A Son of Hagar Part 30

"The gentleman frae Crewe is down at the pit about t' engine in the smelting-mill," said the old man.

"Say I shall be with him in half an hour," said Hugh, and Laird Fisher left the room. Then Hugh put the papers in his pocket.

"We have wasted too much time over the certificates--they can wait--where's the deed of mortgage?--I must have the money to pay for the new engine."

"It is here," said the lawyer, and he spread a parchment on the table.

Hugh glanced hastily over it, and touched a hand-bell. When the maid appeared he told her to go to Mr. Paul, who was thatching in the stack-yard, and say he wished to see him at once. Then he returned to the organ and played a tender air. His touch was both light and strenuous.

"Any news of his daughter?" said Mr. Bonnithorne, sinking his voice to a whisper.

"Whose daughter?" said Hugh, pausing and looking over his shoulder.

"The old man's--Laird Fisher's."

"Strangely enough--yes. A letter came this morning."

Hugh Ritson stopped playing and thrust his hand into an inner pocket.

But Mr. Bonnithorne hastened to show that he had no desire to pry into another man's secrets.

"Pray don't trouble. Perhaps you'd rather not--just tell me in a word how things are shaping."

Hugh laughed a little, unfolded a sheet of scented writing-paper, with ornamented border, and began to read:

"'I am writing to thank you very much--' Here," tossing the letter to the lawyer, "read it for yourself." Then he resumed his playing.

Mr. Bonnithorne fixed his nose-gla.s.ses, and read:

"I am writing to thank you very much for your kind remembrance of me, it was almost like having your company, I live in hopes of seeing you soon, when are you coming to me? Sometimes I think you will never, never come, and then I can't help crying though I try not to, and I don't cry much. I don't go out very often London is far away, six miles, there are nice people here and nice children. Only think when my trouble is over and you come and take me home. How is poor father, does he look much older does he fret for me now? I wonder will he know me. I am quite well, only there is something the matter in my eyes. Sometimes when I wake up I can't see plain. Don't be long writing. My eyes are very sore and red to-day, and it is oh so lonely in this strange place. Mrs. Drayton is kind to me. Good-bye. She has a son, but he is always at meets, that is races, and I have never seen him. Write soon to your loving Mercy. The time is near."

Hugh played on while Mr. Bonnithorne read. The lawyer, when he came to the end, handed the letter back with the simple comment:

"Came this morning, you say? It was written last Tuesday--nearly a week ago."

Hugh nodded his head over his shoulder, and continued to play. He swayed to and fro with an easy grace to the long sweeps of the music until the door opened sharply, and Paul entered with a firm step. Then he rose, picked a pen from the inkstand, and dipped it in the ink.

Paul wore a suit of rough, light cloth, with leggins, and a fur cap, which he did not remove. His face was pale; decision sat on every line of it.

"Excuse me, Mr. Bonnithorne, if I don't shake hands," he said in his deep voice; "I'm at work, and none too clean."

"This," said Hugh Ritson, twiddling the pen in his fingers, "this is the deed I spoke of yesterday. You sign there," pointing to a blank s.p.a.ce in front of a little wafer.

Then he placed one hand firmly on the upper part of the parchment, as if to steady it, and held out the pen.

Paul made no approach to accepting it. He stretched forward, took hold of the doc.u.ment, and lifted it, casting Hugh's hand aside.

Hugh watched him closely.

"The usual formality," he said, lightly; "nothing more."

Paul pa.s.sed his eye rapidly over the deed. Then he turned to the lawyer.

"Is this the fourth or fifth mortgage that has been drawn?" he inquired, still holding the parchment before him.

"Really, I can't say--I presume it is the--really, I hardly remember--"

Mr. Bonnithorne's suavity of tone and customary smile broke down into silence and a look of lowering anxiety.

Paul glanced steadfastly into his face.

"But I remember," he said, with composure more embarra.s.sing than violence. "It is the fifth. The Holme farm was first, and then came Goldscope. Hindscarth was mortgaged to the last ear of corn, and then it was the turn for Coledale. Now, it's the Ghyll itself, I see, house and buildings."

Hugh Ritson's face underwent a change, but his tone was unruffled as he said:

"If you please, we will come to business." Then with a sinister smile, "You resemble the French counsel--you begin every speech at the Creation. 'Let us go on to the Deluge,' said the judge."

"To the Deluge!" said Paul; and he turned his head slowly to where Hugh stood, holding the pen in one hand and rapping the table with the knuckles of the other. "Rather unnecessary. We're already under water."

The pa.s.sion in Hugh Ritson's face dropped to a look of sullen anger. But he mastered his voice, and said quietly:

"The engineer from Crewe is waiting for me at the pit. I have wasted the whole morning over these formalities. Come, come, let us have done. Mr.

Bonnithorne will witness the signature."

Paul had not s.h.i.+fted his steadfast gaze from his brother's face. Hugh dodged his glance at first, and then met it with an expression of audacity.

Still holding the parchment before him, Paul said quietly:

"To-night I leave home for London, and shall be absent four days. Can this business wait until my return?"

"No, it can't," said Hugh with emphasis.

Paul dropped his voice.

"Don't take that tone with me, I warn you. Can this business wait?"

"I mean what I say--it can not."

"On my return I may have something to tell you that will affect this and the other deeds. Once more, can it wait?"

"Will you sign--yes or no?" said Hugh.

Paul looked steady and straight into his brother's eyes.

"You are draining away my inheritance--you are--"

At this word Hugh's smoldering temper was afire.

"Your inheritance?" he broke out in his bitterest tones. "It is late in the day to talk of that. Your inheritance--"