Ghostwritten Part 17
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'I'm sorry to bother you, sir, but would you try to remember the name of the gentleman you just mentioned? The folklorist? It might be very important to me.'
The suit's guard went up. I used the wrong register of speech for a truck driver. The suit touched his forehead, and dropped his keys. Jargal picked them up and handed them to him. I make sure they touch, and I transmigrate. Like Gunga's, it was a hard mind to penetrate. Unusually viscous, like jumping through a wall of cold b.u.t.ter.
I didn't need to scan my new host's memory for long. 'His name is Bodoo.'
Some pa.s.sers-by were staring at the immobile government man. My new host regained control. 'Now, you'll excuse me, I have important business that won't wait.'
Oh yes it will. Here's a picture. Bodoo is a short, balding man with gla.s.ses, sideburns, and a tufty moustache. We are going to meet, you and I, Bodoo. You are going to direct me to my birthright.
I watched Jargal walk away, a man awakening from a strange dream.
My new host was Punsalmaagiyn Suhbataar, a senior agent of the Mongolian KGB with a disdain of vulnerable things. We sped south, his four-wheel drive spewing up clouds of dust. He chewed gum. The gra.s.s grew spa.r.s.er, the camels scraggier, the air drier. The road to Dalanzagad wasn't signposted, but there was no other road. The checkpoint guards saluted.
I would feel guilty for using my host so selfishly, but as I read Suhbataar's past I feel vindicated. During his career he has killed over twenty times, and supervised the mutilation or torture of ten times that number of prisoners. He has accrued a medium-sized fortune in a vault in Geneva at the expense of his old overlords in Moscow, and his new ones in Petersburg. Even I can't see into the hole where his conscience should be. Outside this hole, his mind is cold, clear and cruel.
As night fell I let Suhbataar stop to stretch his legs and drink some coffee. It was good to see the stars again, the whole deep lake of them. Humans thicken the skies above their cities into a broth. But Suhbataar is not a man given to astral contemplation. For the fiftieth time he wondered what he was doing there, and I had to snuff out the thought. We spent the night at a truck drivers' boarding house, scarcely bothering to talk to the owner whom Suhbataar didn't intend to pay. I made enquiries about Bodoo the folklorist curator of Dalanzagad museum, but n.o.body knew him. While my host slept I broadened the Russian I acquired from Gunga.
The following day the hills flattened to a gravel plain, and the Gobi desert began. I was getting weary of it all. Another day of horses and clouds and mountains n.o.body names. Suhbataar's mind didn't help. Most humans are constantly writing in their heads, editing conversations and mixing images and telling themselves jokes or replaying music. But not Suhbataar. I may as well have transmigrated into a cyborg.
Suhbataar drove over the body of a dog and into the dusty regional capital of Dalanzagad. An unpainted place that dropped from nowhere onto a flat plot of dust-devils. Doomed strips of turfless park where women in headscarves sold eggs and dried goods. A few three-or four-floor buildings, with suburbs spilling around the edges. A dirt-strip runway, a flyblown hospital, a corrupt post office, a derelict department store. Beyond stories of black-market dinosaur eggs fetching $500 and snow-leopard pelts from the Gov'-Altai Mountains to the south fetching up to $20,000, Suhbataar knew less about the southernmost province of Mongolia than he cared about it.
There's a police office he could go and scare, but I took Suhbataar straight to the museum to enquire after Bodoo. The door was locked, but Suhbataar can open any door in Mongolia. Inside was similar to the last museum, booming with silence. Suhbataar found the curator's office empty. A large, stuffed buzzard incorrectly labelled as a condor hung down from the ceiling. One of its gla.s.s eyes had dropped out and rolled away somewhere.
There was a middle-aged woman knitting in the empty bookshop. She didn't seem surprised to see a visitor in the locked-up musuem. I doubted she had been surprised by anything for years.
'I'm looking for a "Bodoo",' Suhbataar announced.
She didn't bother looking up. 'He didn't come in yesterday. He didn't come in today. I don't know if he'll come in tomorrow.'
Suhbataar's voice fell to a whisper. 'And may I ask where the esteemed curator is vacationing?'
'You can ask, but I dunno if I'll remember.'
For the first time since I transmigrated into Suhbataar, he felt pleasure. He slipped his gun onto the counter, and clicked off the safety catch. He aimed at the hook suspending the buzzard.
BANG!.
The thing crashed to the floor, disintegrating on impact into a cloud of plaster, powder and feathers. The noise of the gunshot chased its own tail through all the empty rooms.
The woman threw her knitting high into the air. As her mouth hung open I saw how bad her teeth were.
Suhbataar whispered. 'Look, you tapeworm-infested dungpuddle peasant b.i.t.c.h with bad teeth here is how our little interview works. I ask the questions: and then you answer them. If I feel you are being just the least bit evasive, you will spend the next ten years in a s.h.i.+t-smeared prison, in a distant part of our glorious Motherland. Do you understand?'
The woman blanched and tried to swallow.
Suhbataar admired his gun. 'I don't believe I heard you.'
She whimpered yes.
'Good. Where is Bodoo?'
'He heard that the KGB man was coming. He did a runner. I swear, he didn't say where. Sir, I didn't know you were the KGB man. I swear, I didn't.'
'And where does Bodoo reside in your fine towns.h.i.+p?'
The woman hesitated.
Suhbataar sighed, and from his jacket pocket pulled out a gold lighter. He set fire to the card No-Smoking sign on the counter. The quivering woman, Suhbataar and I watch it shrivel and burn up into a flapping black flap. 'Maybe you want to be locked up and maimed in prison? Maybe you want me to castrate your husband? Maybe you want your children to be taken into care by a Muslim-run orphanage in Bayan Olgii with a nasty reputation for child abuse?'
Beads of sweat sprang up through her mascara. Idly, Suhbataar considered ramming her head through the gla.s.s counter, but I interceded. She scribbled an address on the margin of her newspaper and handed it over. 'He lives there with his daughter, sir.'
'Thank you.' Suhbataar yanked the phone line out of the wall. 'Have a nice day.'
Suhbataar circled the house. A prefabricated little place on the edge of town with only one door. There was a barrel for rainwater, which falls ten times in a good year, and an optimistic herb garden. The wind was loud and dusty. My host pulled out his gun and knocked. I clicked the safety catch on without Suhbataar noticing.
The door was opened by Bodoo's daughter. A boyish-looking girl in her late teens. We noted that my host was expected. Suhbataar guessed that she was alone in the house.
'Let's keep this painless,' said Suhbataar. 'You know who I am and what I want. Where is your father?'
This girl had att.i.tude. 'You don't really expect me just to turn in my own father? We don't even know the charge?'
Suhbataar smiled. Something in the dark hole was humming. His eyes ran over the girl's body, and imagined slas.h.i.+ng it. He stepped forward, gripping her forearm.
But for once Suhbataar was not going to get what he wanted.
I implanted an overwhelming desire to drive to Copenhagen via Baghdad into Suhbataar's mind, and made him throw his wallet containing several hundred dollars at Bodoo's daughter's feet. I transmigrated through the young woman's forearm. It was difficult the girl's defences were high and thick, and she was about to scream.
I was in. I clamped the scream shut. We watched the dreaded KGB agent throw money at her feet, spring into his Toyota and drive west at breakneck speed. My order might not get Suhbataar quite as far as Caspar's flowerbeds, but it should take him well clear of Dalanzagad, and into a displeased border patrol in a volatile country where n.o.body spoke Russian or Mongolian.
My new host watched Suhbataar's car disappear. The screeching tyres flung ribbons of dust to the desert wind.
I saw her name, Baljin. A dead mother. There! The three who think about the fate of the world. The three who think about the fate of the world. A different version, but the same story. Her mother is weaving by firelight, on the far side of the room. Baljin is safe and warm. The loom clanks. A different version, but the same story. Her mother is weaving by firelight, on the far side of the room. Baljin is safe and warm. The loom clanks.
Now all I had to do was find out where the story is from. I overrode Baljin's relief and took us into her father's study, which was also his bedroom and the dining room. Baljin was her father's amanuensis, and accompanied him on fieldwork. The notes for his book were in the drawer. Not good! Bodoo had taken them with him when he fled.
I laid Baljin down on the bed and closed down her consciousness while I searched her memory for information on the origin of the tale. In what town is it still known and told? I spent half the afternoon searching, even for after-memories, but Baljin's only certainty is that her father knows.
So where was Bodoo? Yesterday he left for his brother's ger, two hours' ride west of Dalanzagad. Unless he received an all-clear message from Baljin by noon that day he would depart for Bayanhongoor, five hundred kilometres north-west across the desert. I woke Baljin, and looked at her watch. It was already three. I a.s.sured her the danger had pa.s.sed, that the KGB do not want to question her father about anything, and that he can be contacted safely and told to come home. I waited for Baljin to choose the next logical step.
We needed to borrow a horse, or maybe a motorbike.
Two hours later we were thirty kilometres west of Dalanzagad in a sketchy village known only in the local dialect as 'The bend in the river'. Baljin found her uncle, Bodoo's brother, repairing his jeep. I had missed Bodoo by five hours. He left before noon, believing that the KGB must have reopened the file on his part in the democracy demonstrations. Baljin told her uncle about the wallet thrown at her feet. I had erased the memories of Suhbataar's aggression. Bodoo's brother, a tough herder who can wrestle rams to the ground and slit their throats in ten seconds, laughed. He stopped laughing when Baljin gave him half the money. This would feed his family for a year.
We could go after his brother in the jeep, if we could get it working. I transmigrated, and with Jargal Chinzoreg's automotive knowledge started rea.s.sembling the engine.
Evening came before I got the engine working. My host considered it dangerous to leave after nightfall, so we decided to wait until dawn of the following day. Baljin brought her uncle a cup of airag airag. In the cold river children were swimming and women were was.h.i.+ng clothes. The river flowed from springs at the feet of Gov'-Altai mountains, born of winter snow. The sunset smelt of cooking. Baljin's niece was practising the shudraga shudraga, a long-necked lute. An old man was summoning goats. How I envy these humans their sense of belonging.
Men arrived on horseback from the town, hungry for news. They had learned of Suhbataar's visit two days ago from the truck drivers' grapevine. They sat around the fire as Baljin told the story yet again, and an impromptu party got going. The younger men showed off their horsemans.h.i.+p to Baljin. Baljin was respected as one of the finest archers in all Dalanzagad, male or female, and she was unbetrothed, and the daughter of a government employee. Baljin's aunt made some fresh airag airag, stirring mare's milk into fermented milk. The mares were grazed on the previous autumn's taana taana gra.s.s, which makes the best gra.s.s, which makes the best airag airag. It grew dark, and fires were lit.
'Tell us a story, Aunt Baljin,' says my host's eight year-old. 'You know the best ones.'
'How come?' says a little snotty boy.
'Because of Grandpa Bodoo's book, stupid. My Aunt Baljin helped him write it, didn't you, Aunt Baljin?'
'What book?' says Snotty.
'The book of stories, stupid.'
'What stories?'
'You are so facile!' The girl exhibits her recent acquisition. 'Aunt Baljin, tell us The Camel and the Deer The Camel and the Deer.'
Baljin smiles. She has a lovely smile.
Now; long, long ago, the camel had antlers. Beautiful twelve-p.r.o.nged antlers. And not only antlers! The camel also had a long, thick, tail, l.u.s.trous as your hair, my darling.
['What's "l.u.s.tous"?' asked Snotty.]
['Shut up, stupid, or Aunt Baljin will stop, won't you, Aunt Baljin?']
At that time the deer had no antlers. It was bald, and to be truthful rather ugly. And as for the horse, the horse had no lovely tail, either. Just a short little stumpy thing.
One day the camel went to drink at the lake. He was charmed by the beauty of his reflection. 'How magnificent!' thought the camel. 'What a gorgeous beast am I!'
Just then, who should come wandering out of the forest, but the deer? The deer was sighing.
'What's the matter with you?' asked the camel. 'You've got a face on you like a wet sun.'
'I was invited to the animals' feast, as the guest of honour.'
'You can't beat a free nosh-up,' said the camel.
'How can I go with a forehead as bare and ugly as mine? The tiger will be there, with her beautiful coat. And the eagle, with her sw.a.n.ky feathers. Please, camel, just for two or three hours, lend me your antlers. I promise I'll give them back. First thing tomorrow morning.'
'Well,' said the camel, magnanimously. 'You do look pretty dreadful the way you are, I agree. I'll take pity on you. Here you are.' And the camel took off the antlers, and gave them to the deer, who pranced off. 'And mind you don't spill any, er, berry juice on them or whatever it is you forest animals drink at these dos.'
The deer met the horse.
'Hey,' said the horse. 'Nice antlers.'
'Yes, they are, aren't they?' replied the deer. 'The camel gave them to me.'
'Mmmn,' mused the horse. 'Maybe the camel will give me something, too, if I ask nicely.'
The camel was still at the lake, drinking, and looking at the desert moon.
'Good evening, my dear camel. I was wondering, would you swap your beautiful tail with me for the evening? I'm going to see this finely built young filly I know, and she's long been an admirer of yours. I know she'd simply melt if I turned up in her paddock wearing your tail.'
The camel was flattered. 'Really? An admirer? Very well, let's swap tails. But be sure to bring it back first thing tomorrow morning. And be sure you don't spill any, erm, never mind, just look after it all right? It's the most beautiful tail in the whole world, you know.'
Since then many days and years have pa.s.sed, but the deer still hasn't given back the camel's antlers, and you can see for yourself that the horse still gallops over the plains with the camel's tail streaming in the wind. And some people say, when the camel comes to drink at the lake he sees his bare, ugly reflection, and snorts, and forgets his thirst. And have you noticed how the camel stretches his neck and gazes into the distance, to a far-off sand dune or a distant mountain top? That's when he's thinking, 'When is the horse going to give me back my tail?' And that is why he is always so sad.
Dust-devils bounced off the sh.e.l.l of the jeep like kangaroos. Nothing amongst these rocks but scorpions and mirages, for the length and breadth of the morning.
Bodoo's brother stopped in an isolated ger. A camel was tethered outside, but there was no one around. As Gobi etiquette permits, my host entered the ger, prepared some food, and drank some water. The owner's camel snorted like a human. A warning flared up from my host's unconcious, but it went before I could locate its source. The wind was strong but the world was silent. There was nothing to blow against, or in, or through.
We got back in the jeep. Gazelles darted through the distance, flocks of them turning like minnows in a river. Bodoo's brother drove down the Valley of the Vulture's Mouth, where we stopped at a store for enough provisions and petrol to get us to Bayanhongoor. Bodoo had pa.s.sed through early that morning. We were catching him up.
Hawks circled high. One of the last Gobi bears shambled along the fringe of forest. There are less than a hundred left. Bodoo's brother slept in the jeep, under several blankets. It gets cold at night, even in summer. Dreams came, of bones and stones with holes.
The next day, the dunes, the longest running for eighty miles, swelling and rolling, grain by grain. Bodoo's brother sang songs that lasted for miles, with no beginning and no end. The dunes of the dead. There were bones, and stones with holes.
There was a stationary jeep in the s.h.i.+mmering distance. Bodoo's brother pulled up to it, and cut his engine. A figure was asleep under a makes.h.i.+ft canopy in the back.
'Are you all right, stranger? Are you in need of any help? Any water?'
'Yes,' said the figure, suddenly sitting up and showing his face, chewing gum. 'I need your jeep. Mine seems to have broken down.' At point blank range Punsalmaagiyn Suhbataar fired his handgun twice, a bullet for each of my host's eyes.
n.o.body replies. Firelight without colour. Outside must be night, if there is an outside. I am hostless and naked. The faces all stare in the same direction, all of them all of their ages. One of them coughs. It is Bodoo's brother, his eye wounds already healed. I try to transmigrate into him, but I cannot inhabit a shadow. I've never known silence so deep. By being what I am, I thought I understood almost everything. But I understand almost nothing.
A figure rises, and leaves the ger through a curtain. So simple? I follow the figure. 'I'm sorry, I'm afraid you can't come through here,' says a girl I hadn't noticed, no older than eight, delicate and tiny as an ancient woman.
'Will you stop me?'
'No. If there is a door for you, you are free to pa.s.s through.' Wrens flutter.
I touch the wall. There is no door. 'Where is it?'
She shrugs, biting her lip.
'Then what shall I do?'
A swan inspects the ground. She shrugs.
Tallow candles spit and hiss. These few guests are many mult.i.tudes. Thousands of angels swim in a thimble. From time to time one of the guests stands up, and walks through the way out that is not there. The wall of the ger yields, and re-seals behind them, like a wall of water. I try to leave with them, but for me it never even bends.
The monk in a saffron robe sighs. He wears a yellow hat that arcs forward. 'I'm having some problems with my teeth.'
'I'm sorry to hear that,' I say. The little girl talks to her twitchy marmot.
Ghostwritten Part 17
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Ghostwritten Part 17 summary
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