lamps. Men and girls, in bathing suits that were lineal descendants of the scant fig-leaf, were eating and drinking together spa.r.s.ely because of their intention of taking a midnight plunge in the breakers under the hot moon, while other women in radiant evening garb were almost as scantily attired, though attended by stuffily garbed men. Most of the parties turned and called a laughing greeting to the Violet, for they were the men and women of her world disporting themselves away from Broadway, and Clyde Trevor, who had written the book for "Miss Cut-up," rose and came over to claim his guests.
"Lost Van?" he questioned, as he led them to their seats beside Mrs.
Trevor, who had danced fifty thousand dollars out of New York the winter just ended. His voice held a hint of irony, which the Violet got and Mr.
Dennis Farraday missed.
"Not quite yet," she said, with a coo at which Trevor smiled, and under his breath he gave her the word, "Good hunting!"
"Thanks."
"Old Van had to hop back to New York on the eleven-fifteen, but we came on to glad with you anyway," Mr. Farraday was saying to Mrs. Trevor, with an ingenuous smile.
"Go to it, baby," commanded Trevor to his wife, as a rich negro melody began to fling its invitation against the roaring call of the ocean, and at his word Simone rose from the seat of Mrs. Trevor and slid out into the cleared s.p.a.ce at the head of the steps.
"Just in time," commented Mr. Farraday under his breath, as he turned his chair to watch her drop her silk coat, and float out on the waves of sound just as she would later float on the waves of the ocean after she had plunged from the steps to lead the midnight bathing in the surf, for which the management of the inn paid her the sum of two hundred dollars per plunge.
All of this gaiety and amus.e.m.e.nt was just a prelude to the ride home in the moonlight, which the Violet took with good Dennis Farraday and during which she discovered that there is such a thing as honor among men about poaching on other men's preserves, and during which, also, the fate of Major Adair, Patricia, Roger, and old black Jeff hung in the balance.
"Just what are we racing?" she questioned as they flew along the beach with rubber tires that just skimmed the hard, white sand.
"A bit fast?" asked Mr. Farraday, with a protective laugh, as he slowed down the flight.
"Let's loaf and talk a while," the Violet answered, with a tentative note of invitation in her voice.
"I had thought you and Van and I would have a great powwow over the play this evening, and it's fierce that he had to get back to that furnace a night like this, but we can limp along on a few ideas without him, maybe. What do you think of 'The Purple Slipper'?" As he set the car at an easy pace he turned and looked down at the lovely face so near his shoulder with a great and extremely boyish enthusiasm, which was very delightful and very irritating to the Violet.
"What do you think about it? You tell first," she said with a smile that answered his enthusiasm adequately and which served to cover with agility the fact that she had not read the play.
"Well, at first it seemed a queer kind of vehicle for you, but as I read on I could see you queening it in all those furbelows of dress as well as adventure and sentiment. It's a little serious in situation, but it is full of comedy adventure in line, and I can just see the audience eat you up in it. I told Van so, and I bought in before I had read more than half the second act. I don't feel as though I could wait to see you in that dinner scene while you hold the enemies of your spouse confounded. I agree with Van that your emotional qualities may exceed your comedy."
"Does Van back my emotional acting against my comedy?" the Violet asked, with barely concealed surprise in her voice.
"He does. He says that 'The Purple Slipper' is going to be the sensation of Broadway for the early fall, and I agree with him. Do you feel as sure of it as he says you are?"
"Yes," answered the Violet, and by her a.s.sent in premeditated ignorance of the contents of the play ma.n.u.script she put the second cross on the production which made it a double on the fate of Mr. Dennis Farraday as a theatrical producer. However, that fact may have been balanced by the fact that it was the third cross on the fate of Miss Patricia Adair.
Crosses on fates in the world of Broadway go in singles, doubles, and threes, and no man can tell their exact significance.
"Good!" answered Mr. Dennis Farraday, with another and still broader smile of gratification and admiration of the Violet as an artist--a smile which further infuriated, but equally inspired her. "And what a grand time we'll all have putting it across! I'm going to help Van see actors for the cast on Friday, and I'm going to sit in on rehearsals straight through. I'm due a month's vacation, and I'm going to have my mail from the office relayed back to New York from the yacht off Nantucket so that bunch of money grubbers can't find me. Think of having the honor of being co-producer for Violet Hawtry for my first shot!"
All of which enthusiasm and admiration went like wine to the head of the Violet, though it left her heart uncomfortably cold; and beautiful, cool moonlight heats the heart of a fair woman when it is not more than two feet away from that of a brave and fair man.
"Sure I'll make it a success for you, man dear!" Maggie Murphy in the Violet made an attempt to put a glow into the situation, using the brogue that was like rich cream poured over peaches, as she snuggled her bare shoulder, from which the orchid wrap had slipped, with a natural little s.h.i.+ver against good Dennis's wheel arm.
"You and Van are trumps to take me in for the fun, and I'm no end grateful to you both," was all she got for her manoeuver.
"Yes--Van is a dear," she hedged in a matter-of-fact voice.
"Yes, and I suppose after my co-first night with him the old scout will stop baiting me about blinking the white lights. I always have been obliged to beat Van at any game before I could rest in peace." And at the thought of getting in at his David big Jonathan laughed heartily just as he began to slow up the car for the turn along the sea-wall that led under the porch of Highcliff.
"Have you ever competed with him in the biggest game of all?" the Violet asked softly, as the car swept into the shadow and stopped by the broad stone steps.
"What do you mean?" demanded Mr. Farraday, with a countenance so open and a voice so hearty that the Violet, used to artifice from everybody, suspected that they could not be real, and this suspicion made her give up the game for the time being. She laughed with a mocking sweetness as she sprang out of the car and to the top of the steps before he could help her.
"Some day I'll tell you what I mean," she mocked from the dark doorway.
"Good-night!" And while he stood at the bottom step looking up at her, she vanished into the darkness of the house, leaving him out in the cool moonlight, a fate very different from what she had been planning for him for several hours.
"Just as old Van said, they are nothing but children, and I blame him about trifling with her more than I thought I did; she's a dear thing and a little pathetic in her anxiety to make good for him. Scout has just got to do something about it all. She's a fine and devoted woman.
And beautiful--whee-ugh!" The big thirty-year-old boy ended his soliloquy with a whistle, which showed that in a measure he had appreciated the dangers of the last hours. One of the eternal questions is how can a mere man be so wicked--or so good as he is often discovered by temptation to be?
Blue-grass and Broadway Part 4
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Blue-grass and Broadway Part 4 summary
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