The Tracer of Lost Persons Part 37

"Certainly," said Carden uneasily, "but how are we going to accomplish it by to-morrow? How is it going to be accomplished at all?"

The Tracer of Lost Persons rose and began to pace the long rug, clasping his hands behind his back. Minute after minute sped; Carden stared alternately at Mr. Keen and at the blue sky through the open window.

"It is seldom," said Mr. Keen with evident annoyance, "that I personally take any spectacular part in the actual and concrete demonstrations necessary to a successful conclusion of a client's case. But I've got to do it this time."

He went to a cupboard, picked out a gray wig and gray side whiskers and deliberately waved them at Carden.

"You see what these look like?" he demanded.

"Y-yes."

"Very well. It is now noon. Do you know the Park? Do you happen to recollect a shady turn in the path after you cross the bridge over the swan lake? Here; I'll draw it for you. Now, here is the lake; here's the esplanade and fountain, you see. Here's the path. You follow it--so!--around the lake, across the bridge, then following the lake to the right--so!--then up the wooded slope to the left--so! Now, here is a bench. I mark it Number One. _She_ sits there with her book--there she is!"

"If she looks like _that_--" began Carden. And they both laughed with the slightest trace of excitement.

"Here is Bench Number Two!" resumed the Tracer. "Here you sit--and there you are!"

[Ill.u.s.tration: MR. KEEN'S SKETCH OF THE RENDEZVOUS]

"Thanks," said Carden, laughing again.

"Now," continued the Tracer, "you must be there at one o'clock. She will be there at one-thirty, or earlier perhaps. A little later I will become benignly visible. Your part is merely a thinking part; you are to do nothing, say nothing, unless spoken to. And when you are spoken to you are to acquiesce in whatever anybody says to you, and you are to do whatever anybody requests you to do. And, above all, don't be surprised at _anything_ that may happen. You'll be nervous enough; I expect that.

You'll probably color up and flush and fidget; I expect that; I count on that. But don't lose your nerve entirely; and don't think of attempting to escape."

"Escape! From what? From whom?"

"From her."

"_Her?_"

"Are you going to follow my instructions?" demanded the Tracer of Lost Persons.

"I--y-yes, of course."

"Very well, then, I am going to rub some of this under your eyes." And Mr. Keen produced a make-up box and, walking over to Carden, calmly darkened the skin under his eyes.

"I look as though I had been on a bat!" exclaimed Carden, surveying himself in a mirror. "Do you think any girl could find any attraction in such a countenance?"

"_She_ will," observed the Tracer meaningly. "Now, Mr. Carden, one last word: The moment you find yourself in love with her, and the first moment you have the chance to do so decently, make love to her. She won't dismiss you; she will repulse you, of course, but she won't let you go. I know what I am saying; all I ask of you is to promise on your honor to carry out these instructions. Do you promise?"

"I do."

"Then here is the map of the rendezvous which I have drawn. Be there promptly. Good morning."

CHAPTER XXII

At one o'clock that afternoon a young man earnestly consulting a map might have been seen pursuing his solitary way through Central Park.

Fresh green foliage arched above him, flecking the path with fretted shadow and sunlight; the sweet odor of flowering shrubs saturated the air; the waters of the lake sparkled where swans swept to and fro, snowy wings spread like sails to the fitful June wind.

"This," he murmured, pausing at a shaded bend in the path, "must be Bench Number One. I am not to sit on that. This must be Bench Number Two. I _am_ to sit on that. So here I am," he added nervously, seating himself and looking about him with the caution of a cat in a strange back yard.

There was n.o.body in sight. Rea.s.sured, he ventured to drop one knee over the other and lean upon his walking stick. For a few minutes he remained in this noncommittal att.i.tude, alert at every sound, anxious, uncomfortable, dreading he knew not what. A big, fat, gray squirrel racing noisily across the fallen leaves gave him a shock. A number of birds came to look at him--or so it appeared to him, for in the inquisitive scrutiny of a robin he fancied he divined sardonic meaning, and in the blank yellow stare of a purple grackle, a sinister significance out of all proportion to the size of the bird.

"What an absurd position to be in!" he thought. And suddenly he was seized with a desire to flee.

He didn't because he had promised not to, but the desire persisted to the point of mania. Oh, how he could run if he only hadn't promised not to! His entire being tingled with the latent possibilities of a burst of terrific speed. He wanted to scuttle away like a scared rabbit. The pace of the kangaroo would be slow in comparison. What a record he could make if he hadn't promised not to.

He crossed his knees the other way and brooded. The gray squirrel climbed the bench and nosed his pockets for possible peanuts, then hopped off hopefully toward a distant nursemaid and two children.

Growing more alarmed every time he consulted his watch Carden attempted to stem his rising panic with logic and philosophy, repeating: "Steady!

my son! Don't act like this! You're not obliged to marry her if you don't fall in love with her; and if you do, you won't mind marrying her.

That is philosophy. That is logic. Oh, I wonder what will have happened to me by this time to-morrow! I wish it _were_ this time to-morrow! I wish it were this time next month! Then it would be all over. Then it would be--"

His muttering speech froze on his lips. Rooted to his bench he sat staring at a distant figure approaching--the figure of a young girl in a summer gown.

Nearer, nearer she came, walking with a free-limbed, graceful step, head high, one arm clasping a book.

That was the way the girls he drew would have walked had they ever lived. Even in the midst of his fright his artist's eyes noted that: noted the perfect figure, too, and the witchery of its grace and contour, and the fascinating poise of her head, and the splendid color of her hair; noted mechanically the flowing lines of her gown, and the dainty modeling of arm and wrist and throat and ear.

Then, as she reached her bench and seated herself, she raised her eyes and looked at him. And for the first time in his life he realized that ideal beauty was but the pale phantom of the real and founded on something more than imagination and thought; on something of vaster import than fancy and taste and technical skill; that it was founded on Life itself--on breathing, living, palpitating, tremulous Life!--from which all true inspiration must come.

Over and over to himself he was repeating: "Of course, it is perfectly impossible that I can be in love already. Love doesn't happen between two ticks of a watch. I am merely amazed at that girl's beauty; that is all. I am merely astounded in the presence of perfection; that is all.

There is nothing more serious the matter with me. It isn't necessary for me to continue to look at her; it isn't vital to my happiness if I never saw her again. . . . That is--of course, I should like to see her, because I never did see living beauty such as hers in any woman. Not even in my pictures. What superb eyes! What a fascinately delicate nose!

_What_ a nose! By Heaven, that nose _is_ a nose! I'll draw noses _that_ way in future. My pictures are all out of drawing; I must fit arms into their sockets the way hers fit! I must remember the modeling of her eyelids, too--and that chin! and those enchanting hands--"

She looked up leisurely from her book, surveyed him calmly, absent-eyed, then bent her head again to the reading.

"There _is_ something the matter with me," he thought with a suppressed gulp. "I--if she looks at me again--with those iris-hued eyes of a young G.o.ddess--I--I think I'm done for. I believe I'm done for anyway.

It seems rather mad to think it. But there _is_ something the matter--"

She deliberately looked at him again.

"It's all wrong for them to let loose a girl like that on people," he thought to himself, "all wrong. Everybody is bound to go mad over her.

I'm going now. I'm mad already. I know I am, which proves I'm no lunatic. It isn't her beauty; it's the way she wears it--every motion, every breath of her. I know exactly what her voice is like. Anybody who looks into her eyes can see what her soul is like. She isn't out of drawing anywhere--physically or spiritually. And when a man sees a girl like that, why--why there's only one thing that can happen to him as far as I can see. And it doesn't take a year either. Heavens! How awfully remote from me she seems to be."

She looked up again, calmly, but not at him. A kindly, gray-whiskered old gentleman came tottering and rocking into view, his rosy, wrinkled face beaming benediction on the world as he pa.s.sed through it--on the suns.h.i.+ne dappling the undergrowth, on the furry squirrels sitting up on their hind legs to watch him pa.s.s, on the stray d.i.c.kybird that hopped fearlessly in his path, at the young man sitting very rigid there on his bench, at the fair, sweet-faced girl who met his aged eyes with the gentlest of involuntary smiles. And Carden did not recognize him!

Who could help smiling confidently into that benign face, with its gray hair and gray whiskers? Goodness radiated from every wrinkle.

"Dr. Atwood!" exclaimed the girl softly as she rose to meet this marvelous imitation of Dr. Austin Atwood, the great specialist on children's diseases.

The old man beamed weakly at her, halted, still beaming, fumbled for his eyegla.s.ses, adjusted them, and peered closely into her face.

"Bless my soul," he smiled, "our pretty Dr. Hollis!"