The Harbor Part 18

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Gone, too, were the American sailors. All races of men on the earth but ours seemed gathered around this hog of the sea. From barges filled with her cargo, the stuff was being heaved up on the dock by a lot of Irish bargemen. Italian dockers rolled it across to this German s.h.i.+p, and on deck a j.a.p under-officer was bossing a Coolie crew. These Coolies were dwarfs with big white teeth and stooping, round little shoulders. They had strange, nervous faces, long and narrow with high cheek bones and no foreheads at all to speak of. Their black eyes gleamed. Back and forth they scurried to the sound of that guttural j.a.panese voice.

"The cheapest sea labor there is," growled Dad. "Good-by to Yankee sailors."

The Old East with its riches was no longer here. For what were these Coolies doing? Handling silks and spices? Oh, no. They were hoisting and letting down into the hold an automobile from Dayton, Ohio, bound for New South Wales. Gone were the figs and almonds, the indigo, ivory, tortoise sh.e.l.ls. Into the brand-new ledgers over which my father worked, he was entering such items as barbed wire, boilers, car wheels and gas engines, baby carriages, kegs of paint. I reveled in the commonplace stuff, contrasting it vividly in my mind with the starlit ocean roads it would travel, the picturesque places it would help spoil.

I filled in the scene with all its details, the more accurate, glaring and real the better--the brand-new towering skyline risen of late on Manhattan, the new steel bridge, an ugly one this, and all the modern steam craft, tugs, river boats, Sound steamers, each one of them panting and spewing up smoke. I sat there like a stenographer and took down the harbor's dictation, noting the rasping tones of its voice, recording eagerly all its smells. And all this and more that I gathered, I focussed on the sea hog.

And then toward the end of a winter's day we looked out of our window and saw her "sail." She sailed in a nervous, worrying haste to the grunts and shrieks of a lot of steam winches. Up rattled her anchor, out she waddled, tugs puffing their smoke and steam in her face. She didn't depart. Who ever heard of a hog departing? She just went. There were no songs, no last good-byes--except from a man in his s.h.i.+rt sleeves who called from the deck to a man on the pier, "So long, Mac, see you next Spring," and then went into the factory.

When the work of the day was over, I went down into the dock shed. My father's old place was at peace for a time, the desecration done with.

She was empty, dark and silent. In her long, inward-sloping walls the eight wide sliding doors were closed. Only through the dusty skylights here and there fell great ma.s.ses of soft light. Big bunches of canvas hung from above, ropes dangled out of the shadows. And there were huge rhythmic creakings that made you feel the ocean still here, an old ocean under an old, old dock. The place grew creepy with its past.

"Faint, spicy odors," I jotted down, as I stood there in the dimness, "ghosts of long ago--low echoes of old chanties sung by Yankee sailors--romance--mystery----"

I broke off writing and drew back behind a crate. My father had entered the dock shed and was coming slowly up the dock. Presently I saw him stop and look into the shadows around him. I saw a frown come on his face, I saw his features tighten. So he stood for some moments. Then he turned and walked quickly out. A lump had risen in my throat, for I thought I knew what he had seen.

"The Phantom s.h.i.+p" became my t.i.tle. A fine contrast to the sea hog, I thought. I asked Dad endless questions at night about the old days not only here, but all up along the coast of New England, and hungrily I listened while he glorified the rich life and color of those seaport towns now gray, those wharves now rotting and covered with moss. He glorified the s.p.a.cious homes of the men who had ordered their captains to search the Far East for the rugs and the curtains, the chairs and the tables, the dishes, the vase, the silks and the laces, the silver and gold and precious stones with which those audacious old houses were stored. He glorified the s.h.i.+ps themselves. From the quarter decks of our clippers, those marvels of cleanliness and speed, he told how those miraculous captains had issued their orders to Yankee sailors, brawny, deep-chested, keen-eyed and strong-limbed. He told what perils they had faced far out on the Atlantic--"the Roaring Forties" those waters were called!

"Yes, boy, in those days s.h.i.+ps had men!"

In my room I eagerly wrote it all down and added what I myself could remember. Here from my bedroom window I tried to see what I had seen as a boy, the immaculate white of the tall sails, the fresh blue and green of the dancing waves. Oh, I was romancing finely those nights! And there came no Blessed Damozel to say to me gruffly, "Couches-toi. Il est tard."

When the sketch was completed at last I gave it to my father to read and then went out for a long walk. It was nearly midnight when I returned, but he was still reading. He cleared his throat.

"Son," he said very huskily, "this is a strong piece of work!" His eyes were moist as they moved rapidly down the page. He looked up with a jerk. "Who'll print it?" he asked.

"I wish I knew, Dad----"

I mailed it that night to a magazine. In the next two weeks my father's suspense was even deeper than my own, though he tried hard to joke about it, calling me "Pendennis." One day in his office chair he wheeled with a nervous sharpness, and I could feel his eyes fixed on the envelope which the postman had just thrown on my desk. G.o.d help me, it was heavy and long, it had my ma.n.u.script inside. Dismally I searched for a letter.

Still I could feel those anxious eyes.

"Hold on!" I cried. "They've taken it! All they want me to do is to cut it down!"

"Then do it!" My radiant father snarled. "It ought to be cut to half its length! That's the way with beginners, a ma.s.s of details! Some day maybe you'll learn to write!"

I smiled happily back. He came suddenly over and gripped my hand.

"My boy, I'm glad, I'm very glad! I'm"--he cleared his throat and went back to his desk and tried to scowl over what he was doing.

"Dad."

"Huh?"

"They say they'll give me a hundred dollars. Pretty good for one month's work."

"Huh."

"And they want me to do some more on the harbor. They say it's a new field. Never been touched."

"Then touch it," he said gruffly. "Leave me alone. I'm busy."

But coming in late after luncheon that day, I found him reading the editor's letter.

"Boy," he said that evening, "you ought to read Thackeray for style, and Was.h.i.+ngton Irving, and see what a whippersnapper you are. Work--work! If your mother were only alive she could help you!"

And just before bedtime, taking a bottle of beer with my pipe, I caught his disapproving eye.

"Worst thing you can put in your stomach," he growled. He said this regularly each night, and added, "Why can't you keep up your health for your work?"

His own health had improved astonis.h.i.+ngly.

"It's the winter air that has done it," he said.

CHAPTER VIII

My work, as my father saw it now, was to write "strong, practical articles" presenting the respective merits of free s.h.i.+ps, s.h.i.+p subsidies and discriminating tariffs to build up our mercantile marine.

But I was growing tired these days of my father's idea, his miracle and his endless talk of the past. On walks along the waterfront he would treat it all like a graveyard. But while he pointed out the tombs I felt the swift approach of Spring. It was March, and in a crude way of its own the harbor was expressing the season--in warm, salty breezes, the odor of fish and the smell of tar on the bottoms of boats being overhauled for the Summer. Our Italian dockers sang at their work, and one day the dock was a bright-hued ma.s.s of strawberries and early Spring flowers landed by a boat from the South. Everywhere things seemed starting--starting like myself.

I had given up my warehouse job, and free at last from that tedious desk to which I once thought I was tied for years, with two sketches sold and ideas for others, so many others, rising daily in my mind, I went about watching the life of the port. Poor Dad. He was old. Could I help being young?

Without exactly meaning to, I drew away from my father to Sue. We felt ourselves vividly young in that house. We quarreled intensely over her friends and were pleased with ourselves in the process. We had long talks about ourselves. Sue let me talk to her by the hour about my work and my ideas, while she sat and thought about her own.

"If you're planning to write up the harbor," she said sleepily late one night, "you ought to cruise around a bit in Eleanore Dillon's motor boat."

I looked at her in astonishment.

"Does that girl run a motor boat?"

"Her father's." Sue yawned and gave me a curious smile. "I'll see if I can't arrange it," she said. And about a week later she told me, "Eleanore's coming to take us out to-night."

Some of Sue's friends came to supper that evening and later we all went down to the dock. There was no moon but the stars were out and the night was still, the slip was dark and empty. Suddenly with a rush and a swirl a motor boat rounded the end of the pier, turned sharply in and came shooting toward us. A boiling of water, she seemed to rear back, then drifted unconcernedly in to the bottom of the ladder.

In the small circle of light down there I saw Eleanore Dillon smiling up. She sat at her wheel, a trim figure in white--a white Jersey, something red at her throat and a soft white hat crushed a bit to one side. Beneath it the breeze played tricks with her hair.

We scrambled down into the c.o.c.k-pit. It was a deep, cozy little place, with the wide open doors of a cabin in front, in which I caught a glimpse of two bunks, a table, a tiny electric cooking stove and a shaded reading light over the one small easy chair. There were impudent curtains of blue at the port holes. There was a shelf of books and another of blue and white cups and saucers and dishes. And what was that? A monkey crouching under the table, paws clutching the two enormous bra.s.s b.u.t.tons on the gay blue jacket he wore, eyes watching us angrily as he chattered.

"b.u.t.tons," commanded his mistress, "come out here this minute and stop your noise. There's nothing for you to be peevish about, the water's like gla.s.s. When it's rough," she explained, "he gets fearfully seasick.

Come here now, pa.s.s the cigarettes." And this her b.u.t.tons proceeded to do--very grumpily.

Then as a small, quiet hand pulled a lever, I felt a leap of power beneath me, the boat careened as she turned, then righted, there was a second pull on the lever, another surging leap of speed, and as we rushed out on the river now up rose her bow higher and higher, a huge white wave on either side. The spray dashed in our faces. Everyone began talking excitedly. Only the b.u.t.tons kept his monkey eyes fixed anxiously on his captain's face while he clasped the pit of his stomach.

"Oh, b.u.t.tons, don't be such a coward," she said. "I tell you it's smooth and you won't be sick! Go out there and stop being silly!"

Slowly and with elaborate caution the monkey crept forward over the cabin. For a moment up at the bow he paused, a ridiculous little dark-jacketed figure between the two white crests of our waves. Then with a spring he was up to his place on the top of the light, and there with gay gesticulations he greeted every vessel we pa.s.sed.

The Harbor Part 18

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The Harbor Part 18 summary

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