The Auction Block Part 18
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"Now that he has come to the point, I'm not sorry things happened just as they did. A woman must look out for herself--no man will ever help her. It's worth some notoriety to become Mrs. Jarvis Hammon."
Something in the speaker's words rang false; but just what that something was, Lorelei could not decide.
"Then you'd like to see the story made public?" she queried.
"Naturally."
"I dare say if I loved a man I'd want him at any price, but I-- hope I'm not going to be dragged into this matter."
"My dear, New York has blackmailing newspapers, just as it has blackmailing men. They live off people like Merkle. You'd be foolish to let him escape from this just to save a few dollars, for the notoriety will injure you, where it benefits me. It's not often that girls in our business know men like those two. You have a family; they can make Merkle do the right thing by you."
"I don't want him to do anything," protested Lorelei. "There's nothing to do."
"You could make him marry you."
Lorelei winced. "Nonsense! I don't care for him. He's an old man.
There's no reason why he should."
"He could be made to pay, at least, and you'll be sorry if you don't get something out of him. Just wait and see what a difference the story makes with your other men friends."
During the ensuing performance Lorelei pondered her friend's disquieting prophecy; yet she could see no reason for grave apprehension. Publicity of the kind threatened would, of course, be disagreeable; but how it could seriously affect her was not apparent.
Later in the evening Robert Wharton appeared, as usual, and so resentful was he at the deceptions previously practised upon him that Lorelei with difficulty escaped a scene. He declared positively that he was not to be discouraged; that he proposed to have his attentions accepted at any cost, even if it became necessary to use force. He seemed sufficiently drunk to execute his threat, and his invitation to supper was couched this time more in the terms of a command. At last he borrowed a stool from the Judge, who by now was his willing va.s.sal, and planted himself in the hallway, where he remained throughout the performance--a gloomy, watchful figure. Lorelei came down boldly, dressed for the street, and, since she could not pa.s.s the besieger, excused herself briefly. Descending the bas.e.m.e.nt stairs, she crossed under the stage, made her way into the orchestra-pit, and managed to leave the theater by the front door.
She was waiting when Jim came home, and followed him into his room, where they could talk without disturbing their father.
Lorelei made her accusation boldly, prepared for the usual burst of anger, but Jim listened patiently until she paused.
"I knew you had to spill this, so I let you rave," said he. "But it's too late; somebody has been after Hammon for a long time, and he's been got--yes, and got good. Take a flash at THE CHORUS- GIRL'S BIBLE." He tossed his sister a copy of a prominent theatrical paper. "I waited until it came out."
Lorelei gasped, for on the front page glared black-typed head- lines of the Hammon scandal. John Merkle's name was there, too and linked with it, her own.
"Jim!" she cried aghast. "They promised to kill the story."
"Humph! Charley Murphy himself couldn't kill that."
"What is--THIS?" She ran her eye swiftly down the column.
"Sure. Melcher commenced suit against Hammon this afternoon. Fifty thousand dollars for alienation of Lilas's affections. Joke, eh?
He claims there was a common-law marriage and he'll get the coin."
"But Mrs. Hammon?"
"The evidence is in her hands already--dates, places, photographs, everything. She'll win her suit, too."
"Why, it sounds like a--a deliberate plot. But I don't understand who's behind it. What part did you have in it, Jim? Were you helping Mr. Melcher in his blackmail scheme, or--" Another possibility came to her--"Were you by any chance working for Mrs.
Hammon?"
Divining his sister's prejudice, Jim lied promptly and convincingly. "Why, Mrs. Hammon, of course. I had a chance to turn a few dollars, and I took it."
"But why did they drag me in? Couldn't you keep me out of it? This is dreadful." As she ran her eye over the article she saw that it was quite in harmony with the general tone and policy of the paper which catered to the jaded throngs of the Tenderloin. Truth had been cunningly distorted; flippancy, sensationalism, and a salacious double meaning ran through it all.
"What's dreadful about it?" inquired her brother. "That sort of advertising does a show-girl good. You've got to make people talk about you, Sis, and this'll bring a gang of high-rollers your way.
You've been so blamed proper that n.o.body's interested in you any more."
For a moment Lorelei scrutinized her brother in silence, taken aback at his outrageous philosophy. Jim had changed greatly, she mused; not until very lately had she observed the full measure of the change in him. He was no longer the country boy, the playmate and confidant of her youth, but a man, sophisticated, hard, secretive. He had been thoroughly Manhattanized, she perceived, and he was as foreign to her as a stranger. She shook her head hopelessly.
"You're a strange brother," she said. "I hardly know what to make of you. Has the city killed every decent instinct in you, Jim?"
"Now don't begin on the Old Home stuff," he replied, testily. "I haven't changed any more than you have. Why, ma used to think you'd play dead or jump through whenever she snapped her finger, but--you're getting tough-bitted. You're getting sanctimonious in your old age. Where you got it from I don't know--not from ma, surely, nor from dad; he's a cheater and always has been."
"JIM!"
"Oh, you know it. I'm wondering--how long you'll stand pat."
"What do you mean?"
"Do you really intend to marry a bunch of coin?"
"That's the program, isn't it? I've been raised for that, and nothing else."
"Well, ma can't put it over, so I guess it's up to me. Just leave things to Brother Jim, and don't worry over what happens. n.o.body along Broadway pays any attention to this rot." He indicated the newspaper with a wave of his cigar. After a moment he added, "Would you accept Merkle?"
Lorelei s.h.i.+vered. "Oh--no! Not Mr. Merkle."
"Why not? He's all right, and he won't last long."
"The idea is--Ugh! He wouldn't ask me, and I sha'n't allow you to use this scandal to--urge him. The proposition sounds all right in the abstract--marriage, money, comfort, everything I want--but when it comes right down to the point--I--always balk."
"Humph! You ought to consider the rest of us a little bit. Pa could be cured, ma'd be happy. I could get on my feet. How about Bob Wharton?"
"He's a drunkard."
"Good Lord, you don't expect to grab a divinity student, do you?
That kind never has anything."
"Let's not talk about it, please. Mr. Wharton is getting nasty, and--I'm beginning to be afraid of him."
"I'll bet you could land him--"
"Please. I--don't want to think about it. I dare say I'll bring myself to marry some rich man some day; but--Merkle--Wharton--"
She shuddered for a second time. "If Mr. Wharton is serious this scandal will scare him off, or else he'll become--just like the others. I could cry. He threatened me to-night; I don't know how I'll manage to avoid him to-morrow night."
"Hm-m! He's coming that strong, eh?" was Jim's interested query; but on hearing his sister's account of the young millionaire's determined pursuit he volunteered in his offhand way to a.s.sist her.
"I'll come for you myself, and we'll whip over to a cafe for supper."
"You'll save me from him," said Lorelei, with a wan smile, "and I'll know that you are in good company for one evening at least."
The Auction Block Part 18
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The Auction Block Part 18 summary
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