International Congress of Arts and Science Part 1

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International Congress of Arts and Science.

Volume I.

by Various.

THE HISTORY OF THE CONGRESS

BY HOWARD J. ROGERS A.M., LL.D.

The forces which bring to a common point the thousandfold energies of a universal exposition can best promote an international congress of ideas. Under national patronage and under the spur of international compet.i.tion the best products and the latest inventions of man in science, in literature, and in art are grouped together in orderly cla.s.sification. Whether the motive underlying the exhibits be the promotion of commerce and trade, or whether it be individual ambition, or whether it be national pride and loyalty, the resultant is the same.

The s.p.a.ce within the boundaries of the exposition is a forum of the nations where equal rights are guaranteed to every representative from any quarter of the globe, and where the sovereignty of each nation is recognized whenever its flag floats over a national pavilion or an exhibit area. The productive genius of every governed people contends in peaceful rivalry for world recognition, and the exposition becomes an international clearing-house for practical ideas.

For the demonstration of the value of these products men thoroughly skilled in their development and use are sent by the various exhibitors.

The exposition by the logic of its creation thus gathers to itself the expert representatives of every art and industry. For at least two months in the exposition period there are present the members of the international jury of awards, selected specially by the different governments for their thorough knowledge, theoretical and practical, of the departments to which they are a.s.signed, and selected further for their ability to impress upon others the correctness of their views. The renown of a universal exposition brings, as visitors, students and investigators bent upon the solution of problems and anxious to know the latest contributions to the facts and the theories which underlie every phase of the world's development.

The material therefore is ready at hand with which to construct the framework of a conference of parts, or a congress of the whole of any subject. It was a natural and logical step to accompany the study of the exhibits with a debate on their excellence, an a.n.a.lysis of their growth, and an argument for their future. Hence the congress. The exposition and the congress are correlative terms. The former concentres the visible products of the brain and hand of man; the congress is the literary embodiment of its activities.

Yet it was not till the Paris Exposition of 1889 that the idea of a series of congresses, international in members.h.i.+p and universal in scope, was fully developed. The three preceding expositions, Paris, 1878, Philadelphia, 1876, and Vienna, 1873, had held under their auspices many conferences and congresses, and indeed the germ of the congress idea may be said to have been the establishment of the International Scientific Commission in connection with the Paris Exposition of 1867; but all of these meetings were unrelated and sometimes almost accidental in their organization, although many were of great scientific interest and value.

The success of the series of seventy congresses in Paris in 1889 led the authorities of the World's Columbian Exposition in 1893 to establish the World's Congress Auxiliary designed "to supplement the exhibit of material progress by the Exposition, by a portrayal of the wonderful achievements of the new age in science, literature, education, government, jurisprudence, morals, charity, religion, and other departments of human activity, as the most effective means of increasing the fraternity, progress, prosperity, and peace of mankind." The widespread interest in this series of meetings is a matter easily within recollection, but they were in no wise interrelated to each other, nor more than ordinarily comprehensive in their scope.

It remained for the Paris Exposition of 1900 to bring to a perfect organization this type of congress development. By ministerial decree issued two years prior to the exposition the conduct of the department was set forth to the minutest detail. One hundred twenty-five congresses, each with its separate secretary and organizing committee, were authorized and grouped under twelve sections corresponding closely to the exhibit cla.s.sification. The princ.i.p.al delegate, M. Gariel, reported to a special commission, which was directly responsible to the government. The department was admirably conducted and reached as high a degree of success as a highly diversified, ably administered, but unrelated system of international conferences could. And yet the attendance on a majority of these congresses was disappointing, and in many there was scarcely any one present outside the immediate circle of those concerned in its development. If this condition could prevail in Paris, the home of arts and letters, in the immediate centre of the great const.i.tuency of the University and of many scientific circles and learned societies, and within easy traveling distance of other European university and literary centres, it was fair to presume that the usefulness of this cla.s.s of congress was decreasing. It certainly was safe to a.s.sume, on the part of the authorities of the St. Louis Exposition of 1904, that such a series could not be a success in that city, owing to its geographical position and the limited number of university and scientific circles within a reasonable traveling distance. Something more than a repet.i.tion of the stereotyped form of conference was admitted to be necessary in order to arouse interest among scholars and to bring credit to the Exposition.

This was the serious problem which confronted the Exposition of St.

Louis. No exposition was ever better fitted to serve as the groundwork of a congress of ideas than that of St. Louis. The ideal of the Exposition, which was created in time and fixed in place to commemorate a great historic event, was its educational influence. Its appeal to the citizens of the United States for support, to the Federal Congress for appropriations, and to foreign governments for cooperation, was made purely on this basis. For the first time in the history of expositions the educational influence was made the dominant factor and the cla.s.sification and installation of exhibits made contributory to that principle. The main purpose of the Exposition was to place within reach of the investigator the objective thought of the world, so cla.s.sified as to show its relations to all similar phases of human endeavor, and so arranged as to be practically available for reference and study. As a part of the organic scheme a congress plan was contemplated which should be correlative with the exhibit features of the Exposition, and whose published proceedings should stand as a monument to the breadth and enterprise of the Exposition long after its buildings had disappeared and its commercial achievements grown dim in the minds of men.

DEVELOPMENT OF THE CONGRESS

The Department of Congresses, to which was to be intrusted this difficult task, was not formed until the latter part of 1902, although the question was for a year previous the subject of many discussions and conferences between the President of the Exposition, Mr. Francis; the Director of Exhibits, Mr. Skiff; the Chief of the Department of Education, Mr. Rogers; President Nicholas Murray Butler of Columbia University, and President William R. Harper of Chicago University. To the disinterested and valuable advice of the two last-named gentlemen during the entire history of the Congress the Exposition is under heavy obligations. During this period proposals had been made to two men of international reputation to give all their time for two years to the organization of a plan of congresses which should accomplish the ultimate purpose of the Exposition authorities. Neither one, however, could arrange to be relieved of the pressure of his regular duties, and the entire scheme of supervision was consequently changed. The plan adopted was based upon the idea of an advisory board composed of men of high literary and scientific standing who should consider and recommend the kind of congress most worthy of promotion, and the details of its development.

In November, 1902, Howard J. Rogers, LL.D., was appointed Director of Congresses, and the members of the Advisory (afterwards termed Administrative) Board selected as follows:--

CHAIRMAN: NICHOLAS MURRAY BUTLER, PH.D., LL.D., President Columbia University.

WILLIAM R. HARPER, PH.D., LL.D., President University of Chicago.

HONORABLE FREDERICK W. HOLLS, A.M., LL.B., New York.

R. H. JESSE, PH.D., LL.D., President University of Missouri.

HENRY S. PRITCHETT, PH.D., LL.D., President Ma.s.sachusetts Inst.i.tute of Technology.

HERBERT PUTNAM, LITT.D., LL.D., Librarian of Congress.

FREDERICK J. V. SKIFF, A.M., Director of Field Columbian Museum.

The action of the Executive Committee of the Exposition, approved by the President, was as follows:--

There shall be appointed by the President of the Exposition Company a Director of Congresses who shall report to the President of the Exposition Company.

There shall be appointed by the President of the Exposition Company an Advisory Board of seven persons, the chairman to be named by the President, who shall meet at the call of the Director of Congresses, or the Chairman of the Advisory Board.

The expenses of the members of the Advisory Board while on business of the Exposition shall be a charge against the funds of the Exposition Company.

The duties of the said Advisory Board shall be: to consider and make recommendations to the Director of Congresses on all matters submitted to them; to determine the number and the extent of the congresses; the emphasis to be placed upon special features; the prominent men to be invited to partic.i.p.ate; the character of the programmes; and the methods for successfully carrying out the enterprise.

There shall be set aside from the Exposition funds for the maintenance of the congresses the sum of two hundred thousand dollars ($200,000).

The standing Committee on Congresses from the Exposition board of directors was shortly afterwards appointed and was composed of five of the most prominent men in St. Louis:--

CHAIRMAN: HON. FREDERICK W. LEHMANN, Attorney at Law.

BRECKENRIDGE JONES, Banker.

CHARLES W. KNAPP, Editor of _The St. Louis Republic_.

JOHN SCHROERS, Manager of the _Westliche Post_.

A. F. SHAPLEIGH, Merchant.

To this committee were referred for consideration by the President all matters of policy submitted by the Director of Congresses. This committee had jurisdiction over all congress matters, including not only the Congress of Arts and Science, but also the many miscellaneous congresses and conventions, and a great part of the success of the congresses is due to their broad-minded and liberal determination of the questions laid before them.

IDEA OF THE CONGRESS OF ARTS AND SCIENCE

It is impossible to ascribe the original idea of the Congress of Arts and Science to any one person. It was a matter of slow growth from the many conferences which had been held for a year by men of many occupations, and as finally worked out bore little resemblance to the original plans under discussion. The germ of the idea may fairly be said to have been contained in Director Skiff's insistence to the Executive Committee of the Exposition that the congress work stand for something more than an unrelated series of independent gatherings, and that some project be authorized which would at once be distinctive and of real scientific worth. To support this view Director Skiff brought the Executive Committee to the view of expending $200,000, if need be, to insure the project. Starting from this suggestion many plans were brought forward, but one which seems to belong of right to the late Honorable Frederick W. Holls, of New York City, contained perhaps the next recognizable step in advance. This thought was, briefly, that a series of lectures on scientific and literary topics by men prominent in their respective fields be delivered at the Exposition and that the Exposition pay the speakers for their services. This point was thoroughly discussed by Mr. Holls and President Butler, and the next step in the evolution of the Congress was the idea of bringing these lecturers together at the Exposition at about the same time or all during one month. At this stage Professor Hugo Munsterberg, who was the guest of Mr. Holls and an invited partic.i.p.ant in the conference, made the important suggestion that such a series of unrelated lectures, even though given by most eminent men, would have little or no scientific value, but that if some relation, or underlying thought, could be introduced into the addresses, then the best work could be done, which would be of real value to the scientific world. He further stated that only in this case would scientific leaders be likely to favor the plan of a St. Louis congress, as they would feel attracted not so much through the honorariums to be given for their services as through the valuable opportunity of developing such a contribution to scientific thought. Subsequently Professor Munsterberg was asked by Mr. Holls to formulate his ideas in a manner to be submitted to the Exposition authorities. This was done in a communication under date of October 20, 1902, which contained logically presented the foundation of the plan afterwards worked out in detail. At this juncture the Department of Congresses was organized, as has been stated, the Director named, and the Administrative Board appointed, and on December 27, 1902, the first meeting of the Director with the Administrative Board took place in New York City.

A thorough canva.s.s of the subject was made at this meeting and as a result the following recommendations were made to the Exposition authorities:--

(1) That the sessions of this Congress be held within a period of four weeks, beginning September 15, 1904.

(2) That the various groups of learned men who may come together be asked to discuss their several sciences or professions with reference to some theme of universal human interest, in order that thereby a certain unity of interest and of action may be had. Under such a plan the groups of men who come together would thus form sections of a single Congress rather than separate congresses.

(3) As a subject which has universal significance, and one likely to serve as a connecting thread for all of the discussions of the Congress, the theme "The Progress of Man since the Louisiana Purchase" was considered by the Administrative Board fit and suggestive. It is believed that discussions by leaders of thought in the various branches of pure and applied science, in philosophy, in politics, and in religion, from the standpoint of man's progress in the century which has elapsed, would be fruitful, not only in clearing the thoughts of men not trained in science and in government, but also in preparing the way for new advances.

(4) The Administrative Board further recommends that the Congress be made up from men of thought and of action, whose work would probably fall under the following general heads:--

_a._ The Natural Sciences (such as Astronomy, Biology, Mathematics, etc.).

_b._ The Historical, Sociological, and Economic group of studies (History, Political Economy, etc.).

_c._ Philosophy and Religion.

_d._ Medicine and Surgery.

International Congress of Arts and Science Part 1

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