The Eye of Dread Part 11

"Do you want me to go? There'll be enough others--"

She tossed her head and gave him a sidelong glance. "I always ask people to go when I don't want them to."

He rose at that and stood close to her side, and, stooping, looked in her eyes; and for the first time the color flamed up in her face because of him. "I say--do you want me to go?"

"No, I don't."

But the red he had brought into her cheeks intoxicated him with delight. Now he knew a thing to do. He seized her wrists and turned her away from the table and continued to look into her eyes. She twisted about, looking away from him, but the burning blush made even the little ear she turned toward him pink, and he loved it. His discretion was all gone. He loved her, and he would tell her now--now!

She must hear it, and slipping his arm around her, he drew her away and out to the seat under the old silver-leaf poplar tree.

"You're acting silly, Peter Junior,--and my bread will all spoil and get too light,--and my hands are all covered with flour, and--"

"And you'll sit right here while I talk to you a bit, if the bread spoils and gets too light and everything burns to a cinder." She started to run away from him, and his peremptory tone changed to pleading. "Please, Betty, dear! just hear me this far. I'm going away, Betty, and I love you. No, sit close and be my sweetheart. Dear, it isn't the old thing. It's love, and it's what I want you to feel for me. I woke up yesterday, and found I loved you." He held her closer and lifted her face to his. "You must wake up, too, Betty; we can't play always. Say you'll love me and be my wife--some day--won't you, Betty?"

She drooped in his arms, hanging her head and looking down on her floury hands.

"Say it, Betty dear, won't you?"

Her lip quivered. "I don't want to be anybody's wife--and, anyway--I liked you better the other way."

"Why, Betty? Tell me why."

"Because--lots of reasons. I must help mother--and I'm only seventeen, and--"

"Most eighteen, I know, because--"

"Well, anyway, mother says no girl of hers shall marry before she's of age, and she says that means twenty-one, and--"

"That's all right. I can wait. Kiss me, Betty." But she was silent, with face turned from him. Again he lifted her face to his. "I say, kiss me, Betty. Just one? That was a stingy little kiss. You know I'm going away, and that is why I spoke to you now. I didn't dare go without telling you this first. You're so sweet, Betty, some one might find you out and love you--just as I have--only not so deeply in love with you--no one could--but some one might come and win you away from me, and so I must make sure that you will marry me when you are of age and I come back for you. Promise me."

"Where?--why--Peter Junior! Where are you going?" Betty removed his arm from around her waist and slipped to her own end of the seat.

There, with hands folded decorously in her lap, with heightened color and serious eyes, she looked shyly up at him. He had never seen her shy before. Always she had been merry and teasing, and his heart was proud that he had wrought such a miracle in her.

"I am going to Paris. I mean to be an artist." He leaned toward her and would have taken her in his arms again, but she put his hands away.

"Will your father let you do that?" Her eyes widened with surprise, and the surprise nettled him.

"I don't know. He's thinking about it. Anyway, a man must decide for himself what his career will be, and if he won't let me, I'll earn the money and go without his letting me."

"Wouldn't that be the best way, anyway?"

"What do you mean? To go without his consent?"

"Of course not--goosey." She laughed and was herself again, but he liked her better the other way. "To earn the money and then go.

It--it--would be more--more as if you were in earnest."

"My soul! Do you think I'm not in earnest? Do you think I'm not in love with you?"

Instantly she was serious and shy again. His heart leaped. He loved to feel his power over her thus. Still she tantalized him. "I'm not meaning about loving me. That's not the question. I mean it would look more as if you were in earnest about becoming an artist."

"No. The real question is, Do you love me? Will you marry me when I come back?" She was silent and he came nearer. "Say it. Say it. I must hear you say it before I leave." Her lips trembled as if she were trying to form the words, and their eyes met.

"Yes--if--if--"

Then he caught her to him, and stopped her mouth with kisses. He did not know himself. He was a man he had never met the like of, and he gloried in himself. It seemed as if he heard bells ringing out in joy.

Then he looked up and saw Mary Ballard's eyes fixed on him.

"Peter Junior--what are you doing?" Her voice shook.

"I--I'm kissing Betty."

"I see that."

"We are to be married some day--and--"

"You are precipitate, Peter Junior."

Then Betty did what every woman does when her lover is blamed, no matter how earnestly she may have resisted him before. She went completely over to his side and took his part.

"He's going away, mother. He's going away to be gone--perhaps for years; and I've--I've told him yes, mother,--so it isn't his fault."

Then she turned and fled to her own room, and hid her flaming face in the pillow and wept.

"Sit here with me awhile, Peter Junior, and we'll talk it all over,"

said Mary.

He obeyed her, and looking squarely in her eyes, manfully told her his plans, and tried to make her feel as he felt, that no love like his had ever filled a man's heart before. At last she sent him up to the studio to tell her husband, and she went in and finished Betty's task, putting the bread--alas! too light by this time--in the oven, and shaping the raised biscuit which Betty had left half-finished.

Then she paused a moment to look out of the window down the path where the boys and little Janey would soon come tumbling home from school, hot and hungry. A tear slowly coursed down her cheek, and, following the curves, trembled on the tip of her chin. She brushed it away impatiently. Of course it had to come--that was what life must bring--but ah! not so soon--not so soon. Then she set about preparations for dinner without Betty's help. That, too, was what it would mean--sometime--to go on doing things without Betty. She gave a little sigh, and at the instant an arm was slipped about her waist, and she turned to look in Bertrand's eyes.

"Is it all right, Mary?"

"Why--yes--that is--if they'll always love each other as we have. I think it ought not to be too definite an engagement, though, until his plans are more settled. What do you think?"

"You are right, no doubt. I'll speak to him about that." Then he kissed her warm, flushed cheek. "I declare, it makes me feel as Peter Junior feels again, to have this happen."

"Ah, Bertrand! You never grew up--thank the Lord!" Then Mary laughed.

After all, they had been happy, and why not Betty and Peter? Surely the young had their rights.

Bertrand climbed back to the studio where Peter Junior was pacing restlessly back and forth, and again they talked it all over, until the call came for dinner, when Peter was urged to stay, but would not.

No, he would not see Betty again until he could have her quite to himself. So he limped away, feeling as if he were walking on air in spite of his halting gait, and Betty from her window watched him pa.s.s down the path and off along the gra.s.sy roadside. Then she went down to dinner, flushed and grave, but with s.h.i.+ning eyes. Her father kissed her, but nothing was said, and the children thought nothing of it, for it was quite natural in the family to kiss Betty.

CHAPTER IX

THE BANKER'S POINT OF VIEW