Myth, Ritual And Religion Volume I Part 21

As to the religious condition of the Vedic Aryans, we must steadily remember that in the Vedas we have the views of the Ris.h.i.+s only, that is, of sacred poets on their way to becoming a sacred caste. Necessarily they no more represent the POPULAR creeds than the psalmists and prophets, with their lofty monotheistic morality, represent the popular creeds of Israel. The faith of the Ris.h.i.+s, as will be shown later, like that of the psalmists, has a n.o.ble moral aspect. Yet certain elements of this higher creed are already found in the faiths of the lowest savages.

The Ris.h.i.+s probably did not actually INVENT them. Consciousness of sin, of imperfection in the sight of divine beings, has been developed (as it has even in Australia) and is often confessed. But on the whole the religion of the Ris.h.i.+s is practical--it might almost be said, is magical. They desire temporal blessings, rain, suns.h.i.+ne, long life, power, wealth in flocks and herds. The whole purpose of the sacrifices which occupy so much of their time and thought is to obtain these good things. The sacrifice and the sacrificer come between G.o.ds and men. On the man's side is faith, munificence, a compelling force of prayer and of intentness of will. The sacrifice invigorates the G.o.ds to do the will of the sacrificer; it is supposed to be mystically celebrated in heaven as well as on earth--the G.o.ds are always sacrificing. Often (as when rain is wanted) the sacrifice imitates the end which it is desirable to gain.(1) In all these matters a minute ritual is already observed. The mystic word brahma, in the sense of hymn or prayer of a compelling and magical efficacy, has already come into use. The brahma answers almost to the Maori karakia or incantation and charm. "This brahma of Visvamitra protects the tribe of Bharata." "Atri with the fourth prayer discovered the sun concealed by unholy darkness."(2) The complicated ritual, in which prayer and sacrifice were supposed to exert a constraining influence on the supernatural powers, already existed, Haug thinks, in the time of the chief Ris.h.i.+s or hymnists of the Rig-Veda.(3)

(1) Compare "The Prayers of Savages" in J. A. Farrer's Primitive Manners, and Ludwig, iii. 262-296, and see Bergaigne, La Religion Vedique, vol. i. p. 121.

(2) See texts in Muir, i. 242.

(3) Preface to translation of Aitareya Brahmana, p. 36.

In many respects the nature of the idea of the divine, as entertained by the Ris.h.i.+s of the Rig-Veda, is still matter for discussion. In the chapter on Vedic G.o.ds such particulars as can be ascertained will be given. Roughly speaking, the religion is mainly, though not wholly, a cult of departmental G.o.ds, originally, in certain cases, forces of Nature, but endowed with moral earnestness. As to fetis.h.i.+sm in the Vedas the opinions of the learned are divided. M. Bergaigne(1) looks on the whole ritual as, practically, an organised fetis.h.i.+sm, employed to influence G.o.ds of a far higher and purer character. Mr. Max Muller remarks, "that stones, bones, sh.e.l.ls, herbs and all the other so-called fetishes, are simply absent in the old hymns, though they appear in more modern hymns, particularly those of the Atharva-Veda. When artificial objects are mentioned and celebrated in the Rig-Veda, they are only such as might be praised even by Wordsworth or Tennyson--chariots, bows, quivers, axes, drums, sacrificial vessels and similar objects. They never a.s.sume any individual character; they are simply mentioned as useful or precious, it may be as sacred."(2)

(1) La Religion Vedique, vol. i. p. 123. "Le culte est a.s.similable dans une certaine mesure aux incantations, aux pratiques magiques."

(2) Hibbert Lectures, p. 198.

When the existence of fetish "herbs" is denied by Mr. Max Muller, he does not, of course, forget Soma, that divine juice. It is also to be noted that in modern India, as Mr. Max Muller himself observes, Sir Alfred Lyall finds that "the husbandman prays to his plough and the fisher to his net," these objects being, at present, fetishes. In opposition to Mr. Max Muller, Barth avers that the same kind of fetis.h.i.+sm which flourishes to-day flourishes in the Rig-Veda.

"Mountains, rivers, springs, trees, herbs are invoked as so many powers.

The beasts which live with man--the horse, the cow, the dog, the bird and the animals which imperil his existence--receive a cult of praise and prayer. Among the instruments of ritual, some objects are more than things consecrated--they are divinities; and the war-chariot, the weapons of defence and offence, the plough, are the objects not only of benedictions but of prayers."(1) These absolute contradictions on matters of fact add, of course, to the difficulty of understanding the early Indo-Aryan religion. One authority says that the Vedic people were fetish-wors.h.i.+ppers; another authority denies it.

(1) Barth, Les Religions de l'Inde, p. 7, with the Vedic texts.

Were the Ris.h.i.+s ancestor-wors.h.i.+ppers? Barth has no doubt whatever that they were. In the pitris or fathers he recognises ancestral spirits, now "companions of the G.o.ds, and G.o.ds themselves. At their head appear the earliest celebrants of the sacrifice, Atharvan, the Angiras, the Kavis (the pitris, par excellence) equals of the greatest G.o.ds, spirits who, BY DINT OF SACRIFICE, drew forth the world from chaos, gave birth to the sun and lighted the stars,"--cosmical feats which, as we have seen, are sometimes attributed by the lower races to their idealised mythic ancestors, the "old, old ones" of Australians and Ovahereroes.

A few examples of invocations of the ancestral spirits may not be out of place.(1) "May the Fathers protect me in my invocation of the G.o.ds."

Here is a curious case, especially when we remember how the wolf, in the North American myth, scattered the stars like spangles over the sky: "The fathers have adorned the sky with stars".(2)

(1) Rig-Veda, vi. 52,4.

(2) Ibid., x. 68, xi.

Mr. Whitney (Oriental and Linguistic Studies, First Series, p. 59) gives examples of the ceremony of feeding the Aryan ghosts. "The fathers are supposed to a.s.semble, upon due invocation, about the altar of him who would pay them homage, to seat themselves upon the straw or matting spread for each of the guests invited, and to partake of the offerings set before them." The food seems chiefly to consist of rice, sesame and honey.

Important as is the element of ancestor-wors.h.i.+p in the evolution of religion, Mr. Max Muller, in his Hibbert Lectures, merely remarks that thoughts and feelings about the dead "supplied some of the earliest and most important elements of religion"; but how these earliest elements affect his system does not appear. On a general view, then, the religion of the Vedic poets contained a vast number of elements in solution--elements such as meet us in every quarter of the globe. The belief in ancestral ghosts, the adoration of fetishes, the devotion to a moral ideal, contemplated in the persons of various deities, some of whom at least have been, and partly remain, personal natural forces, are all mingled, and all are drifting towards a kind of pantheism, in which, while everything is divine, and G.o.ds are reckoned by millions, the wors.h.i.+pper has glimpses of one single divine essence. The ritual, as we have seen, is more or less magical in character. The general elements of the beliefs are found, in various proportions, everywhere; the pantheistic mysticism is almost peculiar to India. It is, perhaps, needless to repeat that a faith so very composite, and already so strongly differentiated, cannot possibly be "primitive," and that the beliefs and practices of a race so highly organised in society and so well equipped in material civilisation as the Vedic Aryans cannot possibly be "near the beginning". Far from expecting to find in the Veda the primitive myths of the Aryans, we must remember that myth had already, when these hymns were sung, become obnoxious to the religious sentiment. "Thus," writes Barth, "the authors of the hymns have expurgated, or at least left in the shade, a vast number of legends older than their time; such, for example, as the ident.i.ty of soma with the moon, as the account of the divine families, of the parricide of Indra, and a long list might be made of the reticences of the Veda....

It would be difficult to extract from the hymns a chapter on the loves of the G.o.ds. The G.o.ddesses are veiled, the adventures of the G.o.ds are scarcely touched on in pa.s.sing.... We must allow for the moral delicacy of the singers, and for their dislike of speaking too precisely about the G.o.ds. Sometimes it seems as if their chief object was to avoid plain speaking.... But often there is nothing save jargon and indolence of mind in this voluntary obscurity, for already in the Veda the Indian intellect is deeply smitten with its inveterate malady of affecting mystery the more, the more it has nothing to conceal; the mania for scattering symbols which symbolise no reality, and for sporting with riddles which it is not worth while to divine."(1) Barth, however, also recognises amidst these confusions, "the inquietude of a heart deeply stirred, which seeks truth and redemption in prayer". Such is the natural judgment of the clear French intellect on the wilfully obscure, tormented and evasive intellect of India.

(1) Les Religions de l'Inde, p. 21.

It would be interesting were it possible to illuminate the criticism of Vedic religion by ascertaining which hymns in the Rig-Veda are the most ancient, and which are later. Could we do this, we might draw inferences as to the comparative antiquity of the religious ideas in the poems.

But no such discrimination of relative antiquity seems to be within the reach of critics. M. Bergaigne thinks it impossible at present to determine the relative age of the hymns by any philological test. The ideas expressed are not more easily arrayed in order of date. We might think that the poems which contain most ceremonial allusions were the latest. But Mr. Max Muller says that "even the earliest hymns have sentiments worthy of the most advanced ceremonialists".(1)

(1) History of Sanskrit Literature, p. 556.

The first and oldest source of our knowledge of Indo-Aryan myths is the Rig-Veda, whose nature and character have been described. The second source is the Atharva-Veda with the Brahmanas. The peculiarity of the Atharva is its collection of magical incantations spells and fragments of folklore. These are often, doubtless, of the highest antiquity.

Sorcery and the arts of medicine-men are earlier in the course of evolution than priesthood. We meet them everywhere among races who have not developed the inst.i.tution of an order of priests serving national G.o.ds. As a collection, the Atharva-Veda is later than the Rig-Veda, but we need not therefore conclude that the IDEAS of the Atharva are "a later development of the more primitive ideas of the Rig-Veda". Magic is quod semper, quod ubique, quod ab omnibus; the ideas of the Atharva-Veda are everywhere; the peculiar notions of the Rig-Veda are the special property of an advanced and highly differentiated people. Even in the present collected shape, M. Barth thinks that many hymns of the Atharva are not much later than those of the Rig-Veda. Mr. Whitney, admitting the lateness of the Atharva as a collection, says, "This would not necessarily imply that the main body of the Atharva hymns were not already in existence when the compilation of the Rig-Veda took place".(1) The Atharva refers to some poets of the Rig (as certain hymnists in the Rig also do) as earlier men. If in the Rig (as Weber says) "there breathes a lively natural feeling, a warm love of nature, while in the Atharva, on the contrary, there predominates an anxious apprehension of evil spirits and their magical powers," it by no means follows that this apprehension is of later origin than the lively feeling for Nature. Rather the reverse. There appears to be no doubt(2) that the style and language of the Atharva are later than those of the Rig. Roth, who recognises the change, in language and style, yet considers the Atharva "part of the old literature".(3) He concludes that the Atharva contains many pieces which, "both by their style and ideas, are shown to be contemporary with the older hymns of the Rig-Veda".

In religion, according to Muir,(4) the Atharva shows progress in the direction of monotheism in its celebration of Brahman, but it also introduces serpent-wors.h.i.+p.

(1) Journal of the American Oriental Society. iv. 253.

(2) Muir, ii. 446.

(3) Ibid., ii. 448.

(4) Ibid., ii. 451.

As to the Atharva, then, we are free to suppose, if we like, that the dark magic, the evil spirits, the incantations, are old parts of Indian, as of all other popular beliefs, though they come later into literature than the poetry about Ushas and the morality of Varuna. The same remarks apply to our third source of information, the Brahmanas. These are indubitably comments on the sacred texts very much more modern in form than the texts themselves. But it does not follow, and this is most important for our purpose, that the myths in the Brahmanas are all later than the Vedic myths or corruptions of the Veda. Muir remarks,(1) "The Rig-Veda, though the oldest collection, does not necessarily contain everything that is of the greatest age in Indian thought or tradition.

We know, for example, that certain legends, bearing the impress of the highest antiquity, such as that of the deluge, appear first in the Brahmanas." We are especially interested in this criticism, because most of the myths which we profess to explain as survivals of savagery are narrated in the Brahmanas. If these are necessarily late corruptions of Vedic ideas, because the collection of the Brahmanas is far more modern than that of the Veda, our argument is instantly disproved. But if ideas of an earlier stratum of thought than the Vedic stratum may appear in a later collection, as ideas of an earlier stratum of thought than the Homeric appear in poetry and prose far later than Homer, then our contention is legitimate. It will be shown in effect that a number of myths of the Brahmanas correspond in character and incident with the myths of savages, such as Cahrocs and Ahts. Our explanation is, that these tales partly survived, in the minds perhaps of conservative local priesthoods, from the savage stage of thought, or were borrowed from aborigines in that stage, or were moulded in more recent times on surviving examples of that wild early fancy.

(1) Muir, iv. 450.

In the age of the Brahmanas the people have spread southwards from the basin of the Indus to that of the Ganges. The old sacred texts have begun to be scarcely comprehensible. The priesthood has become much more strictly defined and more rigorously const.i.tuted. Absurd as it may seem, the Vedic metres, like the Gayatri, have been personified, and appear as active heroines of stories presumably older than this personification.

The Asuras have descended from the rank of G.o.ds to that of the heavenly opposition to Indra's government; they are now a kind of fiends, and the Brahmanas are occupied with long stories about the war in heaven, itself a very ancient conception. Varuna becomes cruel on occasion, and hostile. Praj.a.pati becomes the great mythical hero, and inherits the wildest myths of the savage heroic beasts and birds.

The priests are now Brahmans, a hereditary divine caste, who possess all the vast and puerile knowledge of ritual and sacrificial minutiae. As life in the opera is a series of songs, so life in the Brahmanas is a sequence of sacrifices. Sacrifice makes the sun rise and set, and the rivers run this way or that.

The study of Indian myth is obstructed, as has been shown, by the difficulty of determining the relative dates of the various legends, but there are a myriad of other obstacles to the study of Indian mythology.

A poet of the Vedas says, "The chanters of hymns go about enveloped in mist, and unsatisfied with idle talk".(1) The ancient hymns are still "enveloped in mist," owing to the difficulty of their language and the variety of modern renderings and interpretations. The heretics of Vedic religion, the opponents of the orthodox commentators in ages comparatively recent, used to complain that the Vedas were simply nonsense, and their authors "knaves and buffoons". There are moments when the modern student of Vedic myths is inclined to echo this petulant complaint. For example, it is difficult enough to find in the Rig-Veda anything like a categoric account of the G.o.ds, and a description of their personal appearance. But in Rig-Veda, viii. 29, 1, we read of one G.o.d, "a youth, brown, now hostile, now friendly; a golden l.u.s.tre invests him". Who is this youth? "Soma as the moon," according to the commentators. M. Langlois thinks the sun is meant. Dr. Aufrecht thinks the troop of Maruts (spirits of the storm), to whom, he remarks, the epithet "dark-brown, tawny" is as applicable as it is to their master, Rudra. This is rather confusing, and a mythological inquirer would like to know for certain whether he is reading about the sun or soma, the moon, or the winds.

(1) Rig-Veda, x. 82, 7, but compare Bergaigne, op. cit., iii. 72, "enveloppes de nuees et de murmures".

To take another example; we open Mr. Max Muller's translation of the Rig-Veda at random, say at page 49. In the second verse of the hymn to the Maruts, Mr. Muller translates, "They who were born together, self-luminous, with the spotted deer (the clouds), the spears, the daggers, the glittering ornaments. I hear their whips almost close by, as they crack them in their hands; they gain splendour on their way."

Now Wilson translates this pa.s.sage, "Who, borne by spotted deer, were born self-luminous, with weapons, war-cries and decorations. I hear the cracking of their whips in their hands, wonderfully inspiring courage in the fight." Benfey has, "Who with stags and spears, and with thunder and lightning, self-luminous, were born. Hard by rings the crack of their whip as it sounds in their hands; bright fare they down in storm."

Langlois translates, "Just born are they, self-luminous. Mark ye their arms, their decorations, their car drawn by deer? Hear ye their clamour?

Listen! 'tis the noise of the whip they hold in their hands, the sound that stirs up courage in the battle." This is an ordinary example of the diversities of Vedic translation. It is sufficiently puzzling, nor is the matter made more transparent by the variety of opinion as to the meaning of the "deer" along with which the Maruts are said (by some of the translators) to have been born. This is just the sort of pa.s.sage on which a controversy affecting the whole nature of Vedic mythological ideas might be raised. According to a text in the Yajur Veda, G.o.ds, and men, and beasts, and other matters were created from various portions of the frame of a divine being named Praj.a.pati.(1) The G.o.d Agni, Brahmans and the goat were born from the mouth of Praj.a.pati. From his breast and arms came the G.o.d Indra (sometimes spoken of as a ram), the sheep, and of men the Rajanya. Cows and G.o.ds called Visvadevas were born together from his middle. Are we to understand the words "they who were born together with the spotted deer" to refer to a myth of this kind--a myth representing the Maruts and deer as having been born at the same birth, as Agni came with the goat, and Indra with the sheep? This is just the point on which the Indian commentators were divided.(2) Sayana, the old commentator, says, "The legendary school takes them for deer with white spots; the etymological school, for the many-coloured lines of clouds". The modern legendary (or anthropological) and etymological (or philological) students of mythology are often as much at variance in their attempts to interpret the traditions of India.

(1) Muir, Sanskrit Texts, 2nd edit., i. 16.

(2) Max Muller, Rig-Veda Sanhita, trans., vol. i. p. 59.