When Patty Went to College Part 16

"Tell it to me any way you please, and I will try not to think so,"

said Miss Prescott, kindly.

"Don't you think sometimes the girls can tell more of one another's ability than the instructors?" Patty asked. "I know a girl," she continued, "a freshman, who is, in some ways, the most remarkable person I have ever met. Of course I can't be sure, but I should say that she is going to be very good in English some day--so good, you know, that the college will be proud of her. Well, this girl has flunked such a lot that I am afraid she is in danger of being sent home, and the college simply can't afford to lose her. I don't know anything about your rules, of course, but what seems to me the easiest way is for you to give her another examination in geometry immediately,--she really knows it,--and then tell the faculty about her and urge them to give her another trial."

Patty brought out this astounding request in the most matter-of-fact way possible, and the corners of Miss Prescott's mouth twitched as she asked: "Of whom are you speaking?"

"Olivia Copeland."

Miss Prescott's mouth grew firm, and she looked like the instructor in mathematics again.

"Miss Copeland did absolutely nothing on her examination, Miss Wyatt, and what little she has recited during the year does not betoken any unusual ability. I am sorry, but it would be impossible."

"But, Miss Prescott," Patty expostulated, "the girl has worked under such peculiar disadvantages. She's an American, but she lives abroad, and all our ways are new to her. She has never been to school a day in her life. Her father prepared her for college, and, of course, not in the same way that the other girls have been prepared. She is shy, and not being used to reciting in a cla.s.s, she doesn't know how to show off.

I am sure, Miss Prescott, that if you would take her and examine her yourself, you would find that she understands the work--that is, if you would let her get over being afraid of you first. I know you're busy, and it's asking a good deal," Patty finished apologetically.

"It is not that, Miss Wyatt, for of course I do not wish to mark any student unjustly; but I cannot help feeling that you have overestimated Miss Copeland's ability. She has really had a chance to show what is in her, and if she has failed in as many courses as you say--The college, you know, must keep up the standard of its work, and in questions like this it is not always possible to consider the individual."

Patty felt that she was being dismissed, and she groped about wildly for a new plea. Her eye caught a framed picture of the old monastery of Amalfi hanging over the bookcase.

"Perhaps you've lived in Italy?" she asked.

Miss Prescott started slightly. "No," she said; "but I've spent some time there."

"That picture of Amalfi, up there, made me think of it. Olivia Copeland, you know, lives near there, at Sorrento."

A gleam of interest flashed into Miss Prescott's eye.

"That's how I first came to notice her," continued Patty; "but she didn't interest me so much until I talked to her. It seems that her father is an artist, and she was born in Italy, and has only visited America once when she was a little girl. Her mother is dead, and she and her father live in an old villa on that road along the coast leading to Sorrento. She has never had any girl friends; just her father's friends--artists and diplomats and people like that. She speaks Italian, and she knows all about Italian art and politics and the church and the agrarian laws and how the people are taxed; and all the peasants around Sorrento are her friends. She is so homesick that she nearly dies, and the only person here that she can talk to about the things she is interested in is the peanut man down-town.

[Ill.u.s.tration: Olivia Copeland]

"The girls she rooms with are just nice exuberant American girls, and are interested in golf and basket-ball and Welsh rabbit and Richard Harding Davis stories and Gibson pictures--and she never even _heard_ of any of them until four months ago. She has a water-color sketch of the villa, that her father did. It's white stucco, you know, with terraces and marble bal.u.s.trades and broken statues, and a grove of ilex-trees with a fountain in the center. Just think of _belonging_ to a place like that, Miss Prescott, and then being suddenly plunged into a place like this without any friends or any one who even knows about the things you know--think how lonely you would be!"

Patty leaned forward with flushed cheeks, carried away by her own eloquence. "You know what Italy's like. It's a sort of disease. If you once get fond of it you'll never forget it, and you just can't be happy till you get back. And with Olivia it's her home, besides. She's never known anything else. And it's hard at first to keep your mind on mathematics when you're dreaming all the time of ilex groves and fountains and nightingales and--and things like that."

She finished lamely, for Miss Prescott suddenly leaned back in the shadow, and it seemed to Patty that her face had grown pale and the hand that held the magazine trembled.

Patty flushed uncomfortably and tried to think what she had said. She was always saying things that hurt people's feelings without meaning to.

Suddenly that old story from her freshman year flashed into her mind. He had been an artist and had lived in Italy and had died of Roman fever; and Miss Prescott had gone to Germany to study mathematics, and had never cared for anything else since. It sounded rather made up, but it might be true. Had she stumbled on a forbidden subject? she wondered miserably. She had, of course; it was just her way.

The silence was becoming unbearable; she struggled to think of something to say, but nothing came, and she rose abruptly.

"I'm sorry to have taken so much of your time, Miss Prescott. I hope I haven't bored you. Good night."

Miss Prescott rose and took Patty's hand. "Good night, my dear, and thank you for coming to me. I am glad to know of Olivia Copeland. I will see what can be done about her geometry, and I shall be glad, besides, to know her as--as a friend; for I, too, once cared for Italy."

Patty closed the door softly and tiptoed home through the dim corridors.

"Did you bring the matches?" called a sleepy voice from Priscilla's bedroom.

Patty started. "Oh, the matches!" she laughed. "No; I forgot them."

"I never knew you to accomplish anything yet that you started out to do, Patty Wyatt."

"I've accomplished something to-night, just the same," Patty retorted, with a little note of triumph in her voice; "but I haven't an idea how I happened to do it," she added frankly to herself.

And she went to bed and fell asleep, quite unaware of how much she _had_ accomplished; for unconsciously she had laid the foundation of a friends.h.i.+p which was to make happy the future of a lonely freshman and an equally lonely instructor.

XI

"Local Color"

The third senior table had discovered a new amus.e.m.e.nt with which to enlighten the tedium of waiting while Maggie was in the kitchen foraging for food. The game was called "local color," in honor of Patty Wyatt's famous definition in English cla.s.s, "Local color is that which makes a lie seem truthful." The object of the game was to see who could tell the biggest lie without being found out; and the one rule required that the victims be disillusionized before they left the table.

Patty was the instigator, the champion player, and the final victim of the game. Baron Munchhausen himself would have blushed at some of her creations, and her stories were told with such an air of ingenuous honesty that the most outrageous among them obtained credence.

The game in its original conception may have been innocent enough, but the rule was not always as carefully observed as it should have been, and the most unaccountable scandals began to float about college. The president of "Christians" had been called up for cutting chapel. The shark of the cla.s.s had flunked her ethics, and even failed to get through on the "re." Cathy Fair was an own cousin of Professor Hitchc.o.c.k's, and called him "Tommy" to his face. These, and far worse, were becoming public property; and even personal fabrications in regard to the faculty, intended solely for undergraduate consumption, were reaching the ears of the faculty themselves.

One day Patty dropped into an under-cla.s.sman's room on some committee work, and she found the children, in the manner of their elders, regaling themselves on dainty bits of college gossip.

"I heard the funniest thing about Professor Winters yesterday," piped up a soph.o.m.ore.

"Tell it to us. What was it?" cried a chorus of voices.

"I'd like to hear something funny about Professor Winters; he's the solemnest-looking man I ever saw," remarked a freshman.

"Well," resumed the soph.o.m.ore, "it seems he was going to get married last week, and the invitations were all out, and the presents all there, when the bride came down with the mumps."

"Really? How funny!" came in a chorus from the delighted auditors.

"Yes--on both sides; and the clergyman had never had it, so the ceremony had to be postponed."

Patty's blood froze. She recognized the tale. It was one of her own offspring, only shorn of its unessential adornments.

"Where in the world did you hear any such absurd thing as that?" she demanded severely.

"I heard Lucille Carter tell it at a fudge party up in Bonnie Connaught's room last night," answered the soph.o.m.ore, stoutly, sure that the source was a reputable one.

Patty groaned. "And I suppose that every blessed one of that dozen girls has told it to another dozen by this time, and that it's only bounded by the boundaries of the campus. Well, there's not a word of truth in it.

Lucille Carter doesn't know what she is talking about. That's a likely story, isn't it?" she added with fine scorn. "Does Professor Winters look like a man who'd ever dare propose to a girl, let alone marry her?"

And she stalked out of the room and up to the single where Lucille lived.

"Lucille," said Patty, "what do you mean by spreading that story about Professor Winters's bride's mumps?"

"You told it to me yourself," answered Lucille, with some warmth. She was a believing creature with an essentially literal mind, and she had always been out of her element in the lofty imaginative realms of local color.