The Moving Finger Part 1
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The Moving Finger.
by E. Phillips Oppenheim.
PROLOGUE
THE DREAMER
The boy sat with his back to a rock, his knees drawn up and clasped within fingers nervously interlocked. His eyes were fixed upon the great stretch of landscape below, shadowy now, and indistinct, like a rolling plain of patchwork woven by mysterious fingers. Gray mists were floating over the meadows and low-lying lands. Away in the distance they marked the circuitous course of the river, which only an hour ago had shone like a belt of silver in the light of the setting sun. Twilight had fallen with unexpected swiftness. Here and there a light flashed from the isolated farmhouses. On the darkening horizon, a warm glow was reflected in the clouds from the distant town.
The boy, when he had settled down to his vigil, had been alone. From over the brow of the hill, however, had come a few minutes ago a man, dressed in loose shooting clothes, and with a gun under his arm. He came to a standstill by the side of the boy, and stood there watching him for several moments, with a certain faintly amused curiosity s.h.i.+ning out of his somewhat supercilious gray eyes. The newcomer was obviously a person of breeding and culture--the sort of person who a.s.sumes without question the t.i.tle of "Gentleman." The boy wore ready-made clothes and hobnailed boots. They remained within a few feet of one another for several moments, without speech.
"My young friend," the newcomer said at last, "you will be late for your tea, or whatever name is given to your evening meal. Did you not hear the bell? It rang nearly half-an-hour ago."
The boy moved his head slightly, but made no attempt to rise.
"It does not matter. I am not hungry."
The newcomer leaned his gun against the rock, and drawing a pipe from the pocket of his shooting-coat, commenced leisurely to fill it. Every now and then he glanced at the boy, who seemed once more to have become unconscious of his presence. He struck a match and lit the tobacco, stooping down for a moment to escape the slight evening breeze. Then he threw the match away, and lounged against the lichen-covered fragment of stone.
"I wonder," he remarked, "why, when you have the whole day in which to come and look at this magnificent view, you should choose to come just at the hour when it has practically been swallowed up."
The boy lifted his head for the first time. His face was a little long, his features irregular but not displeasing, his deep-set eyes seemed unnaturally bright. His cheeks were sunken, his forehead unusually prominent. The whole effect of his personality was a little curious. If he had no claims to be considered good-looking, his face was at least a striking one.
[Ill.u.s.tration: He came to a standstill by the side of the boy.]
"I come at this hour," he said slowly, "because the view does not attract me so much at any other time. It is only when the twilight falls that one can see--properly."
The newcomer took his pipe from his mouth.
"You must have marvelous eyesight, my young friend," he remarked. "To me everything seems blurred and uncertain."
"You don't understand!" said the boy impatiently. "I do not come here to see the things that anyone can see at any hour of the day. There is nothing satisfying in that. I come here to look down and see the things which do not really exist. It is easy enough when one is alone," he added, a little pointedly.
The newcomer laughed softly--there was more banter than humor in his mirth.
"So my company displeases you," he remarked. "Do you know that I have the right to tell you to get up, and never to pa.s.s through that gate again?"
The boy shrugged his shoulders.
"One place is as good as another," he said.
The man smoked in silence for several moments. Then he withdrew the pipe from his teeth and sighed gently.
"These are indeed democratic days," he said. "You do not know, my young friend, that I am Henry Prestgate Rochester, Esquire, if you please, High Sheriff of this county, Magistrate and Member of Parliament, owner, by the bye, of that rock against which you are leaning, and of most of that country below, which you can or cannot see."
"Really!" the boy answered slowly. "My name is Bertrand Saton, and I am staying at the Convalescent Home down there, a luxury which is costing me exactly eight s.h.i.+llings a week."
"So I concluded," his companion remarked. "May I ask what your occupation is, when in health?"
"It's of no consequence," the boy answered, a little impatiently.
"Perhaps I haven't one at all. Whatever it is, as you may imagine, it has not brought me any great success. If you wish me to go----"
"Not at all," Rochester interrupted, with a little protesting gesture.
"I do not wish to remain here on sufferance," the boy continued. "I understood that we were allowed to spend our time upon the hills here."
"That is quite true, I believe," Rochester admitted. "My bailiff sees to those things, and if it amuses you to sit here all night, you are perfectly welcome."
"I shall probably do so."
Rochester watched him curiously for a few seconds.
"Look here," he said, "I will make a bargain with you. You shall have the free run of all my lands for as long as you like, and in return you shall just answer me one question."
The boy turned his head slightly.
"The question?" he asked.
"You shall tell me the things which you see down there," Rochester declared, holding his hand straight out in front of him, pointing downward toward the half-hidden panorama.
The boy shook his head.
"For other people they would not count," he said. "They are for myself only. What I see would be invisible to you."
"A matter of eyesight?" Rochester asked, with raised eyebrows.
"Of imagination," the boy answered. "There is no necessity for you to look outside your own immediate surroundings to see beautiful things, unless you choose deliberately to make your life an ugly thing. With us it is different--with us who work for a living, who dwell in the cities, and who have no power to push back the wheels of life. If we are presumptuous enough to wish to take into our lives anything of the beautiful, anything to help us fight our daily battle against the commonplace, we have to create it for ourselves. That is why I am here just now, and why I was regretting, when I heard your footstep, that one finds it so hard to be alone."
"So I am to be ordered off?" Rochester remarked, smiling.
The boy did not answer. The man did not move. The minutes went by, and the silence remained unbroken. Below, the twilight seemed to be pa.s.sing into night with unusual rapidity. It was a shapeless world now, a world of black and gray. More lights flashed out every few seconds.
It was the boy who broke the silence at last. He seemed, in some awkward way, to be trying to atone for his former unsociability.
"This is my last night at the Convalescent Home," he said, a little abruptly. "I am cured. To-morrow I am going back to my work in Mechester. For many days I shall see nothing except actual things. I shall know nothing of life except its dreary and material side. That is why I came here with the twilight. That is why I am going to sit here till the night comes--perhaps, even, I shall wait until the dawn.
I want one last long rest. I want to carry away with me some absolute impression of life as I would have it. Down there," he added, moving his head slowly, "down there I can see the things I want--the things which, if I could, I would take into my life. I am going to look at them, and think of them, and long for them, until they seem real. I am going to create a concrete memory, and take it away with me."
Rochester looked more than a little puzzled. The boy's speech seemed in no way in keeping with his attire, and the fact of his presence in a charitable home.
"Might one inquire once more," he asked, "what your occupation in Mechester is?"
"It is of no consequence," the boy answered shortly. "It is an occupation that does not count. It does not make for anything in life.
One must do something to earn one's daily bread."
"You find my questioning rather a nuisance, I am afraid," Rochester remarked, politely.
"I will not deny it," the boy answered. "I will admit that I wish to be alone. I am hoping that very soon you will be going."
The Moving Finger Part 1
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The Moving Finger Part 1 summary
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