Old and New Paris Part 27

It dates from the reign of Louis XV., until which time it formed part of the historic marsh, and it owes its name to its designer. After the cession of the Champs elysees to the town of Paris in 1828, the Avenue Marigny became the scene of the fetes given every year in honour of the successor of the monarch who made the cession. On the 27th, 28th, and 29th of July, the anniversaries of the Revolutionary days of 1830, two theatres were put up in the Avenue Marigny, on whose boards military spectacles were represented, while their orchestras played dance music for the exhilaration and physical recreation of the general public.

Booths for acrobats and tight-rope dancers were also established; wild beasts were shown, and wrestling matches took place. One of the first acts of the Emperor Napoleon III. in 1852 was to change all this. The town of Paris gave back to the State, by a perpetual lease, the whole of the Champs elysees, where it had been determined to construct an edifice which should serve for national exhibitions, and other civil and military festivals, the building to be after the model of the English Crystal Palace. In two years the Palace of Industry was finished; and in 1855 it became the scene of a universal exhibition opened in the course of the Crimean War, and honoured by the visit of Queen Victoria. The second and third universal exhibitions at Paris were held in a larger building constructed for the purpose, and the fourth (1889) in a larger building still. The Palais de l'Industrie of 1855 is now used for annual exhibitions of agriculture, horticulture, horses and fat cattle; also for the annual exhibition of painting, sculpture, and engraving.

The Champs elysees form a pleasure resort for all cla.s.ses of the Parisian population; and the number of lightly constructed booths for the sale of cakes and toys show that among the frequenters of the Avenue Marigny there are a good number of children, many of whom may be seen driving about in little goat-chaises.

The Avenue Marigny, with its interminable files, at every hour of the day, of hors.e.m.e.n, horse-women, and carriages, leads directly to the Triumphal Arch, known as the Arc de Triomphe de l'etoile, from which a magnificent view may be obtained of the whole line of the Champs elysees from its commencement as marked by the Obelisk of the Place de la Concorde.

[Ill.u.s.tration: AVENUE DU BOIS DE BOULOGNE.]

The Place de l'etoile, in which stands the arch of the same name, is so called from the star of avenues of which it forms the centre. The idea of a monument on this spot dates from the reign of Louis XV., when it was proposed to place on the present site of the arch a colossal elephant. The animal in question found for a time a resting place not on the Place de l'etoile but on that of the Bastille. At last, in 1806, Napoleon determined to erect on the spot once threatened with an elephant the triumphal arch in commemoration of victories gained under his command, of which the first stone was laid on the 15th of August, the Emperor's birthday.

By the year 1810 the cornice of the first storey had been reached.

Then Chalgrin, the original architect of the construction, died, to be replaced by his inspector, Goust; and the work was continued until 1814, when, Napoleon having been defeated and sent to Elba, all question of completing a monument in honour of his victories was at an end.

[Ill.u.s.tration: ARC DE TRIOMPHE.]

Under the Restoration, when endeavours were being made by official historians to suppress the Napoleonic period, or, at least, to represent it as a natural link of connection between the old monarchy and the monarchy now re-established, the Triumphal Arch was gone on with and dedicated to the glory of the Duke of Angouleme, who had intervened at the head of a large army in the affairs of Spain. Finally King Louis Philippe, who claimed to represent, not only the ancient monarchy, but also in some measure the Revolution and the Empire, restored the arch to its original purpose. The works were hurried to completion, and on the 29th of July, 1836, it was formally inaugurated. The dimensions of the arch, twice as large as those of the Porte St. Denis, may be called colossal. The frieze around the four sides (which are themselves arched) represents the departure and the return of the French armies.

Comparatively small as the figures in the frieze appear, they are scarcely less than six feet high. On either side of the different arches the capture of Aboukir, the funeral of Marceau, the battle of Austerlitz, the capture of Alexandria, the bridge of Arcola, and the battle of Jemappes, are shown in low relief. The names of French victories are engraved all over the interior surfaces of the large and small arches, these inscriptions being completed and ill.u.s.trated by allegorical figures. Nothing, however, is finer in the ornamentation of the arch than the four immense groups on the external sides of the two great facades. On the eastern side, looking towards Paris, one sees to the right the departure of the troops in 1792 beneath the Genius of War, which, with outstretched wings and open mouth, seems to protect and inspire them. On the left side, looking towards the south, is the apotheosis of the Emperor, in which Napoleon, attired in a chlamys, is being crowned by Victory, while Renown proclaims his lofty exploits, and History engraves them on her tablets.

[Ill.u.s.tration: AVENUE DES CHAMPS eLYSeES.]

The two groups towards the west represent, on the right, Resistance to Invasion, and, on the left, Peace crowned by the figure of Minerva.

Broad staircases lead to a higher platform which commands a magnificent view of central Paris.

In 1854, two years after the proclamation of the Second Empire, a "place" was designed around the arch, which now forms the centre of twelve avenues, darting out from the Arc de l'etoile like the rays of a star.

The open-air entertainments of which the Champs elysees and Bois de Boulogne are the scene possess as much importance as the entertainments taking place within the walls of the innumerable Paris theatres. Of the races which find so much favour in France the most celebrated is that of the Grand Prix, run on the course of Longchamp early in June, just after the English Derby, and the second Sunday after the so-called Derby of Chantilly. It was founded only in 1863 (until 1856 the racing ground of the Parisians had, for twenty-five years previously, been the Champ de Mars) though it has long been regarded as one of the national inst.i.tutions of the country.

The prize is of the value of 100,000 francs, of which half is furnished by the Town of Paris and half by the five great railway companies of the North, the West, Lyons, Orleans, and the South. The sight, as one approaches the course, suggests Ascot and Goodwood rather than Epsom; and the great majority of the sightseers seem to take more interest in the carriages and the costumes than in the racing, or even the betting, though the betting plague has settled upon Paris, where it replaces the lotteries and the gambling-houses suppressed by law. In a publicly organised form, betting is illegal, but the evil is a difficult one to deal with, and it is now tolerated in France, if not formally permitted.

Every now and then an example is made of some unhappy offender; but these rare instances serve simply to excite the spirit of betting already so wide-spread amongst the community at large.

The amus.e.m.e.nts of the Champs elysees, although of a much more trifling kind than that royal one of racing reserved for the Bois de Boulogne, have from the earliest times been as remarkable for their variety as for their originality. The Parisians were always great lovers of public amus.e.m.e.nts, even from the days of Charles V. and Charles VI., when tight-rope dancers, whom it would be difficult to equal in the present day, walked down a rope stretched from the towers of Notre Dame to the Palais de Justice. One acrobat who excelled in performing this feat was so agile and so rapid that he seemed to fly, and was called the "flying man." One day he stretched a rope from the summit of one of the towers of Notre Dame to a house on the Exchange Bridge, danced as he came down it, holding, meanwhile, in one hand a flaming torch, and in the other a wreath, which, just as Queen Isabeau de Baviere pa.s.sed across the bridge, in making her entry into Paris, he placed on her head, and immediately afterwards re-ascended to the point whence he had started.

Another tight-rope dancer, named Georges Menustre, performed similar feats under the reign of Louis XII.

The most popular entertainments of those days were representations of mysteries. These religious dramas were played when the king entered Paris, and on other joyful occasions. Some of the subjects were taken from the Old, some from the New Testament, others from the Lives of the Saints. They were treated either in prose, in verse, or even occasionally in pantomime.

In the year 1425 the game of climbing the greasy pole is said to have been for the first time introduced. On St. Giles's Day inhabitants of the parish under the invocation of that saint invented "a new diversion." They planted a long pole perpendicularly in the Rue aux Ours opposite the Rue Quincampoix. They fastened to the top of the pole a basket containing a fat goose and six small coins. Then they oiled the pole, and promised goose, money, basket, and pole itself, to anyone skilful enough to climb to the top. But the most vigorous were unable to complete so slippery an ascent; and at last, after a succession of ludicrous failures, the goose was given to the one who had got the highest; though he received neither the pole, the money, nor the basket. The same year the Parisians invented a still more remarkable entertainment. They formed at the Hotel d'Armagnac in the Rue St.

Honore an enclosure into which they introduced a pig and four blind men, each of them armed with a stick. The pig was promised to whichever of the four could beat it to death. The enclosure was surrounded by numerous spectators impatient to see the conclusion of this "comedy," as Dulaure calls it, though the pig might have described it by a different name. The blind men all rushed towards the spot where the animal, by its cries, proclaimed itself to be, and then struck away with their sticks, hitting, as a rule, one another, and not the pig; which, says a contemporary writer, caused infinite mirth to the a.s.sembly. They renewed the attack again and again, but never with any success; and although they were covered with armour from head to foot, they exchanged amongst themselves blows so severe that, despairing at last of the pig, they retired from a game which was pleasant only to the spectators.

In the early days of Paris the churches were at Christmas-time made the scene of ceremonies and diversions recalling the Saturnalia of the Romans, from whom such civilisation as the French then possessed was for the most part inherited. Clerks and members of the inferior clergy took the place in churches and cathedrals of high ecclesiastical dignitaries when services were performed in which, with religious ceremonies, acts of buffoonery and even indecency were mingled. The Festival of the Fools, the Festival of the a.s.s, the Festival of the Innocents and of the Sub-deacons, were some of the names of these burlesque celebrations. At Paris, in the church of Notre Dame, the Festival of the Sub-deacons was also called the Festival of the Drunken Deacons. Begun on Christmas Day, it was kept up until Twelfth Day, the chief celebration being reserved for New Year's Day.

[Ill.u.s.tration: AVENUE MARIGNY, CHAMPS eLYSeES.]

In the first place, from among the sub-deacons of the cathedral a bishop, archbishop, and sometimes a pope was elected. The mitre, the crook, and the cross, were carried before the mock pontiff, and he was then required to give his solemn blessing to the people. The entry of the pope, archbishop, or bishop into the church was announced by the ringing of the bells. Then the sham prelate was placed in the episcopal chair, and ma.s.s was begun. All the clergy who took part in the ma.s.s had their faces painted black, or wore hideous and ridiculous masks. They were dressed as acrobats or as women, danced in the middle of the choir, and sang improper songs. Then the deacons and sub-deacons advanced to the altar and ate black puddings and sausages before the celebrant. They played at cards or at dice, and placed in the incense box pieces of old shoes, the odour of which was by no means agreeable. When the ma.s.s was at an end the sub-deacons, in their madness or their intoxication, profaned the church still more, running, dancing, and leaping like lunatics, exciting one another to new extravagances, singing the most dissolute songs, and sometimes stripping themselves of their clothes.

The Church as a body was far from approving these shameful practices, and it condemned them in several Councils; but for a considerable time the spirit of insubordination, together with the dissolute tendencies of a section of the priesthood, rendered all such condemnations nugatory. The clerical Saturnalia were continued up to the middle of the fifteenth century. Forbidden by the Pope's Legate at Paris, and by the Archbishop of Paris, they remained popular until 1445, in which year a letter was addressed by the Theological Faculty of Paris to all the prelates and chapters exhorting them to abolish customs so unworthy of religion. Sixteen years afterwards, in 1460, these burlesque celebrations were still spoken of at the Council of Sens as an abuse which must be destroyed. So difficult are popular customs to extirpate!

[Ill.u.s.tration: FOUNTAIN IN THE CHAMPS eLYSeES.]

CHAPTER XXI.

THE CHAMP DE MARS AND PARIS EXHIBITIONS.

The Royal Military School of Louis XV.--The National a.s.sembly--The Patriotic Altar--The Festival of the Supreme Being--Other Festivals--Industrial Exhibitions--The Eiffel Tower--The Trocadero.

A whole chapter might be devoted to the cafe concerts, the swings, the merry-go-rounds, and other entertainments of a constantly varying kind, which are to be witnessed and, according to taste, enjoyed from morning to night in the Champs elysees. But against the frivolity of these popular diversions may well be placed the great international exhibitions of which the Champs elysees have from time to time during the last thirty-six years been the scene.

[Ill.u.s.tration: THE CHAMP DE MARS, 1889.]

With each of the exhibitions of 1867, 1878, and 1889 the Champ de Mars has been connected; and its permanent a.s.sociation with these peaceful celebrations is now marked by the famous Eiffel Tower, which stands in the warlike field.

Although it lies on the south side of the river, the Champ de Mars is so closely connected with the Champs elysees that it may almost be regarded as belonging thereto.

If the universal exhibitions of Paris were held in the Elysian Fields, they have, on each of the last three occasions, had an annex in the field of Mars. It is by the way of the Champs elysees, moreover, that the troops march when the army of Paris is exercised and inspected in the great review-ground.

The Champ de Mars was originally a simple field of exercise for the pupils of the Royal Military School. Established by Louis XV. in 1751 for five hundred sons of officers, this school came into existence half a century before the Polytechnic School and the School of St.

Cyr, and formed, during the last years of the Monarchy, a great number of excellent officers, the most celebrated of all being Napoleon Bonaparte, who on the 22nd of October, 1784, entered the company of gentlemen cadets. On the 1st of the following September, having come out brilliantly in an examination, he was appointed second lieutenant in the artillery regiment of La Fayette. He had then pa.s.sed by only fourteen days his sixteenth birthday. The School of Gentlemen Cadets, the military cradle of the future Emperor, was not precisely the school which Louis XV. had founded. His grandson had perceived that to admit, as a matter of right, children from eight to thirteen years of age would fill the military school with youths who had no fitness for the military career. He solved the problem by establis.h.i.+ng in various country towns twelve colleges, where those qualified for admission could study up to the age of fifteen, after which a selection was made with a view to the Military School of Paris. One of these colleges was at Brienne, where the young Napoleon studied before being pa.s.sed for the Military School.

Until 1789 no one was admitted to the Military School but sons of officers and n.o.blemen. In the first year of the Revolution the Const.i.tutional Ministers of Louis XVI. procured a decree from the Council which abolished the qualification of n.o.bility. This was not so great an innovation as it may appear, since Louis XV. had by a decree of the year 1750 granted privileges of n.o.bility to officers; the children, therefore, of all officers were admissible to the Military School. The inst.i.tution was all the same of doubtful origin; and not knowing what else to do with it the Convention abolished it in June, 1793, took possession of its funds, and changed the building into a flour magazine and a cavalry depot.

Soon afterwards, with a mutability characteristic of the time, the Revolutionary Government came to the conclusion that a Royal Military School, however detestable as of royal origin, would become admirable if the t.i.tle of Republican were applied to it. It was accordingly decided in June, 1794, that each district of the Republic should send to Paris "six young citizens under the name of pupils of the School of Mars, aged from sixteen to seventeen years, in order to receive a Revolutionary education with all the knowledge, sentiments, and ideas of a Republican soldier." The project was voted for on a report of Barere, who had drawn a droll parallel between the students of the Royal Military School (descended from "some feudal brigand, some privileged rogue, some ridiculous marquis, some modern baron, or some court flunkey") and what the students of the School of Mars would be--"the offspring of Republican families, of parents of restricted means, or of useful inhabitants of the country. What," Barere went on to say, "has ever come out of the Military School? What has this brilliant college produced? No able officer, not a general, not an administrator, not one celebrated warrior."

It had produced, all the same, General Bonaparte, who was even then preparing the plans of his Italian campaign. The very next year the young cadet of the Royal Military School reentered the ecole Militaire to establish his headquarters there as general commanding in chief the army of Paris. When he became emperor he inscribed on the portico of the school these words: "Napoleon's headquarters"; which only disappeared in 1815, when a regiment of the Imperial Guard was replaced in the building by the Royal Guard.

Since it has ceased to be a school the so-called ecole Militaire has been used as a cavalry and artillery barrack.

The Champ de Mars, in front of the ecole Militaire, has a very varied history. Here in the ninth century the Normans were defeated by Eudes, son of Robert the Strong, Count of Paris; who called the scene of his exploit, not Champ de Mars, but more explicitly, Champ de la Victoire.

Then for many centuries the Field of Victory, or of Mars, seems to have witnessed nothing in particular until, at last, under the reign of Louis XV., it became the scene of a grand review in which the students of the Royal Military School took part. While the review was going on a young officer, nephew of Orry, controller of finance, who had suffered from the persecution of the king's favourite, was brought before a court-martial on an accusation of treason, suggested by the defeat of the French army in Germany. He was about to be condemned, when the king was informed by express, that not only was young Orry no traitor, but that the whole army, compromised by a serious mistake on the part of its commander, Marshal Maillebois, owed its safety to Orry's presence of mind, and to a vigorous charge of cavalry directed by him. Louis XV.

gave the young man a new commission, thus marking the opening of the Champ de Mars by an act of justice.

During the early days of the Revolution the Champ de Mars played an important part; and through the course of the Revolution it was the scene of all the most important national celebrations. Nor under the Empire did it lose the character it had thus acquired. In July, 1790, the year after the taking of the Bastille, the general federation of the nation was celebrated; and a quarter of a century later, after Napoleon's return from Elba, and immediately before the Waterloo campaign, the emperor a.s.sembled in the Champ de Mars the authorities and representative bodies of the country in order to swear fidelity to the new Const.i.tution which he had just promulgated, even as Louis XVI. had sworn fidelity to the Const.i.tution adopted by the National a.s.sembly.

On the 5th of June all military and naval bodies, national or foreign, were invited to send a number of delegates, according to the forces represented, to an a.s.sembly which was to be held in the Champ de Mars on the 14th of the month following. The details of the celebration were regulated by special decree; and artists of all kinds were invited to make suggestions towards the arrangement and decoration of the plain.

It was determined in the first instance to convert this plain into a sort of basin or amphitheatre with sloping sides and a hollow in the middle. Many thousands of labourers were employed in this work, and they were ultimately joined by the whole population of Paris, just as two years afterwards all cla.s.ses and conditions of people took part in the preparations for the festival of the Altar to the Country.

On the day appointed deputations arrived from all parts of France, the visitors being hospitably entertained by private citizens, or received by innkeepers at reduced charges. Special seats were reserved for them at the meeting of the National a.s.sembly; and they, in their turn, were full of enthusiasm for the a.s.sembly, for the people of Paris, but above all for King Louis XVI. On the 13th, the day before the festival, the king reviewed the troops, the deputations, and a good portion of the Paris National Guard, on the Place Louis XV., and in the Champs elysees.

At five o'clock in the morning the National Guard and the entire population were on foot. Many had pa.s.sed the night in the Champs elysees, and several regiments of National Guards had marched there at midnight in order to be in good time for the approaching celebration.

The deputies from the provinces a.s.sembled at the Bastille, where eighty-three white flags bearing the names of their respective departments were distributed among them. At seven o'clock the march began, headed by a body of cavalry belonging to the National Guard of Paris, which was followed by a body of infantry, the electors of Paris, the Paris Commune, and the National a.s.sembly, preceded by a regiment of children, and followed by a regiment of old men with the flags of the sixty battalions of Paris around them. Then came the representatives of the federated departments, preceded by two marshals of France with a numerous staff, and followed by a number of officers of various corps, including the King's Body Guard. The procession pa.s.sed through the town amid the acclamations of the people and to the sound of artillery, approaching the Champ de Mars by way of the Champs elysees, and crossing the river by a bridge of boats constructed the night before just opposite the village of Chaillot.

At the entrance to the Champ de Mars, now transformed into a vast circus, had been raised a triumphal arch bearing a number of inscriptions, among which may be cited the following:--

The rights of man were ignored for centuries; they have been re-established for the whole of humanity.

You love that liberty which you now possess; prove your grat.i.tude by preserving it.