The Harbor Part 6
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We will leave you our best wishes As we leave your rocky sh.o.r.es, We are going home to England, We may never see you more.
Rolling home....
Up aloft amidst her rigging Spreading out her snow white sails, Like a bird with outstretched pinions, On we speed before the gale.
Rolling home....
And the wild waves, as we leave them, Seem to murmur as they roll; There are hands and hearts to greet thee In that land to which you go.
Rolling home....
Cheer up, Jack, fond hearts await thee, And kind welcomes everywhere; There are hands and hearts to greet thee, Kind caresses from the fair.
Rolling home, rolling home, Rolling home across the sea, Rolling home to merry England, Rolling home dear land to thee.
"Do they ever sing those words?" I asked suspiciously. The old Irishman looked steadily back.
"Sure they sing 'em--sometimes," he said. "It's the same thing as them other songs--only nicer put. Put to be printed," he added.
He found me others "put to be printed." Soon I had quite a collection.
And with the help of my German teacher I wrote down the music.
"There are not enough for a book," he said. "Why don't you write an article, tell where you found them, put them in, and send it to a paper?
So you can give them to the world."
This I at once set out to do. In the writing I found again that deep delight I had had on the dock, just far enough off to miss the dirt, the sweat and the words of the song. I showed the article to my mother, and she was surprised and delighted. Working together, in less than a week we had polished it off. I heard her read it aloud to my father, I watched his face, and I saw the grim smile that came over it as he asked me,
"Are those the words you heard them sing?"
"Not all of them are," I answered. And suddenly, somehow or other, I felt guilty, as though I had done something wrong. But angrily I shook it off. Why should I always give in to his harbor? This that I had written was fine! This was Art! At last in spite of him and his docks I had found something great that I could do!
When the article was taken by a Sunday paper in New York and a check for eight dollars was sent me with a brief but flattering letter, my pride and hopes rose high. The eight dollars I spent on a pin for my mother, as "Pendennis" or some other boy genius had done. When the article appeared in the paper my mother bought fifty copies and gave them out to our neighbors. There was nothing to shock such neighbors here, and they praised me highly for what they called my "real descriptive power."
"That boy will go far," I heard one cultured old gentleman say. And I lost no time in starting out. No musical career for me, down came Beethoven from my wall, for I was now a writer. And not of mere articles, either. Inside of six months I had written a dozen short stories, and when each of these in turn was rejected I began to plan out a five-act play. But here my mother stopped me.
"You're trying to go too fast," she said. "Think of it, you are barely nineteen. You must give up everything else just now and spend all your time getting ready for college. For if you are going to be a strong writer, as I hope, you need to learn so many things first. And you will find them all in college--as I did once when I was young," she added a little wistfully.
CHAPTER VI
The first thing I needed in college was a good thorough dressing down.
And this I got without any delay. In the first few weeks my artist's ears and eyes and soul were hazed to a frazzle. From "that boy who will go far" I became "you d.a.m.n young freshman." I was told to make love to a horse's hind leg, I was made to perch on a gatepost and read the tenderest pa.s.sages of "Romeo and Juliet," replacing Romeo's name by my own, and Juliet's by that of stout Mrs. Doogan, who scrubbed floors in a dormitory close by. Refusals only made matters painful. Besides, I was told by a freshman friend that I'd better fit in or I'd "queer" myself.
This dread of "queering" myself at first did me a world of good. Dumped in this community of over a thousand callow youths, three hundred in my cla.s.s alone and each one absorbed in getting acquainted, fitting in, making friends and a place for himself, I was soon struggling for a foothold as hard as the rest. Within a month the thing I wanted above all else was to shed my genius and become "a good mixer" in the crowd.
This drew me at first from books to athletics. Though still slight of build I was wiry, high-strung and quick of movement. I had a snub nose and sandy hair, and I was tough, with a hard-set jaw. And I now went into the football world with a pa.s.sion and a patience that landed me at the end of the season--one of the subst.i.tute quarterbacks on the freshman team. I did not get into a single game, I was only used on the "scrub" in our practice. This made for a wholesome humility and a real love of my college.
The football season over, I tried for the daily paper. One of the freshman candidates for the editorial Spring elections, I became a daily reporter slave. Here at first I drew on my "queer" past, turning all my "descriptive powers" to use. But a fat senior editor called "Pop"
inquired one day with a sneer, "For G.o.d's sake, Freshman, why these flowers?" And the flowers forthwith dropped out of my style. At all hours, day and night, to the almost entire neglect of studies, I went about college digging up news--not the trivial news of the faculty's dull, puny plans for the development of our minds, but the real vital news of our college life, news of the things we were here for, the things by which a man got on, news of all the athletic teams, of the glee, mandolin and banjo clubs, of "proms," of cla.s.s and fraternity elections, ma.s.s meetings and parades. Ferreting my way into all nooks and crannies of college life, ears keen for hints and rumors, alert to "scoop" my eighteen reporter rivals--the more I learned the better I loved. And when in the Spring I was one of the five freshman editors chosen, the conquest was complete. No more artist's soul for me. I was part and parcel of college life.
Together with my companions I a.s.sumed a genial tolerance toward all those poor dry devils known to us as "profs." I remember the weary sighs of our old college president as he monotoned through his lectures on ethics to the tune of the cracking of peanuts, which an old darky sold to us at the entrance to the hall. It was a case of live and let live.
He let us eat and we let him talk. With the physics prof, who was known as "Madge the Scientist," our indulgence went still further. We took no disturbing peanuts there and we let him drone his hour away without an interruption, except perhaps an occasional snore. We were so good to him, I think, because of his sense of humor. He used to stop talking now and then and with a quizzical hopeless smile he would look about the hall. And we would all smile broadly back, enjoying to the full with him the droll farce of our presence there. "Go to it, Madge," someone would murmur. And the work of revealing the wonders of this material universe would limp quietly along. In examinations Madge gave no marks, at least not to the ma.s.s of us. If he had, over half of us would have been dropped, so he "flunked" the worst twenty and let the rest through.
The faculty, as a whole, appeared to me no less fatigued. Most of them lectured as though getting tired, the others as though tired out. There were a few lonely exceptions but they had to fight against heavy odds.
The hottest fighter of all against this cla.s.sic torpor was a tall, joyous Frenchman who gestured not only with his hands but with his eloquent knees as well. His subject was French literature, but from this at a moment's notice he would dart off into every phase of French life.
There was nothing in life, according to him, that was not a part of literature. In college he was considered quite mad.
I met him not long ago in New York. We were both hanging to straps in the subway and we had but a moment before he got off.
"I have read you," he said, "in the magazines. And from what you write I think you can tell me. What was the trouble with me at college?" I looked into his black twinkling eyes.
"Great Scott!" I said suddenly. "You were alive!"
"Merci! Au revoir, monsieur!"
What a desert of knowledge it was back there. Our placid tolerance of the profs included the books they gave us. The history prof gave us ten books of collateral reading. Each book, if we could pledge our honor as gentlemen that we had read it, counted us five in examination. On the night before the examination I happened to enter the room of one of our football giants, and found him surrounded by five freshmen, all of whom were reading aloud. One was reading a book on Russia, another the life of Frederick the Great, a third was patiently droning forth Napoleon's war on Europe, while over on the window-seat the other two were racing through volumes one and two of Carlyle's French Revolution. The room was a perfect babel of sound. But the big man sat and smoked his pipe, his honor safe and the morrow secure. In later years, whatever might happen across the sea would find this fellow fully prepared, a wise, intelligent judge of the world, with a college education.
"This reminds me," he said, "of last summer--when I did Europe in three weeks with Dad."
The main idea in all courses was to do what you had to but no more. One day an English prof called upon me to define the difference between a novel and a book of science.
"About the same difference," I replied, "as between an artist's painting and a mathematical drawing."
"Bootlick, bootlick," I heard in murmurs all over the hall. I had answered better than I had to. Hence I had licked the professor's boots.
I did not offend in this way again.
But early in my soph.o.m.ore year, when the novelty had worn away, I began to do some thinking. Was there nothing else here? My mother and I had had talks at home, and she had told me plainly that unless I sent home better reports I could not finish my four years' course. And after all, she wasn't a fool, there was something in that idea of hers--that here in this quiet old town, so remote from the harbor and business, a fellow ought to be getting "fine" things, things that would help him all his life.
"But look what I've got!" I told myself. "When I came here what was I? A little d.a.m.n prig! And look at me now!"
"All right, look ahead. I'm toughened up, I've had some good things knocked into me and a lot of fool things knocked out of me. But that's just it. Are all the fine things fool things? Don't I still want to write? Sure I do. Well, what am I going to write about? What do I know of the big things of life? I was always hunting for what was great. I'm never hunting for it now, and unless I get something mighty quick my father will make me go into his business. What am I going to do with my life?"
At first I honestly tried to "pole," to find whether, after all, I couldn't break through the hard dry crust of books and lectures down into what I called "the real stuff." But the deeper I dug the drier it grew. Vaguely I felt that here was crust and only crust, and that for some reason or other it was meant that this should be so, because in the fresh bubbling springs and the deep blazing fires whose presence I could feel below there was something irritating to profs and disturbing to those who paid them. These profs, I thought confusedly, had about as much to do with life as had that little "hero of G.o.d" who had cut such a pitiful figure when he came close to the harbor. And more pitiful still were the "polers," the chaps who were working for high marks. They thought of marks and little else. They thrived on crust, these fellows, cramming themselves with words and rules, with facts, dates, theorems and figures, in order to become professors themselves and teach the same stuff to other "polers." There was a story of one of them who stayed in his room and crammed all through the big football game of the season, and at night when told we had won remarked blithely,
"Oh, that's splendid! I think I'll go out and have a pretzel!"
G.o.d, what a life, I thought to myself! None of that for me! And so I left the "polers."
But now in my restless groping around for realities in life that would thrill me, things that I could write about, I began trying to test things out by talking about them with my friends. What did a fellow want most in life--what to do, what to get and to be? What was there really in business beside the making of money? In medicine, law and the other professions, in art, in getting married, in this idea of G.o.d and a heaven, or in the idea I vaguely felt now filtering through the nation, that a man owed his life to his country in time of peace as in time of war. The harbor with rough heavy jolts had long ago started me thinking about questions of this kind. Now I tackled them again and tried to talk about them.
And at once I found I was "queering" myself. For these genial companions of mine had laid a most decided taboo upon all topics of this kind. They did so because to discuss them meant to openly think and feel, and to think or feel intensely, about anything but athletics and other things prescribed by the crowd, was bad form to say the least.
Bad form to talk in any such fas.h.i.+on of what we were going to make of our lives. n.o.body cared to warm up on the subject. Many had nothing at all in sight and put off the whole idea as a bore. Others were already fixed, they had positions waiting in law and business offices, in factories, mines, mills and banks, and they took these positions as settled and sure.
"Why?" I would argue impatiently. "How do you know it's what you want most?"
The Harbor Part 6
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The Harbor Part 6 summary
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