Grailblazers. Part 1

Tom Holt.

GrailBlazers.

It is quite some storm.

It had started out with a perfectly ordinary squall on the strings, but then the bra.s.s had joined in, followed shortly afterwards by the entire woodwind section, and now the tubas and the double-ba.s.ses are in full cry, with the trombones in the background doing the lightning effects. It is also slas.h.i.+ng down with rain.

A flash of brilliant electric whiteness cleaves the darkness and reflects, painfully bright, off a man in armour staggering up the steep escarpment of the fell. His visor is up, and his face is lined with agony. He is an idiot. You can tell, just by looking at him. It's not so much his tall, youthful, athletic build or the sopping wet golden hair plastered like seaweed down his forehead that gives him away; it's just that n.o.body with anything substantial between his ears would climb up a steep mountain in full armour in a thunderstorm.

True, there is supposed to be a sleeping princess at the top of this mountain, whom a kiss will awaken from a century of enchanted sleep. True, this princess is alleged to be beautiful, wise and extremely rich, and quite likely to be well-disposed towards the man who wakes her up. But common sense, even if it can handle the concept of sleeping princesses on mountain-tops, must surely insist that if she's been up there for a hundred years she's probably still going to be there in the morning, when it'll have stopped raining and a chap can see where he's putting his feet.

The knight stumbles on, and something - fool's luck, probably - guides his footsteps clear of the anthills, tussocks of heather and other natural obstacles which would send him and his fifty pounds of sheet steel slithering back down the hillside like a heavy-duty toboggan. The lightning forks from the sky again, and instead of electrocuting him chooses to illuminate the mountain-top. In fact it goes further, setting a wind-twisted thorn tree nicely on fire, so that the knight can make out the figure of a sleeping human under the lee of a rocky outcrop. Short of providing an illuminated sign saying YOU ARE HERE, there's not much more anybody could do to make things easy.

'Ha!' says the knight.

He lays down his s.h.i.+eld and his spear and kneels for a moment, lost in wonder and awe. A sheep, huddling under a nearby gorse bush and chewing a ling root, gives him a look of utter contempt.

The sleeper remains motionless. The funny thing is that, for somebody who's been asleep on a mountain-top for a hundred years, she's in a pretty good state of preservation. When one thinks what happens to a perfectly ordinary pair of corduroy trousers when they inadvertently get left outside on the was.h.i.+ng line overnight, one is amazed at how tidy she is. But of course, the idiot doesn't notice this. In fact, he's praying. He doesn't half choose some funny moments.

And now it has stopped raining, and the dawn pokes its rosy toe outside the duvet of the clouds and shudders. A single exquisite sunbeam picks out the scene. The knight's armour rusts quietly. Somebody is going to have to go over it later with a wire brush and a tin of metal polish, but you can guess, can't you, that it isn't going to be the knight.

Finally, having said quite a few paternosters and the odd Te Deum, the knight rises to his feet and approaches the sleeping figure. Dawn is now in full swing, and as he lifts the veil off her face - please note that some unseen force has protected the veil from mildew and mould for over a century - the sun lets fly with enormous quant.i.ties of atmospheric pink light. Creaking slightly, the knight bends down and plants a chaste, dry little kiss on the sleeper's cheek.

She stirs. Languidly, she opens her eyes. Consider how you feel first thing in the morning, and multiply that thirty-six thousand, five hundred times. Correct; you'd feel like death, wouldn't you? And the first thing you'd say would be, 'Nnnggrh,' surely. Not a bit of it.

'Hail, oh sun,' she says, 'hail, oh light, hail, oh daw . . .'

Then she checks herself. She blinks.

'Hang on,' she says.

The knight remains kneeling. He has that utterly idiotic expression on his face that you only see in Pre-Raphaelite paintings.

'Who are you?' says the princess.

The knight clears his throat. 'I,' he says, 'am Prince Boamund, eldest son of King Ipsimar of Northgales, and I have come-'

Who.

The knight raises both eyebrows, like someone by BurneJones who's just trodden on something sharp. 'I am Prince Boamund, eldest son of King-'

'Boamund?'

'That's right,' says the knight, 'Boamund, eldest son of-'

'How do you spell that?'

The knight looks worried. Where he comes from you can take advanced falconry, or you can take spelling; not both. Guess which one he opted for.

'Bee,' he says, and hesitates. 'Oh. Ee . . .'

The princess has a curious expression on her face (which is, of course, divinely beautiful). 'Are you being funny or something?' she says.

'Funny?'

'Kidding about,' she replies. 'Practical joke, that sort of thing.' She considers the situation for a moment. 'You're not, are you?'

'No,' says Boamund. He thinks hard. 'Look,' he says, 'I am Boamund, eldest son of King Ipsimar of Northgales, and you are Kriemhild the Fair, and you have been sleeping an enchanted sleep on top of this mountain ever since the foul magician Dunthor cast a spell on you, and I've just woken you up with a kiss. Agreed?'

The princess nods.

'Right, then,' says Boamund.

'Soy'

'What do you mean, so?' says Boamund, flus.h.i.+ng pink. 'I mean, it's supposed to be . . . well . . .'

'Well what?'

'Well . . .'

Kriemhild gives him another peculiar look and reaches under a nearby stone for her cardy. It is, of course, pristinely clean.

'I mean,' she says, 'yes, you qualify, yes, you're a prince and all that, but . . . well, there seems to have been some mistake, that's all.'

'Mistake?'

'Mistake. Look,' she says, 'who told you? About me being here and everything?'

Boamund thinks hard. 'Well,' he says, 'there was this man in a tavern, if you must know.'

'A knight?'

Boamund scratches his head. Imagine a knight by AlmaTadema who's somehow managed to fall off the picture and is wondering how to get back in without breaking the gla.s.s. 'I suppose he might have been a knight, yes. We were playing cards, and I won.'

Kriemhild's roseate lips have set in a firm line. 'Oh yes?' she says.

'Yes,' replies Boamund, 'and when I asked him to pay up he said he was terribly sorry but he didn't have any money. And I was just about to get pretty angry with him when he said that he could put me on to a pretty good thing instead, if I was interested. Well, I reckoned that I didn't have much choice, so. . .'

'I see,' says Kriemhild icily. 'Tell me, this knight, was he sort of dark, good-looking in a blah sort of way, long nose, hair fluffed up at the back . . .?'

'Yes,' says Boamund, surprised. 'Do you know him? I mean, how can you, you've been asleep...'

'Just wait till I get my hands on him, the treacherous little rat,' says Kriemhild, vigorously. 'I should have guessed, I really should.'

'You do know him, then?'

Kriemhild laughs bitterly. 'Oh yes,' she says, 'I know Tancred de la Grange all right. The little weasel,' she adds. 'I shall have a thing or two to say to Messire de la Grange when he finally condescends to get here.'

Something sinks into Boamund's slowly grinding brain. 'Oh,' he says. 'So you're going to, er. . .'

'Yes.'

'And you're, um, not going to...'

'No.' Kriemhild takes off her cardy, rolls it into a ball and puts her head on it. 'Please replace my veil before you go,' she says firmly. 'Good night.'

'Oh,' says Boamund. 'Right you are, then.' He stoops awkwardly down and picks up the veil, not noticing that he's standing on one corner of it. There is a tearing sound. 'Sorry,' he says, and drapes it as best he can over the face of the princess, who is now fast asleep once more. She grunts.

'd.a.m.n,' says Boamund, faintly; then, with a shrug which makes his vamplates crunch rustily, he sets off slowly down the mountain.

He's about a third of the way down when it starts raining again.

Fortunately there is a small cave nearby, its entrance half hidden by a wind-twisted thorn tree, and he squelches heavily towards it. Just inside he sees a dwarf, sitting cross-legged and munching a drumstick.

Promising.

'h.e.l.lo, dwarf,' says Boamund.

'Wotcher, tosh,' replies the dwarf, not looking up. 'Still p.i.s.sing down out there, is it?'

'Um,' says Boamund. 'Yes.'

'Rotten b.l.o.o.d.y climate, isn't it?' says the dwarf. 'I suppose you're coming in.'

'If you don't mind.'

'Suit yourself,' says the dwarf. 'I suppose you want a drink, an' all.'

Boamund's face lights up under his sodden fringe. 'Have you got any milk?' he asks.

The dwarf favours him with a look of distilled scorn and indicates a big leather bottle. 'Help yourself,' he says, with his mouth full.

It's a strange drink. Boamund thinks there are probably herbs in it; cold herbal tea or something. Then he suddenly feels terribly, terribly sleepy.

When he's fast asleep the dwarf jettisons his chicken leg, grins unpleasantly, makes a cabalistic sign and gets up to leave. A thought crosses his mind and he turns back. Having stolen Boamund's purse, penknife with corkscrew attachment and handkerchief, he leaves, and soon he has vanished completely.

Boamund sleeps.

Quite some time later he woke up.

Localised heavy rain, perhaps; or else someone had just emptied a bucket of water over him. He tried to move, but couldn't. Something creaked.

'It's all right,' said a voice somewhere overhead. That was probably G.o.d, Boamund thought; in which case, what he'd always suspected was true. G.o.d did indeed come from the West Riding of Yorks.h.i.+re.

'You're not paralysed or anything like that,' the voice went on, 'it's just that your armour's rusted solid. Really solid,' the voice added, with just a touch of awe. 'We're going to need more than just tinsnips to get you out of there.'

Boamund tried to see who was talking - probably not G.o.d after all - but the best he could do was crane his eyes. Result, a close-up of the bottom edge of his visor. 'Where am I?' he asked.

'In a cave,' replied the voice, and then continued, 'You've been here for some time, actually, sorry about that.'

Boamund cast his mind back. A fiery mountain. A maiden. A dwarf. Milk that tasted funny. Something his mother had told him, many, many years ago, about not accepting milk from strange dwarves.

'What's going on?' he asked.

'Ah,' replied the voice. 'You're the perceptive type, I can see that. Maybe all it needs is a dab of penetrating oil. Hold still.'

This injunction was, of course, somewhat redundant, but at least Boamund caught a very brief glimpse of someone small, in a purple hood, darting across his restricted line of vision. 'Here,' he said, 'you're the dwarf, aren't you? The one who...'

'Close,' said the dwarf, 'but not quite.'

'Hang on,' Boamund remonstrated. 'Either you are or you...'

'I'm not the dwarf you're thinking of,' replied the dwarf, 'but I'm a relative of his.'

'A relative...'

'Yes.' A small, ugly, wide grin floated across Boamund's sight-plane for an instant and then vanished again. 'A relative. In fact...'

'Yes?'

'Um.' A scuttling noise. 'A direct relative.' There was a curious swoos.h.i.+ng sound near Boamund's left knee. 'Try that.'

Boamund made an attempt to flex his leg, without results.

'Give it another go,' said the dwarf. 'Brilliant stuff, this WD-40, but you've got to let it have time to seep through.'

Something began to tick inside Boamund's head. 'How long have I been here, exactly?' he asked. 'If my armour's really rusted solid, I must have been here . . .' He considered. 'Weeks,' he said.

'Try that.'

'Nothing.'

'Sure?'

'Of course I'm...'

Sound of intake of dwarfish breath. As well as being notorious for their alliance with enchanters, sorcerers and other malign agencies, dwarves are celebrated blacksmiths, and metalworkers. This means that they have that profoundly irritating knack, familiar to anyone who's ever taken a car to a garage to have an inexplicable squeak sorted out, of drawing their breath in through a gap in their teeth instead of answering questions. The gap in the teeth, so current research would indicate, is usually the result of getting a smack in the mouth from telling a short-tempered customer that you can't get the parts.

'You're stuck solid there, chum,' said the dwarf. 'Absolutely solid. Never seen anything like it.'

Boamund felt a tiny twinge of panic, deep down inside his digestive apparatus. 'What do you mean,' he said, 'solid?'

The dwarf seemed not to have heard him. 'Not really surprising, though, amount of time you've been here. Suppose we could give it a try with the old cold chisel, but I'm not promising anything.'