Tell Me Another Story Part 11
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The tin of which it was made was as bright and s.h.i.+ning as silver, and it had one little pointed toe upon which it could dance most merrily when its string was unwound.
But more wonderful than the colors of the tin top, or the s.h.i.+ne of it, or its one little tin toe, was its voice. The very moment that it began to dance it began, too, to sing in a sweet, cheerful humming kind of way. And it kept on singing as long as it kept on dancing, and its voice was never less sweet or less cheerful.
One day Gerald came to the toy shop with his mother because it was his birthday and he was to select a new toy. A boy who is to have a new toy should smile, but Gerald frowned. He had so many toys at home that he could not decide which new one to choose.
"Will you have a box of toy soldiers?" asked his mother.
"No, I'm tired of soldiers," Gerald said crossly.
"Will you have a new ball?" asked the toy man.
"I don't want any more b.a.l.l.s," Gerald replied quite crossly.
"Oh, see this game!" said his mother.
"Games are stupid," Gerald answered most crossly.
"Then, listen!" said the toy man taking the little tin top from its place, winding it up, pulling off the string and then setting it down upon the floor. Away danced the bright little top upon its one little tin toe and as it danced it sang its sweet, cheerful, humming song.
Gerald listened. Then the ugly frown left his face and in its place there came a happy smile. He clapped his hands as the little tin top circled, and whirled, and tripped, and hopped around his feet.
"May I buy the top that sings?" he asked and his mother said that he might. So they paid a bright ten cent piece for it and the toy man put the little tin top into Gerald's hands. As they left the toy shop, Gerald still smiled and he hopped along beside his mother as he remembered how the little tin top had hopped. And his mother made up a song about it that they hummed softly together:
"To and fro, on its little tin toe, Singing and dancing the top will go.
Spinning and singing it seems to say, 'Children should always be glad and gay.'"
So they went on until they came to a big building that was a hospital, and at one of the front windows a sick-a-bed child was propped up on pillows and looking out. Gerald looked in; then he motioned for the nurse who stood near to open the window, and he wound the little tin top and started it spinning on the sidewalk. It could spin and sing indoors or outdoors. Round and round it danced and it seemed to be saying:
"To and fro on my little tin toe, Singing and spinning, oh, see me go!
This is the song that I sing to-day, 'Children should always be glad and gay.'"
The sick-a-bed child watched the little tin top, its whirling colors looking like a rainbow in the sunlight. She listened to its sweet, cheerful, humming song. Then her sick-a-bed, tired face changed to a happy, smiling face, and she clapped her hands and laughed so loudly that Gerald could hear her, for she had heard what the little tin top sang.
Then they went on a little farther and they came to a boy who sold newspapers on the street corner. He had just seen another boy who sold newspapers coming and he had decided to have a fight with him, for he did not want him to sell his papers on that corner. An ugly frown covered his face, but suddenly he saw Gerald with his little top in his hands.
"Can you spin it?" he asked of Gerald.
"Watch and see!" Gerald answered.
So Gerald wound the little tin top and started it spinning by the newsboy's pile of papers. It could spin and sing anywhere, even on a street curbing. Round and round it danced, and it seemed to be saying again:
"To and fro on my little tin toe, Singing and spinning, oh, see me go!
This is the song that I sing to-day, 'Children should always be glad and gay.'"
The newsboy listened to the sweet, cheerful humming song of the little tin top. Then he, too, laughed and he motioned to the other newsboy to come and see the top.
"Put your papers down here by mine," he said as Gerald picked up the top and started on.
They were almost home now, and just as they reached their own street he heard the voices of his two friends, Peter and Polly, and they were very loud, cross voices indeed.
"It's my turn to ride in the cart," shouted Peter.
"No, it's my turn to ride in the cart!" shouted Polly.
"Peter and Polly, look; see what I have for my birthday," said Gerald.
Then Gerald wound the little tin top and started it spinning in front of Peter and Polly. It could sing and spin anywhere, even in front of a little quarreling brother and sister. Round and round it whirled, and it seemed to be saying once again:
"To and fro on my little tin toe, Singing and spinning, oh, see me go!
This is the song that I sing to-day, 'Children should always be glad and gay.'"
"Oh, the pretty top!" shouted Peter and Polly as they listened to its sweet, cheerful, humming song. Then Peter said to Polly:
"It's your turn to ride in the cart, Polly."
But Polly said to Peter: "Oh, no, it's your turn to ride in the cart, Peter."
And that was the wonderful secret of the little tin top; wherever it took its spinning, singing way it made little children glad and gay.
THE MONEY PIG
In the nursery a number of toys lay strewn about. High up, on the cupboard, stood the money box, made of clay in the shape of a little pig. The pig had by nature a slit in his back, and this slit had been so enlarged with a knife that whole silver dollars could slip through.
Indeed, two dollar pieces had slipped into the box beside a number of pennies. The money pig was stuffed so full that he could no longer rattle, and that is the highest point of perfection a money pig can attain.
There he stood upon the cupboard, high and lofty, looking down upon everything else in the room. He knew very well that what he had in his stomach would have bought all the toys.
The others thought of that, too, even if they did not say it, for there were many other things to speak of. One of the drawers was half pulled out and there lay a great handsome doll, although she was somewhat old, and her neck had been mended. She looked out and said,
"Now we'll play at being men and women."
And then there was a general uproar. Even the framed pictures on the wall turned round to show that they had a wrong side; but that was not because they objected.
It was late at night. The moon shone through the window frames and afforded the most economical light. The game was now to begin and all, even the children's go-cart, which certainly belonged to the coa.r.s.er playthings, were invited to take part in the fun.
"Each of us has his own peculiar value," said the go-cart. "We cannot all be n.o.blemen. There must be some who work."
The money pig was the only one of the toys who received a written invitation, for he was of high standing and great pride, and they were afraid he would not accept a verbal invitation. Indeed he did not answer to say whether he would come, nor did he come. They understood that if he were to take a part, he must enjoy the sport from his own home. The others must arrange things accordingly, and so they did.
The little toy theatre was set up in such a way that the money pig could look directly in. They wanted to begin with a play, and afterward there was to be a party and a little conversation among themselves. They began with this latter part immediately. The rocking horse talked about training and racing, and the go-cart of railways and steam power, for all this belonged to their professions and it was quite right that they should speak of it.
The toy clock talked politics--_tick_--_tick_--and knew what was the time of day, although it was whispered that he did not go correctly.
The little boy's cane stood there, stiff and straight, for he was conceited about his bra.s.s tip and his silver handle. On the sofa lay two embroidered cus.h.i.+ons, pretty and stupid.
And then the play began.
They all sat and looked on. The play was not very good, but the actors did their part. These were little card-board figures who turned their painted side to the audience. They were so made that they should only be looked at from that side, and not from the other. They all played wonderfully well, coming out beyond the footlights because the wires were a little too long, but that only helped them to come out the more.
Tell Me Another Story Part 11
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Tell Me Another Story Part 11 summary
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